Die Besatzer als Kuratoren - Die "Monuments Men" in WiesbadenTanja Bernsau
Selbst George Clooney hat sich bereits der “Monuments Men” angenommen, jener amerikanischen Kunstschutzeinheit, die gegen Ende des Zweiten Weltkriegs auf eine abenteuerliche Schatzsuche startete, um europäische Kulturgüter zu retten. 700 000 Kunstwerke wurden ab 1945 im Wiesbadener Museum gelagert – Gemälde, Skulpturen, Münzen und Teppiche, die von US-Kunstschutzoffizieren aus Bergwerken geborgen worden waren.
Das Interesse am Central Collecting Point (CCP) Wiesbaden ist groß und was in der Hollywood-Verfilmung nicht zur Geltung kommt: Die Geschichte der Monuments Men hört nicht mit dem Auffinden der Kunstwerke in den Salzbergwerken und anderen Auslagerungsstätten auf. Im Gegenteil – das wahre Verdienst dieser Kunstschutzoffiziere fängt gegen Kriegsende erst an.„Die Besatzer als Kuratoren? Der Central Collecting Point Wiesbaden als Drehscheibe für den Wiederaufbau der Museumslandschaft nach 1945“, die Kunsthistorikerin Tanja Bernsau hat über das Thema promoviert und spricht darüber, wie die Werke – darunter die „bunte Königin“ Nofretete nach Wiesbaden kamen.
Der deutsche Expressionismus, El expresionismo alemánMARA
Der Expressionismus wurde im Gegensatz zum Impressionismuns geprächt. Es sucht die Ausdrück des Gefühls, mehr als die Darstelung der objektiven Realität und zeigt uns der pesimistische seite des Lebens, die die historische Umstände erzeugt haben, un eine Wirkung des Zuschauers zu erreichen.
Elemente: Farbe, Dinamik und Gefühl.
Franz Marc was a German painter known for his expressive animal paintings from 1911 to 1914, including Dog Lying in the Snow, Blue Horse, The Large Blue Horses, Yellow Cow, Deer in the Woods, Tiger, Stables, Foxes, Three Cats, The Fate of the Animals, The Lamb, and Deer in the Forest, as well as his abstract work Fighting Forms from 1914.
Die Besatzer als Kuratoren - Die "Monuments Men" in WiesbadenTanja Bernsau
Selbst George Clooney hat sich bereits der “Monuments Men” angenommen, jener amerikanischen Kunstschutzeinheit, die gegen Ende des Zweiten Weltkriegs auf eine abenteuerliche Schatzsuche startete, um europäische Kulturgüter zu retten. 700 000 Kunstwerke wurden ab 1945 im Wiesbadener Museum gelagert – Gemälde, Skulpturen, Münzen und Teppiche, die von US-Kunstschutzoffizieren aus Bergwerken geborgen worden waren.
Das Interesse am Central Collecting Point (CCP) Wiesbaden ist groß und was in der Hollywood-Verfilmung nicht zur Geltung kommt: Die Geschichte der Monuments Men hört nicht mit dem Auffinden der Kunstwerke in den Salzbergwerken und anderen Auslagerungsstätten auf. Im Gegenteil – das wahre Verdienst dieser Kunstschutzoffiziere fängt gegen Kriegsende erst an.„Die Besatzer als Kuratoren? Der Central Collecting Point Wiesbaden als Drehscheibe für den Wiederaufbau der Museumslandschaft nach 1945“, die Kunsthistorikerin Tanja Bernsau hat über das Thema promoviert und spricht darüber, wie die Werke – darunter die „bunte Königin“ Nofretete nach Wiesbaden kamen.
Der deutsche Expressionismus, El expresionismo alemánMARA
Der Expressionismus wurde im Gegensatz zum Impressionismuns geprächt. Es sucht die Ausdrück des Gefühls, mehr als die Darstelung der objektiven Realität und zeigt uns der pesimistische seite des Lebens, die die historische Umstände erzeugt haben, un eine Wirkung des Zuschauers zu erreichen.
Elemente: Farbe, Dinamik und Gefühl.
Franz Marc was a German painter known for his expressive animal paintings from 1911 to 1914, including Dog Lying in the Snow, Blue Horse, The Large Blue Horses, Yellow Cow, Deer in the Woods, Tiger, Stables, Foxes, Three Cats, The Fate of the Animals, The Lamb, and Deer in the Forest, as well as his abstract work Fighting Forms from 1914.
One of the leading figures of German Expressionism, Franz Marc e is best remembered for his images of animals, especially of horses..Co-founder of the group Der Blaue Reiter
The original painting by Franz Marc, titled "The Yellow Cow", depicts a smiling yellow cow against a backdrop of triangular blue mountains. Marc's wife Maria had a happy personality, so the cow may symbolize her. The diagonal lines behind the cow convey a sense of energy. Students are tasked with copying the outline of the painting but changing the lines, shapes, and colors to convey a different emotion. They will be graded based on how well they use visual elements to symbolize the new emotion and the technical skills in their rendition.
With this Power Point Presentation you will know more about Franz Marc and his best known painting called "Blue Horse". You can also find out more about other pintings. I hope you like his work as much as me.
Durante una conferencia en la Universidad de Berlín a principios del siglo XX, un profesor desafió a sus estudiantes a debatir si Dios creó todo lo que existe. Cuando un estudiante defendió que Dios creó todo, incluyendo el mal, otro estudiante, Albert Einstein, argumentó que el mal no existe por sí mismo, sino que es la ausencia del bien, al igual que el frío es la ausencia de calor y la oscuridad la ausencia de luz. Einstein dejó sin respuesta al profesor y fue aplaudido de pie por sus
This document provides an overview of Fauvism and Expressionism. It discusses key Fauvist artists like Henri Matisse and their use of bright, unnatural colors. It then covers major Expressionist artists like Edvard Munch, Franz Marc, Marc Chagall, and their use of distortion, emotion, and non-realistic styles to express inner feelings and experiences impacted by events like World War I. Expressionist works explored themes like mental illness, anxiety, and the horrors of war through bold styles that broke from realism and natural color.
slide 30 --Hitler comes into power
slides 34-49--the Die Brücke movement
slides 50-67-- the Der Blaue Reiter (The Blue Rider) movement --Wassily Kandinsky/Franz Marc/Paul Klee
slides 68-96--Expressionism (Otto Dix, George Grosz**, Kathe Kollowitz)
slide 97--Weimar Years begin
slide 100 -- Ernst von Wolzogen --founded 1st cabaret in Berlin in 1901**
slides 102-109-- Grosz-Metropolis and the German word Kabarett**
slides 116-130--Anita Berber**
slides 134 - 168 -- more on Expressionist and Anti-Expressionist art, Grosz, Kirchner, the spirit of the Weimar Years, Fritz Lang's Metropolis
**I find that George Grosz and Anita Berber are particularly relevant to our show!
El documento resume los orígenes y características del expresionismo alemán. Se menciona que surgió a principios del siglo XX como oposición al positivismo materialista, manifestándose en las artes plásticas, la música y el cine. Se destacan los grupos Die Brücke y Der Blaue Reiter, así como sus fundadores y obras representativas que utilizaban colores brillantes y formas deformadas para expresar estados de ánimo. Finalmente, se describen las influencias y trayectorias individuales de destacados artistas expresionistas
German Expressionism developed in late 19th and early 20th century Germany and was characterized by the use of vivid colors and distorted images to convey inner emotions and visions. Two major German Expressionist movements were Die Brucke, centered in Dresden and led by Ernst Kirschner, known for his expressive self-portraits and street scenes, and Der Blaue Reiter, which pursued non-objective abstraction through orchestration of color and form to envision a liberated society. Key figures included Kandinsky, whose abstract compositions eliminated representation, and Franz Marc, known for works like Foxes that distorted reality to evoke feelings. Expressionism also influenced other creative fields and the American artist Marsden
about history of modern art.
trying to define Fauvism in a little presentation .. the art of early 20th century, or a little art movement of history...
This document provides an overview of Les Fauves, a early 20th century art movement known for its bold use of pure color and painterly techniques. It discusses the social/historical context of 1900s Europe and introduces some of the key Fauvist artists like Matisse, Derain, and Vlaminck. Their goal was to express emotion through color alone, breaking from academic traditions. The document also examines influences on the Fauves like Van Gogh, Gauguin, and Cezanne and how the movement served as a transition between Impressionism and Expressionism.
Expressionism was an art movement from 1905-1925 where artists prioritized expressing emotions over realism, often using exaggerated colors and brush strokes. It originated in Germany with key artists including Ernst Ludwig Kirchner, Max Pechstein, Emil Nolde, Edvard Munch, and Franz Marc who are known for works expressing moods through distorted forms.
This document provides an overview of Expressionism in art. It describes two key Expressionist groups that formed in Germany in the early 20th century: Die Brucke and Der Blaue Reiter. Expressionist art was a revolt against Impressionism, featuring distorted subjects, bold colors, and emotional content intended to connect with viewers. Key artists discussed include Kirchner, Kandinsky, Marc, Munch, and Van Gogh, whose work influenced Expressionism through use of color, brushstrokes, and subject matter to express inner feelings and dreams. Expressionism also impacted literature, drama, film, and music through experimental approaches.
Fauvism was an early 20th century avant-garde art movement known for its use of bright, arbitrary colors and expressive brushwork. Key figures included Henri Matisse and Andre Derain. Their works were first exhibited together in 1905 and were criticized for their wild, unnatural colors, leading to the name "Fauves" meaning wild beasts. Matisse's painting Woman with a Hat was particularly attacked but also purchased by Gertrude and Leo Stein, boosting Matisse's confidence. Both Matisse and Derain were inspired by color and reimagining the visual world through color.
Expressionism emerged in Germany around 1910 as a reaction against Impressionism. It focused on emotive and interpretive art through distortion and exaggeration to convey emotional experiences. Major expressionist groups included Die Brücke, Der Blaue Reiter, and Die Neue Sachlichkeit. Expressionist art used vivid colors, dynamic forms, and exaggeration to depict intense emotions and subjective perspectives rather than realistic representations. Pioneering expressionist artists included Edvard Munch, Ernst Ludwig Kirchner, Emil Nolde, Wassily Kandinsky, Franz Marc, George Grosz, and Max Beckmann.
The document provides information about German Expressionism, including:
- It was a reaction against conservative academies and embraced distorted forms and exaggerated colors.
- Artists wanted to startle viewers with direct, frank works in various media.
- Many artists served in WWI and returned disillusioned by the war and economic/political turmoil in Germany.
- The movement reflected humanistic concerns and ambivalence about modernity through the early 1920s.
Koller Gemalde Des 19.Jahrhunderts - 19th Century PaintingsKoller Auctions
19th Century Paintings Auction - English available on the site
Koller Zurich A176
Auction 22.03.2016, 04.00 PM
http://kollerauktionen.auctioneersvault.com/catalogues/A176i/
Gemälde des 19. Jahrhunderts Lot 3201- 3263 Auktion: Dienstag, 22. März 2016, 16.00 Uhr Vorbesichtigung: 8. bis 16. März 2016 Weitere Bearbeitung:
Christian Stutz Karoline Weser Tel. +41 44 445 63 35 weser@kollerauktionen.ch Stéphanie Egli Tel. +41 44 445 63 32 egli@kollerauktionen.ch Natassja Lloyd Tel. +41 44 445 63 07 lloyd@kollerauktionen.ch
Cyril Koller Tel. +41 44 445 63 30 koller@kollerauktionen.ch
Koller is the leading Swiss auction house, with offices in London, Munich, Dusseldorf, Milan, Hamburg, Beijing, Moscow and New York. Each year Koller holds over thirty auctions, covering all of the major collecting categories in the fine and decorative arts, jewelry, Asian art and wine. Koller regularly sets record prices and benefits from a large base of international bidders. With its team of highly experienced specialists, as well as its membership in the worldwide group “International Auctioneers,” the family-owned auction house combines the distinct advantages of an internationally active auction house with Swiss reliability and efficiency.
Koller Impressionismus & Klassische Moderne AuktionKoller Auctions
Koller Impressionismus & Klassische Moderne Auktion
http://kollerauktionen.auctioneersvault.com/catalogues/a181d/
Impressionismus & Klassische Moderne
Lot 3201 – 3278
Auktion: Freitag, 30. Juni 2017, 14.00 Uhr
Vorbesichtigung: Sa. 17. bis Mo. 26. Juni 2017
Koller Photographie Auktion Samstag 1. Juli 2017
http://kollerauktionen.auctioneersvault.com/catalogues/a181f/
Photographie
Lot 1601- 1885
Auktion: Samstag, 1. Juli 2017, 9.30 Uhr
Vorbesichtigung: Sa. 17. bis Mo. 26. Juni 2017
Gabriel Müller, M.A.
Tel. +41 44 445 63 40
mueller@kollerauktionen.ch
Historische - und Reisephotographie 1601-1622
Helvetica 1623-1668
Klassische Photographie 1669-1708
Portraits 1709-1856
Zeitgenössische Photographie 1857-1885
Aus Gestaltungsgründen können einzelne Photographien im Katalog beschnitten abgebildet sein.
Auf unserer Website finden Sie die Abbildungen aller Objekte in unbeschnittenem Zustand:
www.kollerauktionen.ch
Der Zustand der Werke ist im Katalog nur zum Teil und in Einzelfällen angegeben.
Gerne senden wir ihnen einen ausführlichen Zustandsbericht zu.
English descriptions upon request.
This is the Power Point Presentation of the lecture "Aktionstheater als Provokation: groteske Körperkonzeption im Wiener Aktionismus", Staatsgalerie Stuttgart 2009, URL: http://dreher.netzliteratur.net/2_Performance_Aktionismus.html
Autographen & Manuskripte
Auktion: Samstag, 24. September 2016, 14.30 Uhr
Vorbesichtigung: 14. bis 18. September 2016
Lot 501 - 589
Dr. Andreas Terwey
Tel. +41 44 445 63 44
terwey@kollerauktionen.ch
Gabriel Müller, M.A.
Tel. +41 44 445 63 40
books@kollerauktionen.ch
Bearbeitung:
Zusätzliche Abbildungen finden Sie auf unserer Website: www.kollerauktionen.ch
English descriptions upon request.
Zum Tag der Provenienzforschung am 13. April 2022 zeigt die Stabi Hamburg eine von Anneke de Rudder erarbeitete Online-Präsentation der Arbeitsstelle Provenienzforschung - NS-Raubgut zu den Briefen aus der Sammlung Heinrich Spiero. Sie zeigt wie Teile der bedeutenden Autographensammlung des Germanisten und Biografen Heinrich Spiero in die Sondersammlungen der Bibliothek gelangten. https://www.sub.uni-hamburg.de/sammlungen/ns-raubgut/die-arbeitsstelle-provenienzforschung.html
M. v. Othegraven Ein Maler im 19./20. Jahrhundert mit Berliner Wohnsitz Mos...Heinrich94
M. v. Othegraven
Ein Maler im 19./20. Jahrhundert mit Berliner Wohnsitz
Moses von Othegraven, ● Hugo Eugen Friedrich Maria von Othegraven, ● Max von Othegraven?
Max von Othegraven
*30.07.1860 in Driesen - † 09.04.1924 in Berlin
http://d-nb.info/1185358463/
Precious materials like gold and silver have traditionally been used in jewellery making. However, some designers are now incorporating alternative materials that are more affordable and environmentally friendly. These 'other' materials such as wood, plastic and recycled metals allow for creative new designs while appealing to consumers interested in sustainable options.
The document discusses the benefits of exercise for mental health. Regular physical activity can help reduce anxiety and depression and improve mood and cognitive functioning. Exercise boosts blood flow, releases endorphins, and promotes changes in the brain which help regulate emotions and stress levels.
The document discusses the concept of folding in various contexts including art, design, fashion, and architecture. Folding is used as a metaphor for creative thinking and understanding relationships between ideas. Several designers are mentioned like Issey Miyake who uses folding techniques in garments, and Zaha Hadid who incorporates folding principles into architecture. Folding is related to concepts in fields like systems theory, chaos theory, and biomimicry.
This document provides a list of names and short descriptions related to post-modern design. It includes names of post-modern architects like Charles Moore and Michael Graves as well as designers that worked in styles like Memphis Design. It also lists artists and their works, including photographers, jewelry makers, and sculptors. The artists and works mentioned come from different time periods and locations, including West Africa, Europe, and South Africa.
The document discusses the decades of the 1950s, 1960s, and pop music. It mentions Ray and Charles Eames, who were designers known for their mid-century modern furniture as well as experimental films and exhibits. In just a few words, it gives a high-level overview of the time period and names mentioned.
Surrealism emerged in the 1920s as an artistic movement that aimed to express the unconscious mind and dreams through techniques like automatic drawing and writing. Some of the major figures that developed surrealist art included Giorgio de Chirico, André Masson, Max Ernst, Hans Arp, Paul Klee, Joan Miró, René Magritte, and Salvador Dalí. Their surrealist works often featured dreamlike and unexpected juxtapositions that challenged rational thought. In the following decades, abstract expressionists like Jackson Pollock, Willem de Kooning, Franz Kline, Clyfford Still, Robert Motherwell, and Mark Rothko further developed
Fauvism was an early 20th century art movement among French artists who shared a common style characterized by vibrant colors and non-naturalistic forms. The three main artists associated with Fauvism were Henri Matisse, André Derain, and Maurice de Vlaminck. They rejected academic color theory in favor of expressive distortions and vivid colors. Cubism followed as another early 20th century avant-garde art movement, developed by Pablo Picasso and Georges Braque, known for analyzing subject matter in a abstract geometric style and representing various views of subjects simultaneously on a 2D canvas.
This document provides an overview of the Impressionist, Neo-Impressionist, and Post-Impressionist art movements from the late 19th century. It lists some of the key artists such as Manet, Monet, Renoir, Degas, Seurat, Cezanne, Gauguin, and Van Gogh. It also includes titles and dates for some of their most famous paintings that helped define these movements through their focus on light, color, and everyday subject matter.
Modernism, the international style and late modernismmark splendid
The document discusses key aspects and figures of modernist architecture between the early 20th century to the late 20th century. It covers principles of modernism like "form follows function", use of new materials, and emphasis on clean lines. It profiles influential modernist architects like Frank Lloyd Wright, Le Corbusier, Mies van der Rohe, Oscar Niemeyer, and others. Some of their most notable works are mentioned, including the Robie House, Fallingwater, Seagram Building, and more recent landmarks like the Pompidou Centre and World Trade Centre.
The document discusses several influential art movements from the late 19th and early 20th centuries. It mentions Paul Cezanne as a pioneer of Cubism from 1907-1914. Pablo Picasso and Georges Braque are noted as developing both the Analytical and Synthetic phases of Cubism. Eugène Henri Paul Gauguin is referenced for his Post-Impressionist works. The document also introduces Fauvism and its founders Henri Matisse and André Derain, active from 1904-1908. Key works by these artists are listed.
Post impressionism, van gogh, expressionism and surrealismmark splendid
The document provides information on several post-impressionist and expressionist artists and movements from the late 19th and early 20th centuries. It discusses Vincent van Gogh's self-portraits and landscapes from the 1880s-1890s. It then covers the German expressionist groups Die Brücke founded in 1905 and Der Blaue Reiter founded in 1911, listing some of their founding members and examples of works. It also gives brief biographies of expressionist painters Ernst Kirchner, Erich Heckel, and Emil Nolde. Next, it introduces surrealism which grew from Dada in the 1920s, mentioning key surrealist artists like Breton, Ernst, Magrit
This document outlines design principles for creating visually appealing compositions including balance, proportion, repetition, rhythm and pattern, dominance and focal points, contrast, direction and movement, harmony and unity, variety, and symbolic meaning.
Shape, form, and space are key concepts in visual art and design. An artist must consider how shapes and forms are arranged within the space or environment. Effective use of these elements can guide the viewer's eye and create balance, rhythm, and emphasis within a composition.
The document does not contain any text to summarize. It only contains the word "Line" which provides no context or meaningful information to summarize in 3 sentences or less.
Neo classicism, romanticism, the salon and realismmark splendid
The document discusses the major art movements between 1765-late 1800s in France including Neoclassicism, Romanticism, and Realism. Neoclassicism emerged after the French Revolution as a reaction against Rococo and Baroque, emphasizing a return to classical ideals. Notable Neoclassical artists included Jacques-Louis David and Jean Auguste Dominique Ingres. Romanticism featured emotional, dramatic works by artists like Delacroix, Goya, and Gericault. Realism focused on realistic depictions of contemporary life and society by Courbet, Millet, and Daumier.
9. Die Brucke 1905 (Dresden/Berlin) Fritz Bleyl 1880–1966 Erich Heckel 1883–1970 Ernst Ludwig Kirchner 1880–1938 Karl Schmidt-Rottluff 1884–1976 Emil Nolde 1867–1956 Max Pechstein 1881–1955 Otto Mueller 1874–1930
59. Dada 1916-1922, Zurich, Berlin, Cologne, New York Hugo Ball EmmyHennings Tristan Tzara Jean Arp Marcel Janco Richard Huelsenbeck Sophie Täuber Hans Richter Hannah Höch George Grosz Otto Dix Francis Picabia Marcel Duchamp Man Ray