With the development of the OSCI Toolkit and the emergence of a new department that brings together digital content creation and publications, the Indianapolis Museum of Art has made digital publishing a strong priority, with a focus placed on creating enhanced counterparts to the museum’s print catalogues. Various models are being explored for each publication, including the type of platform that’s optimized for a specific reading experience, overall accessibility, our approach to interactive design, and the involvement of our catalogues’ co-publishers in the process. In this presentation, we'll discuss what we’ve learned and what new experiments we’re exploring with future publications. In particular, we’ll look at:
The development of an app-based publication for the catalogue “Aziz and Cucher: Some People” in collaboration with Parsons The New School For Design, with an honest assessment of the benefits and drawbacks we encountered with the platform and the process.
The workflow between IMA content and development teams with an external interactive design agency for the online-only publication “Graphite.” We’ll share our documentation of the process and the challenges encountered, integration of the OSCI Toolkit, and pushing the e-pub format beyond what has previously been utilized for art publications. We will preview the publication within the session, in advance of its scheduled launch in early December.
Throughout the year, the Indianapolis Museum of Art has been operating with a digital publishing strategy that emphasizes agile and creative decision-making based on the nature and needs of each individual publication, while also attaining long-term sustainability. This presentation will cover what we’ve learned from those decisions over the past year, the processes and platforms we’ve explored, and how a nimble approach can be integrated into the long-term planning at your institution.
Our future plans for digital publications and how developing creative and collaborative relationships with co-publishers can positively impact each project.
Rachel Craft
Director of Publishing and Media
Indianapolis Museum of Art
Jay David
Interactive Creative Director
TOKY Branding + Design
Kyle Jaebker
Indianapolis Museum of Art
11. FIRST PUBLICATION
PROJECT
Exhibition at the IMA.
Corresponding digital publication
to a print catalogue.
COLLABORATION
Design fellowship with Parsons
The New School for Design.
FORMAT Adobe DPS / App
12.
13.
14. BENEFITS
COLLABORATION Opportunity to collaborate
with a design program
Inexpensive
Learning experience for
students
15. BENEFITS
FORMAT
Design freedom
More interactive capabilities
Ties in with programs
designers already use
16.
17. CHALLENGES
COLLABORATION Student experience and
schedules
Synching workflows
Unfamiliarity with DPS
18. CHALLENGES
FORMAT Readers can’t interact
with text
Discoverability
Potential rejection
Cost and version
limitations
28. phite / Interactive ePub Catalogue | Site Map SITE MAP V1.0 - MO
Graphite Web
Landing Graphite ePub Cover
IMA Exhibition page w/ Identity and Exhibition Details (w/ possible use of
ePub download (Pay with a accelerometer or other interactive element), Link Share functionality is likely to share the
Tweet option?), home for to Contents and Introduction, and Share (TBD). web URL for the ePub download, and not
video introduction (tbd). specific content within the ePub.
Contents
Introduction Interactive, Sortable (tbd) Content Map of Artists and Artworks
Landing is an overview of all content Artists & Artworks Interviews
within this section. Possible inclusion of 2.0
Landing is an overview of all content Landing is an overview of all content
video introduction or section on using within this section. within this section.
the ePub.
1.0 3.0 4.0
Foreword: Lisa Freiman By default, content landing page shows all work, artist images, INDIVIDUAL ARTIST PAGE Kim Jones with Karl Haendel
screenshots of interviews and interactive content filling the page.
Image, Short Bio, Link to Interview
Overview: Sarah Green User then has the ability to sort contents:
(Possibly truncated, linking to full) Judith Braun with Joyce Hinterding
BY ARTIST
Properties of Graphite: Greg Smith Page sorts to view by Artist. Artist image appears with name, link to Detailed Images of Artworks, Reference
individual page - next to thumbnails of all artworks and any links to Images, Text Dan Fischer with Molly Springfield
related content such as interview(s).
Acknowledgements
BY ARTWORK Audio/Video Clips & Process-based images
Geof Oppenheimer with David Getsy
Visual archive of all works. This view hides the artist images/names and
shows the artwork images only. Below the artworks, screenshots of
interviews appear. Full Bio
Roland Flexner with TR Ericsson
BY THEME
All content within introduction section may include
images, video or other interactive content. All may TBD
link to other content within the ePub. Michaela Fruhwith with Joao Ribas
(i.e., reference images, exhibition images, video/
audio content, Images of Curators/Writers)
Dan Shaw-Town with ?
Individual interviews will vary in functionality
and assets. Additionally, some content will have
the ability to be viewed in alternate ways (i.e.,
audio vs. transcript). Functionality to be detailed
in Wireframes.
314.
29. WEB LANDING/
DOWNLOAD - IMA COVER/LANDING
INTRODUCTION TABLE OF CONTENTS ARTISTS & INTERVIEWS
ARTWORKS
Foreword: Lisa Freiman Individual Artist Page Kim Jones w/ Karl Haendel
Overview: Sarah Green
by ARTIST Landing Judith Braun w/ Joyce
Properties of GRAPHITE, Greg
by ARTWORK Detailed Images, References
Hinterding
Dan Fischer w/ Molly
Smith
by THEME
Springfield
Audio/Video Geof Oppenheimer w/ David
Acknowledgements Getsy
Full Bio / Essay Roland Flexner w/ TR Ericsson
Michaela Fruwith w/ Joao
Ribas
32. “Digital publishing, it turns out, ISN’T SO MUCH
A SECOND PRINT RUN (as it seemed at first) as
a whole other ecosystem, with a unique
atmosphere, strange new rain patterns, and its
own troubling signs of pollution and climate
change. DIVING INTO IT MEANS LEARNING HOW
TO BREATHE ALL OVER AGAIN.”
Source: Mandy Brown
http://aworkinglibrary.com/library/archives/three
38. “USERS PREFER A HOME BASE from which to
operate without having to hunt through
carousels or wade through long columns of
thumbnails, and they always want the option
to go one step back from their current
position, because of accidental taps or to
refer back to something they just saw.”
Source: Darrell Etherington
http://gigaom.com/apple/ipad-usability-study-reveals-what-we-do-and-dont-
like-in-apps/
55. QUICKER EXPLORATION
& LAYERED CONTENT
iBooks-Mandated Table of
Contents
Wanted quicker linking to
‘home’ or other relevant
landing pages throughout the
book.
72. “ People think focus means saying yes to the thing
you’ve got to focus on. But that’s not what it means at
all. It means saying no to the hundred other good ideas
that there are. You have to pick carefully. I’m actually
as proud of the things we HAVEN’T done as the things
I have done.
INNOVATION IS SAYING ‘NO’ TO 1,000 THINGS.”
Steve Jobs
74. Feeling lost within the book
Keeping document sizes low
Seamlessly blending in widgets
iBOOKS Mandated functionality by iBooks
AUTHOR Author
Customizability & Typography
iPad only / iBooks App required
download
75. ePub Essays
Version as PDFs
BOTH POSSIBLE WITH THE OSCI TOOLKIT
76. “ If we’re right, it’ll be out of date in two years.
If we’re wrong, it’ll be out of date and WRONG IN
TWO WEEKS.”
Robert Weisberg, Assistant Managing Editor, Metropolitan Museum of Art
NMPS Conference, Chicago 2012
98. PRICING & PROMOTION
Pay with a Evangelists,
Tweet
Website Educate Museum
Staff
Presence
Further Content
Connections
Trailer
$4.99
Brochures &
Featured Shop Promotions
on Apple?
Promo
Codes