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Looking at Iran and Central Asian:
        The Shahnameh
Shahnameh (Book of Kings)

  Epic poem of mythical history of Iranian
    kings, in Persian, transmitted orally
              (continues today)

Recorded in written form by the poet Firdawsi
   at the court of the Ghaznavid rulers in
           Afghanistan, ca. 1010
What is the role of the Shahnameh in
    (re)writing history in Iran?

  How was it used by the Seljuqs,
Mongol/Ilkhanids, Timurids & Safavids
Simurgh (magical phoenix-like bird; symbol of royalty in
 the Shahnameh) on a luster tile, ca. 1270 possibly from
   the Mongol palace at Takht-i Suleyman (Throne of
Solomon) & Bahram Gur hunting with Azada, Seljuq tile
Beaker with the
story of Bijan and
  Manijeh, early
 13th C., Seljuq,
    minai ware

    What is the
  importance of
this beaker in the
     history of
    Shahnameh
  illustrations?
Like the Seljuqs, the Ilkhanids used glazed ceramics in a
 number of ways - for objects and as applied architectural
                         decoration.
What new techniques were developed in each period? How
did the application of glazed tiles work in architecture and
                     how did it vary?

        Consider the following uses & techniques:
      luster (how did it differ from earlier periods?)
    lajvardina (= lapis lazuli color with applied gold)
    minai (also known as haft awrang = seven colors)
        checkerboard (also known as “brick-style)

  The Timurids further elaborated these uses through the
     invention of cuerda secca (dry cord) technique
Bahram Gur & the Dragon, illustrations from Mongol (ca.
      1335) & Timurid (ca. 1440) Shahnamehs.
What is the relationship between text & illustration, background &
              figures? Compare color, form & space.
Bahram Gur & the Dragon (detail)
Episodes from the life of Alexander the Great
(Iskandar). Iskandar’s Iron Army (right) & Bier of
  Alexander (left). Mongol Shahnameh, ca. 1335
Universal History (Jam’i al-Tawarikh) written
   by the Ilkhanid minister Rashid al-Din
   Copy of ca. 1315, Tabriz (western Iran)

   How does this work reflect and represent
             Mongol history?

How do the illustrations compare to those from
         the Shahnameh of 1335?
The Buddha
Offers Fruit to
  the Devil
Noah & the Arc
The Birth of the Prophet Muhammad
Siege of Baghdad in 1258
Bihzad, Yusuf &
Zulaykha, from the
 Bustan of Sa’di,
   Herat, 1488

   Kamal al-Din Bihzad
  (born ca. 1450 - died in
     Tabriz, 1535-6)

worked for the Timurids in
          Herat
 Shaybanids in Bukhara
Brought to Tabriz by Shah
     Ismail Safavid
Bihzad, At the Public Bath, Herat, 1494
Allegory of Worldy & Otherworldly
    Drunkenness, from a Diwan
(Collected Poems) of Hafiz, painted
by Sultan Muhammad, ca. 1526-27,
              Tabriz
Safavid Royal Shahnameh
    for Shah Tahmasp
     1525-35, Tabriz
Nushirvan & the Owls, from a
Khamsah (Quintet or Five
Collected Poems) of Nizami,
for Shah Tahmasp Safavi,
1539-43
Reza Abbasi (Court painter of Shah Abbas), Lady with Fan,
ca, 1592 & wall painting from Isfahan palace, late 17th C.
Development of single figure & Album painting and new handling of
                              space

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Nonwestern artweek2

  • 1. Looking at Iran and Central Asian: The Shahnameh
  • 2. Shahnameh (Book of Kings) Epic poem of mythical history of Iranian kings, in Persian, transmitted orally (continues today) Recorded in written form by the poet Firdawsi at the court of the Ghaznavid rulers in Afghanistan, ca. 1010
  • 3. What is the role of the Shahnameh in (re)writing history in Iran? How was it used by the Seljuqs, Mongol/Ilkhanids, Timurids & Safavids
  • 4. Simurgh (magical phoenix-like bird; symbol of royalty in the Shahnameh) on a luster tile, ca. 1270 possibly from the Mongol palace at Takht-i Suleyman (Throne of Solomon) & Bahram Gur hunting with Azada, Seljuq tile
  • 5. Beaker with the story of Bijan and Manijeh, early 13th C., Seljuq, minai ware What is the importance of this beaker in the history of Shahnameh illustrations?
  • 6. Like the Seljuqs, the Ilkhanids used glazed ceramics in a number of ways - for objects and as applied architectural decoration. What new techniques were developed in each period? How did the application of glazed tiles work in architecture and how did it vary? Consider the following uses & techniques: luster (how did it differ from earlier periods?) lajvardina (= lapis lazuli color with applied gold) minai (also known as haft awrang = seven colors) checkerboard (also known as “brick-style) The Timurids further elaborated these uses through the invention of cuerda secca (dry cord) technique
  • 7. Bahram Gur & the Dragon, illustrations from Mongol (ca. 1335) & Timurid (ca. 1440) Shahnamehs. What is the relationship between text & illustration, background & figures? Compare color, form & space.
  • 8. Bahram Gur & the Dragon (detail)
  • 9. Episodes from the life of Alexander the Great (Iskandar). Iskandar’s Iron Army (right) & Bier of Alexander (left). Mongol Shahnameh, ca. 1335
  • 10. Universal History (Jam’i al-Tawarikh) written by the Ilkhanid minister Rashid al-Din Copy of ca. 1315, Tabriz (western Iran) How does this work reflect and represent Mongol history? How do the illustrations compare to those from the Shahnameh of 1335?
  • 11. The Buddha Offers Fruit to the Devil
  • 12. Noah & the Arc
  • 13. The Birth of the Prophet Muhammad
  • 14. Siege of Baghdad in 1258
  • 15. Bihzad, Yusuf & Zulaykha, from the Bustan of Sa’di, Herat, 1488 Kamal al-Din Bihzad (born ca. 1450 - died in Tabriz, 1535-6) worked for the Timurids in Herat Shaybanids in Bukhara Brought to Tabriz by Shah Ismail Safavid
  • 16. Bihzad, At the Public Bath, Herat, 1494
  • 17. Allegory of Worldy & Otherworldly Drunkenness, from a Diwan (Collected Poems) of Hafiz, painted by Sultan Muhammad, ca. 1526-27, Tabriz
  • 18. Safavid Royal Shahnameh for Shah Tahmasp 1525-35, Tabriz
  • 19. Nushirvan & the Owls, from a Khamsah (Quintet or Five Collected Poems) of Nizami, for Shah Tahmasp Safavi, 1539-43
  • 20. Reza Abbasi (Court painter of Shah Abbas), Lady with Fan, ca, 1592 & wall painting from Isfahan palace, late 17th C. Development of single figure & Album painting and new handling of space

Hinweis der Redaktion

  1. Allegory of Worldly and Otherworldly Drunkenness: Page from the Divan of Hafiz ( Collected Poems of Hafiz) , ca. 1526 ミ 2 7
Sultan Muhammad (Tabriz, Iran, early 16th century)
Tabriz, Iran
Opaque watercolor, ink, and gold on paper; 11.37 x 8.50 in. (28.9 x 21.6 cm)