The document discusses the role of sound and the body in human experience and cognition. It argues that sound is more intimate and human than sight, allowing for a sense of shared experience and connection. The body plays a central role in musical performance and experience, informing our sense of identity. The document advocates for a phenomenological approach that values subjective, first-hand experience over philosophical abstraction.

1. David L. Burrows & Eleanor Stubley A Group C review…

3. HUMAN BODY is “center” EVERYTHING ELSE is “periphery” EVERYTHING ELSE is “periphery” EVERYTHING ELSE is “periphery” EVERYTHING ELSE is “periphery”

5. In other words…. Field 1 – the view from here… Field 2 – the view from anywhere you can imagine … Field 3 – The view from everywhere…

14. THE PROBLEM WITH PHILOSOPHICAL DESCRIPTION “ Verbal accounts — the stuff of philosophy — endeavor to explore both music's acoustic and experiential dimensions, yet encounter an immense gap when they encounter music's dynamic, processual character . Music… is like "an ongoing experiment in pushing change as far as it can coherently be taken": a fact that invariably frustrates the human need to fix and locate things.”

20. Stubley emphasizes the importance of personal experience and argues for our BODIES as a central element in musical experience… … is there a term for this approach?

29. THE END “ David L. Burrows & Eleanor Stubley” A Group C review… Thanks for viewing…