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Det relevante museum
Nick Poole, CEO
Collections Trust
Think back to the moment you discovered you
wanted to work in museums.
When you think of the reason why you work in
museums, how does it make you feel?
What kind of
museum
professional are
you?
Objects Experiences
Facts Stories
Objects Experiences
Facts Narratives
“Our first duties are to collect,
conserve and display material
culture, to protect the
nation’s treasures and to
showcase the high points of
human creativity”
Objects Experiences
Facts Stories
“Our first duty is to create an
open, welcoming
environment in which people
can come and enjoy the
experience of beautiful,
inspiring things”
Objects Experiences
Facts Stories
“It is not the objects
themselves, but the
connections between them
and the stories they can tell.
Our duty is to weave stories
and objects together to help
people understand the world
around them”
Objects Experiences
Facts Narratives
“Our first duty is to provide an
authoritative record of the
development of the natural
and man-made world. We
must collect and preserve
type specimens and objects
based on our authoritative
and scientific knowledge.”
Objects Experiences
Facts Stories
Museums are relevant already. We just need to
convince 7bn people to pay us a visit...
Let’s start with one
Let’s talk about the world that Tomasz is going
to grow up in
It won’t be digital
Tomasz is going to be busy dealing with some
BIG STUFF!
Tomasz has a right to believe that someone is out
there sorting out the important and interesting stuff,
learning about it, keeping it safe on his behalf
Everybody has a favourite object
What’s yours?
While we were busy in the storeroom, the world got a
whole lot more complicated...
Who owns it?Who owns it?
Why do we
have it?
Why do we
have it?
What is it
connected to?
What is it
connected to?
Who collected
it?
Who collected
it? Where was it
found?
Where was it
found?
What is it?What is it?
Where is it?Where is it?
What is it
made of?
What is it
made of?
How big is it?How big is it?
How much is
it worth?
How much is
it worth?
Who owns it?Who owns it?
Why do we
have it?
Why do we
have it?
What is it
connected to?
What is it
connected to?
Who collected
it?
Who collected
it? Where was it
found?
Where was it
found?
What is its
context?
What is its
context?
What makes
it unique?
What makes
it unique?
What is it?What is it?
Where is it?Where is it?
What is it
made of?
What is it
made of?
How big is it?How big is it?
How much is
it worth?
How much is
it worth?
Why should I
care?
Why should I
care?
What does it
mean?
What does it
mean?
What story
does it tell?
What story
does it tell?
How do I
relate to it?
How do I
relate to it?
What does it
help me
understand?
What does it
help me
understand?
Is it ethical/
political/
moral?
Is it ethical/
political/
moral?
We create connections between the things in our
collections to help Tomasz understand the world
better
Tomasz has to be free to wander the paths
we create, create his own, or tell us why a path is
broken and should lead somewhere else...
Documentation isn’t about creating certainty, it’s
about finding a way to manage uncertainty and
change in the world around us
The big challenges…
Get more visitors
Do more stuff
Make more money
Be loved by our supporters
Stay relevant
Stay interesting
…have big solutions
Be true to our cultural values
Make relationships
Share the workload
Be open to new knowledge
Be confident & excited about our role
Tomasz (and 7bn of his friends) trust us to look after
their culture because we do the job properly.
Decisions about what to do and how to do it become
a lot simpler when you think about Tomasz...
He’d want us to collect the important stuff
He’d want us to look after it
He’d want to be able to find and use it online
He’d want us to welcome him and his friends
He’d want to know he can trust us
That’s how documentation makes us relevant
Thankyou!
(no copyright was harmed in the making of this
presentation)
And here’s that Norwegian summer again...
The Relevant Museum

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The Relevant Museum

  • 1. Det relevante museum Nick Poole, CEO Collections Trust
  • 2.
  • 3.
  • 4. Think back to the moment you discovered you wanted to work in museums.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13. When you think of the reason why you work in museums, how does it make you feel?
  • 14.
  • 17. Objects Experiences Facts Narratives “Our first duties are to collect, conserve and display material culture, to protect the nation’s treasures and to showcase the high points of human creativity”
  • 18. Objects Experiences Facts Stories “Our first duty is to create an open, welcoming environment in which people can come and enjoy the experience of beautiful, inspiring things”
  • 19. Objects Experiences Facts Stories “It is not the objects themselves, but the connections between them and the stories they can tell. Our duty is to weave stories and objects together to help people understand the world around them”
  • 20. Objects Experiences Facts Narratives “Our first duty is to provide an authoritative record of the development of the natural and man-made world. We must collect and preserve type specimens and objects based on our authoritative and scientific knowledge.”
  • 22.
  • 23. Museums are relevant already. We just need to convince 7bn people to pay us a visit...
  • 25.
  • 26.
  • 27.
  • 28.
  • 29. Let’s talk about the world that Tomasz is going to grow up in
  • 30. It won’t be digital
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36. Tomasz is going to be busy dealing with some BIG STUFF!
  • 37.
  • 38.
  • 39.
  • 40.
  • 41. Tomasz has a right to believe that someone is out there sorting out the important and interesting stuff, learning about it, keeping it safe on his behalf
  • 42. Everybody has a favourite object
  • 44. While we were busy in the storeroom, the world got a whole lot more complicated...
  • 45.
  • 46.
  • 47.
  • 48.
  • 49.
  • 50.
  • 51. Who owns it?Who owns it? Why do we have it? Why do we have it? What is it connected to? What is it connected to? Who collected it? Who collected it? Where was it found? Where was it found? What is it?What is it? Where is it?Where is it? What is it made of? What is it made of? How big is it?How big is it? How much is it worth? How much is it worth?
  • 52. Who owns it?Who owns it? Why do we have it? Why do we have it? What is it connected to? What is it connected to? Who collected it? Who collected it? Where was it found? Where was it found? What is its context? What is its context? What makes it unique? What makes it unique? What is it?What is it? Where is it?Where is it? What is it made of? What is it made of? How big is it?How big is it? How much is it worth? How much is it worth? Why should I care? Why should I care? What does it mean? What does it mean? What story does it tell? What story does it tell? How do I relate to it? How do I relate to it? What does it help me understand? What does it help me understand? Is it ethical/ political/ moral? Is it ethical/ political/ moral?
  • 53.
  • 54.
  • 55.
  • 56. We create connections between the things in our collections to help Tomasz understand the world better
  • 57. Tomasz has to be free to wander the paths we create, create his own, or tell us why a path is broken and should lead somewhere else...
  • 58. Documentation isn’t about creating certainty, it’s about finding a way to manage uncertainty and change in the world around us
  • 59. The big challenges… Get more visitors Do more stuff Make more money Be loved by our supporters Stay relevant Stay interesting …have big solutions Be true to our cultural values Make relationships Share the workload Be open to new knowledge Be confident & excited about our role
  • 60. Tomasz (and 7bn of his friends) trust us to look after their culture because we do the job properly.
  • 61.
  • 62. Decisions about what to do and how to do it become a lot simpler when you think about Tomasz... He’d want us to collect the important stuff He’d want us to look after it He’d want to be able to find and use it online He’d want us to welcome him and his friends He’d want to know he can trust us
  • 63. That’s how documentation makes us relevant
  • 64. Thankyou! (no copyright was harmed in the making of this presentation)
  • 65. And here’s that Norwegian summer again...