The Swiss based company Studer is one of the leaders worldwide for professional audio. Founded by Willi Studer in 1948, over the years the company and its brand name Studer became synonymous for broadcasting and recording equipment. Today Studer is able to offer solutions for nearly every application in the field of Professional Audio. Studer products are invented and designed in Regensdorf / Switzerland. The product range includes equipment and systems for TV / Radio Broadcast, Recording and Production Studios, or 19" components for system applications

1. Heynen works for innovators

2. Studer Products and Solutions
An Overview

3. 2
We aim to provide our customers in
Radio and TV broadcasting and the
live installed sound industries with
new and feature-enriched products
and training. We believe this offers
the ultimate mixing console for your
production of programmes and shows.
Studer’s long and successful history
is founded on customer service. We
have never lost sight of this fact and
realise that it is an important part of
the Studer package when choosing
to buy a Studer product. As such
we are committed to continuing our
traditions of combining excellent
Swiss craftsmanship, well-engineered
innovation and intuitive ideas, while
always keeping the customer benefits
as our main objective.
The constant evolution of ergonomic
user-interface technologies,
combined with leading edge digital
signal processing, has resulted in the
most efficient and groundbreaking
innovation, namely the “Vista” series
of digital mixing desks. By focussing
on the human aspects of operation, a
product has been created that is not
only intuitive, efficient and reliable
but also a pleasure to use.
In broadcasting, the digital mixing
console is no longer seen as a
standalone product but as an
ergonomic point of access to digital
audio data in a fully integrated digital
audio system. Today consoles provide
the basis for the most flexible and
networkable systems to provide a
fully digital broadcast chain.
At Studer, our philosophy is to continually strive for perfection through innovative design, Swiss
engineering and in-built quality. The Studer name is synonymous with providing solutions – in Radio,
Television, Live applications and Post Production – in the form of dedicated products or complete
tailor-made systems
Studer
Excellence is a habit
Service and Support
We at Studer know that reliability is of paramount importance to our
customers. Therefore Studer offers worldwide service and support for its
products. Studer also offers operator training and service courses on-site or
at our production facilities and Customer Experience Centre in the UK.
65 Years of Innovation
Studer celebrates its 65th
anniversary in 2013, having worked
with and supplied virtually all of the
world's leading broadcasters and
recording studios in that time. Studer
is perfectly placed today to continue,
and accelerate, the pioneering
product developments that have
made it the leader it is today.
You can depend on Studer to
pioneer technologies and market-
leading products to the quality and
reliability standards for which we
are renowned.
Pioneering the future of the audio industry
Studer Vista 8 at BBC, London

4. 3
Vistonics™
Free your mind to mix
Vistonics allows the colour and shape
of controls to be varied according
to good ergonomic practice.A given
audio function is always associated
with the same colour and a parameter
is always associated with the same
icon displaying values graphically, just
as intuitive as an analogue console, or
even more so.
Every channel displays its settings of
dynamics (green), equaliser (red) and
panorama (pan-yellow) in theVistonics
touch area allowing instant overview
of the entire console.
By pressing one button on the
GlobalView area, the fourVistonics
rotary controls on each channel
change their function throughout
the console, displaying the four most
important parameters of the chosen
audio function. GlobalView buttons
can be found on each Fader Bay,
permitting access from wherever the
operator is sitting.
A simple touch on the desired function
of the chosen channel opens up the
complete function ontoVistonics. By
simply turning the rotary control, the
chosen value can be adjusted and the
changing value is immediately displayed,
graphically and numerically.
Vistonics has icons which have been
carefully designed to represent a
logical readout for each individual
function: levels are displayed as
bar graphs, time settings as clocks,
frequencies as radio dials, to mention
but a few.This allows easy recognition
of the function itself as well as its state
and approximate value — without the
need to actually read the word and
numerical values display.
The operation of Vistonics resembles
that of an analogue console but is even
more intuitive.
Future-proof functionality
New functionality and features can be
easily added to theVistonics screen
without needing physical surface
changes, meaning your console is a
secure investment for the future.
In high stress live situations, sound
engineers depend on a mixing console
which allows fluent and straight
forward operation.
Furthermore,a broadcast production
facility with numerous engineers and
freelancers (or one which is open
to external production teams) must
provide an easy-to-learn mixing console.
This is where the uniqueVistonics user
interface of the StuderVista Series
comes in. It includes the patented
technology for integrating rotary
controls and buttons within a flat
screen display, bringing visualization
and operation into immediate
proximity.The sameVistonics system is
employed on all StuderVista consoles,
so operators can move easily and
quickly between differentVista models.

5. 4
Broadcast, Production
and Live Consoles
Building on the acclaimed and
provenVista digital mixing platform,
theVista 9 combines advanced
ergonomic design with complete
system flexibility, pristine audio quality
and groundbreaking new features to
create a console fit for a new age of
broadcast and live production.
TheVista 9 takes the operator
experience to a higher level,
supplementing theVistonics™ interface
with radical and innovative‘wide screen’
basedTFT metering,FaderGlow™ and
numerous other innovations.
The new metering really does give
precision feedback on signal status.
The channel meters are able to show
mono – right through to 7.1 channel
signals, stereo correlation meter, along
Adding to this is the new integral
RTW loudness metering, fitted as
standard to allVista 9 consoles and
available as a retrofit to existing
consoles.The RTW TM7 meter was
chosen as it perfectly complements
Vistonics™, the simple and elegant
touchscreen user interface thatVista
customers know and love.
See the RTW metering section on page 9
Studer is famous for its large-frame broadcast and production consoles delivering the finest audio
quality. By introducing the most advanced user-interface architectures and the most modern DSP
technology Studer continues to take quantum leaps forward in this sector of the audio industry.
Vista 9: Room for Creativity
DIGITAL CONSOLES
with bus assignment or surround
vector display, providing a clear and
easily understandable display of the
surround signal levels.
Additionally, a unique HISTORY mode
records events such as overloads in
the audio path of each channel, and
highlights them in red on the channel
waveform.The operator can then
review which channel had such an
event, up to 30 seconds after the
event has occurred.
StuderVista 9 at RAI, Italy

6. 5
Studer’s patentedVistonics has won many friends worldwide
thanks to its speed and ease of use and similarity to an analogue
channel-strip style of working. During a complex live production,
the context-oriented FaderGlow™ provides the operator with an
instant overview of the console status by illuminating each fader
with freely-assignable colours.
The newVista 9 gives you absolute freedom to place input, bus and
master channels, anywhere across the surface.You decide how you
want your mixing session laid out. From surround input channels
with an intuitive input balance section to stereo input channels
with a 5.1 up-mixing panner to automatic down-mixer processes
for outputs, theVista 9 has all the practical tools for today’s and
tomorrow’s surround
productions built-in.This
includes both analogue and
digital 7.1 control room
monitoring integrated into
the desk.
TheVista 9 seamlessly integrates
with other StuderVista and OnAir
consoles and Routers by making use
of the RELINK network technology.
Communication to third party
control systems is provided, making
theVista 9 a complete part of your
greater studio system.
TheVista 9 is capable of deploying all
of the new software and hardware
options such as the optionalVistaFX
Lexicon effects system,VistaMix
automatic mic mixing software. Each
new software release brings new
features and enhancements.
Brochure BD10.949300

7. 6
DSP with local I/O and flight case
Vista 5M3 32-fader
Vista 5M3: Compact, Versatile, Transportable
An optional floorstand is available for all
StuderVista 5 andVista 1 consoles.
Vista 5M3 42-fader shown on stand.
The Vista 5M3 is a highly flexible, compact digital mixer, with a well-
conceived control surface for use in broadcast production, live sound and
performance venues. The console’s small size and simple connectivity
make it suitable for use in small to midsize studios and OB trucks.
The Vista 5M3 may be fitted with Studer’s TFT meterscreen
technology which was introduced with the Vista 9. Meter strips can display
signals from mono to 5.1. Surround and history views are available. Studer
FaderGlow™ is fitted, allowing channels to be easily identified by colour-
coded groups.
The Vista 5M3 also incorporates the RTW TM7 loudness meter as standard.
The Vista 5M3 is available with 42, 32 or 22 physical faders. DSP power and
I/O may be specified by the customer and fit in an external 6U rack which
may be fixed installed or fitted in a flight case with remote stageboxes.
The total I/O capacity, comprising various cards including Mic/Line,
ADAT, TDIF, AES/EBU, SDI and MADI, may exceed 1700 inputs and
outputs.
The 42 fader desk is suitable for two man operation as the bays may be isolated
to avoid global changes to the surface layout affecting the "other" operator.
Full broadcast facilities are included, such as N-1 outputs (IFBs), off-air
conferencing, GPIO and extensive monitoring including 5.1-to-stereo down-
mixes. The console’s internal matrix may be controlled from a variety of third-
party controllers and video routers, removing the requirement for external
audio routers in many installations.
The Vista 5 also includes Studer’s unique ‘Virtual Surround Panning’
(VSPII™) system for extra creativity.
Brochure 5033525
Vista 5M3 22-fader with optional meterbridge

8. 7
Long famed for its range of digital
consoles in the Broadcast sector,
Studer has joined the top end tour
sound sector with the Vista 5SR
desk, a road-ready version of the
established Vista 5 console already
in use in prestigious theatres, studios
and performing arts centres around
the world.
The Vista 5SR is a direct response
from Studer to suggestions from
leading tour sound companies and
engineers who saw the Vista 5 and
realised its potential as a true live
sound desk. This feedback has led
to Studer ruggedizing the mechanics
of both the console and racks for
touring use.
The Vista 5SR comes with preset
configurations for Front-of-House and
Monitor use.
The
standalone
Config
Editor tool
allows the
channel/bus
structure to
be customised, all of which can be
saved for each particular show setup
and instantly recalled from memory
or a USB stick at a later date.
Also a key feature of the Vista 5SR is
its expandable I/O system – where
the whole range of available Studer
D21m series I/O cards (including
Cobranet and Aviom A-Net) can
be added to the system. The MADI
standard is used as optical snake link
from stagebox to FOH rack – with
the possibility to add a redundant
snake for increased security.
The Vista 5SR can also utilise VST
plug-ins using a dedicated plugin
engine that enables effects to be
used either on channel inserts
or on effects sends. Control and
storage of the plug-ins is achieved
via a dedicated page on the Vista’s
Graphical Controller screen, and
effect configurations are then recalled
via the Vista’s Cuelist function. The
VST host allows the sound engineer
to now make use of his/her favourite
plug-in collection not only in the
studio but also on the road.
Vista 5SR: Ready for the Road
Brochure BD10.265951
Vista Compact Remote
TheVista Compact Remote Bay has
been designed for users seeking a
slave or secondary desk to work
in parallel with theirVista console.
Typical applications are theatre or live
sound installations where it is desired
to control the sound balance from
the auditorium. It provides full desk
control redundancy and redundant
monitoring functionality and can be
used with all types ofVista consoles,
including the brand-new, all-in-one
Vista 1. In addition it may also be
used as a completely stand-alone
controller for theVista's DSP and
I/O should the control surface not be
available.
TheVista Compact Remote has
a 19" touch screen which can
be folded down, thus protecting
both screen and control hardware
during transport similar to a
laptop computer, and a control
surface section with 12 high-quality,
motorised Penny & Giles faders, 40
channel rotary controls, a touch
pad and
a slide-in
keyboard.
Applications
• Remote bay with minimal footprint for theatres
• RedundantVCA-style fader box in theatres
• Redundant fader box for OB Trucks.
Users of HARMAN's StuderVista
consoles can add up to 24 channels of
Lexicon Effects to their console with
the VISTA FX engine.TheVista FX
unit contains up to 8 FX machines, and
three units may be cascaded to allow
up to 24 different mono channels per
console.
Each 2UVISTA FX unit provides two
Lexicon PCM96 devices, with control
and assignment of the effects and their
parameters all accomplished via the
Vistonics™ user interface. Both real-
time operation and snapshot-based
control can be achieved through the
touch-screen based system.The unit
can be configured to provide 8 mono,
4 stereo or 2 surround signals; with
hundreds of different presets available
to the operator.
Vista FX

9. 8
The StuderVista 1 is a transportable
digital mixing console for broadcast,live
and production use.
For the first time with aVista,all you
need is contained within a single box
– the control surface,I/O system,DSP
and power supplies are all in one unit.
This makesVista 1 the ideal choice
when space is restricted,such as in
OB and ENG vans,small studios,or for
applications where the console needs
to be moved with ease.As a "fly-away"
the Vista 1 can easily be
moved from one location
to another and set up
within minutes.
Vista 1 – Quality you can afford and rely on
Thanks to the patentedVistonics™
user interface with 40 on-screen rotary
knobs,its look and feel is identical to
that of its larger sisters. Anyone who
is already used to the intuitiveVista
surface will immediately be familiar with
theVista 1.
The console is available
in 22 and 32-fader
versions.
TheVista 1 offers all the surround
capabilities a user can dream of.
Formats include 2CH stereo,LCR,
LCRS and 5.1.The internal 5.1-to-
stereo down mix function allows for
simultaneous live productions in both
formats.TheVista 1 also includes
Studer’s ‘Virtual Surround Panning’
(VSP II™), using not only amplitude,
but also time delay and frequency
response panning.
• 32 or 22 motorized faders, with Studer
FaderGlow™
• More than 96 DSP channels, including
5.1 surround channels.
• True broadcast monitoring, talkback, red
light control and eight general-purpose
control inputs/outputs (GPIO).
• Input level and gain reduction LED
bargraph meter in every fader strip.
• 6 high-resolutionVFD master level
meters.
• Full mix-minus (n–x) system for live
two way operations.
• Vista data format compatibility for easy
transfer of console snapshots between
differentVista consoles.
• Integrated jingle player for immediate
playback of eight different station
identifier clips, background FX or other
audio files from a jingle stick/USB
memory device.
• StuderVirtualVista Online/offline editor.
• Snapshot automation.
• Support for the new Studer®Vista
Compact Remote Bay over Ethernet or
even WLAN.
• Harman HiQnet® support for
controlling other devices such as power
amplifiers or wireless microphone
receivers from the Harman Professional
family of brands.
• Ember and Pro-Bel protocol support
for use with broadcast/ newsroom
automation systems.
• Redundant PSU.
• Standard I/O comprises:
• 32 high-quality mic/line inputs with
phantom power and low cut filter.
• 32 analogue line outputs.
• 8 AES/EBU pairs input (with sample
rate converters), 8 AES/EBU pairs
output.
• Desk operator headphone.
• USB jingle player socket.
• Integral 64x64 optical MADI port.
• Slots for additional D21m I/O cards
(one double-width or two single-
width cards), such as AoIP (Axia
Livewire™), MADI,AES/EBU,ADAT,
TDIF, CobraNet®,Aviom A-Net®,
Dolby® E/Digital, SDI, etc.
• The system can be extended by
using additional Studer D21m I/O
frames accepting cards from the
comprehensive D21m I/O system
programme.
• Studer’s RELINK input/output
sharing system allows sharing inputs
and outputs with other StuderVista
and OnAir consoles.
• Support for the whole Studer
stagebox range via a MADI link, such
as the 4U Studer Compact Stagebox.
The Vista 1 console comes in a standard configuration comprising:
Brochure 5025106

10. 9
VISTA DESK FEATURES
VistaMix
StuderVistaMix automatic microphone
mixing removes the need for an
operator to manually adjust all
the faders all the time, leaving the
microphones of talking participants
open, while closing the microphones of
silent participants in order to reduce
spill and background noise.
WithoutVistaMix, the reaction time
of a human operator will often result
in audible fade-ins of people who
start talking rather unexpectedly.Also,
changes in fader positions can quickly
lead to disturbing changes of the total
ambience/noise level in the mix.
VistaMix offers the solution by
mimicking the action of a human
operator: increasing gain for 'talking'
mics and reducing gain for all others,
but quickly, keeping the amount of
total gain constant, so a clean live mix
can be created.
VistaMix also offers the ideal solution
for news operations when multiple
mics are installed in the studio but the
desk operator is not sure which ones
will be used. VistaMix switches on only
those mics that are in use.VistaMix
source channels may also be mix minus
(N–X) owners.
VistaMix is available to all existing
Vista systems with SCore Live DSP
engines, by simply upgrading to
software version 4.8 and adding the
specialVistaMix channels to the DSP
configuration. No additional hardware
is required to theVista surface, the
new controls are fully implemented
within the standardVistonics™
screens and controls.
Ember support provides seamless
integration of Studer consoles with
third-party studio controllers or
newsroom automation systems.
Ember is an industry standard control
protocol which allows many console
settings, such as fader levels, mutes,
PFL, signal labels, snapshots and much
else, to be controlled overTCP/IP.
Ember supports multi-connection
setups so is suitable for installations
requiring redundancy.
EMBER
TheTM7 meter perfectly complements
Vistonics™, the simple and elegant
touchscreen user interface thatVista
customers know and love. TheTM7
meter includes custom meter presets
which provides not only Loudness
Metering to EBU R 128 and ITU
BS1770 but also traditional bar graph
and moving needle metering to many
international standards.
Loudness Metering
The Loudness Meter may also be retrofitted to allVista 9 consoles.
Loudness metering is now fitted in theVista 5M3 and 9 consoles as standard, via a special RTW TM7 touch screen meter
integrated into the desk.

11. 10
Studer OnAir 3000 at BBC, New Broadcasting House, London
OnAir consoles
With the On Air series, OA1500, OA2500 and OA3000, Studer offers one of the widest ranges of digital
on-air and production consoles on the market.The experience of thousands of Radio andTV installations
throughout the world and Studer’s expertise and craftsmanship offer the most flexible and easy to
operate live on-air desks.The OnAir range provides a product family with options and extensions that
may be mixed freely to provide an exact match to the needs of the users.
The control surface of this third
generation Studer digital on-air mixing
console, the OnAir 3000, is a logical
evolutionary step based on extensive
experience gained over more than 14
years producing digital consoles.The
Studer OnAir 3000 is ideally suited
for medium to large radio and TV
broadcast and production applications
and includes a modern audio
networking architecture. Desks may
be fitted with from 3 to 54 faders.
With the Studer RELINK I/O
sharing system, OnAir (and Vista)
consoles can form an open and
networked infrastructure within a
broadcast centre.
By interconnecting several Studer
desks with RELINK the local and
decentralised audio resources in each
desk – be they sources or output
busses – can be available to any desk
in the network.
The Studer OnAir 3000 Modulo
version uses the same modules as the
fixed frame unit but instead of fitting
them in a conventional surface the
individual modules may be fitted into
custom furniture to suit the specific
layout needs of the user.
Brochure BD10.265502
OnAir 3000 Modulo in custom table
This means that a user working in,
for example, Studio A can easily
access the microphone, which may
be physically in another location and
connected to Studio Bs hardware,
route it on a fader on his desk surface
and use it as if it was connected to his
studio hardware.
The OnAir 3000 also now includes
the ability to control 5.1 sources and
busses on a single fader.
OnAir 3000: Ultimate Flexibility.

12. 11
Part of the desk may also be
detached and mounted, for example
in a news studio, either as a tabletop
unit or in the
Modulo version as
a drop-in module
in studio furniture.
Touch’n’Action
The user interface of the Studer OnAir 3000
incorporates the patented ‘Touch’n’Action’ phil-
osophy using colour screens. ‘Touch’n’Action’ offers
immediate access to parameter settings, vital in
all live situations, and an instant overview of all
channel parameters at a glance permitting a clean
and uncluttered surface design.
The Studer OnAir 3000 uses
either the Compact SCore or the
SCore Live DSP engines developed by
Studer.The more powerful SCore Live
DSP engine is used for larger systems
with surround channels or more than
512 inputs and those that require
DSP card redundancy.
The Studer OnAir 3000 is also available in a fixed frame floor standing control
room version.The frame incorporates the same hardware modules as the
Studer OnAir 3000 Modulo version, allowing
users to choose any required combinations
according to their individual
applications.
DSP Technology
Studer OnAir 3000 at RMC, Paris
The Studer Compact SCore uses the
same digital audio algorithms as the
StuderVista family, thus guaranteeing
the very best Studer sound quality. On
both core types audio interfacing is
provided by the D21m I/O system also
used in theVista large frame console.

13. 12
Editor Module
This module
comprises an
extended three
fader unit
including a small
set of monitoring
and talk-back
buttons and
level controls.
This provides
a particularly
useful unit for an editor or journalist
to use either in a small booth or an
office desk.
Fader Screen module
The 12" colour touch screens display an array of information including: input
settings, equaliser and dynamics values, AUX send levels, N-X contribution, input,
output and insert routings, bus and group assigns, Pan/Bal and channel label, all in
real time and all with real values.
The Fader Screen is also available in multi-functional format with additional DVI
input. This allows the user to switch between a standard channel display and any
external video source (800x600). for example the Studer Call Management System
(CMS) or other studio control systems.
OPTIONS AND EXTENSIONS
Motor Fader Module
The motor fader module also extends the great variety of modules for the
OnAir 3000. The module contains 6 full motorised 100mm faders, 4 large
illuminated and configurable pushbuttons with replaceable label and 12 small
illuminated pushbuttons per channel. Two LEDs in each fader strip indicate
channel overload (red) and active fader start (blue). Level and gain reduction
meter are shown in an OLED display in every channel. Additionally, channel
label and parameters of channel processes are
indicated in the OLED as well. A touch sensitive
rotary encoder below every display allows you
to change the indicated channel parameters
without losing focus on the fader strip.
The OLED display provides outstanding
readability of condensed content, even
when exposed to bright surroundings.

14. 13
OnAir 2500: Mobile broadcasting has never been this easy
The OnAir 2500 fills a need of customers for a smaller console that meets the
demands of professional production. The simple design of a digital all-in-one
console combined with well-established software technology derived from the
OnAir 3000 ensures a new standard in ease-of-use for radio Broadcast.
Studer’s OnAir 2500 is designed as an integrated
system – control surface, I/O
breakout, DSP and power supply in
a single frame. No additional core is
needed to operate the console. The
OnAir 2500 is available in 12, 18,
and 24 fader frames, with optional
motorised faders.
The OnAir 2500 provides a variety of inputs and
outputs in both analogue and digital formats on
XLR and sub-D connectors. Optical MADI and
ADAT inputs and outputs are provided plus an 8
channel FireWire-IEEE-1394 interface for direct
connection to PC or MAC recording and playout
systems.
Channel Display
With the OnAir 2500, you can easily go
mobile, wherever and whenever you want.
Every signal you need is connected directly
to the rear panel, simply plug and play —
you’re on-air fast!
Brochure BD10.265970
The Modulo version offers the same functions in separate modules which are
easily connected together when installed in tabletop furniture.

15. 14
The OnAir 1500 has been designed as a flexible console for on-air broadcasting and as a
secondary or "grams" mixer in larger studios. It is a compact and cost-effective solution with one
(6 faders) or two (12 faders) table top or recessed control modules. The DSP and I/O are fitted in
the small 4U Nano SCore.
The control surface is designed to be simple to learn and "risk
free" for live self operations.A screen may be used but the
system is designed for normal daily use without requiring a
screen and keyboard, thus saving valuable studio space.
Integrated USB playback and record functions allow simple
recording and playback of Off-Air telephone interviews without
external equipment.
OnAir 1500: A lot more broadcasting for a lot less money
The basic 6-fader surface can mix up to 12 channels
(6 stereos), with the additional 6-fader extension
bay up to 24 channels (12 stereo) may be mixed
to a main programme bus, a record bus and 4
auxiliary/mix minus busses.All busses may be mono
or stereo.
The OnAir1500 is designed for use straight out of the box, with simple plug and play operation. However, the system is
completely configurable, much like the OnAir 3000 and OnAir 2500.The depth of configuration and customization is up to
the user, and can be continually altered to accommodate a facility’s changing needs and growth.
The separate core of the OnAir 1500 contains the DSP and I/O systems.
Its clear design uses Industry-standard sockets making a breakout panel
unnecessary.Two separate card slots can be equipped with any optional
D21m I/O module, such as MADI (up to 64 ch in/56 ch out),ADAT,AES,
additional Mic inputs, or various Audio-over-IP modules.
The front panel carries
three USB ports, one of
which is used to identify
the console operator.
The second port can
host a USB stick for
recording and playback,
while the third one can be switched to deliver an additional eight channels of I/O
to/from a USB device such as CAB or a DAW system.
The NANO SCORE connects to the surface via one Cat5 cable, supplying power
to the surface.
NANO SCORE: Make the right connections

16. 15
Studer offers a wide variety of system products including large and complex routing systems, call
management systems, and audio interface systems and master audio clock generators.
Systems / Solutions
The Studer Route 6000 features
a flexible digital routing system
which not only provides more
than 3 million crosspoints but also
offers signal processing such as
dynamics, level detection, gain,
mono summing and much more.
It's easy configuration saves studio
time and resources and the modular
architecture allows upgrading at
any time. The Studer Route 6000 is
based on the same SCore Live DSP
technology as the Studer Vista series
of digital mixing consoles, and also
uses the same flexible and reliable
D21m I/O system which is used for
mixing consoles.
The Route 6000 provides industry-
standard control interfaces for serial
(RS-422) and Ethernet (TCP/IP)
based control systems. Standardised
protocols are implemented allowing
most router control systems to
access the basic routing functions
without major adaptations and
system integration.
In conjunction with Studer mixing
consoles, the Route 6000 supports
RELINK I/O sharing.
The Route 1000 software offers a
simple and intuitive screen-based
control suite allowing easy setting
of cross points. Inputs and outputs
may be grouped, making it fast
to navigate through hundreds of
signals. The Route 1000 application
runs on a PC which connects
Route 6000: Maximising Studio Resources
to the Router over a TCP/IP
network. Designed for networked
systems, many Route 1000 control
applications can run simultaneously
to control the same router, and
each will report the operational
state through a feedback system.
Brochure BD10.265830

17. 16
D21 MasterSync
The Studer D21 MasterSync combines precise master clock generation
with clock distribution capabilities, an essential part of a larger digital
audio installation. The generator can be synchronized by external video,
AES/EBU or Wordclock signals, or use its accurate internal reference to
generate clock rates at six different frequencies between 44.1 kHz and
96 kHz. The built-in distribution amplifiers supply six Wordclock and
up to 16 AES/EBU outputs as reference signals. Two D21 MasterSync
generators may be connected together in order to provide full
redundancy.
Brochure BD10.265860
D21m Input/Output System
All Studer consoles and the Routers use the same technology to to
interface the digital signal processing with the studio equipment.
It is a fully modular system that offers many analogue and digital
formats, naturally including traditional analogue microphone and line
level interfaces, the common AES and MADI digital interfaces, and
also some specialised digital formats such as Aviom A-Net, Axia Livewire™
and embedded SDI signals up to 3G, and now including IP or VoIP interfaces. These interface cards may be freely fitted
into 19inch frames providing the optimal audio interfacing to each studio or system. The connection of D21m frames
located close to the DSP core is made over CAT5 cables carrying 96 channels at up to 96KHz. These frames may also
be used as remote stageboxes, connection being made using standard MADI format. All necessary control and status
monitoring signals for the remote frames (e.g. microphone preamplifier control and status monitoring) is carried on the
MADI link without sacrificing any of the 64 audio channels.
Brochure BD10.265750
D21 MultiFeed
The Studer D21 MultiFeed provides
digital clock and AES/EBU signal
distribution with similar features
to the D21 MasterSync but without
the clock generation. The 16
AES/EBU outputs can be used
individually (in groups of four) for
AES/EBU signal distribution.
Brochure BD10.265870
COMPACT STAGEBOX:
Affordable high quality and
density
The Compact Stagebox adds a cost-
effective and light weight expansion
option, offering up to 48 XLR I/O
connections in only 4U of rack space.
The modular unit is fully configurable
but is offered with a standard
configuration of 32 mic/line inputs
and 16 line outputs. A D21m card
slot is available for additional I/O
option cards..
1-key mode X-Y mode 1-key mode X-Y mode
64 × 1 48 × 16 32 × 1 16 × 16
32 × 2 52 ×12 16 × 2 20 × 12
16 × 4 56 × 8 8 × 4 24 × 8
8 × 8 60 × 4 28 × 4
These panels are designed to
control not only the Route 6000 and
Route 3000 audio routers but also
for use with the full range of Vista
consoles (Vista 1, Vista 5 and Vista 9)
and the OnAir 3000 broadcast
console. They communicate with the
router or mixing desk via industry
standard RS422 protocols.
Router Control Panels
64 Key Panel 32 Key Panel
Configuration options:
The panels – available either as 19"
2U rack mount panels with 32 or
64 physical keys, or as 190 mm ×
80 mm DIN size modules with 32
keys for installing in mixing consoles
– offer users a simple hardware
control panel with either ‘single key
per cross point’ selection, typically
used for monitoring selection, or
‘X-Y’ operation,
often used in
master control
rooms or as remote
source selectors on
mixing desks.

18. 17
CMS: Ultimate flexibility for managing your calls
The Studer Call Management System (CMS) is a very powerful system for
handling multiple telephone calls in a broadcast environment. The CMS can
be easily integrated with an existing PBX or ISDN, VoIP calls are also directly
handled on the CMS server. Software codecs such as G711, G722, MPEG1
layer 2 and others are available. The CMS can route calls between studios,
producers and the back office, uniquely the codecs are automatically routed
together with the call. The ‘Waiting Room’ concept in conjunction with a very
flexible scheduling system for incoming calls allows appropriate management
of calls for different times of the day or for special events.
The system can not only handle standard calls, it also provides powerful
voting and gaming features and has a built in voice-mail system with email or
SMS notification.
CMS uses standard IT infrastructure (servers, TCP/IP network, client PCs) for
handling calls within the broadcast environment. This is a big advantage for the
system since no additional wiring is needed. The entire configuration and all
caller information, including statistics data, are stored in an SQL database.
CMS provides a web front end for system administrators providing a flexible
method of adapting the system to the changing requirements of a modern
radio station.
Another unique feature of the CMS is the seamless integration with the Studer
OnAir 3000, 2500 and 1500 mixing systems. Caller name or telephone number
will be transferred automatically to the fader display when a caller is routed to a
console input channel.
Optionally, the TFT touch screen of the OnAir console will change the screen
from showing the mixer channel screen to display CMS studio client screen.
All control and status information between an OnAir console and CMS is
exchanged over TCP/IP.
Brochure: BD10.265761
University Radio Nottingham,
Studer OnAir 1500
Celine Dion, Solotech, LasVegas,
StuderVista 5SR
StuderVista 9 at Pensacola Christian College,
Florida USA
StuderVista 9, Dutchview OB,
Netherlands

19. 18
Studer Vista 9, ATM Poland OB
RTL Luxembourg, Studer Vista 9
Studer OnAir 3000 at RTBF, Belgium
CMS Lite is the new, cost-effective telephone system solution for broadcasters.
CMS Lite serves single and dual studio installations with up to 6 telephone lines
and integrates perfectly with Studer’s range of OnAir consoles, making call-ins
easier to manage in the studio.
CMS Lite uses state-of-the-art technology and allows the installation of a flexible
and scalable phone system. CMS Lite profits from renowned and powerful
technology, already proven in various large broadcast environments with more
than 100 users.
Because CMS Lite uses off-the-shelf standard IT components, it is very cost-
effective, requiring less installation labour, less cabling and providing a high return
on investment. CMS Lite also helps save costs by moving away from old-fashioned,
proprietary telephone hybrids.All incoming calls are provided from the station's
existing telephone system
CMS Lite retains much of the functionality of the large CMS System, including DJ
Self-op, switchboard operator and producer modes and database support. For
example, an external caller is first put into a waiting room.The caller’s number
is automatically displayed and their name may be saved in the database, together
with some additional information. If that person should call again, this information
will be displayed immediately.
After a first, introductory talk, the call screener can drag-and-drop the caller to
the studio where he or she immediately appears on a fader area of the console.
The DJ can talk to the callers and bring them on-air at a single touch on his studio
client screen.
Out going calls can also be made by using either the on-screen keypad or the
short-cut buttons for the telephone directory integrated in the database.
Because of its compatibility with the standard CMS the CMS Lite system can
start small, but may be extended later into an enterprise-wide server/client based
system. If more operators are required to act in the background, more clients can
be installed. If higher quality is desired, an optional codec can be added.
CMS Lite: Call Management the Easy Way

20. 19
Network Resource Sharing
with Studer Consoles
The STUDER RELINK (Resource Linking) network I/O sharing system, can link numerous Studer
consoles in various locations of a Broadcast facility to allow audio source and control data sharing
across a wide network..
One of the benefits of the Studer
RELINK system in comparison to
others is that it is based totally on
Studer’s existing SCore system which
is an integral part of Studer console
architecture, so no additional
hardware or breakout boxes are
required to complete the network.
Communicating over TCP/IP with
each other, any combination of
Studer Vista or OnAir consoles can
connect via RELINK. Other console-
based networking systems on the
market are often restricted to a
single type of console.
Studer’s D21m I/O system forms the
heart of all the remote input/output
connections and network audio is
not restricted to a single transport
type - audio interconnects may be
made through conventional MADI,
AES, Ethersound, ADAT, regular
copper analogue lines or even the
high capacity HDLink.
Source selection is transparent,
and signal labels are automatically
transferred to the shared locations,
so the operator always knows
what source is connected. Signal
takeover between studios is
seamless, so RELINK is well-suited
for live transmission switchover.
Clear and easy setup for ownership
permissions is of course mandatory
and provided.
RELINK is seamless, scalable, flexible,
and can start with a simple link
between two Studer consoles, right
through to multi-console systems
using a two-step topology where
all signals are matrixed through the
Studer Route 6000 system.

21. Studer Professional Audio GmbH
Riedthofstrasse 214
CH-8105 Regensdorf
Switzerland
Phone: +41 44 870 75 11
Fax: +41 44 870 71 34
Studer USA
8500 Balboa Boulevard
Northridge
CA 91329
Phone: +1 (818) 920 3212
Studer reserves the right to improve or otherwise
alter any information supplied in this document or
any documentation supplied hereafter. E&OE 10/11.
All trademarks are recognised as the property of
their respective owners.
Part No: BD10.265662
studer.ch
usa.studer.ch
Issue 0613

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