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CONVENTIONS OF
DIGIPAK BACK
COVERS
Simplistic colour scheme, pale
apart from the window, and so
it draws attention to it.
Barcode.
Record label
logo.
The back
cover links in
with the
image on the
front cover.
The track list is
set out very
unconventionally,
as there are no
numbers next to
the title, and are
spaced out in
lines rather than
columns going
down.
Copyright and legal
information.
Looks as if there
is some kind of
effect on the
image, to make
it look more
vintage.
MUMFORD AND SONS –
SIGH NO MORE
THE LUMINEERS –
THE LUMINEERSUnconventionally dark and
colourless.
Conventional
display of the
track list, with
a column going
down and the
tracks
numbered.
Barcode.
Copyright
and legal
information.
THE DECEMBERISTS –
CASTAWAYS AND
CUTOUTS
Conventional in
the sense that
the track list is in
a column going
down, however,
there are no
numbers next to
the track.
Record label
logo.
Information on
the record label.
A brown/red toned colour
scheme.
Abstract art
aesthetic for
the
background
cover, which
maintains the
same colour
scheme as the
front cover.
NOAH AND THE WHALE
– FIRST DAYS OF SPRING
Copyright and legal information,
conventionally at the bottom of the
back cover.
Barcode, unconventionally
at the top of the cover
Image of the
band on the
back, facing
the wrong way.
They are sat
this way on
purpose,
because on the
front cover
they are facing
the camera
and on the
back one they
are looking
away.
Same colour
scheme as the
front cover.
Visible vintage
effect added on
to the cover. This
is becoming
more and more
of a convention
within the indie
folk genre
throughout the
videos, posters
and album
covers.

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Analysis of Indie Folk Back of Album Covers

  • 2. Simplistic colour scheme, pale apart from the window, and so it draws attention to it. Barcode. Record label logo. The back cover links in with the image on the front cover. The track list is set out very unconventionally, as there are no numbers next to the title, and are spaced out in lines rather than columns going down. Copyright and legal information. Looks as if there is some kind of effect on the image, to make it look more vintage. MUMFORD AND SONS – SIGH NO MORE
  • 3. THE LUMINEERS – THE LUMINEERSUnconventionally dark and colourless. Conventional display of the track list, with a column going down and the tracks numbered. Barcode. Copyright and legal information.
  • 4. THE DECEMBERISTS – CASTAWAYS AND CUTOUTS Conventional in the sense that the track list is in a column going down, however, there are no numbers next to the track. Record label logo. Information on the record label. A brown/red toned colour scheme. Abstract art aesthetic for the background cover, which maintains the same colour scheme as the front cover.
  • 5. NOAH AND THE WHALE – FIRST DAYS OF SPRING Copyright and legal information, conventionally at the bottom of the back cover. Barcode, unconventionally at the top of the cover Image of the band on the back, facing the wrong way. They are sat this way on purpose, because on the front cover they are facing the camera and on the back one they are looking away. Same colour scheme as the front cover. Visible vintage effect added on to the cover. This is becoming more and more of a convention within the indie folk genre throughout the videos, posters and album covers.