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Portrait of the artist as a
  young music lover

         by Liz Craig
It all began
 before I was
     born.
My mother, a professionally
trained soprano, sang to me
   when I was just a germ
        of a person.
She liked to play
   Helen Traubel
      records.
 My dad, on the other hand,
preferred jazzy Frankie Carle.
  The sounds of one or the
other often lulled me to sleep
      when I was little.
Both my
  parents were
   musicians.
   My mother sang popular
    romantic songs on the
  St. Louis University radio
  station every week -- like
“L’amour, Toujours L’Amour.”
My dad
played drums.
At Mizzou, he was a member
   of the very hep Sunset
Terrace Orchestra. Gordon
 Jenkins played “Tiger Rag”
  to audition for the band,
but they didn’t think he was
        hep enough.
Fast forward.
I began playing our piano at
about age two. By age three,
   I had composed my first
 opus, yummily titled “The
  Cherry Song.” At five, my
mother began teaching me to
  read notes. From six on, I
      took piano lessons.
Leonard
Bernstein was
  my idol.
I sat transfixed before the TV
    set watching his Young
       People’s Concerts.
As a child, I
 was a big fan of
  Beethoven.
  The first record album I
    owned myself was a
   Columbia recording of
   Beethoven’s “Pastoral”
  Symphony conducted by
Arturo Toscanini. I played the
    grooves off that disc.
Later, I
  switched my
  affections to
      Bach
  when I learned Two-Part
 Inventions. Later, I would
fall for Mozart, then Brahms
  and Schubert. Now I like
    everybody. Except for
         Schoenberg.
Fast forward.
 Years later, house-sitting for
   someone with a piano, I
   wrote my first adult tune.
I didn’t know I could do that.
             Wow!
I wrote more
     music.
But neighborhood teachers
  hadn’t taught me theory.
So I studied jazz theory with
John Elliott. He had played
 piano with a combo at the
  Playboy Club downtown
        for decades.
   He called guys “cats.”
   He was definitely hep.
I worked in
  theater until
    my money
     ran out.
 I directed a dramatic play
  for a community theater
    group and wrote and
performed the theme and
   incidental music for it.
I also co-directed a couple
         of musicals.
At ad agencies,
 I got to work
    for arts
organizations.
    Ballet Omaha, Opera
   Omaha, and the Joslyn
 Museum had slim budgets,
but I enjoyed doing TV, radio
     and print for them.
Great music
 and inspired
 visions have
always thrilled
      me.
  And they always will.
Thanks for watching.
             Liz Craig
          913.236.7595
     liz@lizcraigwriter.com
    http://lizcraigwriter.com

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Portrait of the Artist as a Music Lover

  • 1. Portrait of the artist as a young music lover by Liz Craig
  • 2. It all began before I was born. My mother, a professionally trained soprano, sang to me when I was just a germ of a person.
  • 3. She liked to play Helen Traubel records. My dad, on the other hand, preferred jazzy Frankie Carle. The sounds of one or the other often lulled me to sleep when I was little.
  • 4. Both my parents were musicians. My mother sang popular romantic songs on the St. Louis University radio station every week -- like “L’amour, Toujours L’Amour.”
  • 5. My dad played drums. At Mizzou, he was a member of the very hep Sunset Terrace Orchestra. Gordon Jenkins played “Tiger Rag” to audition for the band, but they didn’t think he was hep enough.
  • 6. Fast forward. I began playing our piano at about age two. By age three, I had composed my first opus, yummily titled “The Cherry Song.” At five, my mother began teaching me to read notes. From six on, I took piano lessons.
  • 7. Leonard Bernstein was my idol. I sat transfixed before the TV set watching his Young People’s Concerts.
  • 8. As a child, I was a big fan of Beethoven. The first record album I owned myself was a Columbia recording of Beethoven’s “Pastoral” Symphony conducted by Arturo Toscanini. I played the grooves off that disc.
  • 9. Later, I switched my affections to Bach when I learned Two-Part Inventions. Later, I would fall for Mozart, then Brahms and Schubert. Now I like everybody. Except for Schoenberg.
  • 10. Fast forward. Years later, house-sitting for someone with a piano, I wrote my first adult tune. I didn’t know I could do that. Wow!
  • 11. I wrote more music. But neighborhood teachers hadn’t taught me theory. So I studied jazz theory with John Elliott. He had played piano with a combo at the Playboy Club downtown for decades. He called guys “cats.” He was definitely hep.
  • 12. I worked in theater until my money ran out. I directed a dramatic play for a community theater group and wrote and performed the theme and incidental music for it. I also co-directed a couple of musicals.
  • 13. At ad agencies, I got to work for arts organizations. Ballet Omaha, Opera Omaha, and the Joslyn Museum had slim budgets, but I enjoyed doing TV, radio and print for them.
  • 14. Great music and inspired visions have always thrilled me. And they always will.
  • 15. Thanks for watching. Liz Craig 913.236.7595 liz@lizcraigwriter.com http://lizcraigwriter.com