10. PAS Iron Age data over CCI data Hadrian’s Wall Prolific recording in Kent ACADEMIC USE
11. How many virtual visitors? Year Unique Visitors Number of visits Pages viewed Pages per visit 2004 84,174 289,595 4,847,892 16 2005 152,711 555,289 9,639,621 18 2006 247,103 720,369 15,469,127 21 Changed data collation to Google Analytics 2007 111,338 239,293 2,365,172 10 2008 196,113 326,408 5,384,746 15 Steady increase all round - estimated 8-10,000 detectorists so we reach around 237,000 people per annum with no discernable interest in collecting or discovering artefacts
41. Where else is our content used? Online: BRICKS - finds identifier People’s Network Discovery Service Offline: Academic journals, papers, original research, desk based assessments, etc Where else could our content be used? The new British Museum website - for example, departmental pages could have recent finds that relate to their period (RSS or OAI-PMH to search our dbase) The 24 Hour Museum - for example local museum pages could have feeds of local finds (RSS) Local society websites Historic Environment Record - XML or OAI-PMH Web mashups - plot PAS finds, against Oxford Archaeology WMS, vs Megalithic Portal vs Museum locations (not done yet before you ask!)
46. What’s a mash up? “ A mashup is a website or application that combines content from more than one source into an integrated experience.” Wikipedia (a flawed resource….) It is really just synthesis………. The Potato Masher - German grenade
47. What sources can we mash? Pictures - your pictures or my pictures Mapping data - place is a common bond for all of us, it gives us identity RSS feeds - a way to share your content with others in their web pages or via special software
51. Walton Mash PhD student at the Institute comparing static data from PAS, HERs and coin hoard reports to produce a synthesised map to update Richard Reece’s study of Roman coin finds. This will change our knowledge of Roman Britain to a ruralised landscape.
63. Recent statements "The future has to be, without question, the museum as a publisher and broadcaster," Neil MacGregor, director of the British Museum. "The challenge is, to what extent do we remain authors, and in what sense do we become publishers providing a platform for international conversations? I am certain that in the next 10 to 15 years, there will be a limited number of people working in galleries, and more effectively working as commissioning editors working on material online.” Nicholas Serota, director of the Tate