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Casey R. McArdle
Thomas Peacock “ The Four Ages of Poetry” The Romantics are “studiously  ignorant of history, society, and  human nature” (Peacock 692).
 
Percy Shelley “ A Defence of Poetry”
V S.
Romantic Theory ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Timeline
Emphasis from Within ,[object Object]
William Wordsworth “ I Wandered Lonely as a Cloud”
Emphasis from Within Wordsworth ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Poetry as a Creative Process Percy Shelley “ Ozymandias”
Poetry as a Creative Process Shelley ,[object Object],[object Object],[object Object],[object Object],[object Object]
The Romantic Fragment Samuel Taylor Coleridge “ Kubla Khan”
The Romantic Fragment Coleridge ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Closing Thoughts ,[object Object],[object Object]
Works Cited ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Images Cited ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Theory and Practice: Romantic Rhetoric and the Artist

Hinweis der Redaktion

  1. This is his observation of poetry and process as well as his observation of humanity: for, “from an inexplicable defect of harmony in the constitution of human nature, the pain of the inferior is frequently connected with the pleasures of the superior portions of our being… tragedy delights by affording a shadow of the pleasure which exists in pain” (Shelley 711). The pain of his failures can provide just as much inspiration as the joy from all of his successes. <number>