Social Media & Online tools for educators Presentation
Homeless Social Awareness campaign
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PROJECT 2
Designing to Help Others Speak
AMANDA KERN
THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS
PROFESSOR WILLIAM CONRAD
MAY 25, 2010
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TABLE OF CONTENTS
PROJECT OBJECTIVES ...................................................3
DESIGN BRIEF .......................................................... 4-14
RESEARCH.............................................................. 15-17
IMAGERY................................................................ 18-23
POTENTIAL ADVERTISING VEHICLES ..........................24
ROUGHS & BRAINSTORMING .....................................25
TYPOGRAPHY & COLOR ...............................................26
NEW STAND/BILLBOARD ADS .............................. 27-31
TRANSIT ADS......................................................... 32-34
FINAL THOUGHTS ........................................................35
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
3. PROJECT 2 OBJECTIVES
Objective
For this project, you will develop a design construct for an existing non-profit meeting. If you would like to record your meetings, get advanced approval from
organization of your choosing. As with Design Project 1, your final presentation your contact.
should reflect a substantial design output. In the case of this project, however,
the medium, the tenor, and the specific subject matter should serve to benefit the As with Design Project 1, your topic must be thoroughly researched before you
organization for which you are designing. begin any serious design work. Subject matter that focuses on divisive issues must
include research on the opposing viewpoint as well as the viewpoint to which
Design Brief you adhere. You must fully understand the scope of the issue before you can hope
Due at the end of Unit 4 in PDF format. The design brief should include the to address it in an informed fashion. Research should also include examples (in
following components: visual and written form) of past design work done for the same cause. Download
• introduction visuals as you run across them, and save URLs in a file for future reference. This
• research methodology research should be compiled neatly in a project binder for your own reference.
• target audience
• geographic scope (regional, national, etc) Other areas of process include written brainstorming, thumbnail sketches, and
• a description of the strategy computer developed roughs. Word association brainstorming with a pen and paper
• objectives that defined your design decisions. is an excellent way to discover unique solutions. Once you have completed your
Although word count is not an accurate factor in determining your brief’s degree of research, write down any key words from your research, and begin writing other
thoroughness, 1,000 words is a reasonable estimate. words that are in any way associated. Such an exercise may help facilitate your
creative explorations. Thumbnails should show evidence of extensive exploration.
Research Component
You should begin this part of the project as soon as possible. The non-profit Design Component
organization you choose to produce work for should be notified in the first few Your final solutions can be in any format, provided the format is appropriate to
weeks of the course, and by Unit 5 all but the most specific design issues should the subject matter. If print work is a component of the project, the work should
be determined. The objective is to create design work that the organization be comped in a professional manner. There will most likely be budget restrictions
could actually use. A first meeting/conversation should take place within the in this project since many non-profits have very low operating budgets. You must
first three weeks of class, and correspondence should continue as often as take this into account, but you must also prove that your adherence to these
necessary. Investigating production, paper choice and printing costs should also be possible restrictions does not curb your creative output. You do not need a big
addressed. Please keep minutes of each meeting, and keep these minutes in your budget to be creative! The objective is to communicate the desired message to
project binder for reference. It is extremely important to keep notes of each the desired target audience in as effective a fashion as possible.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
4. DESIGN BRIEF
Introduction
For this project I have elected to work with the Coalition for the Homeless of
Central Florida. After working with them last December with the Help-Portrait
photography project I have felt more compelled to help those in need. I have
learned that the homeless population is diverse and seems to be growing
since the economic decline in recent years. Through my work I hope to create
awareness about homelessness and also help cause action that will get others to
want to help those in need.
Research
I began by researching through the Coalition for the Homeless of Central Florida
web site to learn more about the organization. In doing so I learned the following
information about the organization:
• founded in 1987
• largest provider of homeless services in central Florida
• helps 600 people daily by providing shelter and support
• provides services to nearly 200 children w/ the average age of 6.
• An estimated 300,000 meals are served annually
• he goals is to promote self-sufficiency through counselling, job
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training, and educational programs.
• operates two campuses Coalition for the Homeless of Central Florida
• a big key to success is through volunteers and donations http://www.centralfloridahomeless.org/
• An estimated 300,000 meals are served annually
• he goals is to promote self-sufficiency through counselling, job
t
training, and educational programs.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
5. DESIGN BRIEF
Additional Research
I researched the homeless extensively across the coalition for the homeless of
central Florida web site but I also found the national and NY web site useful in
finding relevant information that could be helpful as I approach the project.
• SA Today estimated 1.6 million people to use transitional shelters
U
or emergency shelters. 1/3 are members of households with
children.
• .5 million people, 1.35 million of them children, are likely to
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experience homelessness in a given year
(National Law Center on Homelessness and Poverty, 2007)
• % of the U.S. population experiencing homelessness each year,
1
38% (October) to 39% (February) of them being children (Urban
Institute 2000) Coalition for the Homeless (national)
• ationally 30% of requests by homeless people and 38% of requests
n http://www.nationalhomeless.org/
by homeless families went unmet in 2002.
• ationally 41% of homeless population are single men, 41%
n
are families with children, 13% are single women, and 5% are
unaccompanied minors.
• ationally 23% are considered mentally ill, 32% are substance
n
abusers, 22% are employed, and 10% are veterans
• n 2003, children under the age of 18 accounted for 39% of the
I
homeless population; 42% of these children were under the age of
five (National Law Center on Homelessness and Poverty, 2004)
Coalition for the Homeless (NY)
http://www.coalitionforthehomeless.org/
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
12. DESIGN BRIEF
Stategy, Objectives & Target Audience
I had the opportunity to speak with Director of Communications and
Community Relations for the Coalition for the Homeless of Central Florida,
Muffet Robinson and we were able to establish a list design needs. Many
needs are evolving or longer term. The primary audience of the below listed
collateral would be those who would potentially volunteer or donate to the
organization. Often times these print collateral are provided at presentations
or events where help could be solicited. Though there is not an immediate
need to redesign the print collateral it was a consideration to redesign
something existing for potential future use.
• quarterly newsletter is designed for the organization. The
A
Current Winter 2010 Newsletter Current Flyer for supply needs
most recent one has been designed and printed for this quarter.
Though newletters could be designed for future quarters content
is not prepared to create future newsletters. A new and improved
newsletter could be presented for potential use for future use.
• lyers and brochures. Both are used to to promote programs and
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solicit volunteers and donations.
• nnual Report. The Annual report is not slated to be created
A
until the fall and data is not available. Potentially it could be
redesigned with last years content for a new design for the
coming year.
Annual report 2009 Annual report 2009
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
13. DESIGN BRIEF
Stategy, Objectives & Target Audience
We also discussed potential events that could use exposure through design.
Most big events have passed but we discussed events that help the coalition
earn support and I researched additional events that could be of interest to
design perhaps a poster series to help an event gain exposure.
• mpty bowls happens in the fall and in the past has been done
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with the 2nd harvest food bank. This year it will be pursued only
by the coalition. The event demonstrates community support for
those who fill their bowls at soup kitchens and shelters each day
in Central Florida. Lunch will consist of soup, salad and bread.
Additionally, every guest in attendance will receive a unique
handcrafted bowl created by local school children, area potters,
or ceramic artists who donated their time and talents to the fight
against hunger.
• earts of Gold occurs in the spring. It just recently was held. It is
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another fundraiser for the organization.
• elp-Portrait occurs in December and is a way for residents to
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receive photography which they typically wouldn’t receive.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
15. RESEARCH
Inspiring examples
I researched other advertising campaigns and found these quite inspiring.
This campaign evolved around the concept that once a person becomes
homeless it’s that much harder for them to escape homelessness because
they’re already stuck underground.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
16. RESEARCH
Inspiring examples
Advertising to help homeless has been done many times before and has
been approached across a variety of advertising vehicles. I was intrigued
by the advertisement to the right. It was intended to confront child
homelessness and referred to the child being stuck beneath ground. I found
it to be very haunting but in a way that grabbed my attention.
The trash advertisement to the right confronts how your trash may be
someone else’s food. Sounds sad and gross, but it’s very true. The sidewalk
bench is very similar where it confronts how many call that bench home.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
17. RESEARCH
Inspiring examples
Some advertising has been done so simplistically, yet it works. We all
identify with homeless writing on cardboard so seeing it we almost
instantly relate. Some places have done newspaper campaigns mixed with
street campaigns to push to collect clothes donations. As simple as they
are the messaging and approach are quite memorable.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
20. IMAGERY
My homeless photography experience
Though I realized I wouldn’t be able to create a full body of my own
homeless photography with the limited timeframe I did take a trip out
one afternoon/evening in search of homeless that would allow me to
photograph them for my project. Part of the challenges in homeless
photography is ensuring my own safety so I ensured I was accompanied
by my husband who is a deputy. Though he wasn’t on duty and never once
represented himself in a law enforcement capacity it was very helpful to
have his company. Every homeless person he confronted first to get the
permission for me to take their photo and use in my portfolio for the work
I was doing for the Coalition for the homeless. Every homeless person I
encountered was friendly and all agreed to let me take their photo.
The first person I encountered was a middle aged man who referred to
himself as “Saigon”. He wore army fatigues and a U.S. Army shirt and
proudly showed me his dog tags. He told my husband he served in Vietnam
and then later said Desert Storm. He said he’d rather be in Saigon than in
Orlando. He was waiting beside a white dumpster with his backpack in the
90 degree Florida heat telling me how ready he was to leave Orlando and
how he was waiting for his ride out of Orlando. He said he was headed to “I’d rather be in Saigon than Orlando.”
he Ocala national forrest where life would be better.
All of the photos I have made image adjustments to but I’ve elected
to reserve overtly adding textures or darkening the photos until the
need arises in the project. I think adding texture and darkened looks
could increase the impact but due to the lighting some may not look as
appropriate overtly darkened because I don’t want the photos to look fake
or overly edited in photoshop.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
21. IMAGERY
My homeless photography experience
We drove closer to downtown and ran into a couple more homeless. This
guy was sitting right outside of a popular downtown pizza restaurant. He
appeared to be having a conversation with himself when we first walked
up to him. He gladly agreed to allow me to take his photo. Like all the
homeless I photographed he was quick to smile but when I asked him to
let me take his photo with out a grin I was totally captured by his eyes.
Look back now the struggles the homeless face are easily seen in their
expressions which certainly speak through their eyes.
Looking back I had wished I would have asked him to remove his hat, but
now it’s all hindsight. Ironically he was sporting this UCF hat and informed
me that he moved to Orlando many years ago from Ohio to go to school but
said it didn’t work out. I didnt ask any more details. After sharing this photo
in twitter and facebook I’ve since learned that at Valencia where I teach
the homeless are able to enroll in classes at no cost and they’re eligible
for scholarships due to their need. Next time around I’ll be armed with
information to help them see the opportunities they could have.
“I moved to Orlando to go to school.”
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
22. IMAGERY
My homeless photography experience
This man was the first one to come up to us to confront us for some spare
change before we were ever able to asking him if I could take his photo.
Because we weren’t sure how many homeless we’d encounter we possibly
might help them out if they let me take their photo by giving each person a
dollar. When we got to this guy we didn’t have spare change or one dollar
bills. My husband only had a $5 bill remaining. But when I saw how big this
guy smiled for me I told him to go ahead and give him $5. I have never seen
someone so happy. He graciously thanked us and then walked away with a
pep in his step as if we made his day.
“Excuse me, can you spare some change?”
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
23. IMAGERY
My homeless photography experience
As the afternoon went on it began to rain. After dinner we drove back
home and passed the OBT (Orange Blossom Trail) area which is a known
low income, higher crime, and area where several homeless seem to pass
through. As we passed through the area we happened to see this homeless
man, who called himself Bill, sitting outside of a gas station with his bag.
Once he agreed to allow me to take his photo I greeted him. He was such
a kind man and he was the only one who didn’t ask for spare change. At
first he was wearing a hat and after remembering the hat the previous
homeless man was wearing earlier in the afternoon I asked if he’d remove
his hat. He told me I could take as many pictures of him as I wanted. As he
removed his hat he was a bit concerned at how dirty and sweaty he was
and he said “Ma’am, you’ll have to excuse me, I’m homeless.”
“ You’ll have to excuse me, I’m homeless.”
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
24. ADVERTISING VEHICLES
A Few potential ideas...
As I was photographing the homeless I noticed a few potential advertising
vehicles that I encountered while I was downtown. Obviously billboards
would gain a lot of attention. I also found a huge banner along a building
that might be interesting. There were also street banners on most light
posts downtown. These could all be interesting approaches, however, due
to the budget it’s likely we’d have to illicit either donations or some type
of support to make such an impact happen. Because I think it’s worthy of
spreading the word to help create awareness and help the coalition for
the homeless I intend on proposing a few ideas that include the use of
advertising to create such awareness to promote the organization.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
25. ROUGHS & BRAINSTORMING
Building ideas
I found myself brainstorming ways to help the homeless through
advertising. I thought a lot about how much we all try to help third world
countries but how we have so many on our own streets who need our help.
With that I came to the conclusion that a “react” theme would be worth
exploring. I jotted down several ideas for taglines and more.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
26. TYPOGRAPHY & COLOR
Exploring type possibilities
I’ve explored a few typographic possibilities for this assignment for the GOTHAM
primary fonts that could be used to grab attention. In this case these fonts
may be used to create a strong bold impact. I felt bold sans serif fonts to be HEADLINE ONE
the most ideal to make the strongest impact.
LEAGUE GOTHIC
Exploring color possibilities HELVETICA NEUE CONDENSED
I’ve elected to keep colors consistent with the current colors in the coalition
branding. I plan to bring in black, white and grey to help create an impact. HELVETICA NEUE CONDENSED
Blue will be used to help draw attention. I may consider bringing in a bold
yellow or red very minimally to draw attention.
CHALET
FUTURA CONDENSED
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
27. NEWS STAND & BILLBOARD ADS
Helping the homeless
I’ve elected to create a city wide ad that would be incorporated across
news stands. It could also be used as smaller format billboards around the
city. I focused the campaign around the concept of our hopes to get others
to “react” to help the homeless. Rather than helping so many others in
other countries that need help I pushed for a campaign to help “our own”.
The first one I focused on how homeless constantly ask for spare change,
however, I think we all realize spare change isn’t enough to help them.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
28. NEWS STAND & BILLBOARD ADS
Helping the homeless
I found the strongest ads to have a strong black and white contrast. I
learned that many homeless didn’t plan to be homeless so I thought that’d
be an appropriate tagline. The campaign can easily be transferred to a
billboard or building banner advertisement.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
29. NEWS STAND & BILLBOARD ADS
Helping the homeless
I found the prayer image to be so moving and relevant to homeless so I felt
a tagline communicating that all the prayers in the world aren’t enough to
help the homeless. More must be done. People must react to help them.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
30. NEWS STAND & BILLBOARD ADS
Helping the homeless
As moving as the images were I found the grey images to be problematic
with type so I did the most with the limitations. If I had a bit more time I
might rethink a variation of the campaign for the grey images to improve
legibility. For this image I felt it important to point out how homeless don’t
choose to be homeless.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
31. NEWS STAND & BILLBOARD ADS
Helping the homeless
I added texture to some images such as this one. I found the tagline coming
from the words of the homeless man I met to be ideal for this project.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
32. TRANSIT ADS
Helping the homeless
I felt transit ads to be an ideal place to help create awareness about
helping the homeless. The bus transit ads can be found throughout Orlando
and would reach a large audience. I chose to use mostly my imagery for the
transit ads and played off the words that were said to me directly for the
taglines.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
33. TRANSIT ADS
Helping the homeless
I did use this one image of LJ’s for this transit ad. I felt it to be very
impactful and similar in style.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
34. TRANSIT ADS
Helping the homeless
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
35. FINAL THOUGHTS
Opinions on helping the homeless
I think this project has a lot of potential for a continued connection with the
coalition. I realize that time was limited and if I had additional time I would
go back and spend more time building a strong collection of homeless
photography because to me that’s what really speaks to me in this project.
It’s not about numbers, statistics, or boring facts. It’s about the people. It’s
about their experiences. And I think having more time to build a connection
would lead to more impactful work.
I think one big challenge with this project has been the delay in
communication which put me behind schedule. The organization had most
of it’s print collateral recently redesigned so based on their timelines I
was limited and felt the advertising ideas would better compliment my
portfolio. Though I’m sure a redesign of some print collateral may help the
organization, due to their limited resources it may not be as beneficial.
This project has been an eye opening experience that with more time
I see a great deal of potential for growth of creative ideas to help the
organization. Personally I think this building of such a strong impact would
take more than days or weeks but rather months or longer of establishing
goals and creating awareness to help the homeless.
AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010