SlideShare ist ein Scribd-Unternehmen logo
1 von 35
Downloaden Sie, um offline zu lesen
]
                              PROJECT 2
                 Designing to Help Others Speak
                                  AMANDA KERN
THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS
                     PROFESSOR WILLIAM CONRAD
                                     MAY 25, 2010
[
                                                      TABLE OF CONTENTS
                                                      PROJECT OBJECTIVES ...................................................3
                                                      DESIGN BRIEF .......................................................... 4-14
                                                      RESEARCH.............................................................. 15-17
                                                      IMAGERY................................................................ 18-23
                                                      POTENTIAL ADVERTISING VEHICLES ..........................24
                                                      ROUGHS & BRAINSTORMING .....................................25
                                                      TYPOGRAPHY & COLOR ...............................................26
                                                      NEW STAND/BILLBOARD ADS .............................. 27-31
                                                      TRANSIT ADS......................................................... 32-34
                                                      FINAL THOUGHTS ........................................................35




AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
PROJECT 2 OBJECTIVES
Objective
For this project, you will develop a design construct for an existing non-profit      meeting. If you would like to record your meetings, get advanced approval from
organization of your choosing. As with Design Project 1, your final presentation      your contact.
should reflect a substantial design output. In the case of this project, however,
the medium, the tenor, and the specific subject matter should serve to benefit the    As with Design Project 1, your topic must be thoroughly researched before you
organization for which you are designing.                                             begin any serious design work. Subject matter that focuses on divisive issues must
                                                                                      include research on the opposing viewpoint as well as the viewpoint to which
Design Brief                                                                          you adhere. You must fully understand the scope of the issue before you can hope
Due at the end of Unit 4 in PDF format. The design brief should include the           to	address	it	in	an	informed	fashion.	Research	should	also	include	examples	(in	
following components:                                                                 visual	and	written	form)	of	past	design	work	done	for	the	same	cause.	Download	
	         •		introduction                                                             visuals as you run across them, and save URLs in a file for future reference. This
	         •		research	methodology                                                     research should be compiled neatly in a project binder for your own reference.
	         •		target	audience
	         •		geographic	scope	(regional,	national,	etc)                               Other areas of process include written brainstorming, thumbnail sketches, and
	         •		a	description	of	the	strategy                                            computer developed roughs. Word association brainstorming with a pen and paper
	         •		objectives	that	defined	your	design	decisions.                           is an excellent way to discover unique solutions. Once you have completed your
Although word count is not an accurate factor in determining your brief’s degree of   research, write down any key words from your research, and begin writing other
thoroughness, 1,000 words is a reasonable estimate.                                   words that are in any way associated. Such an exercise may help facilitate your
                                                                                      creative explorations. Thumbnails should show evidence of extensive exploration.
Research Component
You should begin this part of the project as soon as possible. The non-profit         Design Component
organization you choose to produce work for should be notified in the first few       Your final solutions can be in any format, provided the format is appropriate to
weeks of the course, and by Unit 5 all but the most specific design issues should     the subject matter. If print work is a component of the project, the work should
be determined. The objective is to create design work that the organization           be comped in a professional manner. There will most likely be budget restrictions
could actually use. A first meeting/conversation should take place within the         in this project since many non-profits have very low operating budgets. You must
first three weeks of class, and correspondence should continue as often as            take this into account, but you must also prove that your adherence to these
necessary. Investigating production, paper choice and printing costs should also be   possible restrictions does not curb your creative output. You do not need a big
addressed. Please keep minutes of each meeting, and keep these minutes in your        budget to be creative! The objective is to communicate the desired message to
project binder for reference. It is extremely important to keep notes of each         the desired target audience in as effective a fashion as possible.

                                              AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Introduction
For this project I have elected to work with the Coalition for the Homeless of
Central Florida. After working with them last December with the Help-Portrait
photography project I have felt more compelled to help those in need. I have
learned that the homeless population is diverse and seems to be growing
since the economic decline in recent years. Through my work I hope to create
awareness about homelessness and also help cause action that will get others to
want to help those in need.

Research
I began by researching through the Coalition for the Homeless of Central Florida
web site to learn more about the organization. In doing so I learned the following
information about the organization:

	         •		founded	in	1987
	         •		largest	provider	of	homeless	services	in	central	Florida
	         •		helps	600	people	daily	by	providing	shelter	and	support
	         •		provides	services	to	nearly	200	children	w/	the	average	age	of	6.
	         •		An	estimated	300,000	meals	are	served	annually
	         •			 he	goals	is	to	promote	self-sufficiency	through	counselling,	job	
             t
             training, and educational programs.
	         •		operates	two	campuses                                                     Coalition for the Homeless of Central Florida
	         •		a	big	key	to	success	is	through	volunteers	and	donations                  http://www.centralfloridahomeless.org/
	         •		An	estimated	300,000	meals	are	served	annually
	         •			 he	goals	is	to	promote	self-sufficiency	through	counselling,	job	
             t
             training, and educational programs.




                                              AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Additional Research
I researched the homeless extensively across the coalition for the homeless of
central Florida web site but I also found the national and NY web site useful in
finding relevant information that could be helpful as I approach the project.

	         •		 SA	Today	estimated	1.6	million	people	to	use	transitional	shelters	
            U
            or emergency shelters. 1/3 are members of households with
            children.
	         •			 .5	million	people,	1.35	million	of	them	children,	are	likely	to	
             3
             experience homelessness in a given year
             (National	Law	Center	on	Homelessness	and	Poverty,	2007)	
	         •			 %	of	the	U.S.	population	experiencing	homelessness	each	year,	
             1
             	
             38%	(October)	to	39%	(February)	of	them	being	children	(Urban	
             Institute	2000)	                                                              Coalition for the Homeless (national)
	         •			 ationally	30%	of	requests	by	homeless	people	and	38%	of	requests	
             n                                                                             http://www.nationalhomeless.org/
             by homeless families went unmet in 2002.
	         •			 ationally	41%	of	homeless	population	are	single	men,	41%	
             n
             are	families	with	children,	13%	are	single	women,	and	5%	are	
             unaccompanied minors.
	         •			 ationally	23%	are	considered	mentally	ill,	32%	are	substance	
             n
             	
             abusers,	22%	are	employed,	and	10%	are	veterans
	         •			n	2003,	children	under	the	age	of	18	accounted	for	39%	of	the	
             I
             homeless	population;	42%	of	these	children	were	under	the	age	of	
             five	(National	Law	Center	on	Homelessness	and	Poverty,	2004)




                                                                                           Coalition for the Homeless (NY)
                                                                                           http://www.coalitionforthehomeless.org/

                                              AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Learning more about the homeless
The definition of homelessness has changed and the Coalition for the Homeless has
used the definition outlined within the Stewart B. McKinney Homeless Assistance
Act	of	1987:	

The	term	“homeless”	or	“homeless	individual	or	homeless	person”	includes:	(1)	an	
individual	who	lacks	a	fixed,	regular,	and	adequate	nighttime	residence;	and	(2)	an	
individual	who	has	a	primary	nighttime	residence	that	is	(a)	a	supervised	publicly	
or privately operated shelter designed to provide temporary living accommodations
(including	welfare	hotels,	congregate	shelters,	and	transitional	housing	for	the	
mentally	ill);	(b)	an	institution	that	provide	a	temporary	resident	for	individuals	
intended	to	be	institutionalized;	or	(c)	a	public	or	private	place	not	designed	for,	or	
ordinarily used as, a regular sleeping accommodations for human beings.

Vision of the Coalition for the Homeless
To pursue the prevention of homelessness, to ensure appropriate homeless services
are made reasonably available to each resident of Orlando, and to be provided in a
cooperative and collaborative spirit.

Mission of the Coalition for the Homeless
To foster an environment where homelessness is minimized and to provide
appropriate services to return people to self-sufficiency.                                         © 2010 Photography copyright LJ




                                                AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Additional Statistics
I found this additional information useful:

	         •		 n	a	given	night,	an	estimated	672,000	people	experience	
            O
            homelessness. This means 22 out of every 10,000 people are homeless
            in America.
	         •		 2%	of	those	672,000	are	unsheltered	(meaning	they	live	on	the	streets	
            4
            or	in	other	forms	of	shelter	not	meant	for	human	habitation),	while	58%	
            are living in shelters or transitional housing.
	         •		 7%	of	the	homeless	are	people	in	family	units,	while	63%	are	
            3
            individual adults.
	         •		 he	most	common	makeup	of	a	homeless	family	is	a	mother	with	one	
            T
            or two children. This certainly goes against the image of homelessness
            most perceive; we’ve noticed that people typically picture the homeless
            as a single male standing on the street corner, not a single mom with
            kids in tow.
	         •		 hose	meeting	the	federal	definition	for	chronic	homelessness	make	up	
            T
            just	18%	of	the	entire	homeless	population.
	         •	8	out	of	10	homeless	persons	are	in	urban	or	mostly	urban	areas.	



                                                                                                 © 2010 Photography copyright LJ




                                              AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Myths about the homeless
I found it compelling to learn about myths about the homeless found on the Coalition
for the homeless’ blog.

1. They are all men. For many, the word “homeless” conjures up images of
   scraggly men standing on street corners holding cardboard signs. Today, that
   image is simply not reality: the face of homelessness is changing. In fact, the
   fastest growing segments of the homeless population are women and families
   with children.
2. They are all lazy. A sad reality facing many homeless individuals and families
   is that even if they work, their income cannot sustain them. As a matter of fact,
   the majority of Coalition clients are working or actively looking for work, and yet
   remain	homeless.	In	Orlando,	service	industry	employment	accounts	for	40%	of	
   jobs, with resulting wages of $8 per hour with limited benefits. The average rent
   for a two-bedroom apartment in Orlando requires an hourly wage of nearly $18.00
   (according	to	our	most	recent	statistics)	–	making	it	almost	impossible	for	a	
   couple to afford, even with both working 40 hours per week at $8 per hour.
3. Homelessness is a single issue. Many believe that the homeless “just need
   to get a job” to fix their situation. If only addressing the needs of the homeless
   was this easy! Instead, the many serious contributors to homelessness make
   obtaining and keeping employment difficult for many homeless men and women.
   Contributors to homelessness can include low wages, lack of affordable rental                 © 2010 Photography copyright LJ
   housing,	job	loss	or	underemployment	(meaning	work	hours	were	cut	or	someone	
   was	forced	to	accept	a	job	lower	than	their	earning	potential),	domestic	violence,	
   substance abuse, and mental health issues.




                                              AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Myths about the homeless (continued)
4. They are all from someplace else. Eighty-three percent of the homeless
   individuals	interviewed	for	the	2009	Point	In	Time	Count	(conducted	by	the	
   Homeless	Services	Network	of	Central	Florida)	had	lived	in	the	area	for	one	year	
   or longer, showing that many started out as typical Central Florida residents. The
   Coalition	served	nearly	4,200	individuals	and	490	families	last	year,	the	majority	
   of whom were living in the Central Florida area when they became homeless.
5. Build it and they will come. Constructing a new facility does not “attract” new
   homeless people to an area. They are already here in Central Florida, as proven
   by	the	2009	Point	In	Time	Count’s	estimation	that	nearly	10,000	people	would	
   experience homelessness in our region over the course of one year. Providing
   services responds to a need that already exists.
6. Ignore the problem and it will go away.The number of homeless families with
   children	increased	dramatically	last	year,	according	to	the	2009	Point	In	
   Time	Count.	At	the	end	of	the	2008-2009	school	year,	4,206	homeless	children	had	
   attended schools in the Central Florida region, compared with 2,700 the
   year before.
7. Homelessness will be eliminated by adopting a 10 year plan. The Central
   Florida Commission on Homelessness has made strides by adopting their ten
   year plan to end homelessness in our area, but creating a vision for service
   infrastructure will not automatically eliminate homelessness. A ten year plan only
   puts into place the infrastructure to deliver services to homeless people. It does            © 2010 Photography copyright LJ
   not end homelessness.




                                              AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Myths about the homeless (continued)
8 . Services provided are a hand-out.	–	Many	homeless	individuals	need	a	
      hand up, not a hand-out. By providing job training, educational opportunities,
      mental health counseling, and life skills like budgeting and savings, the
      Coalition is working to ensure that services provide the tools clients need for
      self-sufficiency.
9.					 t is a lifestyle choice.	In	the	2009	Point	In	Time	Count,	84%	of	those	
      I
      interviewed listed issues such as employment, housing, disabilities, family
      problems, forced relocation, natural disasters, and recent immigration as
      the cause of their current state of homelessness. These individuals did not
      choose to be homeless and are trying desperately to return to self-sufficiency.
10. It will never happen to me. Homelessness can happen to anyone.




                                                                                                  © 2010 Photography copyright LJ




                                               AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Facts about homeless children
There are more homeless children than most realize. I found the following
information regarding homeless children to be moving.

	        •		 9,886	children	are	estimated	to	be	homeless	in	Florida.	20,	952	
           4
           kids under six are homeless. 23,404 kids K-8 are homeless. 5,530
           kids	grade	9-12	are	homeless.
	        •		 .5	MILLION	=	the	number	of	children	in	America	who	go	to	sleep	
           1
           without a home each year
	        •		 	in	50	=	an	American	child’s	chances	of	experiencing	
           1
           homelessness in their lifetime
	        •		 	in	29	children	in	Florida	do	not	know	where	they	will	get	their	
           1
           next meal.
	        •		 omeless	children	are	twice	as	likely	as	other	children	to	repeat	
           H
           a grade in school, to be expelled or suspended, or to drop out of
           high school. At the end of high school, few homeless students are
           proficient	in	reading	and	math	–	and	their	estimated	graduation	
           rate	is	below	25%.
	        •		 lorida	to	ranks	43rd	out	of	the	50	states	in	child	homelessness	
           F
           (with	50	being	the	worst)


                                                                                                © 2010 Photography copyright LJ




                                             AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Stategy, Objectives & Target Audience
I had the opportunity to speak with Director of Communications and
Community Relations for the Coalition for the Homeless of Central Florida,
Muffet Robinson and we were able to establish a list design needs. Many
needs are evolving or longer term. The primary audience of the below listed
collateral would be those who would potentially volunteer or donate to the
organization. Often times these print collateral are provided at presentations
or events where help could be solicited. Though there is not an immediate
need to redesign the print collateral it was a consideration to redesign
something existing for potential future use.

	         •		 	quarterly	newsletter	is	designed	for	the	organization.	The	
            A
                                                                                   Current Winter 2010 Newsletter              Current Flyer for supply needs
            most recent one has been designed and printed for this quarter.
            Though newletters could be designed for future quarters content
            is not prepared to create future newsletters. A new and improved
            newsletter could be presented for potential use for future use.
	         •		 lyers	and	brochures.	Both	are	used	to	to	promote	programs	and	
            F
            solicit volunteers and donations.
	         •		 nnual	Report.	The	Annual	report	is	not	slated	to	be	created	
            A
            until the fall and data is not available. Potentially it could be
            redesigned with last years content for a new design for the
            coming year.




                                                                                   Annual	report	2009                          Annual	report	2009

                                              AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Stategy, Objectives & Target Audience
We also discussed potential events that could use exposure through design.
Most big events have passed but we discussed events that help the coalition
earn support and I researched additional events that could be of interest to
design perhaps a poster series to help an event gain exposure.

	        •		 mpty	bowls	happens	in	the	fall	and	in	the	past	has	been	done	
           E
           with the 2nd harvest food bank. This year it will be pursued only
           by the coalition. The event demonstrates community support for
           those who fill their bowls at soup kitchens and shelters each day
           in Central Florida. Lunch will consist of soup, salad and bread.
           Additionally, every guest in attendance will receive a unique
           handcrafted bowl created by local school children, area potters,
           or ceramic artists who donated their time and talents to the fight
           against hunger.
	        •		 earts	of	Gold	occurs	in	the	spring.	It	just	recently	was	held.	It	is	
           H
           another fundraiser for the organization.
	        •		 elp-Portrait	occurs	in	December	and	is	a	way	for	residents	to	
           H
           receive photography which they typically wouldn’t receive.




                                               AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
DESIGN BRIEF
Stategy, Objectives & Target Audience
We also discussed the potential for a mass media campaign that could be
used to promote the organization. With powerful messaging and imagery
awareness about the coalition could be made to help gain attention and
solicit help for the organization. Ideas would be designed to present for
potential use. Due to the fact that the organization is non-profit advertising
donations would be requested. Potential ideas could be:

	         •		 illboards
            B
	         •		 agazine	&	Newspaper	ads
            M
	         •		 irect	mail	to	solicit	donations	&	volunteering
            D
	         •		 osters	that	act	solicit	help.	If	distributed	like	propaganda	
            P
            around the city area it could create enough awareness to help
            the organization.
	         •	Donation/volunteer	advertising	at	local	supermarkets.	




                                                                                                  © 2010 Photography copyright LJ




                                               AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
RESEARCH
Inspiring examples
I researched other advertising campaigns and found these quite inspiring.
This campaign evolved around the concept that once a person becomes
homeless it’s that much harder for them to escape homelessness because
they’re already stuck underground.




                                             AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
RESEARCH
Inspiring examples
Advertising to help homeless has been done many times before and has
been approached across a variety of advertising vehicles. I was intrigued
by the advertisement to the right. It was intended to confront child
homelessness and referred to the child being stuck beneath ground. I found
it to be very haunting but in a way that grabbed my attention.

The trash advertisement to the right confronts how your trash may be
someone else’s food. Sounds sad and gross, but it’s very true. The sidewalk
bench is very similar where it confronts how many call that bench home.




                                             AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
RESEARCH
Inspiring examples
Some advertising has been done so simplistically, yet it works. We all
identify with homeless writing on cardboard so seeing it we almost
instantly relate. Some places have done newspaper campaigns mixed with
street campaigns to push to collect clothes donations. As simple as they
are the messaging and approach are quite memorable.




                                            AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
IMAGERY
Photography inspiration
For a few years now I have followed a photographer, LJ, in flickr. His
homeless and elderly photography is so impactful, moving, and inspiring.
The strong contrast in his imagery and the emotion they evoke remind me
of some of the depression era photography. Seeing his imagery they make
such a strong impact that you connect with the person and feel almost as
though you can relate to their struggles in life. Being a photography I hope
to build a concentration of homeless photography. However, given the
time constraints of this project I realize I will be limited in how much work
could be produced especially considering the safety and privacy concerns
involved in photographing homeless. I have been in contact with LJ and
he has granted permission for me to use his photography in projects for
my academic work, with the understanding that if there is any commercial
interest or interest by the coalition that his photography not be used with
out his prior consent.

Regardless of if LJ’s photography is approved or used, my hopes are
to create impactful pieces that show the potential of such moving
photography. If my own photography ends up limited due to the time
constraints it will show the potential to pursue more homeless photography
at a later date if needed.




  © 2010 Photography copyright LJ
  http://www.flickr.com/photos/16536699@N07/



                                               AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
IMAGERY
Photography inspiration




 © 2010 Photography copyright LJ
 http://www.flickr.com/photos/16536699@N07/



                                              AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
IMAGERY
My homeless photography experience
Though I realized I wouldn’t be able to create a full body of my own
homeless photography with the limited timeframe I did take a trip out
one afternoon/evening in search of homeless that would allow me to
photograph them for my project. Part of the challenges in homeless
photography is ensuring my own safety so I ensured I was accompanied
by my husband who is a deputy. Though he wasn’t on duty and never once
represented himself in a law enforcement capacity it was very helpful to
have his company. Every homeless person he confronted first to get the
permission for me to take their photo and use in my portfolio for the work
I was doing for the Coalition for the homeless. Every homeless person I
encountered was friendly and all agreed to let me take their photo.

The first person I encountered was a middle aged man who referred to
himself as “Saigon”. He wore army fatigues and a U.S. Army shirt and
proudly showed me his dog tags. He told my husband he served in Vietnam
and then later said Desert Storm. He said he’d rather be in Saigon than in
Orlando. He was waiting beside a white dumpster with his backpack in the
90	degree	Florida	heat	telling	me	how	ready	he	was	to	leave	Orlando	and	
how he was waiting for his ride out of Orlando. He said he was headed to                    “I’d rather be in Saigon than Orlando.”
he Ocala national forrest where life would be better.

All of the photos I have made image adjustments to but I’ve elected
to reserve overtly adding textures or darkening the photos until the
need arises in the project. I think adding texture and darkened looks
could increase the impact but due to the lighting some may not look as
appropriate overtly darkened because I don’t want the photos to look fake
or overly edited in photoshop.



                                             AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
IMAGERY
My homeless photography experience
We drove closer to downtown and ran into a couple more homeless. This
guy was sitting right outside of a popular downtown pizza restaurant. He
appeared to be having a conversation with himself when we first walked
up to him. He gladly agreed to allow me to take his photo. Like all the
homeless I photographed he was quick to smile but when I asked him to
let me take his photo with out a grin I was totally captured by his eyes.
Look back now the struggles the homeless face are easily seen in their
expressions which certainly speak through their eyes.

Looking back I had wished I would have asked him to remove his hat, but
now it’s all hindsight. Ironically he was sporting this UCF hat and informed
me that he moved to Orlando many years ago from Ohio to go to school but
said it didn’t work out. I didnt ask any more details. After sharing this photo
in twitter and facebook I’ve since learned that at Valencia where I teach
the homeless are able to enroll in classes at no cost and they’re eligible
for scholarships due to their need. Next time around I’ll be armed with
information to help them see the opportunities they could have.




                                                                                              “I moved to Orlando to go to school.”




                                               AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
IMAGERY
My homeless photography experience
This man was the first one to come up to us to confront us for some spare
change before we were ever able to asking him if I could take his photo.
Because we weren’t sure how many homeless we’d encounter we possibly
might help them out if they let me take their photo by giving each person a
dollar. When we got to this guy we didn’t have spare change or one dollar
bills. My husband only had a $5 bill remaining. But when I saw how big this
guy smiled for me I told him to go ahead and give him $5. I have never seen
someone so happy. He graciously thanked us and then walked away with a
pep in his step as if we made his day.




                                                                                            “Excuse me, can you spare some change?”




                                             AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
IMAGERY
My homeless photography experience
As the afternoon went on it began to rain. After dinner we drove back
home	and	passed	the	OBT	(Orange	Blossom	Trail)	area	which	is	a	known	
low income, higher crime, and area where several homeless seem to pass
through. As we passed through the area we happened to see this homeless
man, who called himself Bill, sitting outside of a gas station with his bag.
Once he agreed to allow me to take his photo I greeted him. He was such
a kind man and he was the only one who didn’t ask for spare change. At
first he was wearing a hat and after remembering the hat the previous
homeless man was wearing earlier in the afternoon I asked if he’d remove
his hat. He told me I could take as many pictures of him as I wanted. As he
removed his hat he was a bit concerned at how dirty and sweaty he was
and he said “Ma’am, you’ll have to excuse me, I’m homeless.”




                                                                                             “ You’ll have to excuse me, I’m homeless.”




                                              AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
ADVERTISING VEHICLES
A Few potential ideas...
As I was photographing the homeless I noticed a few potential advertising
vehicles that I encountered while I was downtown. Obviously billboards
would gain a lot of attention. I also found a huge banner along a building
that might be interesting. There were also street banners on most light
posts downtown. These could all be interesting approaches, however, due
to the budget it’s likely we’d have to illicit either donations or some type
of support to make such an impact happen. Because I think it’s worthy of
spreading the word to help create awareness and help the coalition for
the homeless I intend on proposing a few ideas that include the use of
advertising to create such awareness to promote the organization.




                                              AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
ROUGHS & BRAINSTORMING
Building ideas
I found myself brainstorming ways to help the homeless through
advertising. I thought a lot about how much we all try to help third world
countries but how we have so many on our own streets who need our help.
With that I came to the conclusion that a “react” theme would be worth
exploring. I jotted down several ideas for taglines and more.




                                            AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
TYPOGRAPHY & COLOR
Exploring type possibilities
I’ve explored a few typographic possibilities for this assignment for the                 GOTHAM
primary fonts that could be used to grab attention. In this case these fonts
may be used to create a strong bold impact. I felt bold sans serif fonts to be            HEADLINE ONE
the most ideal to make the strongest impact.
                                                                                          LEAGUE GOTHIC
Exploring color possibilities                                                             HELVETICA NEUE CONDENSED
I’ve elected to keep colors consistent with the current colors in the coalition
branding. I plan to bring in black, white and grey to help create an impact.              HELVETICA NEUE CONDENSED
Blue will be used to help draw attention. I may consider bringing in a bold
yellow or red very minimally to draw attention.
                                                                                          CHALET
                                                                                          FUTURA CONDENSED




                                               AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
NEWS STAND & BILLBOARD ADS
Helping the homeless
I’ve elected to create a city wide ad that would be incorporated across
news stands. It could also be used as smaller format billboards around the
city. I focused the campaign around the concept of our hopes to get others
to “react” to help the homeless. Rather than helping so many others in
other countries that need help I pushed for a campaign to help “our own”.
The first one I focused on how homeless constantly ask for spare change,
however, I think we all realize spare change isn’t enough to help them.




                                             AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
NEWS STAND & BILLBOARD ADS
Helping the homeless
I found the strongest ads to have a strong black and white contrast. I
learned that many homeless didn’t plan to be homeless so I thought that’d
be an appropriate tagline. The campaign can easily be transferred to a
billboard or building banner advertisement.




                                            AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
NEWS STAND & BILLBOARD ADS
Helping the homeless
I found the prayer image to be so moving and relevant to homeless so I felt
a tagline communicating that all the prayers in the world aren’t enough to
help the homeless. More must be done. People must react to help them.




                                             AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
NEWS STAND & BILLBOARD ADS
Helping the homeless
As moving as the images were I found the grey images to be problematic
with type so I did the most with the limitations. If I had a bit more time I
might rethink a variation of the campaign for the grey images to improve
legibility. For this image I felt it important to point out how homeless don’t
choose to be homeless.




                                                AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
NEWS STAND & BILLBOARD ADS
Helping the homeless
I added texture to some images such as this one. I found the tagline coming
from the words of the homeless man I met to be ideal for this project.




                                             AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
TRANSIT ADS
Helping the homeless
I felt transit ads to be an ideal place to help create awareness about
helping the homeless. The bus transit ads can be found throughout Orlando
and would reach a large audience. I chose to use mostly my imagery for the
transit ads and played off the words that were said to me directly for the
taglines.




                                            AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
TRANSIT ADS
Helping the homeless
I did use this one image of LJ’s for this transit ad. I felt it to be very
impactful and similar in style.




                                                  AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
TRANSIT ADS
Helping the homeless




                       AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
FINAL THOUGHTS
Opinions on helping the homeless
I think this project has a lot of potential for a continued connection with the
coalition. I realize that time was limited and if I had additional time I would
go back and spend more time building a strong collection of homeless
photography because to me that’s what really speaks to me in this project.
It’s not about numbers, statistics, or boring facts. It’s about the people. It’s
about their experiences. And I think having more time to build a connection
would lead to more impactful work.

I think one big challenge with this project has been the delay in
communication which put me behind schedule. The organization had most
of it’s print collateral recently redesigned so based on their timelines I
was limited and felt the advertising ideas would better compliment my
portfolio. Though I’m sure a redesign of some print collateral may help the
organization, due to their limited resources it may not be as beneficial.

This project has been an eye opening experience that with more time
I see a great deal of potential for growth of creative ideas to help the
organization. Personally I think this building of such a strong impact would
take more than days or weeks but rather months or longer of establishing
goals and creating awareness to help the homeless.




                                                AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010

Weitere ähnliche Inhalte

Andere mochten auch

Guy Kawasaki's Enchantment Presentation
Guy Kawasaki's Enchantment PresentationGuy Kawasaki's Enchantment Presentation
Guy Kawasaki's Enchantment PresentationKevon Saber
 
How to Create More Better Different
How to Create More Better DifferentHow to Create More Better Different
How to Create More Better DifferentJason Theodor
 
Understanding Loneliness in Social Awareness Streams - ICWSM 2014 Presentation
Understanding Loneliness in Social Awareness Streams - ICWSM 2014 PresentationUnderstanding Loneliness in Social Awareness Streams - ICWSM 2014 Presentation
Understanding Loneliness in Social Awareness Streams - ICWSM 2014 PresentationFunda Kivran-Swaine
 
Jason Theodor's Creative Method and Systems
Jason Theodor's Creative Method and SystemsJason Theodor's Creative Method and Systems
Jason Theodor's Creative Method and SystemsJason Theodor
 
Apache Spark in Depth: Core Concepts, Architecture & Internals
Apache Spark in Depth: Core Concepts, Architecture & InternalsApache Spark in Depth: Core Concepts, Architecture & Internals
Apache Spark in Depth: Core Concepts, Architecture & InternalsAnton Kirillov
 
Seeking Event Sponsors? Learn How to Craft the Perfect Pitch Deck
Seeking Event Sponsors? Learn How to Craft the Perfect Pitch DeckSeeking Event Sponsors? Learn How to Craft the Perfect Pitch Deck
Seeking Event Sponsors? Learn How to Craft the Perfect Pitch DeckEventbrite
 
Introduction to Apache Spark Developer Training
Introduction to Apache Spark Developer TrainingIntroduction to Apache Spark Developer Training
Introduction to Apache Spark Developer TrainingCloudera, Inc.
 
The Mobile Content Mandate
The Mobile Content MandateThe Mobile Content Mandate
The Mobile Content MandateKaren McGrane
 
The Do's and Dont's of Stellar Push and In-App Messaging: September 2014 Webinar
The Do's and Dont's of Stellar Push and In-App Messaging: September 2014 WebinarThe Do's and Dont's of Stellar Push and In-App Messaging: September 2014 Webinar
The Do's and Dont's of Stellar Push and In-App Messaging: September 2014 WebinarLocalytics
 
Create and Convert Mobile Moments of Truth
Create and Convert Mobile Moments of TruthCreate and Convert Mobile Moments of Truth
Create and Convert Mobile Moments of TruthGreg Hickman
 
Sustainable Design Part Two: Climate Related Issues
Sustainable Design Part Two: Climate Related IssuesSustainable Design Part Two: Climate Related Issues
Sustainable Design Part Two: Climate Related IssuesTerri Meyer Boake
 
How to make users talk about your brand, by talking about themselves!
How to make users talk about your brand, by talking about themselves!How to make users talk about your brand, by talking about themselves!
How to make users talk about your brand, by talking about themselves!psambrakos
 
Best Practice For UX Deliverables - Eventhandler, London, 05 March 2014
Best Practice For UX Deliverables - Eventhandler, London, 05 March 2014Best Practice For UX Deliverables - Eventhandler, London, 05 March 2014
Best Practice For UX Deliverables - Eventhandler, London, 05 March 2014Anna Dahlström
 
Joseph Allen Stien, Raj Rewal, Anant D Raje
Joseph Allen Stien, Raj Rewal, Anant D RajeJoseph Allen Stien, Raj Rewal, Anant D Raje
Joseph Allen Stien, Raj Rewal, Anant D RajeSooraj Sharma
 
Using Events As Content Marketing
Using Events As Content MarketingUsing Events As Content Marketing
Using Events As Content MarketingJeff Hurt
 
How Hotels Can Use Social Media to Attract Event Planners
How Hotels Can Use Social Media to Attract Event PlannersHow Hotels Can Use Social Media to Attract Event Planners
How Hotels Can Use Social Media to Attract Event PlannersJulius Solaris
 

Andere mochten auch (20)

Guy Kawasaki's Enchantment Presentation
Guy Kawasaki's Enchantment PresentationGuy Kawasaki's Enchantment Presentation
Guy Kawasaki's Enchantment Presentation
 
Creative Ignition
Creative IgnitionCreative Ignition
Creative Ignition
 
How to Create More Better Different
How to Create More Better DifferentHow to Create More Better Different
How to Create More Better Different
 
IDEATION and Design Thinking
IDEATION and Design ThinkingIDEATION and Design Thinking
IDEATION and Design Thinking
 
Understanding Loneliness in Social Awareness Streams - ICWSM 2014 Presentation
Understanding Loneliness in Social Awareness Streams - ICWSM 2014 PresentationUnderstanding Loneliness in Social Awareness Streams - ICWSM 2014 Presentation
Understanding Loneliness in Social Awareness Streams - ICWSM 2014 Presentation
 
Jason Theodor's Creative Method and Systems
Jason Theodor's Creative Method and SystemsJason Theodor's Creative Method and Systems
Jason Theodor's Creative Method and Systems
 
Apache Spark in Depth: Core Concepts, Architecture & Internals
Apache Spark in Depth: Core Concepts, Architecture & InternalsApache Spark in Depth: Core Concepts, Architecture & Internals
Apache Spark in Depth: Core Concepts, Architecture & Internals
 
Event Planning Business Plan
Event Planning Business PlanEvent Planning Business Plan
Event Planning Business Plan
 
Modern Data Architecture
Modern Data ArchitectureModern Data Architecture
Modern Data Architecture
 
Seeking Event Sponsors? Learn How to Craft the Perfect Pitch Deck
Seeking Event Sponsors? Learn How to Craft the Perfect Pitch DeckSeeking Event Sponsors? Learn How to Craft the Perfect Pitch Deck
Seeking Event Sponsors? Learn How to Craft the Perfect Pitch Deck
 
Introduction to Apache Spark Developer Training
Introduction to Apache Spark Developer TrainingIntroduction to Apache Spark Developer Training
Introduction to Apache Spark Developer Training
 
The Mobile Content Mandate
The Mobile Content MandateThe Mobile Content Mandate
The Mobile Content Mandate
 
The Do's and Dont's of Stellar Push and In-App Messaging: September 2014 Webinar
The Do's and Dont's of Stellar Push and In-App Messaging: September 2014 WebinarThe Do's and Dont's of Stellar Push and In-App Messaging: September 2014 Webinar
The Do's and Dont's of Stellar Push and In-App Messaging: September 2014 Webinar
 
Create and Convert Mobile Moments of Truth
Create and Convert Mobile Moments of TruthCreate and Convert Mobile Moments of Truth
Create and Convert Mobile Moments of Truth
 
Sustainable Design Part Two: Climate Related Issues
Sustainable Design Part Two: Climate Related IssuesSustainable Design Part Two: Climate Related Issues
Sustainable Design Part Two: Climate Related Issues
 
How to make users talk about your brand, by talking about themselves!
How to make users talk about your brand, by talking about themselves!How to make users talk about your brand, by talking about themselves!
How to make users talk about your brand, by talking about themselves!
 
Best Practice For UX Deliverables - Eventhandler, London, 05 March 2014
Best Practice For UX Deliverables - Eventhandler, London, 05 March 2014Best Practice For UX Deliverables - Eventhandler, London, 05 March 2014
Best Practice For UX Deliverables - Eventhandler, London, 05 March 2014
 
Joseph Allen Stien, Raj Rewal, Anant D Raje
Joseph Allen Stien, Raj Rewal, Anant D RajeJoseph Allen Stien, Raj Rewal, Anant D Raje
Joseph Allen Stien, Raj Rewal, Anant D Raje
 
Using Events As Content Marketing
Using Events As Content MarketingUsing Events As Content Marketing
Using Events As Content Marketing
 
How Hotels Can Use Social Media to Attract Event Planners
How Hotels Can Use Social Media to Attract Event PlannersHow Hotels Can Use Social Media to Attract Event Planners
How Hotels Can Use Social Media to Attract Event Planners
 

Ähnlich wie Homeless Social Awareness campaign

Kill Bill 6 social awareness camaign
Kill Bill 6 social awareness camaignKill Bill 6 social awareness camaign
Kill Bill 6 social awareness camaignAmanda Kern
 
ICT Project for Social Change - Empowerment Technologies
ICT Project for Social Change - Empowerment TechnologiesICT Project for Social Change - Empowerment Technologies
ICT Project for Social Change - Empowerment TechnologiesMark Jhon Oxillo
 
10ictprojectforsocialchange
10ictprojectforsocialchange10ictprojectforsocialchange
10ictprojectforsocialchangeYoonaIm6
 
MODULE 3- Planning and Conceptualizing.pptx
MODULE 3- Planning and Conceptualizing.pptxMODULE 3- Planning and Conceptualizing.pptx
MODULE 3- Planning and Conceptualizing.pptxFrenzDelaCruz2
 
UAL Creative Media Production L3 Unit 12 Specialist Study
UAL Creative Media Production L3 Unit 12 Specialist StudyUAL Creative Media Production L3 Unit 12 Specialist Study
UAL Creative Media Production L3 Unit 12 Specialist StudyKBucket
 
Different methods of co design- how can different decisions in co-design affe...
Different methods of co design- how can different decisions in co-design affe...Different methods of co design- how can different decisions in co-design affe...
Different methods of co design- how can different decisions in co-design affe...Michael Solaymantash
 
Job Roles Brief 2021.pptx
Job Roles Brief 2021.pptxJob Roles Brief 2021.pptx
Job Roles Brief 2021.pptxScottMandis
 
Project management module (advanced level)
Project management module (advanced level)Project management module (advanced level)
Project management module (advanced level)Fundación Esplai
 
Leveraging networks for improved performance
Leveraging networks for improved performanceLeveraging networks for improved performance
Leveraging networks for improved performanceRobin Teigland
 
Capturing Attention How To Use The Research Translation Toolkit’s Communicati...
Capturing Attention How To Use The Research Translation Toolkit’s Communicati...Capturing Attention How To Use The Research Translation Toolkit’s Communicati...
Capturing Attention How To Use The Research Translation Toolkit’s Communicati...Francois Stepman
 
Change2020 RIS3 workbook for projects
Change2020 RIS3 workbook for projectsChange2020 RIS3 workbook for projects
Change2020 RIS3 workbook for projectsBusiness Arena Oy
 
Social action brief
Social action briefSocial action brief
Social action briefMCFCEdwaardz
 
How Planning Inspires Greatness
How Planning Inspires Greatness How Planning Inspires Greatness
How Planning Inspires Greatness Critical Mass
 
DESIGN THINKING in architecture- Introduction
DESIGN THINKING in architecture- IntroductionDESIGN THINKING in architecture- Introduction
DESIGN THINKING in architecture- Introductionsivagami49
 
Audience blank proposal 21 (1)
Audience blank proposal 21 (1)Audience blank proposal 21 (1)
Audience blank proposal 21 (1)ArchieBradley
 

Ähnlich wie Homeless Social Awareness campaign (20)

Kill Bill 6 social awareness camaign
Kill Bill 6 social awareness camaignKill Bill 6 social awareness camaign
Kill Bill 6 social awareness camaign
 
Slidedoc1
Slidedoc1Slidedoc1
Slidedoc1
 
Slidedoc1
Slidedoc1Slidedoc1
Slidedoc1
 
ICT Project for Social Change - Empowerment Technologies
ICT Project for Social Change - Empowerment TechnologiesICT Project for Social Change - Empowerment Technologies
ICT Project for Social Change - Empowerment Technologies
 
10ictprojectforsocialchange
10ictprojectforsocialchange10ictprojectforsocialchange
10ictprojectforsocialchange
 
MODULE 3- Planning and Conceptualizing.pptx
MODULE 3- Planning and Conceptualizing.pptxMODULE 3- Planning and Conceptualizing.pptx
MODULE 3- Planning and Conceptualizing.pptx
 
UAL Creative Media Production L3 Unit 12 Specialist Study
UAL Creative Media Production L3 Unit 12 Specialist StudyUAL Creative Media Production L3 Unit 12 Specialist Study
UAL Creative Media Production L3 Unit 12 Specialist Study
 
Different methods of co design- how can different decisions in co-design affe...
Different methods of co design- how can different decisions in co-design affe...Different methods of co design- how can different decisions in co-design affe...
Different methods of co design- how can different decisions in co-design affe...
 
Job Roles Brief 2021.pptx
Job Roles Brief 2021.pptxJob Roles Brief 2021.pptx
Job Roles Brief 2021.pptx
 
Project management module (advanced level)
Project management module (advanced level)Project management module (advanced level)
Project management module (advanced level)
 
Leveraging networks for improved performance
Leveraging networks for improved performanceLeveraging networks for improved performance
Leveraging networks for improved performance
 
Project Plan
Project PlanProject Plan
Project Plan
 
Capturing Attention How To Use The Research Translation Toolkit’s Communicati...
Capturing Attention How To Use The Research Translation Toolkit’s Communicati...Capturing Attention How To Use The Research Translation Toolkit’s Communicati...
Capturing Attention How To Use The Research Translation Toolkit’s Communicati...
 
Change2020 RIS3 workbook for projects
Change2020 RIS3 workbook for projectsChange2020 RIS3 workbook for projects
Change2020 RIS3 workbook for projects
 
Social action brief
Social action briefSocial action brief
Social action brief
 
Public Engagement and Education
Public Engagement and EducationPublic Engagement and Education
Public Engagement and Education
 
How Planning Inspires Greatness
How Planning Inspires Greatness How Planning Inspires Greatness
How Planning Inspires Greatness
 
Creativity
CreativityCreativity
Creativity
 
DESIGN THINKING in architecture- Introduction
DESIGN THINKING in architecture- IntroductionDESIGN THINKING in architecture- Introduction
DESIGN THINKING in architecture- Introduction
 
Audience blank proposal 21 (1)
Audience blank proposal 21 (1)Audience blank proposal 21 (1)
Audience blank proposal 21 (1)
 

Mehr von Amanda Kern

Redefining Spina Bifida: AIGA changemakers presentation 2018
Redefining Spina Bifida: AIGA changemakers presentation 2018Redefining Spina Bifida: AIGA changemakers presentation 2018
Redefining Spina Bifida: AIGA changemakers presentation 2018Amanda Kern
 
Current problems with the spina bifida diagnosis
Current problems with the spina bifida diagnosisCurrent problems with the spina bifida diagnosis
Current problems with the spina bifida diagnosisAmanda Kern
 
10 Tips to improve your photography
10 Tips to improve your photography10 Tips to improve your photography
10 Tips to improve your photographyAmanda Kern
 
Redefining Spina Bifida presentation
Redefining Spina Bifida presentationRedefining Spina Bifida presentation
Redefining Spina Bifida presentationAmanda Kern
 
Web Design Process - Tips & Guidelines
Web Design Process - Tips & GuidelinesWeb Design Process - Tips & Guidelines
Web Design Process - Tips & GuidelinesAmanda Kern
 
3D product, point of purchase & tradeshow design
3D product, point of purchase & tradeshow design3D product, point of purchase & tradeshow design
3D product, point of purchase & tradeshow designAmanda Kern
 
Bodegas multiple version CSS web design
Bodegas multiple version CSS web designBodegas multiple version CSS web design
Bodegas multiple version CSS web designAmanda Kern
 
Fort Christmas web site redesign
Fort Christmas web site redesignFort Christmas web site redesign
Fort Christmas web site redesignAmanda Kern
 
Design methodologies process book
Design methodologies process bookDesign methodologies process book
Design methodologies process bookAmanda Kern
 
Chicka Chica Boom Boom book cover redesign
Chicka Chica Boom Boom book cover redesignChicka Chica Boom Boom book cover redesign
Chicka Chica Boom Boom book cover redesignAmanda Kern
 
The neverending miscarriage experimental type book design
The neverending miscarriage experimental type book designThe neverending miscarriage experimental type book design
The neverending miscarriage experimental type book designAmanda Kern
 
The Map to My Mind Process book
The Map to My Mind Process bookThe Map to My Mind Process book
The Map to My Mind Process bookAmanda Kern
 
Baseball card packaging process book
Baseball card packaging process bookBaseball card packaging process book
Baseball card packaging process bookAmanda Kern
 
Photography Presentation
Photography PresentationPhotography Presentation
Photography PresentationAmanda Kern
 
Social Media & Online tools for educators Presentation
Social Media & Online tools for educators PresentationSocial Media & Online tools for educators Presentation
Social Media & Online tools for educators PresentationAmanda Kern
 

Mehr von Amanda Kern (18)

Redefining Spina Bifida: AIGA changemakers presentation 2018
Redefining Spina Bifida: AIGA changemakers presentation 2018Redefining Spina Bifida: AIGA changemakers presentation 2018
Redefining Spina Bifida: AIGA changemakers presentation 2018
 
Current problems with the spina bifida diagnosis
Current problems with the spina bifida diagnosisCurrent problems with the spina bifida diagnosis
Current problems with the spina bifida diagnosis
 
10 Tips to improve your photography
10 Tips to improve your photography10 Tips to improve your photography
10 Tips to improve your photography
 
Redefining Spina Bifida presentation
Redefining Spina Bifida presentationRedefining Spina Bifida presentation
Redefining Spina Bifida presentation
 
Web Design Process - Tips & Guidelines
Web Design Process - Tips & GuidelinesWeb Design Process - Tips & Guidelines
Web Design Process - Tips & Guidelines
 
3D product, point of purchase & tradeshow design
3D product, point of purchase & tradeshow design3D product, point of purchase & tradeshow design
3D product, point of purchase & tradeshow design
 
Bodegas multiple version CSS web design
Bodegas multiple version CSS web designBodegas multiple version CSS web design
Bodegas multiple version CSS web design
 
Fort Christmas web site redesign
Fort Christmas web site redesignFort Christmas web site redesign
Fort Christmas web site redesign
 
Design methodologies process book
Design methodologies process bookDesign methodologies process book
Design methodologies process book
 
Typeface design
Typeface designTypeface design
Typeface design
 
Chicka Chica Boom Boom book cover redesign
Chicka Chica Boom Boom book cover redesignChicka Chica Boom Boom book cover redesign
Chicka Chica Boom Boom book cover redesign
 
The neverending miscarriage experimental type book design
The neverending miscarriage experimental type book designThe neverending miscarriage experimental type book design
The neverending miscarriage experimental type book design
 
The Map to My Mind Process book
The Map to My Mind Process bookThe Map to My Mind Process book
The Map to My Mind Process book
 
Kern project4
Kern project4Kern project4
Kern project4
 
Kern project3
Kern project3Kern project3
Kern project3
 
Baseball card packaging process book
Baseball card packaging process bookBaseball card packaging process book
Baseball card packaging process book
 
Photography Presentation
Photography PresentationPhotography Presentation
Photography Presentation
 
Social Media & Online tools for educators Presentation
Social Media & Online tools for educators PresentationSocial Media & Online tools for educators Presentation
Social Media & Online tools for educators Presentation
 

Homeless Social Awareness campaign

  • 1. ] PROJECT 2 Designing to Help Others Speak AMANDA KERN THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS PROFESSOR WILLIAM CONRAD MAY 25, 2010
  • 2. [ TABLE OF CONTENTS PROJECT OBJECTIVES ...................................................3 DESIGN BRIEF .......................................................... 4-14 RESEARCH.............................................................. 15-17 IMAGERY................................................................ 18-23 POTENTIAL ADVERTISING VEHICLES ..........................24 ROUGHS & BRAINSTORMING .....................................25 TYPOGRAPHY & COLOR ...............................................26 NEW STAND/BILLBOARD ADS .............................. 27-31 TRANSIT ADS......................................................... 32-34 FINAL THOUGHTS ........................................................35 AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 3. PROJECT 2 OBJECTIVES Objective For this project, you will develop a design construct for an existing non-profit meeting. If you would like to record your meetings, get advanced approval from organization of your choosing. As with Design Project 1, your final presentation your contact. should reflect a substantial design output. In the case of this project, however, the medium, the tenor, and the specific subject matter should serve to benefit the As with Design Project 1, your topic must be thoroughly researched before you organization for which you are designing. begin any serious design work. Subject matter that focuses on divisive issues must include research on the opposing viewpoint as well as the viewpoint to which Design Brief you adhere. You must fully understand the scope of the issue before you can hope Due at the end of Unit 4 in PDF format. The design brief should include the to address it in an informed fashion. Research should also include examples (in following components: visual and written form) of past design work done for the same cause. Download • introduction visuals as you run across them, and save URLs in a file for future reference. This • research methodology research should be compiled neatly in a project binder for your own reference. • target audience • geographic scope (regional, national, etc) Other areas of process include written brainstorming, thumbnail sketches, and • a description of the strategy computer developed roughs. Word association brainstorming with a pen and paper • objectives that defined your design decisions. is an excellent way to discover unique solutions. Once you have completed your Although word count is not an accurate factor in determining your brief’s degree of research, write down any key words from your research, and begin writing other thoroughness, 1,000 words is a reasonable estimate. words that are in any way associated. Such an exercise may help facilitate your creative explorations. Thumbnails should show evidence of extensive exploration. Research Component You should begin this part of the project as soon as possible. The non-profit Design Component organization you choose to produce work for should be notified in the first few Your final solutions can be in any format, provided the format is appropriate to weeks of the course, and by Unit 5 all but the most specific design issues should the subject matter. If print work is a component of the project, the work should be determined. The objective is to create design work that the organization be comped in a professional manner. There will most likely be budget restrictions could actually use. A first meeting/conversation should take place within the in this project since many non-profits have very low operating budgets. You must first three weeks of class, and correspondence should continue as often as take this into account, but you must also prove that your adherence to these necessary. Investigating production, paper choice and printing costs should also be possible restrictions does not curb your creative output. You do not need a big addressed. Please keep minutes of each meeting, and keep these minutes in your budget to be creative! The objective is to communicate the desired message to project binder for reference. It is extremely important to keep notes of each the desired target audience in as effective a fashion as possible. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 4. DESIGN BRIEF Introduction For this project I have elected to work with the Coalition for the Homeless of Central Florida. After working with them last December with the Help-Portrait photography project I have felt more compelled to help those in need. I have learned that the homeless population is diverse and seems to be growing since the economic decline in recent years. Through my work I hope to create awareness about homelessness and also help cause action that will get others to want to help those in need. Research I began by researching through the Coalition for the Homeless of Central Florida web site to learn more about the organization. In doing so I learned the following information about the organization: • founded in 1987 • largest provider of homeless services in central Florida • helps 600 people daily by providing shelter and support • provides services to nearly 200 children w/ the average age of 6. • An estimated 300,000 meals are served annually • he goals is to promote self-sufficiency through counselling, job t training, and educational programs. • operates two campuses Coalition for the Homeless of Central Florida • a big key to success is through volunteers and donations http://www.centralfloridahomeless.org/ • An estimated 300,000 meals are served annually • he goals is to promote self-sufficiency through counselling, job t training, and educational programs. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 5. DESIGN BRIEF Additional Research I researched the homeless extensively across the coalition for the homeless of central Florida web site but I also found the national and NY web site useful in finding relevant information that could be helpful as I approach the project. • SA Today estimated 1.6 million people to use transitional shelters U or emergency shelters. 1/3 are members of households with children. • .5 million people, 1.35 million of them children, are likely to 3 experience homelessness in a given year (National Law Center on Homelessness and Poverty, 2007) • % of the U.S. population experiencing homelessness each year, 1 38% (October) to 39% (February) of them being children (Urban Institute 2000) Coalition for the Homeless (national) • ationally 30% of requests by homeless people and 38% of requests n http://www.nationalhomeless.org/ by homeless families went unmet in 2002. • ationally 41% of homeless population are single men, 41% n are families with children, 13% are single women, and 5% are unaccompanied minors. • ationally 23% are considered mentally ill, 32% are substance n abusers, 22% are employed, and 10% are veterans • n 2003, children under the age of 18 accounted for 39% of the I homeless population; 42% of these children were under the age of five (National Law Center on Homelessness and Poverty, 2004) Coalition for the Homeless (NY) http://www.coalitionforthehomeless.org/ AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 6. DESIGN BRIEF Learning more about the homeless The definition of homelessness has changed and the Coalition for the Homeless has used the definition outlined within the Stewart B. McKinney Homeless Assistance Act of 1987: The term “homeless” or “homeless individual or homeless person” includes: (1) an individual who lacks a fixed, regular, and adequate nighttime residence; and (2) an individual who has a primary nighttime residence that is (a) a supervised publicly or privately operated shelter designed to provide temporary living accommodations (including welfare hotels, congregate shelters, and transitional housing for the mentally ill); (b) an institution that provide a temporary resident for individuals intended to be institutionalized; or (c) a public or private place not designed for, or ordinarily used as, a regular sleeping accommodations for human beings. Vision of the Coalition for the Homeless To pursue the prevention of homelessness, to ensure appropriate homeless services are made reasonably available to each resident of Orlando, and to be provided in a cooperative and collaborative spirit. Mission of the Coalition for the Homeless To foster an environment where homelessness is minimized and to provide appropriate services to return people to self-sufficiency. © 2010 Photography copyright LJ AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 7. DESIGN BRIEF Additional Statistics I found this additional information useful: • n a given night, an estimated 672,000 people experience O homelessness. This means 22 out of every 10,000 people are homeless in America. • 2% of those 672,000 are unsheltered (meaning they live on the streets 4 or in other forms of shelter not meant for human habitation), while 58% are living in shelters or transitional housing. • 7% of the homeless are people in family units, while 63% are 3 individual adults. • he most common makeup of a homeless family is a mother with one T or two children. This certainly goes against the image of homelessness most perceive; we’ve noticed that people typically picture the homeless as a single male standing on the street corner, not a single mom with kids in tow. • hose meeting the federal definition for chronic homelessness make up T just 18% of the entire homeless population. • 8 out of 10 homeless persons are in urban or mostly urban areas. © 2010 Photography copyright LJ AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 8. DESIGN BRIEF Myths about the homeless I found it compelling to learn about myths about the homeless found on the Coalition for the homeless’ blog. 1. They are all men. For many, the word “homeless” conjures up images of scraggly men standing on street corners holding cardboard signs. Today, that image is simply not reality: the face of homelessness is changing. In fact, the fastest growing segments of the homeless population are women and families with children. 2. They are all lazy. A sad reality facing many homeless individuals and families is that even if they work, their income cannot sustain them. As a matter of fact, the majority of Coalition clients are working or actively looking for work, and yet remain homeless. In Orlando, service industry employment accounts for 40% of jobs, with resulting wages of $8 per hour with limited benefits. The average rent for a two-bedroom apartment in Orlando requires an hourly wage of nearly $18.00 (according to our most recent statistics) – making it almost impossible for a couple to afford, even with both working 40 hours per week at $8 per hour. 3. Homelessness is a single issue. Many believe that the homeless “just need to get a job” to fix their situation. If only addressing the needs of the homeless was this easy! Instead, the many serious contributors to homelessness make obtaining and keeping employment difficult for many homeless men and women. Contributors to homelessness can include low wages, lack of affordable rental © 2010 Photography copyright LJ housing, job loss or underemployment (meaning work hours were cut or someone was forced to accept a job lower than their earning potential), domestic violence, substance abuse, and mental health issues. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 9. DESIGN BRIEF Myths about the homeless (continued) 4. They are all from someplace else. Eighty-three percent of the homeless individuals interviewed for the 2009 Point In Time Count (conducted by the Homeless Services Network of Central Florida) had lived in the area for one year or longer, showing that many started out as typical Central Florida residents. The Coalition served nearly 4,200 individuals and 490 families last year, the majority of whom were living in the Central Florida area when they became homeless. 5. Build it and they will come. Constructing a new facility does not “attract” new homeless people to an area. They are already here in Central Florida, as proven by the 2009 Point In Time Count’s estimation that nearly 10,000 people would experience homelessness in our region over the course of one year. Providing services responds to a need that already exists. 6. Ignore the problem and it will go away.The number of homeless families with children increased dramatically last year, according to the 2009 Point In Time Count. At the end of the 2008-2009 school year, 4,206 homeless children had attended schools in the Central Florida region, compared with 2,700 the year before. 7. Homelessness will be eliminated by adopting a 10 year plan. The Central Florida Commission on Homelessness has made strides by adopting their ten year plan to end homelessness in our area, but creating a vision for service infrastructure will not automatically eliminate homelessness. A ten year plan only puts into place the infrastructure to deliver services to homeless people. It does © 2010 Photography copyright LJ not end homelessness. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 10. DESIGN BRIEF Myths about the homeless (continued) 8 . Services provided are a hand-out. – Many homeless individuals need a hand up, not a hand-out. By providing job training, educational opportunities, mental health counseling, and life skills like budgeting and savings, the Coalition is working to ensure that services provide the tools clients need for self-sufficiency. 9. t is a lifestyle choice. In the 2009 Point In Time Count, 84% of those I interviewed listed issues such as employment, housing, disabilities, family problems, forced relocation, natural disasters, and recent immigration as the cause of their current state of homelessness. These individuals did not choose to be homeless and are trying desperately to return to self-sufficiency. 10. It will never happen to me. Homelessness can happen to anyone. © 2010 Photography copyright LJ AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 11. DESIGN BRIEF Facts about homeless children There are more homeless children than most realize. I found the following information regarding homeless children to be moving. • 9,886 children are estimated to be homeless in Florida. 20, 952 4 kids under six are homeless. 23,404 kids K-8 are homeless. 5,530 kids grade 9-12 are homeless. • .5 MILLION = the number of children in America who go to sleep 1 without a home each year • in 50 = an American child’s chances of experiencing 1 homelessness in their lifetime • in 29 children in Florida do not know where they will get their 1 next meal. • omeless children are twice as likely as other children to repeat H a grade in school, to be expelled or suspended, or to drop out of high school. At the end of high school, few homeless students are proficient in reading and math – and their estimated graduation rate is below 25%. • lorida to ranks 43rd out of the 50 states in child homelessness F (with 50 being the worst) © 2010 Photography copyright LJ AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 12. DESIGN BRIEF Stategy, Objectives & Target Audience I had the opportunity to speak with Director of Communications and Community Relations for the Coalition for the Homeless of Central Florida, Muffet Robinson and we were able to establish a list design needs. Many needs are evolving or longer term. The primary audience of the below listed collateral would be those who would potentially volunteer or donate to the organization. Often times these print collateral are provided at presentations or events where help could be solicited. Though there is not an immediate need to redesign the print collateral it was a consideration to redesign something existing for potential future use. • quarterly newsletter is designed for the organization. The A Current Winter 2010 Newsletter Current Flyer for supply needs most recent one has been designed and printed for this quarter. Though newletters could be designed for future quarters content is not prepared to create future newsletters. A new and improved newsletter could be presented for potential use for future use. • lyers and brochures. Both are used to to promote programs and F solicit volunteers and donations. • nnual Report. The Annual report is not slated to be created A until the fall and data is not available. Potentially it could be redesigned with last years content for a new design for the coming year. Annual report 2009 Annual report 2009 AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 13. DESIGN BRIEF Stategy, Objectives & Target Audience We also discussed potential events that could use exposure through design. Most big events have passed but we discussed events that help the coalition earn support and I researched additional events that could be of interest to design perhaps a poster series to help an event gain exposure. • mpty bowls happens in the fall and in the past has been done E with the 2nd harvest food bank. This year it will be pursued only by the coalition. The event demonstrates community support for those who fill their bowls at soup kitchens and shelters each day in Central Florida. Lunch will consist of soup, salad and bread. Additionally, every guest in attendance will receive a unique handcrafted bowl created by local school children, area potters, or ceramic artists who donated their time and talents to the fight against hunger. • earts of Gold occurs in the spring. It just recently was held. It is H another fundraiser for the organization. • elp-Portrait occurs in December and is a way for residents to H receive photography which they typically wouldn’t receive. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 14. DESIGN BRIEF Stategy, Objectives & Target Audience We also discussed the potential for a mass media campaign that could be used to promote the organization. With powerful messaging and imagery awareness about the coalition could be made to help gain attention and solicit help for the organization. Ideas would be designed to present for potential use. Due to the fact that the organization is non-profit advertising donations would be requested. Potential ideas could be: • illboards B • agazine & Newspaper ads M • irect mail to solicit donations & volunteering D • osters that act solicit help. If distributed like propaganda P around the city area it could create enough awareness to help the organization. • Donation/volunteer advertising at local supermarkets. © 2010 Photography copyright LJ AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 15. RESEARCH Inspiring examples I researched other advertising campaigns and found these quite inspiring. This campaign evolved around the concept that once a person becomes homeless it’s that much harder for them to escape homelessness because they’re already stuck underground. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 16. RESEARCH Inspiring examples Advertising to help homeless has been done many times before and has been approached across a variety of advertising vehicles. I was intrigued by the advertisement to the right. It was intended to confront child homelessness and referred to the child being stuck beneath ground. I found it to be very haunting but in a way that grabbed my attention. The trash advertisement to the right confronts how your trash may be someone else’s food. Sounds sad and gross, but it’s very true. The sidewalk bench is very similar where it confronts how many call that bench home. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 17. RESEARCH Inspiring examples Some advertising has been done so simplistically, yet it works. We all identify with homeless writing on cardboard so seeing it we almost instantly relate. Some places have done newspaper campaigns mixed with street campaigns to push to collect clothes donations. As simple as they are the messaging and approach are quite memorable. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 18. IMAGERY Photography inspiration For a few years now I have followed a photographer, LJ, in flickr. His homeless and elderly photography is so impactful, moving, and inspiring. The strong contrast in his imagery and the emotion they evoke remind me of some of the depression era photography. Seeing his imagery they make such a strong impact that you connect with the person and feel almost as though you can relate to their struggles in life. Being a photography I hope to build a concentration of homeless photography. However, given the time constraints of this project I realize I will be limited in how much work could be produced especially considering the safety and privacy concerns involved in photographing homeless. I have been in contact with LJ and he has granted permission for me to use his photography in projects for my academic work, with the understanding that if there is any commercial interest or interest by the coalition that his photography not be used with out his prior consent. Regardless of if LJ’s photography is approved or used, my hopes are to create impactful pieces that show the potential of such moving photography. If my own photography ends up limited due to the time constraints it will show the potential to pursue more homeless photography at a later date if needed. © 2010 Photography copyright LJ http://www.flickr.com/photos/16536699@N07/ AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 19. IMAGERY Photography inspiration © 2010 Photography copyright LJ http://www.flickr.com/photos/16536699@N07/ AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 20. IMAGERY My homeless photography experience Though I realized I wouldn’t be able to create a full body of my own homeless photography with the limited timeframe I did take a trip out one afternoon/evening in search of homeless that would allow me to photograph them for my project. Part of the challenges in homeless photography is ensuring my own safety so I ensured I was accompanied by my husband who is a deputy. Though he wasn’t on duty and never once represented himself in a law enforcement capacity it was very helpful to have his company. Every homeless person he confronted first to get the permission for me to take their photo and use in my portfolio for the work I was doing for the Coalition for the homeless. Every homeless person I encountered was friendly and all agreed to let me take their photo. The first person I encountered was a middle aged man who referred to himself as “Saigon”. He wore army fatigues and a U.S. Army shirt and proudly showed me his dog tags. He told my husband he served in Vietnam and then later said Desert Storm. He said he’d rather be in Saigon than in Orlando. He was waiting beside a white dumpster with his backpack in the 90 degree Florida heat telling me how ready he was to leave Orlando and how he was waiting for his ride out of Orlando. He said he was headed to “I’d rather be in Saigon than Orlando.” he Ocala national forrest where life would be better. All of the photos I have made image adjustments to but I’ve elected to reserve overtly adding textures or darkening the photos until the need arises in the project. I think adding texture and darkened looks could increase the impact but due to the lighting some may not look as appropriate overtly darkened because I don’t want the photos to look fake or overly edited in photoshop. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 21. IMAGERY My homeless photography experience We drove closer to downtown and ran into a couple more homeless. This guy was sitting right outside of a popular downtown pizza restaurant. He appeared to be having a conversation with himself when we first walked up to him. He gladly agreed to allow me to take his photo. Like all the homeless I photographed he was quick to smile but when I asked him to let me take his photo with out a grin I was totally captured by his eyes. Look back now the struggles the homeless face are easily seen in their expressions which certainly speak through their eyes. Looking back I had wished I would have asked him to remove his hat, but now it’s all hindsight. Ironically he was sporting this UCF hat and informed me that he moved to Orlando many years ago from Ohio to go to school but said it didn’t work out. I didnt ask any more details. After sharing this photo in twitter and facebook I’ve since learned that at Valencia where I teach the homeless are able to enroll in classes at no cost and they’re eligible for scholarships due to their need. Next time around I’ll be armed with information to help them see the opportunities they could have. “I moved to Orlando to go to school.” AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 22. IMAGERY My homeless photography experience This man was the first one to come up to us to confront us for some spare change before we were ever able to asking him if I could take his photo. Because we weren’t sure how many homeless we’d encounter we possibly might help them out if they let me take their photo by giving each person a dollar. When we got to this guy we didn’t have spare change or one dollar bills. My husband only had a $5 bill remaining. But when I saw how big this guy smiled for me I told him to go ahead and give him $5. I have never seen someone so happy. He graciously thanked us and then walked away with a pep in his step as if we made his day. “Excuse me, can you spare some change?” AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 23. IMAGERY My homeless photography experience As the afternoon went on it began to rain. After dinner we drove back home and passed the OBT (Orange Blossom Trail) area which is a known low income, higher crime, and area where several homeless seem to pass through. As we passed through the area we happened to see this homeless man, who called himself Bill, sitting outside of a gas station with his bag. Once he agreed to allow me to take his photo I greeted him. He was such a kind man and he was the only one who didn’t ask for spare change. At first he was wearing a hat and after remembering the hat the previous homeless man was wearing earlier in the afternoon I asked if he’d remove his hat. He told me I could take as many pictures of him as I wanted. As he removed his hat he was a bit concerned at how dirty and sweaty he was and he said “Ma’am, you’ll have to excuse me, I’m homeless.” “ You’ll have to excuse me, I’m homeless.” AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 24. ADVERTISING VEHICLES A Few potential ideas... As I was photographing the homeless I noticed a few potential advertising vehicles that I encountered while I was downtown. Obviously billboards would gain a lot of attention. I also found a huge banner along a building that might be interesting. There were also street banners on most light posts downtown. These could all be interesting approaches, however, due to the budget it’s likely we’d have to illicit either donations or some type of support to make such an impact happen. Because I think it’s worthy of spreading the word to help create awareness and help the coalition for the homeless I intend on proposing a few ideas that include the use of advertising to create such awareness to promote the organization. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 25. ROUGHS & BRAINSTORMING Building ideas I found myself brainstorming ways to help the homeless through advertising. I thought a lot about how much we all try to help third world countries but how we have so many on our own streets who need our help. With that I came to the conclusion that a “react” theme would be worth exploring. I jotted down several ideas for taglines and more. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 26. TYPOGRAPHY & COLOR Exploring type possibilities I’ve explored a few typographic possibilities for this assignment for the GOTHAM primary fonts that could be used to grab attention. In this case these fonts may be used to create a strong bold impact. I felt bold sans serif fonts to be HEADLINE ONE the most ideal to make the strongest impact. LEAGUE GOTHIC Exploring color possibilities HELVETICA NEUE CONDENSED I’ve elected to keep colors consistent with the current colors in the coalition branding. I plan to bring in black, white and grey to help create an impact. HELVETICA NEUE CONDENSED Blue will be used to help draw attention. I may consider bringing in a bold yellow or red very minimally to draw attention. CHALET FUTURA CONDENSED AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 27. NEWS STAND & BILLBOARD ADS Helping the homeless I’ve elected to create a city wide ad that would be incorporated across news stands. It could also be used as smaller format billboards around the city. I focused the campaign around the concept of our hopes to get others to “react” to help the homeless. Rather than helping so many others in other countries that need help I pushed for a campaign to help “our own”. The first one I focused on how homeless constantly ask for spare change, however, I think we all realize spare change isn’t enough to help them. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 28. NEWS STAND & BILLBOARD ADS Helping the homeless I found the strongest ads to have a strong black and white contrast. I learned that many homeless didn’t plan to be homeless so I thought that’d be an appropriate tagline. The campaign can easily be transferred to a billboard or building banner advertisement. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 29. NEWS STAND & BILLBOARD ADS Helping the homeless I found the prayer image to be so moving and relevant to homeless so I felt a tagline communicating that all the prayers in the world aren’t enough to help the homeless. More must be done. People must react to help them. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 30. NEWS STAND & BILLBOARD ADS Helping the homeless As moving as the images were I found the grey images to be problematic with type so I did the most with the limitations. If I had a bit more time I might rethink a variation of the campaign for the grey images to improve legibility. For this image I felt it important to point out how homeless don’t choose to be homeless. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 31. NEWS STAND & BILLBOARD ADS Helping the homeless I added texture to some images such as this one. I found the tagline coming from the words of the homeless man I met to be ideal for this project. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 32. TRANSIT ADS Helping the homeless I felt transit ads to be an ideal place to help create awareness about helping the homeless. The bus transit ads can be found throughout Orlando and would reach a large audience. I chose to use mostly my imagery for the transit ads and played off the words that were said to me directly for the taglines. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 33. TRANSIT ADS Helping the homeless I did use this one image of LJ’s for this transit ad. I felt it to be very impactful and similar in style. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 34. TRANSIT ADS Helping the homeless AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010
  • 35. FINAL THOUGHTS Opinions on helping the homeless I think this project has a lot of potential for a continued connection with the coalition. I realize that time was limited and if I had additional time I would go back and spend more time building a strong collection of homeless photography because to me that’s what really speaks to me in this project. It’s not about numbers, statistics, or boring facts. It’s about the people. It’s about their experiences. And I think having more time to build a connection would lead to more impactful work. I think one big challenge with this project has been the delay in communication which put me behind schedule. The organization had most of it’s print collateral recently redesigned so based on their timelines I was limited and felt the advertising ideas would better compliment my portfolio. Though I’m sure a redesign of some print collateral may help the organization, due to their limited resources it may not be as beneficial. This project has been an eye opening experience that with more time I see a great deal of potential for growth of creative ideas to help the organization. Personally I think this building of such a strong impact would take more than days or weeks but rather months or longer of establishing goals and creating awareness to help the homeless. AMANDA KERN | PROJECT 2 | THE ROLE OF GRAPHIC DESIGN IN SOCIAL AWARENESS | PROFESSOR WILLIAM CONRAD | MAY 25, 2010