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HISTORISCHES MUSEUM BASEL
eCulture: Making the
Museum a Social Hub
Basel Historical Museum @histmuseumbs
Marie-Paule Jungblut @jungblutmarie
Daniele Turini @danieleturini
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 1
HISTORISCHES MUSEUM BASEL
THE CLASSICAL TYPE OF MUSEUM
“[M. Madinier] led the wedding
party astray through seven or eight
cold, deserted rooms, only
ornamented with severe-looking
glass cases, containing numberless
broken pots and hideous little
figures. The party shuddered, and
was beginning to feel awfully
bored…
Then, in the courtyard of the Louvre,
when it had recovered its umbrellas
from the cloak-room, it breathed
again.”
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 2
“A wedding visit to the Louvre”, in: Emile Zola, L’Assommoir, Chapter III, 1877
HISTORISCHES MUSEUM BASEL ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 3
THE BASEL HISTORICAL MUSEUM FACTS & FIGURES
STATE (CANTONAL) MUSEUM
BUDGET: 10 MILLION CHF
5% PRIVATELY OWNED
92% STATE OWNED (INCLUDING
REVENUE)
100 EMPLOYEES
(50 FULL-TIME POSITIONS)
64% OF GLOBAL BUDGET
MUSEUM LAW/ PERFORMANCE MANDATE
HISTORISCHES MUSEUM BASEL
THE BASEL HISTORICAL MUSEUM FACTS & FIGURES
11 properties, including 4 exhibition
sites:
∙ Museum of History
(since 1894)
∙ Museum of Domestic Culture
(since 1951)
∙ Museum of Music
(since 2000)
∙ Museum of Horsepower
(since 1981)
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 4
HISTORISCHES MUSEUM BASEL
MUSEUM OF HISTORY
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 5
Museum of History, Barfüsserchurch Museum of History, Barfüsserchurch
HISTORISCHES MUSEUM BASEL
MUSEUM OF DOMESTIC CULTURE
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 6
Museum of Domestic Culture, Haus zum Kirschgarten
Museum of Domestic Culture, Haus zum Kirschgarten
HISTORISCHES MUSEUM BASEL
MUSEUM OF MUSIC
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 7
Museum of Music, im Lohnhof
Museum of Music, im Lohnhof
HISTORISCHES MUSEUM BASEL
THE CHANGE OF PARADIGM
“[The ‘old style’ museum] existed, it
had a building, it had collections
and a staff to look after them, it was
reasonably financed, and its visitors,
usually not numerous, came to look,
to wonder and to admire what was
set before them. They were in no
sense partners in the enterprise.”
“The now almost universal
conviction [is] that [museums] exist
in order to serve the public…”
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 8
Kenneth Hudson, The Museum Refuses To Stand Still, in: Museum International, vol. 50, no. 1, 1998, p.1.
HISTORISCHES MUSEUM BASEL ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 9
“MONOLOGUE” OF AN “OLD-STYLE” MUSEUM
Collection &
Research
Imparting
information
Marketing &
Communication
AUDIENCE
HISTORISCHES MUSEUM BASEL
THE CHANGE OF PARADIGM AT THE BASEL HISTORICAL MUSEUM
Our aim is to go beyond the
exhibition medium and make use of
additional modern forms of
communication.
Our exhibitions aim to stimulate
public debate on both the past and
the present.
Experiencing history should be an
enriching and positive encounter
for all visitors, regardless of age or
background.
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 10
Excerpts of the HMB – Mission Statement
HISTORISCHES MUSEUM BASEL
AUDIENCE 2026
1. Retirement of baby boomers
2. Growth of international cultural
tourism
3. Cuts in subsidies
4. Development of the Randstad
metropolitan area
5. Digitised society
6. Greater European influence
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 11
Nederlands Museumvereniging (Dutch Museums Association), Agenda 2026. Study on the Future of the Dutch Museum sector, 2010
HISTORISCHES MUSEUM BASEL ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 12
AUDIENCES AT THE BASEL HISTORICAL MUSEUM
Collection &
Research
AUDIENCE Services
(on- & offline)
AUDIENCE
HISTORISCHES MUSEUM BASEL
AUDIENCES AT THE BASEL HISTORICAL MUSEUM
The HMB strategy targets its
audience on the basis of the
following criteria:
∙ museum affinity
∙ thematic affinity
∙ communication format affinity
∙ digital audience
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 13
HISTORISCHES MUSEUM BASEL ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 14
AUDIENCES AT THE BASEL HISTORICAL MUSEUM
5y 10y 15y 20y 30y 50y 65y 100y
Guided tours for
families
School workshops
Children's birthday
parties
Tweetups
After work
Guided tours
Presentations
Wednesday matinee
Instagram
Facebook, YouTube, Pinterest
Twitter
Website including blog
Games
Picnics
MUSEUM
AFFINITY
FORMAT
AFFINITY
DIGITAL
AFFINITY
HISTORISCHES MUSEUM BASEL
HMB DIGITAL STRATEGY 2015-2017
The Basel Museum of History uses
digital media as part of its integrated
AUDIENCE strategy in pursuance of
its core business: examining and
analysing history and the present-day
as well as asking future-oriented
questions. The employees
communicate across departments
and cultivate a dialogue group-
appropriate contact with the
worldwide community. This form of
digital commitment creates new
incentives in all museum spheres and
is establishing itself on a lasting
basis.
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 15
Vision of the HMB Digital Strategy 2015-2017, Daniele Turini, available on: http://de.slideshare.net/HistMuseumBs
HISTORISCHES MUSEUM BASEL
Excerpt of the HMB Digital Strategy 2015-2017, Daniele Turini, available on: http://de.slideshare.net/HistMuseumBs
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 16
ECULTURE AT THE BASEL HISTORICAL MUSEUM
EDUCATION
Objective: Development and
implementation of cross-media and
digital communication formats.
Formats: tweetups, serious games,
pop-ups, Augmented reality, …
EXHIBITIONS
Objective: creation of various
exhibition experience levels.
Experience levels: games, quizzes,
films, competitions, 3rd layer,
Augmented reality, in-depth sections, … COLLECTIONS
Objective: creation of various ways to
access collections
Access levels: website, open data,
blog, social media, Google Cultural
Institute, …
MARKETING &
COMMUNICATIONS
Objective: communication of our
products targeting specific groups and
success measurement (web analysis)
Channels: website, blog, social media,
newsletter, E-shop, …
ADMINISTRATION
Objective: ensuring the technical
framework (IT, collection archive and
support), optimization of administrative
processes.
Processes: E-Recruitment, E-
Procurement, …
HISTORISCHES MUSEUM BASEL
Collection & permanent
exhibition
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 17
HISTORISCHES MUSEUM BASEL
COLLECTION & PERMANENT EXHIBITION
∙ 16th-century bourgeois collection
of the Amerbach family.
∙ In 1661 the Basel Council acquired
the collection of Bonifacius
Amerbach (1495–1562) for the
University. The Amerbach Cabinet
includes the estate of Erasmus von
Rotterdam as well as his collection
of coins and art by Holbein, which
make up the foundation of the
Amerbach Cabinet.
∙ Todays collections include 208’000
objects
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 18
HISTORISCHES MUSEUM BASEL
COLLECTION ITEMS
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 19
The collection of coins of the Amerbach Cabinet
Basilius Amerbach (1533 – 1591) art collector from Basel
HISTORISCHES MUSEUM BASEL
COLLECTION ITEMS
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 20
Matrix of the seal of the bakers' guild, Basle, ca. 1300, Brass
Small encoignure, one of a pair Paris, ca. 1750, oak
HISTORISCHES MUSEUM BASEL
Permanent exhibition: The great cabinet of curiosities
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 21
PERMANENT EXHIBITION
HISTORISCHES MUSEUM BASEL
Permanent exhibition: Medieval Tapestries
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 22
PERMANENT EXHIBITION
HISTORISCHES MUSEUM BASEL
PERMANENT EXHIBITION: DIGITAL ENHANCEMENT
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 23
Permanent exhibition
Tablets to digitally enhance the collection
HISTORISCHES MUSEUM BASEL
Excerpt of the HMB Digital Strategy 2015-2017, Daniele Turini, available on: http://de.slideshare.net/HistMuseumBs
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 24
COLLECTION ONLINE
Today: audience that values museums / culture /
education
Tomorrow: audience that values museums /culture /
education & general public
Scientific collection database
“scientific” approach “narrative” approach “playful” approach
blogwebsite & open data social media
HISTORISCHES MUSEUM BASEL
The diary of Elisabeth Schmid-Fehr, a blog featuring stories to WW1, http://www.baselersterweltkrieg.com/
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 25
COLLECTIONS ONLINE: NARRATIVE APPROACH
HISTORISCHES MUSEUM BASEL
Suitcase of memories, corporate blog shares senior citizens’ knowledge on partly forgotten objects with the public (coming soon)
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 26
COLLECTIONS ONLINE: NARRATIVE APPROACH
HISTORISCHES MUSEUM BASEL
COLLECTIONS ONLINE: PLAYFUL APPROACH
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 27
Johann Ludwig Burckhardt aka. Sheik Ibrahim #MuseumofSelfies Palm Donkey, Christi marching in (Statue of the 16th century) #MuseumofSelfies
Complete collection of #MuseumofSelfies: https://storify.com/HistMuseumBs/museumofselfies
HISTORISCHES MUSEUM BASEL
Serious Game «Surviving Basel 1610», fall 2015, trailer: https://www.youtube.com/watch?v=ABCba9PTp0A
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 28
COLLECTIONS ONLINE: PLAYFUL APPROACH
HISTORISCHES MUSEUM BASEL
Communication activities &
special exhibitions
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 29
HISTORISCHES MUSEUM BASEL
#Tweevening «Tell me how you live», Museum of Domestic Culture, Storify: https://storify.com/HistMuseumBs
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 30
TWEETUPS
HISTORISCHES MUSEUM BASEL
TWEETUPS
Format for the public that does
not necessarily share an affinity
with museums:
∙ Evening opening hours
(after work)
∙ Engage in co-operations
∙ Implementation of our mandate via
tweetup (short guided tour)
∙ Connecting visitors (locally
present) and users (in front of home
screens or smart phones)
∙ Fostering dialogue
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 31
HISTORISCHES MUSEUM BASEL
CROSSMEDIA CAMPAIGN #LIEBLINGSRAUM (FAVOURITE ROOM)
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 32
Tristan, 9 years old, Job: inventor, lives with his family #lieblingsraum Axel, 49 years old, Job: art historian, lives with his family #lieblingsraum
Storify: https://storify.com/HistMuseumBs/sag-mir-wie-du-wohnst-lieblingsraum
HISTORISCHES MUSEUM BASEL
Press picture at the exhibition opening (Amsterdam Museum)
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 33
FOOTBALL – FAITH. LOVE. HOPE.
HISTORISCHES MUSEUM BASEL
INTEGRATED ECULTURE STRATEGY BASED ON INFOTAINMENT
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 34
Register for the infotainment tour «Panini Yourself» perpetuate yourself as a football hero
Experiencing typical football elements (rivalry, teamplay etc.) by the integration of digital media (games, quiz, etc.) inside the exhibition
HISTORISCHES MUSEUM BASEL
New perspectives for museums
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 35
HISTORISCHES MUSEUM BASEL
NEW PERSPECTIVES FOR MUSEUMS
∙ New job profiles in museums
∙ Museums will become training
facilities for public history and
eCulture
∙ In-house training for employees
∙ Co-operations
∙ Changes in hierarchy and areas of
responsibility
∙ Change fosters identification
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 36
HISTORISCHES MUSEUM BASEL
LET’S STAY IN TOUCH
Facebook, Pinterest, YouTube,
Pinterest: Historisches Museum Basel
Twitter, Instagram:
@HistMuseumBs
Facebook Group:
https://www.facebook.com/groups/
museumeculture/
ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 37

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eCulture: Making the museum a social hub

  • 1. HISTORISCHES MUSEUM BASEL eCulture: Making the Museum a Social Hub Basel Historical Museum @histmuseumbs Marie-Paule Jungblut @jungblutmarie Daniele Turini @danieleturini ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 1
  • 2. HISTORISCHES MUSEUM BASEL THE CLASSICAL TYPE OF MUSEUM “[M. Madinier] led the wedding party astray through seven or eight cold, deserted rooms, only ornamented with severe-looking glass cases, containing numberless broken pots and hideous little figures. The party shuddered, and was beginning to feel awfully bored… Then, in the courtyard of the Louvre, when it had recovered its umbrellas from the cloak-room, it breathed again.” ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 2 “A wedding visit to the Louvre”, in: Emile Zola, L’Assommoir, Chapter III, 1877
  • 3. HISTORISCHES MUSEUM BASEL ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 3 THE BASEL HISTORICAL MUSEUM FACTS & FIGURES STATE (CANTONAL) MUSEUM BUDGET: 10 MILLION CHF 5% PRIVATELY OWNED 92% STATE OWNED (INCLUDING REVENUE) 100 EMPLOYEES (50 FULL-TIME POSITIONS) 64% OF GLOBAL BUDGET MUSEUM LAW/ PERFORMANCE MANDATE
  • 4. HISTORISCHES MUSEUM BASEL THE BASEL HISTORICAL MUSEUM FACTS & FIGURES 11 properties, including 4 exhibition sites: ∙ Museum of History (since 1894) ∙ Museum of Domestic Culture (since 1951) ∙ Museum of Music (since 2000) ∙ Museum of Horsepower (since 1981) ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 4
  • 5. HISTORISCHES MUSEUM BASEL MUSEUM OF HISTORY ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 5 Museum of History, Barfüsserchurch Museum of History, Barfüsserchurch
  • 6. HISTORISCHES MUSEUM BASEL MUSEUM OF DOMESTIC CULTURE ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 6 Museum of Domestic Culture, Haus zum Kirschgarten Museum of Domestic Culture, Haus zum Kirschgarten
  • 7. HISTORISCHES MUSEUM BASEL MUSEUM OF MUSIC ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 7 Museum of Music, im Lohnhof Museum of Music, im Lohnhof
  • 8. HISTORISCHES MUSEUM BASEL THE CHANGE OF PARADIGM “[The ‘old style’ museum] existed, it had a building, it had collections and a staff to look after them, it was reasonably financed, and its visitors, usually not numerous, came to look, to wonder and to admire what was set before them. They were in no sense partners in the enterprise.” “The now almost universal conviction [is] that [museums] exist in order to serve the public…” ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 8 Kenneth Hudson, The Museum Refuses To Stand Still, in: Museum International, vol. 50, no. 1, 1998, p.1.
  • 9. HISTORISCHES MUSEUM BASEL ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 9 “MONOLOGUE” OF AN “OLD-STYLE” MUSEUM Collection & Research Imparting information Marketing & Communication AUDIENCE
  • 10. HISTORISCHES MUSEUM BASEL THE CHANGE OF PARADIGM AT THE BASEL HISTORICAL MUSEUM Our aim is to go beyond the exhibition medium and make use of additional modern forms of communication. Our exhibitions aim to stimulate public debate on both the past and the present. Experiencing history should be an enriching and positive encounter for all visitors, regardless of age or background. ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 10 Excerpts of the HMB – Mission Statement
  • 11. HISTORISCHES MUSEUM BASEL AUDIENCE 2026 1. Retirement of baby boomers 2. Growth of international cultural tourism 3. Cuts in subsidies 4. Development of the Randstad metropolitan area 5. Digitised society 6. Greater European influence ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 11 Nederlands Museumvereniging (Dutch Museums Association), Agenda 2026. Study on the Future of the Dutch Museum sector, 2010
  • 12. HISTORISCHES MUSEUM BASEL ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 12 AUDIENCES AT THE BASEL HISTORICAL MUSEUM Collection & Research AUDIENCE Services (on- & offline) AUDIENCE
  • 13. HISTORISCHES MUSEUM BASEL AUDIENCES AT THE BASEL HISTORICAL MUSEUM The HMB strategy targets its audience on the basis of the following criteria: ∙ museum affinity ∙ thematic affinity ∙ communication format affinity ∙ digital audience ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 13
  • 14. HISTORISCHES MUSEUM BASEL ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 14 AUDIENCES AT THE BASEL HISTORICAL MUSEUM 5y 10y 15y 20y 30y 50y 65y 100y Guided tours for families School workshops Children's birthday parties Tweetups After work Guided tours Presentations Wednesday matinee Instagram Facebook, YouTube, Pinterest Twitter Website including blog Games Picnics MUSEUM AFFINITY FORMAT AFFINITY DIGITAL AFFINITY
  • 15. HISTORISCHES MUSEUM BASEL HMB DIGITAL STRATEGY 2015-2017 The Basel Museum of History uses digital media as part of its integrated AUDIENCE strategy in pursuance of its core business: examining and analysing history and the present-day as well as asking future-oriented questions. The employees communicate across departments and cultivate a dialogue group- appropriate contact with the worldwide community. This form of digital commitment creates new incentives in all museum spheres and is establishing itself on a lasting basis. ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 15 Vision of the HMB Digital Strategy 2015-2017, Daniele Turini, available on: http://de.slideshare.net/HistMuseumBs
  • 16. HISTORISCHES MUSEUM BASEL Excerpt of the HMB Digital Strategy 2015-2017, Daniele Turini, available on: http://de.slideshare.net/HistMuseumBs ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 16 ECULTURE AT THE BASEL HISTORICAL MUSEUM EDUCATION Objective: Development and implementation of cross-media and digital communication formats. Formats: tweetups, serious games, pop-ups, Augmented reality, … EXHIBITIONS Objective: creation of various exhibition experience levels. Experience levels: games, quizzes, films, competitions, 3rd layer, Augmented reality, in-depth sections, … COLLECTIONS Objective: creation of various ways to access collections Access levels: website, open data, blog, social media, Google Cultural Institute, … MARKETING & COMMUNICATIONS Objective: communication of our products targeting specific groups and success measurement (web analysis) Channels: website, blog, social media, newsletter, E-shop, … ADMINISTRATION Objective: ensuring the technical framework (IT, collection archive and support), optimization of administrative processes. Processes: E-Recruitment, E- Procurement, …
  • 17. HISTORISCHES MUSEUM BASEL Collection & permanent exhibition ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 17
  • 18. HISTORISCHES MUSEUM BASEL COLLECTION & PERMANENT EXHIBITION ∙ 16th-century bourgeois collection of the Amerbach family. ∙ In 1661 the Basel Council acquired the collection of Bonifacius Amerbach (1495–1562) for the University. The Amerbach Cabinet includes the estate of Erasmus von Rotterdam as well as his collection of coins and art by Holbein, which make up the foundation of the Amerbach Cabinet. ∙ Todays collections include 208’000 objects ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 18
  • 19. HISTORISCHES MUSEUM BASEL COLLECTION ITEMS ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 19 The collection of coins of the Amerbach Cabinet Basilius Amerbach (1533 – 1591) art collector from Basel
  • 20. HISTORISCHES MUSEUM BASEL COLLECTION ITEMS ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 20 Matrix of the seal of the bakers' guild, Basle, ca. 1300, Brass Small encoignure, one of a pair Paris, ca. 1750, oak
  • 21. HISTORISCHES MUSEUM BASEL Permanent exhibition: The great cabinet of curiosities ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 21 PERMANENT EXHIBITION
  • 22. HISTORISCHES MUSEUM BASEL Permanent exhibition: Medieval Tapestries ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 22 PERMANENT EXHIBITION
  • 23. HISTORISCHES MUSEUM BASEL PERMANENT EXHIBITION: DIGITAL ENHANCEMENT ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 23 Permanent exhibition Tablets to digitally enhance the collection
  • 24. HISTORISCHES MUSEUM BASEL Excerpt of the HMB Digital Strategy 2015-2017, Daniele Turini, available on: http://de.slideshare.net/HistMuseumBs ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 24 COLLECTION ONLINE Today: audience that values museums / culture / education Tomorrow: audience that values museums /culture / education & general public Scientific collection database “scientific” approach “narrative” approach “playful” approach blogwebsite & open data social media
  • 25. HISTORISCHES MUSEUM BASEL The diary of Elisabeth Schmid-Fehr, a blog featuring stories to WW1, http://www.baselersterweltkrieg.com/ ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 25 COLLECTIONS ONLINE: NARRATIVE APPROACH
  • 26. HISTORISCHES MUSEUM BASEL Suitcase of memories, corporate blog shares senior citizens’ knowledge on partly forgotten objects with the public (coming soon) ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 26 COLLECTIONS ONLINE: NARRATIVE APPROACH
  • 27. HISTORISCHES MUSEUM BASEL COLLECTIONS ONLINE: PLAYFUL APPROACH ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 27 Johann Ludwig Burckhardt aka. Sheik Ibrahim #MuseumofSelfies Palm Donkey, Christi marching in (Statue of the 16th century) #MuseumofSelfies Complete collection of #MuseumofSelfies: https://storify.com/HistMuseumBs/museumofselfies
  • 28. HISTORISCHES MUSEUM BASEL Serious Game «Surviving Basel 1610», fall 2015, trailer: https://www.youtube.com/watch?v=ABCba9PTp0A ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 28 COLLECTIONS ONLINE: PLAYFUL APPROACH
  • 29. HISTORISCHES MUSEUM BASEL Communication activities & special exhibitions ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 29
  • 30. HISTORISCHES MUSEUM BASEL #Tweevening «Tell me how you live», Museum of Domestic Culture, Storify: https://storify.com/HistMuseumBs ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 30 TWEETUPS
  • 31. HISTORISCHES MUSEUM BASEL TWEETUPS Format for the public that does not necessarily share an affinity with museums: ∙ Evening opening hours (after work) ∙ Engage in co-operations ∙ Implementation of our mandate via tweetup (short guided tour) ∙ Connecting visitors (locally present) and users (in front of home screens or smart phones) ∙ Fostering dialogue ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 31
  • 32. HISTORISCHES MUSEUM BASEL CROSSMEDIA CAMPAIGN #LIEBLINGSRAUM (FAVOURITE ROOM) ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 32 Tristan, 9 years old, Job: inventor, lives with his family #lieblingsraum Axel, 49 years old, Job: art historian, lives with his family #lieblingsraum Storify: https://storify.com/HistMuseumBs/sag-mir-wie-du-wohnst-lieblingsraum
  • 33. HISTORISCHES MUSEUM BASEL Press picture at the exhibition opening (Amsterdam Museum) ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 33 FOOTBALL – FAITH. LOVE. HOPE.
  • 34. HISTORISCHES MUSEUM BASEL INTEGRATED ECULTURE STRATEGY BASED ON INFOTAINMENT ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 34 Register for the infotainment tour «Panini Yourself» perpetuate yourself as a football hero Experiencing typical football elements (rivalry, teamplay etc.) by the integration of digital media (games, quiz, etc.) inside the exhibition
  • 35. HISTORISCHES MUSEUM BASEL New perspectives for museums ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 35
  • 36. HISTORISCHES MUSEUM BASEL NEW PERSPECTIVES FOR MUSEUMS ∙ New job profiles in museums ∙ Museums will become training facilities for public history and eCulture ∙ In-house training for employees ∙ Co-operations ∙ Changes in hierarchy and areas of responsibility ∙ Change fosters identification ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 36
  • 37. HISTORISCHES MUSEUM BASEL LET’S STAY IN TOUCH Facebook, Pinterest, YouTube, Pinterest: Historisches Museum Basel Twitter, Instagram: @HistMuseumBs Facebook Group: https://www.facebook.com/groups/ museumeculture/ ECULTURE: MAKING THE MUSEUM A SOCIAL HUB SEITE 37

Hinweis der Redaktion

  1. To come back to Gervaise and her wedding party: Centuries of art must no longer pass before the “bewildered ignorance” of the public. (“Centuries of art passed before their bewildered ignorance”) The key phrase for the HMB: audience engagement “The museum is a disinterested institution serving society”, claimed Belgian museologist André Gob in 2010 in the introduction to his essay “The museum, an outdated institution?” “How can cultural institutions reconnect with the public and demonstrate their value and relevance in contemporary life?” asks American museum blogger and director of the Santa Cruz Museum of Art & History Nina Simon in the preface to her 2010 book “The Participatory Museum”.
  2. To come back to the statement made by the director of the V&A, Martin Roth: the museum also provides communication formats for audiences that do not have a museum or thematic affinity per se. The museum has launched new features in a conscious effort to remove barriers, in the form of picnics and after-work options, for instance.
  3. Overview of 2015 programme: As you can see, we will be keeping the classic educational programme of guided tours, presentations, school workshops, Wednesday matinees – but with a reduced number of activities. You can also see that we are offering an additional infotainment programme: this includes picnics (missing on this chart), children’s birthday parties, tweetups and other after-work functions. The aim is to provide activities for audiences ranging from 15 to 55, who for professional or family reasons are unable to fit a museum visit into their leisure time from 10:00 to 17:00. And as you can see, we are using both traditional and current forms of communication.
  4. eCulture extends across departments eCulture sees itself as a strategic approach of museum education (info- / edutainment) eCulture combines content both offline and online and should be supported by cross-media marketing eCulture is based on dialogue rather than monologue, eCulture relies on the involvement of various dialogue groups, the HMB sets a low digital threshold
  5. Tapestry from the late Middle Ages Art chamber Jewellery and guns Coins and medals Urban archaeology
  6. Trans-media story telling (exhibition > blog > special exhibition magazine)
  7. Our corporate blog shares our senior citizens’ knowledge on partly forgotten objects with the public.
  8. The Merian map is part of this collection. Knowledge regarding the map is falling into oblivion. Younger visitors stay away from (dusty) historical museums. Digital media allows museums to disseminate information beyond their physical premises.
  9. Regular coverage via TV, radio and print (at format level) A format for the public that does not share an affinity with museums (after-work functions, evening opening hours) Sustainability on the net through dialogue Average of 47.71 visitors + 10-20% users following the guided tour online
  10. Regular coverage via TV, radio and print (at format level) A format for the public that does not share an affinity with museums (after-work functions, evening opening hours) Sustainability on the net through dialogue Average of 47.71 visitors + 10-20% users following the guided tour online
  11. Playful exhibition approach Communication of typical football contents via actions: team play, rivalry, competition, … Exhibition does not end upon exiting the museum Maintaining a dialogue with visitors
  12. Playful exhibition approach Communication of typical football contents via actions: team play, rivalry, competition, … Exhibition does not end upon exiting the museum Maintaining a dialogue with visitors
  13. New job profiles: those in charge of eCulture, exchange centre for digital projects, exhibition assistants must have digital experience Training facilities: University of Trier Digital Humanities, University of Freiburg In-house training: audience engagement (MuseumHack), eCulture, blogger conventions, etc. Co-operations: museums, universities of applied sciences, businesses, external curators, artists, projects, … Hierarchies: professional expertise will not automatically lead to project management, adaptation of employees’ areas of responsibility to the new strategy, museum association, project management