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Human society is to be seen as consisting
of acting people, and the life of the society
is to be seen as consisting of their actions.
The acting units may be separate
individuals, collectivities whose members
are acting together on a common quest, or
organizations acting on behalf of a
constituency… There is no empirically
observable activity in a human society that
does not spring from some acting unit. This
banal statement needs to be stressed in
light of the common practice of sociologists
of reducing human society to social units
that do not act – for example, social classes
in modern society. — Herbert Blumer (186-187)
1FACULTY OF ARTS | FOAR701
Nobody is always stupid, but
everyone is stupid sometimes.*
* attributed to George Herbert Mead
2FACULTY OF ARTS | FOAR701
FOAR701: Research paradigms (2016)
Interactionism: overview
3
Greg Downey
Department of Anthropology
Faculty of Arts
Macquarie University
greg.downey@mq.edu.au
Twitter: @gregdowney1
‘social or cultural
constructivism’*
another variant (like cultural hermeneutics & structuralism)
FACULTY OF ARTS | FOAR701 4
symbolic interactionism
microsociology
phenomenology
FACULTY OF ARTS | FOAR701 5
Symbolic Interactionism and Pragmatism
• George Herbert Mead, William James, Charles Peirce,
and John Dewey.
• Development of the self through communication.
• Focus on social practice as determining social process
(institutions as the abstraction of process-based
patterns).
• Shares with phenomenology a focus on the ‘meaning’ of
objects & people as linked to their potential for
engagement (highlights the social learning involved).
FACULTY OF ARTS | FOAR701 6
Why include phenomenology?
Phenomenology as a philosophical movement dedicated to understanding how
experience, concepts, or reality is achieved, generally through interaction.
Could be included, in variations, in many different paradigms (like feminism)…
FACULTY OF ARTS | FOAR701 7
Society as
interaction
Experience + action.
8FACULTY OF ARTS | FOAR701
Action*
difference to psychodynamics, hermeneutics & structuralis
9FACULTY OF ARTS | FOAR701
Interaction (George Herbert Mead through Blumer)
• Symbolic interaction: requires interpretation of
meaning (intrasubjective understanding)
• Non-symbolic interaction: ‘conversation of gestures’;
non- or pre-interpretive.
Much of human interaction is non-symbolic.
FACULTY OF ARTS | FOAR701 10
‘Gesture’
• Part of a meaningful act.
• Symbolic interaction requires
interpretation of the whole of
which gestures are a part.
• ‘What is it that we are doing
here?’
Ongoing negotiation of the
‘frame’ of the gesture or the
interpretive situation.
• Goffman’s example: ‘the wink.’
• ‘Joint action’ is the chief
product of understanding.
FACULTY OF ARTS | FOAR70111
Meaning
Because meaning is always
vulnerable to reinterpretation,
situations and acts can change it.
Highlights instability and possibility
of change more than many
perspectives.
FACULTY OF ARTS | FOAR701 12
‘Intersubjectivity’
Inherent in any understanding is the
taking of each other’s roles.
‘Mutual role taking’ is necessary for
symbolic communication.
Helps us to understand the social
formation of self & negotiation of
social life.
FACULTY OF ARTS | FOAR701 13
‘Self’
• One acts towards one’s self, and from the position of, taking
one’s self as a certain kind of object: role-taking.
• At the same time, we know that, for SI, all meaning is learned
through interaction: so is the ‘self.’
Requires seeing one’s self ‘from the outside’ (inc. individuals,
groups & ‘generalised other’).
14
“The self... is not an organic thing that
has a specific location, whose
fundamental fate is to be born, to
mature, to die; it is a dramatic effect
arising diffusely from a scene that is
presented.”
— Erving Goffman
15FACULTY OF ARTS | FOAR701
Self-engagement
Person is continually engaged with
one’s self during daily life as a
social interlocutor.
Social first, becomes internalised.
FACULTY OF ARTS | FOAR701 16
“Choose your self presentation
carefully, for what starts out as a
mask may become your face.”
— Erving Goffman
17FACULTY OF ARTS | FOAR701
Implications:
• Institutions are ‘recurrent patterns of joint action’ (Blumer,
p. 17). Theorists misled into idea of ‘social order.’
‘They share common and pre-established meanings of what is expected in
the actions of the participants, and accordingly each participant is able to
guide his own behaviour by such meanings.’ (p. 17)
• Areas of unprescribed behaviour are also natural to social
life.
Even areas of recurrent joint action can be under pressure
and possible instability.
‘It is the social process in group life that creates and upholds the rules, not
the rules that create and uphold the group.’ (p. 19)
FACULTY OF ARTS | FOAR701 18
Institutions
Networks of interlinked,
interdependent chains of actions.
De-reify institutions into the settings
in which they manifest.
‘Assemblage’ of roles &
expectations that is contingent.
FACULTY OF ARTS | FOAR701 19
Example: prisons
Structural functionalist
Marxist
Post-structuralist
Interactionist
FACULTY OF ARTS | FOAR701 20
Phenomenological link
• Stream of thinking on
embodiment (Merleau-Ponty,
feminists like I.M. Young, G.
Weiss).
• Motility: capacity for action that
underwrites perception.
• Blockage: felt experience of
incapacity (social exclusion).
• Variation as a critique of overly
universalist phenomenology.
21FACULTY OF ARTS | FOAR701
Rapid overview
game or market
super-organism
or system
theatre, game
modelling of
utility-driven
transactions
homeostasis or
role fulfilment
dynamic role
achievement,
frame shifts in
constant flow
FACULTY OF ARTS | FOAR701 22
Rapid overview
interpretation is
contextualisation
destabilising
meaning
interpretation is
social act
culture as texts deconstruction meaning in action
linking of
references
critical stance
construction of
situations
23FACULTY OF ARTS | FOAR701
‘Grounded theory’
Partial understandings or situated
forms of knowing & acting are the
goal.
Focus on qualitative work.
Very tightly confined project
description.
24FACULTY OF ARTS | FOAR701
Core of interactionist theory
• Epistemology: Radically localised, socially originated understanding of
truth.
Knowledge is always situated in play.
• Ontology: Focus on social determination and humanist interest in
meaningful, experiential world.
Phenomenology can reject access to unmediated reality.
• Methodology: Interpretive approach based on the a variety of
guiding metaphors (theatre, frame) and qualitative inquiry.
25FACULTY OF ARTS | FOAR701
Strengths of interactionist paradigm
• Associated with qualitative research including participant
observation.
• Strong focus on very local social phenomena; facilitates
research in wide variety of settings.
• Central role of joint action, so a positing of an irreducible
social level at a small scale (intermediate between individual
and societal scale).
• Balances a focus on social constraint (and other restraint) with
strong sense of social determinism (failed performances).
• Recognises the degree of self awareness of humans and how
this utterly alters the way that they interact.
FACULTY OF ARTS | FOAR701 26
Prominent strains of interactionist thought
• Actor Network Theory: Bruno Latour, Michel Callon, John Law (influence of post-
structuralism & Donna Harraway; note: Latour objects).
• Situational analysis & ‘grounded theory’:
• ‘Practice’ theory: Pierre Bourdieu, Loïc Wacquant (but note Marxist & post-structuralist,
even structuralist influences).
• Social psychology (social interactionism): Jean Piaget, Elizabeth Bates, Alison Gopnik,
Andrew Meltzoff, Catherine Snow, Anat Ninio.
• Education: Lev Vygotsky (socio-cultural interaction), Jerome Bruner, Bambi Schieffelen
(anthro), Elinor Ochs.
• Poststructuralism: Strong focus on ‘performativity’ in work by theorists like Judith Butler,
• Strong streams in sociology, cultural studies, anthropology, performance studies,
behavioural economics, practice-based studies (design, nursing, applied sociology,
medical practice).
FACULTY OF ARTS | FOAR701 27
Criticism of interactionist approach
• Difficult to engage in macroscopic social analysis, so political
dimensions can be neglected. (social analysis ‘in a vacuum’)
• Unfalsifiable interpretive exercise (similar to psychoanalysis,
hermeneutics).
• Not really a paradigm so much as an analytical technique because it
eschews making causal claims.
• Within the school of thought, competing streams of qualitative and
quantitative analysis (behavioural observation can seem to drop the
focus on meaning).
• Also an internal debate over the guiding metaphors (dramaturgy, game,
negotiation).
• The origin of meanings can be unexplored.
• (Over time, a narrowing of paradigmatic difference through combination.)
FACULTY OF ARTS | FOAR701 28
Thanks for your
attention!
Bibliography online at iLearn
Photos public domain at Pixabay
or as indicated.
FACULTY OF ARTS | FOAR701 29

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Interactionism/Microsociology Overview Lecture

  • 1. Human society is to be seen as consisting of acting people, and the life of the society is to be seen as consisting of their actions. The acting units may be separate individuals, collectivities whose members are acting together on a common quest, or organizations acting on behalf of a constituency… There is no empirically observable activity in a human society that does not spring from some acting unit. This banal statement needs to be stressed in light of the common practice of sociologists of reducing human society to social units that do not act – for example, social classes in modern society. — Herbert Blumer (186-187) 1FACULTY OF ARTS | FOAR701
  • 2. Nobody is always stupid, but everyone is stupid sometimes.* * attributed to George Herbert Mead 2FACULTY OF ARTS | FOAR701
  • 3. FOAR701: Research paradigms (2016) Interactionism: overview 3 Greg Downey Department of Anthropology Faculty of Arts Macquarie University greg.downey@mq.edu.au Twitter: @gregdowney1
  • 4. ‘social or cultural constructivism’* another variant (like cultural hermeneutics & structuralism) FACULTY OF ARTS | FOAR701 4
  • 6. Symbolic Interactionism and Pragmatism • George Herbert Mead, William James, Charles Peirce, and John Dewey. • Development of the self through communication. • Focus on social practice as determining social process (institutions as the abstraction of process-based patterns). • Shares with phenomenology a focus on the ‘meaning’ of objects & people as linked to their potential for engagement (highlights the social learning involved). FACULTY OF ARTS | FOAR701 6
  • 7. Why include phenomenology? Phenomenology as a philosophical movement dedicated to understanding how experience, concepts, or reality is achieved, generally through interaction. Could be included, in variations, in many different paradigms (like feminism)… FACULTY OF ARTS | FOAR701 7
  • 8. Society as interaction Experience + action. 8FACULTY OF ARTS | FOAR701
  • 9. Action* difference to psychodynamics, hermeneutics & structuralis 9FACULTY OF ARTS | FOAR701
  • 10. Interaction (George Herbert Mead through Blumer) • Symbolic interaction: requires interpretation of meaning (intrasubjective understanding) • Non-symbolic interaction: ‘conversation of gestures’; non- or pre-interpretive. Much of human interaction is non-symbolic. FACULTY OF ARTS | FOAR701 10
  • 11. ‘Gesture’ • Part of a meaningful act. • Symbolic interaction requires interpretation of the whole of which gestures are a part. • ‘What is it that we are doing here?’ Ongoing negotiation of the ‘frame’ of the gesture or the interpretive situation. • Goffman’s example: ‘the wink.’ • ‘Joint action’ is the chief product of understanding. FACULTY OF ARTS | FOAR70111
  • 12. Meaning Because meaning is always vulnerable to reinterpretation, situations and acts can change it. Highlights instability and possibility of change more than many perspectives. FACULTY OF ARTS | FOAR701 12
  • 13. ‘Intersubjectivity’ Inherent in any understanding is the taking of each other’s roles. ‘Mutual role taking’ is necessary for symbolic communication. Helps us to understand the social formation of self & negotiation of social life. FACULTY OF ARTS | FOAR701 13
  • 14. ‘Self’ • One acts towards one’s self, and from the position of, taking one’s self as a certain kind of object: role-taking. • At the same time, we know that, for SI, all meaning is learned through interaction: so is the ‘self.’ Requires seeing one’s self ‘from the outside’ (inc. individuals, groups & ‘generalised other’). 14
  • 15. “The self... is not an organic thing that has a specific location, whose fundamental fate is to be born, to mature, to die; it is a dramatic effect arising diffusely from a scene that is presented.” — Erving Goffman 15FACULTY OF ARTS | FOAR701
  • 16. Self-engagement Person is continually engaged with one’s self during daily life as a social interlocutor. Social first, becomes internalised. FACULTY OF ARTS | FOAR701 16
  • 17. “Choose your self presentation carefully, for what starts out as a mask may become your face.” — Erving Goffman 17FACULTY OF ARTS | FOAR701
  • 18. Implications: • Institutions are ‘recurrent patterns of joint action’ (Blumer, p. 17). Theorists misled into idea of ‘social order.’ ‘They share common and pre-established meanings of what is expected in the actions of the participants, and accordingly each participant is able to guide his own behaviour by such meanings.’ (p. 17) • Areas of unprescribed behaviour are also natural to social life. Even areas of recurrent joint action can be under pressure and possible instability. ‘It is the social process in group life that creates and upholds the rules, not the rules that create and uphold the group.’ (p. 19) FACULTY OF ARTS | FOAR701 18
  • 19. Institutions Networks of interlinked, interdependent chains of actions. De-reify institutions into the settings in which they manifest. ‘Assemblage’ of roles & expectations that is contingent. FACULTY OF ARTS | FOAR701 19
  • 21. Phenomenological link • Stream of thinking on embodiment (Merleau-Ponty, feminists like I.M. Young, G. Weiss). • Motility: capacity for action that underwrites perception. • Blockage: felt experience of incapacity (social exclusion). • Variation as a critique of overly universalist phenomenology. 21FACULTY OF ARTS | FOAR701
  • 22. Rapid overview game or market super-organism or system theatre, game modelling of utility-driven transactions homeostasis or role fulfilment dynamic role achievement, frame shifts in constant flow FACULTY OF ARTS | FOAR701 22
  • 23. Rapid overview interpretation is contextualisation destabilising meaning interpretation is social act culture as texts deconstruction meaning in action linking of references critical stance construction of situations 23FACULTY OF ARTS | FOAR701
  • 24. ‘Grounded theory’ Partial understandings or situated forms of knowing & acting are the goal. Focus on qualitative work. Very tightly confined project description. 24FACULTY OF ARTS | FOAR701
  • 25. Core of interactionist theory • Epistemology: Radically localised, socially originated understanding of truth. Knowledge is always situated in play. • Ontology: Focus on social determination and humanist interest in meaningful, experiential world. Phenomenology can reject access to unmediated reality. • Methodology: Interpretive approach based on the a variety of guiding metaphors (theatre, frame) and qualitative inquiry. 25FACULTY OF ARTS | FOAR701
  • 26. Strengths of interactionist paradigm • Associated with qualitative research including participant observation. • Strong focus on very local social phenomena; facilitates research in wide variety of settings. • Central role of joint action, so a positing of an irreducible social level at a small scale (intermediate between individual and societal scale). • Balances a focus on social constraint (and other restraint) with strong sense of social determinism (failed performances). • Recognises the degree of self awareness of humans and how this utterly alters the way that they interact. FACULTY OF ARTS | FOAR701 26
  • 27. Prominent strains of interactionist thought • Actor Network Theory: Bruno Latour, Michel Callon, John Law (influence of post- structuralism & Donna Harraway; note: Latour objects). • Situational analysis & ‘grounded theory’: • ‘Practice’ theory: Pierre Bourdieu, Loïc Wacquant (but note Marxist & post-structuralist, even structuralist influences). • Social psychology (social interactionism): Jean Piaget, Elizabeth Bates, Alison Gopnik, Andrew Meltzoff, Catherine Snow, Anat Ninio. • Education: Lev Vygotsky (socio-cultural interaction), Jerome Bruner, Bambi Schieffelen (anthro), Elinor Ochs. • Poststructuralism: Strong focus on ‘performativity’ in work by theorists like Judith Butler, • Strong streams in sociology, cultural studies, anthropology, performance studies, behavioural economics, practice-based studies (design, nursing, applied sociology, medical practice). FACULTY OF ARTS | FOAR701 27
  • 28. Criticism of interactionist approach • Difficult to engage in macroscopic social analysis, so political dimensions can be neglected. (social analysis ‘in a vacuum’) • Unfalsifiable interpretive exercise (similar to psychoanalysis, hermeneutics). • Not really a paradigm so much as an analytical technique because it eschews making causal claims. • Within the school of thought, competing streams of qualitative and quantitative analysis (behavioural observation can seem to drop the focus on meaning). • Also an internal debate over the guiding metaphors (dramaturgy, game, negotiation). • The origin of meanings can be unexplored. • (Over time, a narrowing of paradigmatic difference through combination.) FACULTY OF ARTS | FOAR701 28
  • 29. Thanks for your attention! Bibliography online at iLearn Photos public domain at Pixabay or as indicated. FACULTY OF ARTS | FOAR701 29