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Human Rights and Human Bodies
The Road to Guantanamo and the Prohibition on Torture
The prohibition on torture
Because of the ways it violates the bodies, torture also violates
the fundamental paradoxes of human rights. Not “both . . . and”
but “neither . . . nor.”
• Neither natural nor social
• Neither universal nor particular
• Neither equal nor respectful of difference
The prohibition on torture
According to Hunt, transforming the European culture of torture
to a culture that abhors torture required that human bodies
come to be seen as more real than symbolic.
The prohibition on torture
                      Under the traditional
                      understanding, the pains of
                      the body did not belong
                      entirely to the individual
                      condemned person. Those
                      pains had the higher
                      religious and political
                      purpose of redemption and
                      reparation of the
                      community. Bodies could
                      be mutilated in the interest
                      of inscribing authority, and
                      broken or burned in the
                      interest of restoring the
                      moral, political, and
                      religious order. In other
                      words, the offender served
                      as a kind of sacrificial
                      victim whose suffering
                      would restore wholeness
                      to the community and
                      order to the state. (94)
The prohibition on torture
Allegorical Portrait of Anna of Austria as Minerva
                     (ca. 1643)                      Allegorical Portrait of Diane de Poitiers (ca. 1556)
The prohibition on torture




         Portrait of Captain John Pigott (ca. 1700–1763)
How does the film attempt to
recreate the “frame”?
How does the film attempt to
recreate the “frame”?
By returning, via narrative, symbolic force to the real, physical
bodies of the detainees, the film can be said to subvert state
power rather than reinforcing it.
How does the film attempt to
recreate the “frame”?
By returning, via narrative, symbolic force to the real, physical
bodies of the detainees, the film can be said to subvert state
power rather than reinforcing it.

But does it succeed?
How does the film attempt to
recreate the “frame”?
Two very familiar and very different plots:

• The Nazi Plot

• The Marriage Plot
The Nazi Plot




            Nazi “cattle cars”
The Nazi Plot



       http://www.tubechop.com/watch/212254
The Nazi Plot




       George Grosz, Nazi Interrogation (1936)
The Nazi Plot




          Inglorious Basterds (2009)
The Nazi Plot



       http://www.tubechop.com/watch/212255
The Marriage Plot



      http://www.tubechop.com/watch/212287
The Marriage Plot




  A Midsummer Night’s Dream   Jane Eyre

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Human Rights and Human Bodies

  • 1. Human Rights and Human Bodies The Road to Guantanamo and the Prohibition on Torture
  • 2. The prohibition on torture Because of the ways it violates the bodies, torture also violates the fundamental paradoxes of human rights. Not “both . . . and” but “neither . . . nor.” • Neither natural nor social • Neither universal nor particular • Neither equal nor respectful of difference
  • 3. The prohibition on torture According to Hunt, transforming the European culture of torture to a culture that abhors torture required that human bodies come to be seen as more real than symbolic.
  • 4. The prohibition on torture Under the traditional understanding, the pains of the body did not belong entirely to the individual condemned person. Those pains had the higher religious and political purpose of redemption and reparation of the community. Bodies could be mutilated in the interest of inscribing authority, and broken or burned in the interest of restoring the moral, political, and religious order. In other words, the offender served as a kind of sacrificial victim whose suffering would restore wholeness to the community and order to the state. (94)
  • 5. The prohibition on torture Allegorical Portrait of Anna of Austria as Minerva (ca. 1643) Allegorical Portrait of Diane de Poitiers (ca. 1556)
  • 6. The prohibition on torture Portrait of Captain John Pigott (ca. 1700–1763)
  • 7. How does the film attempt to recreate the “frame”?
  • 8. How does the film attempt to recreate the “frame”? By returning, via narrative, symbolic force to the real, physical bodies of the detainees, the film can be said to subvert state power rather than reinforcing it.
  • 9. How does the film attempt to recreate the “frame”? By returning, via narrative, symbolic force to the real, physical bodies of the detainees, the film can be said to subvert state power rather than reinforcing it. But does it succeed?
  • 10. How does the film attempt to recreate the “frame”? Two very familiar and very different plots: • The Nazi Plot • The Marriage Plot
  • 11. The Nazi Plot Nazi “cattle cars”
  • 12. The Nazi Plot http://www.tubechop.com/watch/212254
  • 13. The Nazi Plot George Grosz, Nazi Interrogation (1936)
  • 14. The Nazi Plot Inglorious Basterds (2009)
  • 15. The Nazi Plot http://www.tubechop.com/watch/212255
  • 16. The Marriage Plot http://www.tubechop.com/watch/212287
  • 17. The Marriage Plot A Midsummer Night’s Dream Jane Eyre