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Narrative:
the untold story
     Robert Pryor
      Jim Bright
         ACU
Once upon a time...


Dominance of constructivism
Narrative as the sin qua non
there was a narrative...

Telling stories
  Narrative identity, Storied future
Process
  Construction, Deconstruction Co-
  construction
and everybody said the narrative was very
strong...
    “natural”
    “simple”
    active, agentic, creative
    metaphors
    collaboration
    “life themes”
    evaluate self-talk
    inventing a future – “next chapter”.
they were all agreed...


almost no critical voices
need for evaluation
because it made sense...

  Linearity equates to causality
  Control or mastery self-evidently
  important
  Reinforces rationality - the “reason” for
  acting
then one day the story went
out into the world...
   reality is “messy”
   loose ends
   the inexplicable
   non-linearity – the Butterfly Effect
   human action is overdetermined (Peck)
   consequences can be multidimensional (e.g. accidents)
   unplanned/chance events
   omitted
   rationalized
and people wondered
whether the story was true

   validity
     lies, delusions, fallacies (Taleb’s
     Turkey)
   reliability
     change, time, context (auditors)
was the story all thought and
no action?
   privileging epistemology over ontology
   “external” reality - opportunity
   structure, finance, labour market, legal
   constraints, obligations/commitments,
   implementation
   consciousness plus action
so the story went to see a
counsellor who changed it


   Counsellor interpretation
     Return of the expert
what did the story think that
others wanted from it?
   Self awareness
     “what I do not know I do not know”,
     demand for fluency, cf other
     techniques eg collage, emphasis on
     individuality
   culturally bound
     authority, social/cooperative
and they all agreed that...

    Narrative valuable
    Do not neglect complementary
    techniques
    Complexity
    Edge of chaos
and all the techniques lived
chaotically and uncertaintly
ever after...
  THE NEVER END (BUT LIMITED)

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Narrative the untold story

  • 1. Narrative: the untold story Robert Pryor Jim Bright ACU
  • 2. Once upon a time... Dominance of constructivism Narrative as the sin qua non
  • 3. there was a narrative... Telling stories Narrative identity, Storied future Process Construction, Deconstruction Co- construction
  • 4. and everybody said the narrative was very strong... “natural” “simple” active, agentic, creative metaphors collaboration “life themes” evaluate self-talk inventing a future – “next chapter”.
  • 5. they were all agreed... almost no critical voices need for evaluation
  • 6. because it made sense... Linearity equates to causality Control or mastery self-evidently important Reinforces rationality - the “reason” for acting
  • 7. then one day the story went out into the world... reality is “messy” loose ends the inexplicable non-linearity – the Butterfly Effect human action is overdetermined (Peck) consequences can be multidimensional (e.g. accidents) unplanned/chance events omitted rationalized
  • 8. and people wondered whether the story was true validity lies, delusions, fallacies (Taleb’s Turkey) reliability change, time, context (auditors)
  • 9. was the story all thought and no action? privileging epistemology over ontology “external” reality - opportunity structure, finance, labour market, legal constraints, obligations/commitments, implementation consciousness plus action
  • 10. so the story went to see a counsellor who changed it Counsellor interpretation Return of the expert
  • 11. what did the story think that others wanted from it? Self awareness “what I do not know I do not know”, demand for fluency, cf other techniques eg collage, emphasis on individuality culturally bound authority, social/cooperative
  • 12. and they all agreed that... Narrative valuable Do not neglect complementary techniques Complexity Edge of chaos
  • 13. and all the techniques lived chaotically and uncertaintly ever after... THE NEVER END (BUT LIMITED)

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