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Lecture 1:  The Early Years Photography
“ The photograph was the ultimate response to a social and cultural appetite for a more accurate and real-looking representation of reality, a need that had its origins in the Rennaisance”  - Naomi Rosenblum,  A World History of Photography
During the Renaissance (16th Century), artists became increasingly interested in exploring and representing the reality of nature.  Leonardo Da Vinci was particularly well known for his anatomical drawings and took a great in interest in contemporary advances in science. The search for realism
In order to achieve such realism, artists developed various instruments to assist them in their quest for the perfect perspective. One such instrument used was the  camera obscura , a dark room/space in which an inverted image was projected onto a surface. Camera Obscura
As the technology developed, smaller more controllable apparatuses were developed such as the  camera lucida , which were used as portable optical devices. Camera Lucida
As the  industrial revolution  transformed society in the 1800s with mass-production leading the way forward, scientists endeavored to reproduce reality in a fixed format. In  1827 , the scientist  Joseph Niépce  was successful in fixing the first projected image of his view from his window in Le Gras, South France. The 19th Century Joseph Nicéphore Niépce View from His Window at Le Gras 1827
Louis Daguerre worked with Niépce in his quest to fix the projected image. Daguerre was a painter of stage sets and illusionistic scenery for  The Diorama , a popular visual entertainment in Paris. Louis Jacques Daguerre
Jean Baptiste Sabatier-Blot Portrait of Louis Jacques Mandé Daguerre 1844
In January 1839, Daguerre officially announced the invention of the  Daguerreotype , a type of photograph which was laterally reversed and monochromatic printed onto a metal plate. The Daguerreotype
Louis Daguerre Boulevard du Temple 1838
Around the same time as the invention of the Daguerreotype, an English scientist called  William Henry Fox Talbot  developed another type of photograph called the  Calotype . The Calotype had one distinct advantage over the Daguerreotype: it could be reproduced as a negative as opposed to being a single, unduplicatable image. Competition Antoine Claudet Portrait of William Henry Fox Talbot 1844
In terms of mass production, Talbot’s Calotype was far superior. However, it  lacked the sharpness and overall quality  to a Daguerreotype and this made it less popular in the early years, especially since many European countries and America had adopted Daguerre’s process. However, the Calotype was improved over time and  advances in paper technology  led to better processing. Thus, the Calotype soon became the most popular type of photography that is still used today.  A Question of Quality
Talbot’s initial photographic experiments involved producing photograms or, what he referred to as ‘Photogenic Drawings’. Talbot’s Photogenic Drawings William Henry Fox Talbot Botanical Specimen 1839 William Henry Fox Talbot Latticed Window at Lacock Abbey 1835
In the early years, many photographers were concerned with documentation and continued to focus on traditional fine art themes such as  portraiture  and  landscape .  Over time this changed as photographers started to assert their own identity, separate to that of contemporary artists. Themes Antoine François Claudet The Geography Lesson 1850
Jean Baptiste Louis Gros Bridge and Boats on the Thames 1851
Adolphe Braun Still Life with Deer and Wildfowl 1865 Valentin Gottfried Hunt Picture (Oil on canvas) Late 17th Century
[object Object],[object Object],[object Object],EXERCISE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Annotate these images to tell the story of early history of photography by sticking them in your photo diary.
HOMEWORK ASSIGNMENT 1. Find the oldest family photograph  you can from home and do some research into the time in which it was taken. 2.  You need to  make a large copy  of the image (a quality photocopy) and stick in your photo diary. 3.  In your photo diary,  write down a personal statement  about the photo and  explain how you think it differs from family portrait photographs taken today.
End

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Early Photography: Daguerreotype and Calotype

  • 1. Lecture 1: The Early Years Photography
  • 2. “ The photograph was the ultimate response to a social and cultural appetite for a more accurate and real-looking representation of reality, a need that had its origins in the Rennaisance” - Naomi Rosenblum, A World History of Photography
  • 3. During the Renaissance (16th Century), artists became increasingly interested in exploring and representing the reality of nature. Leonardo Da Vinci was particularly well known for his anatomical drawings and took a great in interest in contemporary advances in science. The search for realism
  • 4. In order to achieve such realism, artists developed various instruments to assist them in their quest for the perfect perspective. One such instrument used was the camera obscura , a dark room/space in which an inverted image was projected onto a surface. Camera Obscura
  • 5. As the technology developed, smaller more controllable apparatuses were developed such as the camera lucida , which were used as portable optical devices. Camera Lucida
  • 6. As the industrial revolution transformed society in the 1800s with mass-production leading the way forward, scientists endeavored to reproduce reality in a fixed format. In 1827 , the scientist Joseph NiĂ©pce was successful in fixing the first projected image of his view from his window in Le Gras, South France. The 19th Century Joseph NicĂ©phore NiĂ©pce View from His Window at Le Gras 1827
  • 7. Louis Daguerre worked with NiĂ©pce in his quest to fix the projected image. Daguerre was a painter of stage sets and illusionistic scenery for The Diorama , a popular visual entertainment in Paris. Louis Jacques Daguerre
  • 8. Jean Baptiste Sabatier-Blot Portrait of Louis Jacques MandĂ© Daguerre 1844
  • 9. In January 1839, Daguerre officially announced the invention of the Daguerreotype , a type of photograph which was laterally reversed and monochromatic printed onto a metal plate. The Daguerreotype
  • 10. Louis Daguerre Boulevard du Temple 1838
  • 11. Around the same time as the invention of the Daguerreotype, an English scientist called William Henry Fox Talbot developed another type of photograph called the Calotype . The Calotype had one distinct advantage over the Daguerreotype: it could be reproduced as a negative as opposed to being a single, unduplicatable image. Competition Antoine Claudet Portrait of William Henry Fox Talbot 1844
  • 12. In terms of mass production, Talbot’s Calotype was far superior. However, it lacked the sharpness and overall quality to a Daguerreotype and this made it less popular in the early years, especially since many European countries and America had adopted Daguerre’s process. However, the Calotype was improved over time and advances in paper technology led to better processing. Thus, the Calotype soon became the most popular type of photography that is still used today. A Question of Quality
  • 13. Talbot’s initial photographic experiments involved producing photograms or, what he referred to as ‘Photogenic Drawings’. Talbot’s Photogenic Drawings William Henry Fox Talbot Botanical Specimen 1839 William Henry Fox Talbot Latticed Window at Lacock Abbey 1835
  • 14. In the early years, many photographers were concerned with documentation and continued to focus on traditional fine art themes such as portraiture and landscape . Over time this changed as photographers started to assert their own identity, separate to that of contemporary artists. Themes Antoine François Claudet The Geography Lesson 1850
  • 15. Jean Baptiste Louis Gros Bridge and Boats on the Thames 1851
  • 16. Adolphe Braun Still Life with Deer and Wildfowl 1865 Valentin Gottfried Hunt Picture (Oil on canvas) Late 17th Century
  • 17.
  • 18. Annotate these images to tell the story of early history of photography by sticking them in your photo diary.
  • 19. HOMEWORK ASSIGNMENT 1. Find the oldest family photograph you can from home and do some research into the time in which it was taken. 2. You need to make a large copy of the image (a quality photocopy) and stick in your photo diary. 3. In your photo diary, write down a personal statement about the photo and explain how you think it differs from family portrait photographs taken today.
  • 20. End