2. ap hy
io gr
B
(c) Stef 2010 STRIPTIC.BE
Ros: Guitar/ vocals
Vas: Drums/ vocals
WE ROCK LIKE GIRLS DON’T began when Glaswegian guitarist/ vocalist Ros Cairney advertised
for a Rock’n’Roll Freak in London paper Loot and met her match in London/ Greek drummer
Vas Antoniadou.
Self released singles ROCK’N’ROLL FREAK, I JUST WANNA STICK MY HEAD IN THE BASS DRUM, and
VIOLENCE were followed by critically acclaimed debut album HOW DID IT GET TO THIS recorded
with producer Mark Freegard.
An extensive UK and European tour in 2009 culminated in a showcase gig for Discovery talent
at the Tabernacle in London where Ruth Rothwell (ex Universal Music) immediately offered
them a deal with Domino Publishing Company.
In January 2010 We Rock Like Girls Don’t hit the ground running by going on a rock’n’roll
pilgrimage to Seattle to record new AA single Welcome To My World / Feeling Lonely Now with
US producer John Goodmanson.
Debut festival appearances followed on the mainstage at Rock Wauberg,
Paulusfeesten and Leff ingeleuren in Belgium. A summer tour of Europe included memorable
headline shows at The Charlatan Club during Gentsefeesten and the Duncker Club in Berlin.
The duo are demoing new material with Manic Street Preachers producer Dave Eringa and
begin a three month residency for Tourdates Sessions @ The Monarch in Camden, London
beginning Wednesday 29th September 2010.
WWW.WEROCKLIKEGIRLSDONT.COM
WWW.MYSPACE.COM/WEROCKLIKEGIRLSDONT
3. LE ews SINGLE OF THE WEEK - ORGAN
NG Evi
SINGLE OF THE WEEK
WE ROCK LIKE GIRLS DON’T - I Just Wanna Stick My Head In The Bassdrum
SI r
(Distort)-This rocks like girls do, we told you about them before, we’ve enjoyed
them on Organ bills, we’ve raved and drooled, they rock! Another classic scuzzy
single, kind of single you want to kiss until you cum, or at least stick your head
in the bassdrum. Three rough and ready minutes of filthy riffs, horny vocals,
infectious melody-like PJ Harvey riding on the Stooges, like the queen of all
riding bella lee. Feisty prowling all girl rock action from Glasgow-magnificent
scuzz-driving heavy rocking melody-laden desire in total face slapping line
crossing blast that’s in total control...
www.organart.com
“Welcome To My World outguns
Verucca Salt and those
invoking Sleater-Kinney just
can’t have heard this record VIOLENCE
because Feeling Lonely Now
transcends all that gender
BOLD, BRASH
rubbish by simply being a top AND UTTERLY
rock track, that’s more than UNFORGIVING
enough” - WRLGD are a
UNPEELED
stupendous ball of
noise and energy
needing your
attention now!”
WRLGD capture a grunge feel that just goes for
the jugular. Welcome To My World is an angst
ridden, sinister guitar, full on kick ass rock track.
Feeling Lonely Now starts off with dreamy vocals
before letting rip with more rock goodness. Both
tracks are a break from the norm of usual mass
produced music” Neil Richardson R12/13
LOSINGTODAY
V IOLEN C E
A BROODING BASTARD OF A CUT -
LOSING TODAY
We Rock Like Girls Don’t have a self titled debut
full length currently leashed up and growling
menacingly in the shadows and due for parole in
January, for now brief teaser ‘Violence’ gets its sub
three minutes in the spotlight, a brooding bastard
of a cut that wires itself into the jarring fractured
mind set of ‘Sliver’ era Nirvana..a bone shaking
fuzz laced paint bomb ravaged by squalling lights
out punching ri s headlocked within a swamp like
groove that spits and struts with menacing intent..a
deceptive and splintered soulful grind a la PJ Harvey
that’s literally being choked to within an inch of its
life. Brutal stu and an essential addition to any well
ordered record collection.
www.losingtoday.com
Rocking like the best girls do again ORGAN MAGAZINE
Organ Magazine Oct 16th ‘08
“A raw, powerful and aggressive record that is sure to make the floor VIOLENCE
bounce up and down. Welcome To My World is close to the style of Yeah
Yeah Yeahs or the dark sound of The Kills combined with Garbage. With
Back for more and they’re rocking like the best girls do
chants of ‘feeling lonely now’ backed by a riveting thick distorted again. A no messing, abrasive punk rock bite from
guitar sound, Feeling Lonely Now is one of those tracks that sure get Scotland. We Rock do rock, they rock with confidant,
your heart racing. This record embodies what punk is. A loud, ferocious
strident bite and the Scottish band are better than ever
sound that doesn’t care what anyone thinks” 7/10
with this scuzzy, edgy howl of a new single.
4. AL
BU
M
RE
” How D
id
feral fer It Get To This
VI
ocity of recalls th
early P
stark ro
ck fire o J Harve e
insoucia fP y, the
nce of Y ixies and the
E
METRO eah Yea
WS
h Yeahs
”
“We Rock Like Girls Don’t
have produced a debut album
that is as pugnacious as their
name. They take their lead
from PJ Harvey’s playful,
satirical 50ft Queenie yet
sound deadly serious in their
intent to beat guys such as
Black Lips at their DIY garage
punk game. Songs about
dysfunctional, obsessive
love or losing it to rock’n’roll
pinball from
the low-slung to the unhinged
with great alacrity”
THE SCOTSMAN
Get To This
“How Did It
ting slab of
“IfPJ Harvey and Josh Homme is one exci ex-
had got together about a decade earlier raw rock n roll that
nd
sex. Ros a
and decided to indulge their mutual udes pure create a
garage-punk influences this is what it may to
Vas manage n
well have sounded like. A dark and edgy und betwee
wall of so
debut from British duo that could well turn them with
“Like a drunken the two of
into a very essential outfit on the garage drums and
teenager tight- pounding st
rock circuit” the noisie
some of
rope-walking d s I’ve heard
ROOM THIRTEEN guitar soun l
the wall of a ock ‘N’ Rol
this year. “R percut of
multi-story car Freak” is an up
park’s upper most of the
a song. Like lbum.”
floor, WRLGD songs on this a
pick semblance 8/10 RY.
The Scottish girl’s debut album ‘How Did It Get To This’ is a raging, scathing CK THEO
from cacophany PUNK RO
abrasive mix of Babes in Toyland, PJ Harvey, White Stripes and that extra COM
and inexplicably
bite that’s something all of their own. Full of no messing who the hell are you
succeed on all
attitude, raw riffs and visceral goodness. They have made the DIY, in your
levels” ****
face punky, grungy album they’ve always threatened, best things come to SUBBACULTCHA
those who wait. The album is out this week, indeed the beautiful thing is our
album of the week here at Organ magazine
“Rocking
hard
enough
for thos
with mo e
re extre
taste, W me
RLGD
still appe
al
cut off fragile in to the
anted to die spirit
eard it I w ears, pour out there s
“ T his album growls and claws at you t time I h m in my
..T
rock’n’ro his is
r inner ear with decibel “The firs shove the ers and throw them ll at its
offensive climaxes and enough melodic my toes and eak purest”
sensibilities to appeal on my sp nade. The sound
to both sexes. B atten down the hat lig hter fluid gre es 9/10 THE
ches folks, loud women in live hand hite Strip M
MAGAZIN USIC
the area” o n top of a rocit y of the W iouxsie E
narchic fe with hints of S
MA NCH E STER MU has the a erapy
SIC ge Th
and vinta ees.”
And T he Bansh
EAL MS
ROCK R
5. international pre
“Two‘furieuses’
rock n roll flowing
with ss
in their veins, We Rock Like Girls Don’t: een
We Rock Like
Girls Don’t
naam die klopt als een bus. Een
hit like guys gitaar/drum duo, ironisch gezien
with a most
f e m a l e beiden meiden, die de weide
t o u c h overstemmen met hun rock.
seducing
both guys Nummers zoals Welcome to my
and girls. This
is hot..they enjoy
world blijven in je hoofd zitten
themselves madly en maken je nieuwsgierig naar
on sacred melodies
based on muscular de rest van hun repertoire. Een
riffs full of finesse which aanrader om nadien ook eens op
effortlessly fuse into a
powerful and yet subtle te zoeken op iTunes.
assault. WRLGD are a carnal
communion between the
ROCK WAUBERG FESTIVAL, JULY 2010
indomitable Scottish
Ros on guitar and
the Mediterranean
warmth of drummer
Vas. This is a rock
n roll hot and full
of pheromones
that just possesses
you.”
PHOTOROCK.COM,
CHARLATAN CLUB,
JULY 2010
“From the first note,
Ros and Vas pull
in the attention in
the room. Strong
tension and Ros’
extraordinary
voice transport the
enormous dynamics
of the duo. Two
experienced,
powerful women tell “Avec We Rock Like Girls Don’t on
the story of scenes s’aventure dans le spécial. Ce duo
lived through their
londonien féminin guitare-batterie qui
music. They completely inspired with
the hits ‘I just wanna stick my head ne paie pas de mine fait dans un rock
in the bass drum’, ‘Queen of Heavy énergique qui pour autant ne laisse pas
Metal’ and ‘Rock n Roll Freak’. The les mélodies sur le bord de la route.
two women complement each other Grosses guitares fuzzées et batterie
just as well as their punk guitar hypnotique, on pense aux Breeders
sound and furious drums, two souls ...ou à un Elastica sous amphét’. En
in harmony? We want to hear their tout cas, c’est la claque de la soirée ; un
sound on the German stage again truc “pan dans ta gueule !” comme on
soon!” aimerait en voir plus souvent.”
SCENE2ACT.DE, SOUNDS MUSIC
HALL, ESSEN, JULY 2010 Rock’n’Roll Rebel Club, Moen, Belg ium,
October 2009, rockpixels.free.fr
6. Mokerdrums, feedback, distortion, herrie, hapering, en na tien seconden: de bevrijdende killer riff.
De groove is gevonden, en we zijn vertrokken op één van de meest opwindende rockroetsjbanen van
2009.
Ros uit Glasgow verhuist met haar gitaar naar Londen en plaatst een advertentie: ‘Rock-’n-rollfreak
gezocht.’ Zo leert ze Vas kennen, die van haar Griekse vader geen gitaar mocht spelen en dus maar
trommelstokken kocht. Aanvankelijk speelt ene X mee op bas, maar zij stapt op (het liedje ‘The Power
of Three’ blijft wel). Het resterende duo werkt twee jaar aan ‘How Did It Get to This’, doet alles zelf
en neemt op telkens als het genoeg steungeld heeft gespaard. ‘We rock like girls don’t’ schrijven ze als
verkooppraatje op een demo. Het wordt de groepsnaam.
Opener ‘Violence’ geeft meteen twee invloeden prijs: Queens of the Stone Age en PJ Harvey, met
een vette verwijzing naar ‘Sheela-Na-Gig’. Wat volgt is zo’n onwelvoeglijke oproer van oneliners en
gratuit gitaargeweld dat de jonge Joan Jett spontaan voor de geest floept. ‘Queen of Heavy Metal’ en
‘I Just Wanna Stick My Head in the Bass Drum’ heten twee hoogtepunten (dat de Ramones nooit op
zulke geniale titels gekomen zijn!). De volgende regel in dat laatste nummer gaat zo: ‘I just wanna kiss
you hard until you come’. Groove, guts én goesting: hallo, Chokri?
Na ‘Rock ‘N’ Roll Freak’ - Elastica op maat van The Stooges en straks de coolste feel good hit of the
summer sinds ‘MF From Hell’ van The Datsuns - halen deze Eaglettes of Death Metal even de bottine
van het gas voor de powerballad ‘Photograph’ (‘Afrekening’-materiaal).
‘How Did It Get To This’: elf smerige vluggertjes op dik dertig minuten door twee vuilgebekte rock-
wijven die even strak samenspelen als ze eruitzien. Moeder, dáárom leven wij.
‘Drums, feedback, noise, glitchs and after ten seconds the killer riff that sets us free. The groove is
found and we are off on one of the most exciting rock rollercoasters of 2009.” HUMO
“How Did It Get to This” von We Rock Like Girls Don’t ****
Was Verstärker können, können nur Verstärker. Etwa: aus einer einzelnen Gitarre eine Dampfwalze machen. Die etwas unglücklich benannten
We Rock Like Girls Don’t bestehen gerade mal aus einem Schlagzeug und einer Gitarre, doch die Wunder der Amplifikation bescheren dem
britischen Damenduo auf ihrem Debüt einen Sound, schwer wie Buckingham Palace und breit wie der Motorway 1.
Der runderneuerte Led-Zeppelin-Sound mit der Tieflader-Gitarre und den Presslufthammer-Drums ließe das Duo als 20 Jahre verspätete Grun-
geband durchgehen, wenn da nicht diese wütenden Frauenstimmen wären, die doch eher an PJ Harvey als an L7 erinnern. Der Gesang ist die
einzige Spur Verletzlichkeit, die das Album sich gönnt. Ein Glück, denn sonst wäre es eine langweilige Stonerrockplatte geworden.
Von Gregor Kessler
“A sound as heavy as Buckingham Palace and as wide as the M1 but with a vulnerablility reminiscent of PJ Harvey” 4/5 FINANCIAL TIMES
DEUTSCHLAND
Die Perfekten und die Ruppigen
We Rock Like Girls Don’t Rock in Freiburg
Da passte das Konzert am Samstag im bis zum Anschlag gefüllten The Great Räng Teng Teng wie die Faust aufs Auge. Dass sie eine reine Mädchenband seien,
sei ein Unfall, hat Sängerin/Gitarristin Ros einmal gesagt, da waren We Rock Like Girls Don’t noch zu dritt. Von der damaligen Bassistin stammte der Slogan “I
Hate Girl Bands”, der auch heute noch auf den Fan-T-Shirts steht. Schlagzeugerin Vas mischt nach einer Unterbrechung wieder mit, seit drei Jahren versuchen
Ros, die mit ihren kurzen Haaren aussieht wie die junge Mia Farrow, und ihre sportliche Mitstreiterin zu zweit, ein wenig gegen den Strom zu schwimmen. Mit
heftigem Gitarrenrock spielen sie an gegen Sexismus, Klischees, Trends und Angepasstsein. Kein hoffnungsloser Fall, denn die beiden sind wirklich gut. Ros
singt mit fast zerbrechlicher Stimme wilde Rock-’n’-Roll-Texte, verzichtet auf jegliche Posen von “Rock-Schlampen” (so heißt das heutzutage), dafür klingt
die Gitarre wie eine zackige Dreckschleuder.
Titel wie “Queen of Heavy Metal”, “Rock ’n’ Roll Freak” oder “Out of Control” sprechen eine deutliche Sprache, die Stücke aber arbeiten mit Brüchen, ver-
querer Rhythmik und fast schon versteckten Refrains. Eine reizvolle, unperfekte Mixtur, die nur im Vergleich mit aktuellen Images widersprüchlich wirkt. We
Rock Like Girls Don’t tun auch nichts anderes als das, was zartbesaitete Männer seit Jahren tun.
http://www.badische-zeitung.de/nachrichten/kultur/die-perfekten-und-die-ruppigen--13368131.html
7. features
and
live reviews
Nice n Sleazy, Glasgow
Vas Antoniadou, drummer with We Rock Like Girls Don’t is a rock behemoth. An open handed
demi-godess of the skins. Seriously, she picks up her sticks and Thor slopes off. Yet, with an as-
tounding subtlty. She adds more flourish and flair to one roll than most thumpers manage in a
lifetimes work. Frankly breathtaking. And worth the price of entry alone.
And brilliantly, that’s not even the half of it. Up front we have T H E H E RYeah. In the beginning
Roz Cairney. A L D
there was the riff; then there was Roz. I have no idea what the hell she’s playing through, but
the guitar is like a wall. You know when scientists do that stuff where you can listen to glaziers or
mountains. This is what you expect to be the results. If the soundman’s been slacking tonight, he
can’t help but wake up now. And, with a voice like a not-annoying PJ, she can be both terrifying
and deeply vulnerable. And, even, at the same time.
There’s the rumbling groove of Queen Of Heavy Metal. The careering don’t-try-this-at-home
holler of I Just Wanna Stick My Head In The Bass Drum. The exhilarating pogo like a loon ramalama
of Rock ‘n Roll Freak. It’s irresistible. As in ‘resistance is futile’. Over the next few weeks people
will be paying stupid money to see anemic boy bands (like Metallica and AC/DC) peddle their
watery brand of (guaranteed over-extended) rock. These people are idiots.
Tonight is the launch of stunning debut album How Did It Get To This?. There’s party poppers,
treats, drinks laid on and a raffle. Puny bands of Glasgow take note! And quake
Tony Kiernan
8. 93 Feet East London Barfly Review The Purple Turtle
****
Next up was We Rock Like Girls Onward, then, to a Monarch Of the bands on show,
Don’t and, quite bloody frankly, that proves to be on the most un-Keane-like (and,
a reason to petition against the heaving side, doubtless consequently, best) were the
BBC’s arse-hole decision to shut because the evening’s mighty We Rock Like Girls
the station. Two people making attractions include We Rock
Don’t, who tourdates first
such a glorious noise should Like Girls Don’t, who still
encountered as a three-piece
be standing for parliament, but have one of our favourite
names on the toilet circuit at some years ago. They have
they’re not, they’re standing and
grinding and riffing for you, dear the moment and are always since slimmed-down to a duo
listeners. Go and see them. mentioned in glowing terms without losing an ounce of the
Really. on this here site. And we’re visceral ferocity that always
Paul Pledger going to glow again! Among made them such a compelling
fempoppers, they’re fairly live act.
close in the glamour stakes
to Le Tigre, and their chop- Comparisons with PJ Harvey
’em-out brand of every-song- are justified, though WRLGD
could-be-our-last punkoid prefer to leave all the rough
bombing keeps enough edges on show and refuse
wilful Slitsoid personality to
to indulge in shoe-gazy self-
tower above some of their
analysis - their songs are raw,
more generic counterparts.
Moreover, in the nigh on cathartic and to-the-point,
year and a half since last brilliant live material, in other
they prowled in our path, words. ‘Violence’ and ‘I Just
they seem to have become Want To Stick My Head In The
noticeably grubbier. A very Bass Drum’ were highlights,
good thing, naturally. but a punchy set never sagged
Iain Moffat for a moment. Check them
out on our website and catch
them live. Terrific.
Richard Hodkinson
93 Feet East
*****
www.remotegoat.co.uk
Rockers across the wireless would
be bowing down to We Rock like
Girls Don’t. These two girls had the
energy, ferocity and ability of the
best of Queens of the Stone Age,
they made White Stripes sound
like a high school debut act. These
understated Glaswegians punched
out ribcage vibrating ‘Violence’ and
their next single ‘Welcome to My
World’. A gig / tune not to be missed
if you are fed of indie miserablism.
Emita Mee
9. CMU: Rock Like Girls Don’t have quite a self explanatory name, which is handy. Glaswegian guitar-
Female duo We
ist/vocalist Ros Cairney recruited Greek drummer Vas Antoniadou through Loot, and after a period of what one
might call ‘musical differences’, the pair are firmly together in their current incarnation, wowing all the right
people.
The girls are now ready to unleash their debut album ‘How Did It Get To This’ - available to download right now,
and physically released on 6 Apr - on their own label, Distort.
Here are Ros Cairney’s answers to our Same Six Questions.
Q1 How did you start out making music?
I started piano lessons at six years old and violin lessons at school when I was seven years old. Unfortunately, the
violin teacher seemed very old with a red face, and he had hair coming out his nostrils and told me I had lovely
eyelashes. I first played live in the school orchestra and remember turning the violin on its side like a guitar and
playing riffs. After I heard The Beatles I knew I had to have a guitar. My parents bought a Spanish guitar to
share with my brother who was having guitar lessons (to my great annoyance) and we both immediately started
writing songs and playing them to each other. I saved up my school dinner money and bought a white Les Paul
copy for £75. We discovered Boss Metalizer pedals, The Pixies and a love affair with distortion began. I formed
a band with my brother and his school friends. Vas wasn’t allowed to play guitar by her Greek dad but rebelled
and bought a drum kit with her grant money when she went to Uni and promptly joined about five bands to make
up for lost time.
Q2 What inspired your latest album?
Our debut album is inspired by each other and our desire to leave a record of our songs and the great energy we
always generate when we play music. It says “We Was Here!” It is also very much a reflection of our frustration,
our fights as we turned on each other and our determination not to be defeated by circumstances. Our bassist left
to reform a band with her brother, our original sessions were deleted by the first studio we recorded in, my JCM
800 Marshall Head amp was stolen from my flat. We traced it through eBay to a music shop in Islington, staked
out the shop then grabbed it as the owner screamed he was getting the police and we screamed that we needed
it to finish the album! Some bastard had nicked it and sold it cheap to get money for drugs. We have financed
everything by credit cards, jobseekers allowance, private guitar tuition, and family donations. The album will be
released on our own label. This is our resistance, our “little bit of creation” to quote the last song ‘Violence Is In
The Air’. In a wider context it is how it felt to be living in London in 2007.
Q3 How do you go about creating a track?
I write songs at home on guitar and work on them further with Vas, we gig them and then four track our ideas in
her attic. This album was recorded over the last two years as money allowed in Glasgow, London and Devon. We
were keen to get live, raw recordings and the last sessions we did at the end of 2007 with Mark Freegard in his
Glasgow studio were very organic. He is very quick to capture our drum, guitar and vocal sounds and that meant
we didn’t overwork anything in the studio. Vas and I recorded the bass on much of the album ourselves after we
had played live guitar and drum takes. We have half of our second album written and hope someone will give us
a publishing deal to help us.
Q4 Which artists influence your work?
PJ Harvey’s early albums, The Breeders’ ‘Pod’ album, The Pixies’ ‘Surfer Rosa’ album, Elastica live when they
were a sleazy rock n roll band, John Lennon Plastic Ono Band. John Lennon’s direct words, grinding rhythm
guitar playing and minimal melody with riff type songs (eg ‘Cold Turkey’, ‘I Found Out’) are a big influence.
Q5 What would you say to someone experiencing your music for the first time?
Thanks for listening to us, hope the music makes you feel alive and powerful. That’s how it makes us feel.
Q6 What are your ambitions for your latest album, and for the future?
Our ambition, now that we are finally releasing our debut album, is to play live every night for weeks like a mean
rock n roll machine, to give up jobs which waste our time and to improve with the next album!
http://www.cmumusicnetwork.co.uk/ssq/werocklikegirlsdont.html
10. s et list
VIOLENCe
DON’T KNO
W WHAT LO
VE IS
WELCOME TO MY WORLD
ROCK’N’ROLL FREAK
QUEEN OF HEAVY M
ETAL
THE POWER OF THR
EE
YOU KNOW WHAT
YOUR PROBLEM
IS
STILL BELIEVE
FEELING LONELY NO
W
YOU’RE NOT MY LOV
ER
HIP TO YOU
SOMETHING OUT OF NOTHING
OUT OF CONTROL
I JUST WANNA STIC
K MY HEAD
RUM
IN THE BASS D
DO I HAVE TO SCR
EAM
11. Vas
T ing s to d o
h
Boo k van an d cro ss
Tourdates ing
EN Finish E PK
S Treue BREM
19th July - M Pay Pro n tapr in t
MBURG
nsortium, HA
20th July - Co Co llect Merch
y OSNABRUCK
21st July - Big
Buttinsk Boo k st u d i0
uncker Club,
BERLIN Wo rk o n n ew so ng
22nd July - D s!
EN
unds M usic Hall, ESS
23rd July - So
LGIUM
auberg Fest ival, PEER, BE
24th July - Rock W
tan Club, G ENT, BELGIUM
25th July - Charla
IUM
s Feesten, OOSTEND, BELG
11th August, Paulu
erke, ROESE LARE, BELGIUM
15th August - ‘t Sjampett
GE, BELGIUM
house, LEFFIN
ed Devils Club
Ros
er - R
25th Septemb en,
ions@The M onarch, Camd
er -T ourdates Sess
29th Septemb
LONDON h, Camden,
The Monarc
r - Tourd ates Sessions@
27th Octorbe
LONDON en,
ions@The M onarch, Camd
er - T ourdates Sess
24th Novemb
LONDON
12. Discography
Cat: Girls Rock 02 CD
Cat: Girls Rock 01
Head In
1.Rock’n’Roll Freak/ Hip To You 2.I Just Wanna Stick MyControl
The Bass Drum/ Out Of
Cat: Girls Rock 03 Dig
Cat: Girls Rock 04 Dig
3. The Power Of Three EP 4. Violence
W
E
WE
L
C
O
t to
this
M
E
LIKE ROC
GIR K
did it ge
how T
O
DON LS
’T
M
Cat: Girls Rock 06 Dig
Cat: Girls Rock 05 CD
Y
W
O
R
L
D
5. How Did It Get To This LP 6. Welcome To My World/
Feeling Lonely Now
