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Health Care Educational
Video Production
Video technology in education
• powerful tool in motivating, engaging and instructing
• transformability and transferability
• enhance the learning experience
• experiential value
• demonstration of procedural activities
• tool for self-reflection
• As record of assessment
Consent
• Exposure
• Lighting
• Perspective distortion
• “plane parallel”
• lens focal length
• Management of Distracting elements
• clothing (gowns), jewelry, make-up, hair, background
• Standard views – consistency
• establishing shot
• close up detail shot
• positioning
• exposure
• angle
• Reproduction ratio
• image size : actual size
• technique – rock focus
• Scale
Hand
• (a) Positioning: Patient
should extend the finger
being examined and place it
next to tape marks that are
perpendicular to the
camera axis.
• (a) Framing: Center hand in
frame
The Challenge -Educators vs Video Producers
• video technology
• editing software
• process of video production
• creativity and innovation
• Technology – usability
5 Steps to educational video production
• Define the Content and the Educational Objectives
• Decide the Pedagogic Approach
• Decide the Context of Use and the Visual Format
• Scripting and Storyboarding
• Just do it - Produce
By Maria Manolopoulou
Define Content and Educational Objectives
• directly connected with the curricula
• Visualised content
• key points
• educational objectives - guideline to structure the video
Pedagogic Approach
• Open-ended
• not obviously connected with the curricula and can
seem somehow irrelevant as they have as a goal to
motivate and engage students or
• Instructional
• structured "specifically designed to broaden and
extend the experience of the learner"
• produced for a specific use during a teaching task.
• integrated with the
• can achieve the learning objectives without further
instruction
Context of Use and the Visual Format
• How to use the video?
• Is it going to be a part of a series, clips or video podcasts?
• The visual format - the way that the educational content is delivered.
• Presentation
• Dramatisation
• Interview
• Demonstration
Scripting and Storyboarding
• Write the script of your video
• Story-boarding
• visualize your thinking. Also, a storyboard act as a
• guide for the producer and all the participants
• storyline of your video
Scriptwriting
• page into two columns
• Decide what type of approach your video
• Consider your audience
• Consider the video's length
• Write the way you speak
• Use on-screen text to support what you say
• Use music and special effects
• Keep it simple.
Example of two-column script
VIDEO AUDIO
Fade up to on-screen text:
"Starting a Successful Oil Collection
Program"
Music fades up, then under narration
Dissolve to shot of oil well pumping.
NARRATOR:
Oil. Black gold. Crude. Whatever you want to call it,
it's changed our world.
Dissolve to shot underneath a car, oil
dripping into drain pan.
Cut to shot of traffic.
Cut to plane taking off.
With it, millions of people can take to the roads or
the skies for easy, quick travel.
http://edis.ifas.ufl.edu/wc024
Produce
• Direct on the set
• Edit on the fly
• Include background sound
• video editing software
• Music & Narration
• transitions and graphics
• Titling
• Incorporate ppt
Video Equipment
• Video camera:
• HD
• Wide screen
• Ubiquitous – smartphone
•
• Microphone:
• lavaliere (also known as lapel or clip-on microphones),
• hand-held, and
• shotgun.
• A light source
• Natural lighting
• reflector (a large silver screen)
• artificial lighting.
• Directional light
• Diffused light
• tripod / monopod
http://edis.ifas.ufl.edu/wc022
Video Shooting Considerations
• Sequencing: "long shot" (wide shot), "medium shot" and "close up"
• Continuity cut-ins and cut-aways.
• Cut-aways: "cut away" from the action
• Cut-ins: It's the same concept as cut-aways, ), you "cut in" to the video.
• Jump cuts: These occur when a shot shows the same object in different
angles or different locations Cut-ins and cut-aways and shooting shots
that do not contain the "prominent person or object"
• Shot length: record at least 8–10 seconds per shot.
• On-screen text: consider where textual material will be placed
• Logging video: catalogue or "log" the video that you shoot
• Background noise or natural sound can add "flavour" & authenticity
Shooting Tips
• Vary your shooting perspective.
• Establish a shot sequence of long shot (establishing shot), medium shot, and
close-up.
• Don't shoot into a light source
• If you are not shooting with a tripod, consider setting the video camera on a
table
• stop the camera with the record button before catching action in another
area. .
• If you are not a steady shooter and you don't have a tripod, shoot fewer close-
ups.
• Make pans, zooms, and tilts count. Only use pans, zooms, and tilts when they
are called for
Video Editing
• creative process
• editing software programs
digitize video
• familiar with your video editing
software
• time-consuming
• one minute of finished video takes
one hour of editing time
Video editing tips
• Do not use everything you shoot.
• Use, but do not overuse, video transitions
• Cut, dissolve, fade, wipe
• Properly pace the program.
• Remember continuity.
Checklist for Producing Your Own Video
• Practice with your video camera until you can operate it smoothly.
• Secure proper video equipment: video camera, tripod, lights, and a
microphone.
• Minimize pans, tilts, and zooms.
• Edit your video.
• Duplicate and distribute your video to your target audience.

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Health care education video production

  • 2. Video technology in education • powerful tool in motivating, engaging and instructing • transformability and transferability • enhance the learning experience • experiential value • demonstration of procedural activities • tool for self-reflection • As record of assessment
  • 4. • Exposure • Lighting • Perspective distortion • “plane parallel” • lens focal length • Management of Distracting elements • clothing (gowns), jewelry, make-up, hair, background • Standard views – consistency • establishing shot • close up detail shot • positioning • exposure • angle • Reproduction ratio • image size : actual size • technique – rock focus • Scale
  • 5. Hand • (a) Positioning: Patient should extend the finger being examined and place it next to tape marks that are perpendicular to the camera axis. • (a) Framing: Center hand in frame
  • 6.
  • 7. The Challenge -Educators vs Video Producers • video technology • editing software • process of video production • creativity and innovation • Technology – usability
  • 8. 5 Steps to educational video production • Define the Content and the Educational Objectives • Decide the Pedagogic Approach • Decide the Context of Use and the Visual Format • Scripting and Storyboarding • Just do it - Produce By Maria Manolopoulou
  • 9. Define Content and Educational Objectives • directly connected with the curricula • Visualised content • key points • educational objectives - guideline to structure the video
  • 10. Pedagogic Approach • Open-ended • not obviously connected with the curricula and can seem somehow irrelevant as they have as a goal to motivate and engage students or • Instructional • structured "specifically designed to broaden and extend the experience of the learner" • produced for a specific use during a teaching task. • integrated with the • can achieve the learning objectives without further instruction
  • 11. Context of Use and the Visual Format • How to use the video? • Is it going to be a part of a series, clips or video podcasts? • The visual format - the way that the educational content is delivered. • Presentation • Dramatisation • Interview • Demonstration
  • 12. Scripting and Storyboarding • Write the script of your video • Story-boarding • visualize your thinking. Also, a storyboard act as a • guide for the producer and all the participants • storyline of your video
  • 13. Scriptwriting • page into two columns • Decide what type of approach your video • Consider your audience • Consider the video's length • Write the way you speak • Use on-screen text to support what you say • Use music and special effects • Keep it simple.
  • 14. Example of two-column script VIDEO AUDIO Fade up to on-screen text: "Starting a Successful Oil Collection Program" Music fades up, then under narration Dissolve to shot of oil well pumping. NARRATOR: Oil. Black gold. Crude. Whatever you want to call it, it's changed our world. Dissolve to shot underneath a car, oil dripping into drain pan. Cut to shot of traffic. Cut to plane taking off. With it, millions of people can take to the roads or the skies for easy, quick travel. http://edis.ifas.ufl.edu/wc024
  • 15. Produce • Direct on the set • Edit on the fly • Include background sound • video editing software • Music & Narration • transitions and graphics • Titling • Incorporate ppt
  • 16. Video Equipment • Video camera: • HD • Wide screen • Ubiquitous – smartphone • • Microphone: • lavaliere (also known as lapel or clip-on microphones), • hand-held, and • shotgun. • A light source • Natural lighting • reflector (a large silver screen) • artificial lighting. • Directional light • Diffused light • tripod / monopod http://edis.ifas.ufl.edu/wc022
  • 17. Video Shooting Considerations • Sequencing: "long shot" (wide shot), "medium shot" and "close up" • Continuity cut-ins and cut-aways. • Cut-aways: "cut away" from the action • Cut-ins: It's the same concept as cut-aways, ), you "cut in" to the video. • Jump cuts: These occur when a shot shows the same object in different angles or different locations Cut-ins and cut-aways and shooting shots that do not contain the "prominent person or object" • Shot length: record at least 8–10 seconds per shot. • On-screen text: consider where textual material will be placed • Logging video: catalogue or "log" the video that you shoot • Background noise or natural sound can add "flavour" & authenticity
  • 18. Shooting Tips • Vary your shooting perspective. • Establish a shot sequence of long shot (establishing shot), medium shot, and close-up. • Don't shoot into a light source • If you are not shooting with a tripod, consider setting the video camera on a table • stop the camera with the record button before catching action in another area. . • If you are not a steady shooter and you don't have a tripod, shoot fewer close- ups. • Make pans, zooms, and tilts count. Only use pans, zooms, and tilts when they are called for
  • 19. Video Editing • creative process • editing software programs digitize video • familiar with your video editing software • time-consuming • one minute of finished video takes one hour of editing time
  • 20. Video editing tips • Do not use everything you shoot. • Use, but do not overuse, video transitions • Cut, dissolve, fade, wipe • Properly pace the program. • Remember continuity.
  • 21. Checklist for Producing Your Own Video • Practice with your video camera until you can operate it smoothly. • Secure proper video equipment: video camera, tripod, lights, and a microphone. • Minimize pans, tilts, and zooms. • Edit your video. • Duplicate and distribute your video to your target audience.