A Tale of Two Cities
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The presentation I gave at the Digital Methods Initiative Summer School for the launch of the book "Issue Mapping for an Ageing Europe" by Richard Rogers, Natalia Sanchez and Aleksandra Kil.
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A Tale of Two Cities
- 1. A Tale of Two Cities Controversy Mapping and Issue Mapping (and any subtle differences) Tommaso Venturini
- 2. 1. Relation with the media: mediatized VS media-native controversies are transformed by the media
- 3. 1. Relation with the media: mediatized VS media-native issues are formed in the media www.e-diasporas.fr
- 4. 2. Mapping focus: difference VS repetition controversies are highly disputed contropedia.net
- 5. 2. Mapping focus: difference VS repetition issues are highly visible www.memetracker.org
- 6. 3. Digital inscriptions: proxies VS actions inscriptions are indicators of the evolution of the controversies (tracking) Michel, J.-B. et al. (2011). Quantitative analysis of culture using millions of digitized books. Science 331(6014), 176–82.
- 7. 3. Digital inscriptions: proxies VS actions inscriptions are indicators of the evolution of the controversies (tracking) Moretti, F., & Pestre, D. (2015). Bankspeak. The Language of the Wolrd Bank Reports. New Left Review, 92 (March-April)
- 8. 3. Digital inscriptions: proxies VS actions inscriptions are the actions through which issues are developed (tracing) Rogers, R. (2013). Digital Methods. Cambridge Mass.: MIT Press
- 9. 4. Data sources: specialized VS repurposed have questions, will find data! Controversy mapping privilege specialization and variety climaps.eu
- 10. 4. Data sources: specialized VS repurposed have data, will find questions! Issue mapping privilege data availability and homogeneity) wiki.digitalmethods.net/Dmi/To olTrackerTracker
- 11. 5. Data units definition: exogenous VS endogenous in controversy mapping data units are imposed by researchers climaps.eu
- 12. 5. Data units definition: exogenous VS endogenous in issue mapping, data units are imposed by media formats Marres, N., & Gerlitz, C. (2015.). Interface Methods Info. Com /& Society
- 13. 6. Time and space: standard VS local controversies can be projected on standard time and space climaps.eu
- 14. 6. Time and space: standard VS local issues project their own specific time and space www.medialab.sciences- po.fr/blog/scientometrics- landscapes/
- 15. 7. Actors: agents VS addresses in controversies an actor is anything that acts (= makes a difference) projetmedea.hypotheses.org
- 16. 7. Actors: agents VS addresses in issues an actor is anything that can point or be pointed hyphe.medialab.sciences-po.fr
- 17. 8. Moving across media: connecting VS comparing the same controversy can move through different media oifcontroversy.weebly.com
- 18. 8. Moving across media: connecting VS comparing similar issues can be compared in different media climaps.eu
- 19. Controversies Issues 1. relation with media mediatized media native 2. mapping focus difference repetition 3. digital inscriptions proxies actions 4. data sources specialized repurposed 5. data units exogenous endogenous 6. time and space standard local 7. actors agents addresses 8. cross-media connecting comparing A tale of two cities
Hinweis der Redaktion
- 1
- Culturomics can be used to detect censorship. (A) Usage frequency of ‘Marc Chagall’ in German (red) as compared to English (blue). (B) Suppression of Leon Trotsky (blue), Grigory Zinoviev (green), and Lev Kamenev (red) in Russian texts, with noteworthy events indicated: Trotsky's assassination (blue arrow), Zinoviev and Kamenev executed (red arrow), the ‘Great Purge’ (red highlight), perestroika (grey arrow). (C) The 1976 and 1989 Tiananmen Square incidents both lead to elevated discussion in English texts. Response to the 1989 incident is largely absent in Chinese texts (blue), suggesting government censorship. (D) After the ‘Hollywood Ten’ were blacklisted (red highlight) from American movie studios, their fame declined (median: wide grey). None of them were credited in a film until 1960's (aptly named) ‘Exodus’. (E) Writers in various disciplines were suppressed by the Nazi regime (red highlight). In contrast, the Nazis themselves (thick red) exhibited a strong fame peak during the war years. (F) Distribution of suppression indices for both English (blue) and German (red) for the period from 1933-1945. Three victims of Nazi suppression are highlighted at left (red arrows). Inset: Calculation of the suppression index for ‘Henri Matisse’.