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Storyboard
By Tom, Conor, Ellton, Erin
1.
A Variety of shots here shot Ellton playing the guitar in the middle of an desolate field, playing the guitar in time with the music.
The shots will be close ups, mid shots and long shots. Mainly close ups looking up and down the fret board of the guitar.
2.
The next shots still continue to show shots of Ellton playing the guitar, in this frame we will see the camera pan from left to
right, then pan into the centre after it pans right, showing Ellton in the centre of the frame. The camera will then zoom in 3
times until close up on Ellton.
3.
The shots are still showing Ellton with a guitar in the field, in this shot we will attempt a stop motion, going 360 degrees
around Ellton, very quickly. This shot we are trying to make it look cartoony.
4.
This shot will be of an SPU meter, which will go up and down when the high notes are played, so from t he song when
‘ah ahh ahhh ah’ is sung.
5.
These shots will be like he first ones, close ups and mid shots looking down and up the fret board and Ellton playing the
guitar.
6.
In this shot we are going to have an arial view of a snare drum, and Conor will hit it 6 times, in time with the drum in the
song. This shot will be very quick. Could also use go pro here, for a POV shot.
7.
After the snare drum shot we want to lip sync ‘I know I won’t be leaving here’ with mid shot of singer, then when the
words ‘with you’ are sung the shot will fade into someone tied up, with a blindfold on.
8.
The chorus and what sounds like the second part of the song comes in and will have lots of band performance shots, close
ups of instruments and people playing them, mid shots and long shots. Some panning shots, mainly still shots.
9.
This shot will start as 1, then split into 2, then into 3 and then into 4, with all shots showing a band member playing an
instrument. Mid shots for all shots.
10.
After the band performance, the narrative part will start, we will have a silhouette image of a man walking in time with
the beat. Long shot and tracking shot. Will go on for a while, showing the man is a hitman, walking with a gun/ briefcase,
wearing a black suit.
11.
After the band performance, the narrative part will start, we will have a silhouette image of a man walking in time with
the beat. Long shot and tracking shot. Will go on for a while, showing the man is a hitman, walking with a gun/ briefcase,
wearing a black suit.
12.
When lyrics ‘I say don’t you know, you say don’t you know’ we will have shot of man shrugging his shoulders. Mid/long
shot, with a cartoony effect on it.
13.
Every time song says ‘Take me out’ there will be a shot o f different person every time holding a placard with either help
me on it or take me out.
14.
Shots of all the band again, in-between every time ‘Take me out’ is sung. Variety of long, mid and close up shots.
15.
Every time song says ‘Take me out’ there will be a shot o f different person every time holding a placard with either help
me on it or take me out.

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Storyboard

  • 2. 1. A Variety of shots here shot Ellton playing the guitar in the middle of an desolate field, playing the guitar in time with the music. The shots will be close ups, mid shots and long shots. Mainly close ups looking up and down the fret board of the guitar.
  • 3. 2. The next shots still continue to show shots of Ellton playing the guitar, in this frame we will see the camera pan from left to right, then pan into the centre after it pans right, showing Ellton in the centre of the frame. The camera will then zoom in 3 times until close up on Ellton.
  • 4. 3. The shots are still showing Ellton with a guitar in the field, in this shot we will attempt a stop motion, going 360 degrees around Ellton, very quickly. This shot we are trying to make it look cartoony.
  • 5. 4. This shot will be of an SPU meter, which will go up and down when the high notes are played, so from t he song when ‘ah ahh ahhh ah’ is sung.
  • 6. 5. These shots will be like he first ones, close ups and mid shots looking down and up the fret board and Ellton playing the guitar.
  • 7. 6. In this shot we are going to have an arial view of a snare drum, and Conor will hit it 6 times, in time with the drum in the song. This shot will be very quick. Could also use go pro here, for a POV shot.
  • 8. 7. After the snare drum shot we want to lip sync ‘I know I won’t be leaving here’ with mid shot of singer, then when the words ‘with you’ are sung the shot will fade into someone tied up, with a blindfold on.
  • 9. 8. The chorus and what sounds like the second part of the song comes in and will have lots of band performance shots, close ups of instruments and people playing them, mid shots and long shots. Some panning shots, mainly still shots.
  • 10. 9. This shot will start as 1, then split into 2, then into 3 and then into 4, with all shots showing a band member playing an instrument. Mid shots for all shots.
  • 11. 10. After the band performance, the narrative part will start, we will have a silhouette image of a man walking in time with the beat. Long shot and tracking shot. Will go on for a while, showing the man is a hitman, walking with a gun/ briefcase, wearing a black suit.
  • 12. 11. After the band performance, the narrative part will start, we will have a silhouette image of a man walking in time with the beat. Long shot and tracking shot. Will go on for a while, showing the man is a hitman, walking with a gun/ briefcase, wearing a black suit.
  • 13. 12. When lyrics ‘I say don’t you know, you say don’t you know’ we will have shot of man shrugging his shoulders. Mid/long shot, with a cartoony effect on it.
  • 14. 13. Every time song says ‘Take me out’ there will be a shot o f different person every time holding a placard with either help me on it or take me out.
  • 15. 14. Shots of all the band again, in-between every time ‘Take me out’ is sung. Variety of long, mid and close up shots.
  • 16. 15. Every time song says ‘Take me out’ there will be a shot o f different person every time holding a placard with either help me on it or take me out.