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Knowing
Thyself
Self-Mastery
mariacristinajsantos.blogspot.com
http://dlsu.academia.edu/MariaCristinaSantos
THE BLIND MEN AND THE
ELEPHANT
 John Godfrey Saxe's ( 1816-1887) version of the
famous Indian legend,
"Three Blind Men and an
Elephant"
One day, three blind men happened to meet each other and
gossiped a long time about many things. Suddenly one of
them recalled, " I heard that an elephant is a queer animal.
Too bad we're blind and can't see it."
"Ah, yes, truly too bad we don't have the good fortune to see
the strange animal," another one sighed.
The third one, quite annoyed, joined in and said, "See? Forget it!
Just to feel it would be great."
"Well, that's true. If only there were some way of touching the
elephant, we'd be able to know," they all agreed.
It so happened that a merchant with a herd of elephants was
passing, and overheard their conversation. "You fellows, do
you really want to feel an elephant? Then follow me; I will
show you," he said.
"Three Blind Men and an
Elephant"
The three men were surprised and happy. Taking
one another's hand, they quickly formed a line
and followed while the merchant led the way.
Each one began to contemplate how he would
feel the animal, and tried to figure how he would
form an image.
After reaching their destination, the merchant
asked them to sit on the ground to wait. In a few
minutes he led the first blind man to feel the
elephant. With outstretched hand, he touched
first the left foreleg and then the right. After that
he felt the two legs from the top to the bottom,
and with a beaming face, turned to say, "So, the
queer animal is just like that." Then he slowly
returned to the group.
"Three Blind Men and an
Elephant"
Thereupon the second blind man was led to the rear
of the elephant. He touched the tail which
wagged a few times, and he exclaimed with
satisfaction, "Ha! Truly a queer animal! Truly odd! I
know now. I know." He hurriedly stepped aside.
The third blind man's turn came, and he touched the
elephant's trunk which moved back and forth
turning and twisting and he thought, "That's it! I've
learned."
The three blind men thanked the merchant and
went their way. Each one was secretly excited
over the experience and had a lot to say, yet all
walked rapidly without saying a word.
"Three Blind Men and an
Elephant"
"Let's sit down and have a discussion about this
queer animal," the second blind man said,
breaking the silence.
"A very good idea. Very good." the other two agreed
for they also had this in mind.
Without waiting for anyone to be properly seated,
the second one blurted out, "This queer animal is
like our straw fans swinging back and forth to give
us a breeze. However, it's not so big or well made.
The main portion is rather wispy."
"No, no!" the first blind man shouted in disagreement.
"This queer animal resembles two big trees without
any branches."
"Three Blind Men and an
Elephant"
"You're both wrong." the third man replied.
"This queer animal is similar to a snake; it's
long and round, and very strong."
How they argued! Each one insisted that he
alone was correct.
Key Point
 Of course, there was no conclusion for not
one had thoroughly examined the whole
elephant. How can anyone describe the
whole until he has learned the total of the
parts.
"Three Blind Men and an
Elephant"
From:
Kuo, Louise and Kuo, Yuan-Hsi (1976),
"Chinese Folk Tales," Celestial Arts: 231 Adrian
Road, Millbrae, CA 94030, pp. 83-85.
These authors note: "Although this folktale is
classified as being of Chinese derivation.
India has a similar one, and so does Africa.
However, the philosophical note is typically
Chinese even though the basic thought is
universal; When a person is opinionated or
blind to his limitations because of insufficient
knowledge or smug mentality, he is as blind
as if he had no eyesight."
JOHARI WINDOW
Known to SelfKnown to Self Not Known toNot Known to
SelfSelf
Known toKnown to
OthersOthers
OPEN(1)OPEN(1) BLIND(2)BLIND(2)
Not Known toNot Known to
OthersOthers
HIDDEN (3)HIDDEN (3) UNKNOWNUNKNOWN
(4)(4)
JOHARI WINDOW
The Johari Window, named after the first
names of its inventors, Joseph Luft and Harry
Ingham, is one of the most useful models
describing the process of human
interaction.
 A four paned "window” divides personal
awareness into four different types, as
represented by its four quadrants: open,
hidden, blind, and unknown. The lines
dividing the four panes are like window
shades, which can move as an interaction
progresses.
OPEN WINDOW
 In this model, each person is represented by their
own window.
 1. The "open" quadrant represents things that both I know
about myself, and that others know about me.
 The knowledge that the window represents, can include
not only factual information, but my feelings, motives,
behaviors, wants, needs and desires... indeed, any
information describing who I am.
 When I first meet a new person, the size of the opening of
this first quadrant is not very large, since there has been
little time to exchange information. As the process of
getting to know one another continues, the window
shades move down or to the right, placing more
information into the open window.
BLIND WINDOW
 2. The "blind" quadrant represents things that
you know about me, but that I am unaware
of.
 A person may also have blind spots with
respect to many other much more complex
things. For example, perhaps in our ongoing
conversation, you may notice that eye
contact seems to be lacking. You may not
say anything, since you may not want to
embarrass me, or you may draw your own
inferences that perhaps I am being insincere.
HIDDEN WINDOW
 3. The "hidden" quadrant represents
things that I know about myself, that
you do not know.
 As a person gets to know and trust
each other, then they will feel more
comfortable disclosing more intimate
details about oneself. This process is
called: "Self-disclosure."
UNKNOWN WINDOW
 4. The "unknown" quadrant represents
things that neither I know about myself,
nor you know about me.
 Being placed in new situations often
reveal new information not previously
known to self or others. Thus, a novel
situation can trigger new awareness and
personal growth. The process of moving
previously unknown information into the
open quadrant, thus enlarging its area,
has been likened to Maslow's concept of
self-actualization.
SELF-MASTERY
“Those who know others are wise. Those
who know themselves are enlightened.”
-----Lao-Tzu
KNOW THYSELF
You could be your
own best friend or
worse enemy.
To each his own.

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Johari Window

  • 2. THE BLIND MEN AND THE ELEPHANT  John Godfrey Saxe's ( 1816-1887) version of the famous Indian legend,
  • 3. "Three Blind Men and an Elephant" One day, three blind men happened to meet each other and gossiped a long time about many things. Suddenly one of them recalled, " I heard that an elephant is a queer animal. Too bad we're blind and can't see it." "Ah, yes, truly too bad we don't have the good fortune to see the strange animal," another one sighed. The third one, quite annoyed, joined in and said, "See? Forget it! Just to feel it would be great." "Well, that's true. If only there were some way of touching the elephant, we'd be able to know," they all agreed. It so happened that a merchant with a herd of elephants was passing, and overheard their conversation. "You fellows, do you really want to feel an elephant? Then follow me; I will show you," he said.
  • 4. "Three Blind Men and an Elephant" The three men were surprised and happy. Taking one another's hand, they quickly formed a line and followed while the merchant led the way. Each one began to contemplate how he would feel the animal, and tried to figure how he would form an image. After reaching their destination, the merchant asked them to sit on the ground to wait. In a few minutes he led the first blind man to feel the elephant. With outstretched hand, he touched first the left foreleg and then the right. After that he felt the two legs from the top to the bottom, and with a beaming face, turned to say, "So, the queer animal is just like that." Then he slowly returned to the group.
  • 5. "Three Blind Men and an Elephant" Thereupon the second blind man was led to the rear of the elephant. He touched the tail which wagged a few times, and he exclaimed with satisfaction, "Ha! Truly a queer animal! Truly odd! I know now. I know." He hurriedly stepped aside. The third blind man's turn came, and he touched the elephant's trunk which moved back and forth turning and twisting and he thought, "That's it! I've learned." The three blind men thanked the merchant and went their way. Each one was secretly excited over the experience and had a lot to say, yet all walked rapidly without saying a word.
  • 6. "Three Blind Men and an Elephant" "Let's sit down and have a discussion about this queer animal," the second blind man said, breaking the silence. "A very good idea. Very good." the other two agreed for they also had this in mind. Without waiting for anyone to be properly seated, the second one blurted out, "This queer animal is like our straw fans swinging back and forth to give us a breeze. However, it's not so big or well made. The main portion is rather wispy." "No, no!" the first blind man shouted in disagreement. "This queer animal resembles two big trees without any branches."
  • 7. "Three Blind Men and an Elephant" "You're both wrong." the third man replied. "This queer animal is similar to a snake; it's long and round, and very strong." How they argued! Each one insisted that he alone was correct.
  • 8. Key Point  Of course, there was no conclusion for not one had thoroughly examined the whole elephant. How can anyone describe the whole until he has learned the total of the parts.
  • 9. "Three Blind Men and an Elephant" From: Kuo, Louise and Kuo, Yuan-Hsi (1976), "Chinese Folk Tales," Celestial Arts: 231 Adrian Road, Millbrae, CA 94030, pp. 83-85. These authors note: "Although this folktale is classified as being of Chinese derivation. India has a similar one, and so does Africa. However, the philosophical note is typically Chinese even though the basic thought is universal; When a person is opinionated or blind to his limitations because of insufficient knowledge or smug mentality, he is as blind as if he had no eyesight."
  • 10. JOHARI WINDOW Known to SelfKnown to Self Not Known toNot Known to SelfSelf Known toKnown to OthersOthers OPEN(1)OPEN(1) BLIND(2)BLIND(2) Not Known toNot Known to OthersOthers HIDDEN (3)HIDDEN (3) UNKNOWNUNKNOWN (4)(4)
  • 11. JOHARI WINDOW The Johari Window, named after the first names of its inventors, Joseph Luft and Harry Ingham, is one of the most useful models describing the process of human interaction.  A four paned "window” divides personal awareness into four different types, as represented by its four quadrants: open, hidden, blind, and unknown. The lines dividing the four panes are like window shades, which can move as an interaction progresses.
  • 12. OPEN WINDOW  In this model, each person is represented by their own window.  1. The "open" quadrant represents things that both I know about myself, and that others know about me.  The knowledge that the window represents, can include not only factual information, but my feelings, motives, behaviors, wants, needs and desires... indeed, any information describing who I am.  When I first meet a new person, the size of the opening of this first quadrant is not very large, since there has been little time to exchange information. As the process of getting to know one another continues, the window shades move down or to the right, placing more information into the open window.
  • 13. BLIND WINDOW  2. The "blind" quadrant represents things that you know about me, but that I am unaware of.  A person may also have blind spots with respect to many other much more complex things. For example, perhaps in our ongoing conversation, you may notice that eye contact seems to be lacking. You may not say anything, since you may not want to embarrass me, or you may draw your own inferences that perhaps I am being insincere.
  • 14. HIDDEN WINDOW  3. The "hidden" quadrant represents things that I know about myself, that you do not know.  As a person gets to know and trust each other, then they will feel more comfortable disclosing more intimate details about oneself. This process is called: "Self-disclosure."
  • 15. UNKNOWN WINDOW  4. The "unknown" quadrant represents things that neither I know about myself, nor you know about me.  Being placed in new situations often reveal new information not previously known to self or others. Thus, a novel situation can trigger new awareness and personal growth. The process of moving previously unknown information into the open quadrant, thus enlarging its area, has been likened to Maslow's concept of self-actualization.
  • 16. SELF-MASTERY “Those who know others are wise. Those who know themselves are enlightened.” -----Lao-Tzu
  • 17. KNOW THYSELF You could be your own best friend or worse enemy. To each his own.