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Taking Cultural Music Education Online
Sangeetkosh - A Virtual
Lab for Hindustani Music
Tejaswinee Kelkar
Anon Ray
Venkatesh Choppella
IIIT, Hyderabad and Janastu, Bangalore
1
Lorem Ipsum Dolor
Music Education in
India for the Web
2
Music Education in
India
Many of the musicians who have
died recently or are very will take
their knowledge to the grave.
To sit at the feet of the master the
whole day, every day, for years
and years, is rapidly becoming a
social and economic impossibility.
Those who intend to become
musicians will have to take lessons
a few times a week and improve
their skills by practising at home.
The result however is that they
improve their technical ability but
their insight into the foundations
of the music remains shaky.
- Meer, W. Teaching Indian Music,
Coping with a changing environment. In
the Journal Sangeet Natak 79, January-
March 1986, pp. 53-57
3
Changing Musical
Pedagogy
Gurukul System
University system - but no reliable
notation
How to supplement music educational
needs with the changing times?
4
Where is all the knowledge?
riyegatabi
Aarihi
ri
Aa
khi
Sa
rikhi
Re
narapa
sa
sa
Ma
re
re
GaPa
baanadikekhaDu
Vo.
baakoda
mo
mo
Ma
ma
mala
gliss.
la
Ga
gliss.
Ba
nan
Antara
Aa
46
42
Vo.
baye
Re
ye
Pa
Chhota Khayal (Teental)
Sthayi
Aa
38
Vo.
Vo.
Vo.
SaReMaGaPaMaGaRePa
SaDhaNiPa
DhaPaMãaPa
Pakad
DhaNiSa
25
Vo.
MaGaRe
Chhayanat
Chhota Khayal ( Teen Taal )
Avaroh
Sa
Aaroh
9
Voice
❖ Descriptive vs Prescriptive
Notation
❖ Oral Tradition and passing
down by memory
5
Examples of repositories, source material
6
What is lacking?
Music Semantics
Indexing metadata smaller than performance details
Datasets for tonal material and form and structure
7
Sangeetkosh - Three Prongs
Annotations
Repository
Experiments
Annotations 

describe 

repository
Experiments

use annotated

repositories
Experiments

to annotate

content
8
Experiments
❖ Pitch Difference - Are two musical tones are the
same or different?
❖ Pitch Direction - Which of the two musical tones is
higher?
❖ Explore sargam - Explore notation, sargam, play
music!
❖ Explore Thaats - Listen to the 10 Thaats
❖ Name Svar - Identify names of star
❖ Name String of Svar - Name svars in a row
❖ Trace a melody - Trace a melodic phrase
❖ Tabla or Dagga sound - Trace a melodic phrase
❖ Hear Bols - Trace a melodic phrase
❖ Raag Graph Interactive Visualization
❖ Raga Quiz
❖ Taal Quiz
❖ Instrument Quiz
❖ Lay Quiz
9
Annotations
Focusing ontologies and annotations
towards the use case of music pedagogy
Linking content through stable and
sufficient descriptors
Ease in generating datasets from open
data
10
Ontologies
Categories:
Pitch (Svar / Raag)

Rhythm (Taal)
Form / Structure
Ornamentation
Stylistic
11
Three Pronged Architecture
Architecture
Annotations and ontologies as
the backbone
Alipi Tool Suite
12
Annotating through
SWTs
The anatomy of a SWT is as
follows:
@user #context /resource
{attributes}
13
Other Applications
Creating Quizzes
Quiz creation through the addition of
rule based constraints
Addition of propositional logic tables for
complex and inference-based question
creation
14
Demo
15
3 Test Users use lab for one week and report
User Profiles
Performing Musician - User 1 was a musician who
sings with a band, but did not formally study
music. Quizzes and Ear training drills most
useful.
Intermediate Musician - User 2 has studied music
for many years, but not recently. Regaining
musicianship strength primary motive.
Novice - User 3 is an avid music lover and
listener. Initial walkthrough experiments most
useful.
16
Pre-post test scores for 12 users over 4 days
User Study
Pre lab use and post user experiments for
analyzing the scores obtained by 12
participants in the period of 4 days, solving
20 questions per day for 4 different tests.
Significant difference (0.011, 0.035, 0.19,
0.001) between before and after practise
scores of the 12 participants taken over 4
days.
Same or different notes Pitch Height
Note Naming MajorNote Naming: 1, 4, 5
17
Links
Web Facebook Twitter
http://music.virtual-labs.ac.in facebook.com/musicvirtuallab twitter.com/musicvlab
18
Thank you!
19

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icaltPresentation

  • 1. Taking Cultural Music Education Online Sangeetkosh - A Virtual Lab for Hindustani Music Tejaswinee Kelkar Anon Ray Venkatesh Choppella IIIT, Hyderabad and Janastu, Bangalore 1
  • 2. Lorem Ipsum Dolor Music Education in India for the Web 2
  • 3. Music Education in India Many of the musicians who have died recently or are very will take their knowledge to the grave. To sit at the feet of the master the whole day, every day, for years and years, is rapidly becoming a social and economic impossibility. Those who intend to become musicians will have to take lessons a few times a week and improve their skills by practising at home. The result however is that they improve their technical ability but their insight into the foundations of the music remains shaky. - Meer, W. Teaching Indian Music, Coping with a changing environment. In the Journal Sangeet Natak 79, January- March 1986, pp. 53-57 3
  • 4. Changing Musical Pedagogy Gurukul System University system - but no reliable notation How to supplement music educational needs with the changing times? 4
  • 5. Where is all the knowledge? riyegatabi Aarihi ri Aa khi Sa rikhi Re narapa sa sa Ma re re GaPa baanadikekhaDu Vo. baakoda mo mo Ma ma mala gliss. la Ga gliss. Ba nan Antara Aa 46 42 Vo. baye Re ye Pa Chhota Khayal (Teental) Sthayi Aa 38 Vo. Vo. Vo. SaReMaGaPaMaGaRePa SaDhaNiPa DhaPaMãaPa Pakad DhaNiSa 25 Vo. MaGaRe Chhayanat Chhota Khayal ( Teen Taal ) Avaroh Sa Aaroh 9 Voice ❖ Descriptive vs Prescriptive Notation ❖ Oral Tradition and passing down by memory 5
  • 6. Examples of repositories, source material 6
  • 7. What is lacking? Music Semantics Indexing metadata smaller than performance details Datasets for tonal material and form and structure 7
  • 8. Sangeetkosh - Three Prongs Annotations Repository Experiments Annotations 
 describe 
 repository Experiments
 use annotated
 repositories Experiments
 to annotate
 content 8
  • 9. Experiments ❖ Pitch Difference - Are two musical tones are the same or different? ❖ Pitch Direction - Which of the two musical tones is higher? ❖ Explore sargam - Explore notation, sargam, play music! ❖ Explore Thaats - Listen to the 10 Thaats ❖ Name Svar - Identify names of star ❖ Name String of Svar - Name svars in a row ❖ Trace a melody - Trace a melodic phrase ❖ Tabla or Dagga sound - Trace a melodic phrase ❖ Hear Bols - Trace a melodic phrase ❖ Raag Graph Interactive Visualization ❖ Raga Quiz ❖ Taal Quiz ❖ Instrument Quiz ❖ Lay Quiz 9
  • 10. Annotations Focusing ontologies and annotations towards the use case of music pedagogy Linking content through stable and sufficient descriptors Ease in generating datasets from open data 10
  • 11. Ontologies Categories: Pitch (Svar / Raag)
 Rhythm (Taal) Form / Structure Ornamentation Stylistic 11
  • 12. Three Pronged Architecture Architecture Annotations and ontologies as the backbone Alipi Tool Suite 12
  • 13. Annotating through SWTs The anatomy of a SWT is as follows: @user #context /resource {attributes} 13
  • 14. Other Applications Creating Quizzes Quiz creation through the addition of rule based constraints Addition of propositional logic tables for complex and inference-based question creation 14
  • 16. 3 Test Users use lab for one week and report User Profiles Performing Musician - User 1 was a musician who sings with a band, but did not formally study music. Quizzes and Ear training drills most useful. Intermediate Musician - User 2 has studied music for many years, but not recently. Regaining musicianship strength primary motive. Novice - User 3 is an avid music lover and listener. Initial walkthrough experiments most useful. 16
  • 17. Pre-post test scores for 12 users over 4 days User Study Pre lab use and post user experiments for analyzing the scores obtained by 12 participants in the period of 4 days, solving 20 questions per day for 4 different tests. Significant difference (0.011, 0.035, 0.19, 0.001) between before and after practise scores of the 12 participants taken over 4 days. Same or different notes Pitch Height Note Naming MajorNote Naming: 1, 4, 5 17
  • 18. Links Web Facebook Twitter http://music.virtual-labs.ac.in facebook.com/musicvirtuallab twitter.com/musicvlab 18