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Music of Lowlands Luzon:
Devotional and Liturgical
          Music
Kyrie eleison?
     Gloria in excelsis Deo?
     Credo inunum Deum?
 Sanctus dominus Deo sabaoth?
Agnus Dei quitolis peccata mundi?
Pastores
Panunuluyan
Komedya
Senakulo
Pasyon
Salubong
Dalit
Flores de Mayo
Rubrics for Performance
Basic –
Unfocused tone, erratic rhythm, unstable pitch, inconsistent phrasing, dynamics and shows insensitivity
   to style and context; Shows no effort in coming up with improvised costumes and/or props

Developing –
Focused tone but inconsistent in extreme range, some repeated errors in rhythm and pitch, consistent
   phrasing, discernible dynamics, some nuances in style as suggested by the score/teacher. With some
   improvised costumes and/or props but are inappropriate to the music

Approaching Proficiency –
Focused and clear tone in normal range, accurate rhythm and secure pitch with isolated errors, accurate
   and consistent phrasing, accurate dynamics, with some nuances in style as suggested by the
   score/teacher. With some improvised costumes and/or props but are inappropriate to the music

Proficient –
Focused, clear tone all throughout, accurate rhythm and secure pitch, consistent and sensitive phrasing
   and obvious dynamics, with creative nuances to style in response to music score.
Synthesis

The devotional and liturgical music of the
  Lowlands of Luzon reflects the impact of the
  Spanish colonisation which lasted for almost more
  than three centuries on their lives, most especially
  on the faith aspect. A lot of these are at the verge of
  disappearing due to modernization and diversity of
  religion. However, efforts from the youth and
  education sector are joining forces in reviving long
  lost traditions, if not in the most traditional way, at
  least, the remnants of the Hispanic-influenced
  music survive as they transform into its modern
  versions.

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Module 3 4

  • 1. Music of Lowlands Luzon: Devotional and Liturgical Music
  • 2. Kyrie eleison? Gloria in excelsis Deo? Credo inunum Deum? Sanctus dominus Deo sabaoth? Agnus Dei quitolis peccata mundi?
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 16. Dalit
  • 18.
  • 19. Rubrics for Performance Basic – Unfocused tone, erratic rhythm, unstable pitch, inconsistent phrasing, dynamics and shows insensitivity to style and context; Shows no effort in coming up with improvised costumes and/or props Developing – Focused tone but inconsistent in extreme range, some repeated errors in rhythm and pitch, consistent phrasing, discernible dynamics, some nuances in style as suggested by the score/teacher. With some improvised costumes and/or props but are inappropriate to the music Approaching Proficiency – Focused and clear tone in normal range, accurate rhythm and secure pitch with isolated errors, accurate and consistent phrasing, accurate dynamics, with some nuances in style as suggested by the score/teacher. With some improvised costumes and/or props but are inappropriate to the music Proficient – Focused, clear tone all throughout, accurate rhythm and secure pitch, consistent and sensitive phrasing and obvious dynamics, with creative nuances to style in response to music score.
  • 20.
  • 21. Synthesis The devotional and liturgical music of the Lowlands of Luzon reflects the impact of the Spanish colonisation which lasted for almost more than three centuries on their lives, most especially on the faith aspect. A lot of these are at the verge of disappearing due to modernization and diversity of religion. However, efforts from the youth and education sector are joining forces in reviving long lost traditions, if not in the most traditional way, at least, the remnants of the Hispanic-influenced music survive as they transform into its modern versions.