SlideShare ist ein Scribd-Unternehmen logo
1 von 68
Downloaden Sie, um offline zu lesen
like
like any
like any design
like any design graphic design
like any design graphic design
like any design graphic design is
like any design graphic design is in
like any design graphic design is in
fact
like any design graphic design is in
fact about
like any design graphic design is in
fact about communication.
if you need to explain something, for
instance the concept ‘tiger’ . . .
. . . you probably will do this differ-
ently to a child then to a grown up.
not only your tone of voice, but
presumably also the content of your
message will differ.
this now is the same with your guide-
lines booklet.
this now is the same with your guide-
lines booklet.
sure, the item is going to be used by
an agency, an individual designer, or
‘the boy from upstairs’ . . .
this now is the same with your guide-
lines booklet.
sure, the item is going to be used by
an agency, an individual designer, or
‘the boy from upstairs’ . . .
. . . but to explain the concept,
this now is the same with your guide-
lines booklet.
sure, the item is going to be used by
an agency, an individual designer, or
‘the boy from upstairs’ . . .
. . . but to explain the concept, to
this now is the same with your guide-
lines booklet.
sure, the item is going to be used by
an agency, an individual designer, or
‘the boy from upstairs’ . . .
. . . but to explain the concept, to
communicate
this now is the same with your guide-
lines booklet.
sure, the item is going to be used by
an agency, an individual designer, or
‘the boy from upstairs’ . . .
. . . but to explain the concept, to
communicate the booklet to a board,
this now is the same with your guide-
lines booklet.
sure, the item is going to be used by
an agency, an individual designer, or
‘the boy from upstairs’ . . .
. . . but to explain the concept, to
communicate the booklet to a board,
is something completely different.
i suppose you all will agree . . ?
if you don’t, we have a principle
difference of opinion, and we should
discuss the issue some time.
. . .
. . . but not now
. . . but not now . . .
anyway, this is what i am trying to
explain you over and over.
i am afraid it is rather BASIC.
there is no ONE solution.
You should not be repetitive.
Communication
Communication depends
Communication depends on
Communication depends on C
Communication depends on CO
Communication depends on CON
Communication depends on CONT
Communication depends on CONTE
Communication depends on CONTEX
Communication depends on CONTEXT
Communication depends on CONTEXT.
ommunication depends on CONTEXT. .
mmunication depends on CONTEXT. . .
munication depends on CONTEXT. . . .
unication depends on CONTEXT. . . . .
nication depends on CONTEXT. . . . . . .
ication depends on CONTEXT. . . . . . . .
ation depends on CONTEXT. . . . . . . . .
tion depends on CONTEXT. . . . . . . . . .
on depends on CONTEXT. . . . . . . . . . . .
ion depends on CONTEXT. . . . . . . . . . .
n depends on CONTEXT. . . . . . . . . . . .
depends on CONTEXT. . . . . . . . . . . . .
epends on CONTEXT. . . . . . . . . . . . . .
pends on CONTEXT. . . . . . . . . . . . . . .
ends on CONTEXT. . . . . . . . . . . . . . . .
nds on CONTEXT. . . . . . . . . . . . . . . . .
ds on CONTEXT. . . . . . . . . . . . . . . . . .
s on CONTEXT. . . . . . . . . . . . . . . . . . .
on CONTEXT. . . . . . . . . . . . . . . . . . . .
n CONTEXT. . . . . . . . . . . . . . . . . . . . .
CONTEXT. . . . . . . . . . . . . . . . . . . . . .
CONTEXT. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CONTEXT. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CONTEXT. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CONTEXT. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CONTEXT. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CONTEXT. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CONTEXT. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
CONTEXT. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Communicating tiger

Weitere ähnliche Inhalte

Was ist angesagt?

Aid Delivery Methods - Project Cycle Management Guidelines
Aid Delivery Methods - Project Cycle Management GuidelinesAid Delivery Methods - Project Cycle Management Guidelines
Aid Delivery Methods - Project Cycle Management GuidelinesInstitut Pasteur de Madagascar
 
AND.©OFFICE..the advertising design and brand identity agency.©Copyright2015
AND.©OFFICE..the advertising design and brand identity agency.©Copyright2015AND.©OFFICE..the advertising design and brand identity agency.©Copyright2015
AND.©OFFICE..the advertising design and brand identity agency.©Copyright2015Eric Nuijten
 
Autoclave & Sterilizers
Autoclave & SterilizersAutoclave & Sterilizers
Autoclave & SterilizersRahul
 
Why Choose Magento For Your Online Business?
Why Choose Magento For Your Online Business?Why Choose Magento For Your Online Business?
Why Choose Magento For Your Online Business?Innopplinc
 
2016 أنشطة اللغة العربية للصف الأول الابتدائى لكتاب سلاح التلميذ
 2016 أنشطة اللغة العربية للصف الأول الابتدائى لكتاب سلاح التلميذ 2016 أنشطة اللغة العربية للصف الأول الابتدائى لكتاب سلاح التلميذ
2016 أنشطة اللغة العربية للصف الأول الابتدائى لكتاب سلاح التلميذأمنية وجدى
 
RVulic Project Samples
RVulic Project SamplesRVulic Project Samples
RVulic Project SamplesRebecca Vulic
 
Shade Sail Specification - 340PRO
Shade Sail Specification - 340PROShade Sail Specification - 340PRO
Shade Sail Specification - 340PROColin Lawrence
 
A4 dong ke
A4 dong keA4 dong ke
A4 dong kedothilua
 
Diagnostic Equipments & Products
Diagnostic Equipments & ProductsDiagnostic Equipments & Products
Diagnostic Equipments & ProductsRahul
 
Lembaran kerja network diagram y
Lembaran kerja network diagram yLembaran kerja network diagram y
Lembaran kerja network diagram yOlfa Finatry
 
ידיעון המכללה
ידיעון המכללהידיעון המכללה
ידיעון המכללהakivalevran
 
Understand your e-commerce customers – challenges infographic
Understand your e-commerce customers – challenges infographicUnderstand your e-commerce customers – challenges infographic
Understand your e-commerce customers – challenges infographicZbigniew Nowicki
 
دفتر يومي معدل
دفتر يومي معدلدفتر يومي معدل
دفتر يومي معدلguest696cefa
 

Was ist angesagt? (18)

Aid Delivery Methods - Project Cycle Management Guidelines
Aid Delivery Methods - Project Cycle Management GuidelinesAid Delivery Methods - Project Cycle Management Guidelines
Aid Delivery Methods - Project Cycle Management Guidelines
 
DigitalSins
DigitalSinsDigitalSins
DigitalSins
 
Folha para estudos
Folha para estudosFolha para estudos
Folha para estudos
 
AND.©OFFICE..the advertising design and brand identity agency.©Copyright2015
AND.©OFFICE..the advertising design and brand identity agency.©Copyright2015AND.©OFFICE..the advertising design and brand identity agency.©Copyright2015
AND.©OFFICE..the advertising design and brand identity agency.©Copyright2015
 
Autoclave & Sterilizers
Autoclave & SterilizersAutoclave & Sterilizers
Autoclave & Sterilizers
 
Why Choose Magento For Your Online Business?
Why Choose Magento For Your Online Business?Why Choose Magento For Your Online Business?
Why Choose Magento For Your Online Business?
 
2016 أنشطة اللغة العربية للصف الأول الابتدائى لكتاب سلاح التلميذ
 2016 أنشطة اللغة العربية للصف الأول الابتدائى لكتاب سلاح التلميذ 2016 أنشطة اللغة العربية للصف الأول الابتدائى لكتاب سلاح التلميذ
2016 أنشطة اللغة العربية للصف الأول الابتدائى لكتاب سلاح التلميذ
 
RVulic Project Samples
RVulic Project SamplesRVulic Project Samples
RVulic Project Samples
 
Shade Sail Specification - 340PRO
Shade Sail Specification - 340PROShade Sail Specification - 340PRO
Shade Sail Specification - 340PRO
 
A4 dong ke
A4 dong keA4 dong ke
A4 dong ke
 
Diagnostic Equipments & Products
Diagnostic Equipments & ProductsDiagnostic Equipments & Products
Diagnostic Equipments & Products
 
Lembaran kerja network diagram y
Lembaran kerja network diagram yLembaran kerja network diagram y
Lembaran kerja network diagram y
 
ידיעון המכללה
ידיעון המכללהידיעון המכללה
ידיעון המכללה
 
Understand your e-commerce customers – challenges infographic
Understand your e-commerce customers – challenges infographicUnderstand your e-commerce customers – challenges infographic
Understand your e-commerce customers – challenges infographic
 
Análisis un método peligroso
Análisis un método peligrosoAnálisis un método peligroso
Análisis un método peligroso
 
دفتر يومي معدل
دفتر يومي معدلدفتر يومي معدل
دفتر يومي معدل
 
004
004004
004
 
Fiche
FicheFiche
Fiche
 

Andere mochten auch (7)

Three Turtle Graphics
Three Turtle GraphicsThree Turtle Graphics
Three Turtle Graphics
 
Lets meet
Lets meetLets meet
Lets meet
 
Facsimilé 1960-2013
Facsimilé 1960-2013Facsimilé 1960-2013
Facsimilé 1960-2013
 
Graphic Arts
Graphic ArtsGraphic Arts
Graphic Arts
 
20160818 ©
20160818 ©20160818 ©
20160818 ©
 
Nine
NineNine
Nine
 
Nine typographic assignments
Nine typographic assignmentsNine typographic assignments
Nine typographic assignments
 

Ähnlich wie Communicating tiger

Ähnlich wie Communicating tiger (12)

دفتر يومي
دفتر يوميدفتر يومي
دفتر يومي
 
دفتر يومي معدل
دفتر يومي معدلدفتر يومي معدل
دفتر يومي معدل
 
Marjolein Westerbeek Rituals
Marjolein Westerbeek RitualsMarjolein Westerbeek Rituals
Marjolein Westerbeek Rituals
 
Akhbar
AkhbarAkhbar
Akhbar
 
Examen Matemáticas Nivel Medio Prueba 1 TZ1 Mayo 2016
Examen Matemáticas Nivel Medio Prueba 1 TZ1 Mayo 2016Examen Matemáticas Nivel Medio Prueba 1 TZ1 Mayo 2016
Examen Matemáticas Nivel Medio Prueba 1 TZ1 Mayo 2016
 
Examen Matemáticas Nivel Medio Prueba 2 TZ2 Mayo 2016
Examen Matemáticas Nivel Medio Prueba 2 TZ2 Mayo 2016Examen Matemáticas Nivel Medio Prueba 2 TZ2 Mayo 2016
Examen Matemáticas Nivel Medio Prueba 2 TZ2 Mayo 2016
 
Bilblia De Anedotas
Bilblia De AnedotasBilblia De Anedotas
Bilblia De Anedotas
 
กิจกรรมทบทวน1
กิจกรรมทบทวน1กิจกรรมทบทวน1
กิจกรรมทบทวน1
 
Examen Matemáticas IB Nivel Medio Prueba 1 TZ1 Mayo 2015
Examen Matemáticas IB Nivel Medio Prueba 1 TZ1 Mayo 2015Examen Matemáticas IB Nivel Medio Prueba 1 TZ1 Mayo 2015
Examen Matemáticas IB Nivel Medio Prueba 1 TZ1 Mayo 2015
 
Examen Matemáticas Nivel Medio Prueba 2 TZ1 Mayo 2015
Examen Matemáticas Nivel Medio Prueba 2 TZ1 Mayo 2015Examen Matemáticas Nivel Medio Prueba 2 TZ1 Mayo 2015
Examen Matemáticas Nivel Medio Prueba 2 TZ1 Mayo 2015
 
MID Finance
MID FinanceMID Finance
MID Finance
 
Random 150827012109-lva1-app6892
Random 150827012109-lva1-app6892Random 150827012109-lva1-app6892
Random 150827012109-lva1-app6892
 

Mehr von Stephan Saaltink (韩默默)

Mehr von Stephan Saaltink (韩默默) (20)

Beforehand
BeforehandBeforehand
Beforehand
 
25 plots & prints
25 plots & prints25 plots & prints
25 plots & prints
 
dynamic self organising repeat patterns
dynamic self organising repeat patternsdynamic self organising repeat patterns
dynamic self organising repeat patterns
 
Portfolio
PortfolioPortfolio
Portfolio
 
Teaching & Learning (2011-20)
Teaching & Learning (2011-20)Teaching & Learning (2011-20)
Teaching & Learning (2011-20)
 
GRENEN (2018-20)
GRENEN (2018-20)GRENEN (2018-20)
GRENEN (2018-20)
 
Identifying india
Identifying indiaIdentifying india
Identifying india
 
144 sunflowers in great britain
144 sunflowers in great britain144 sunflowers in great britain
144 sunflowers in great britain
 
crossing borders
crossing borderscrossing borders
crossing borders
 
hello goodbye
hello goodbyehello goodbye
hello goodbye
 
Turtle Graphics 2014-17
Turtle Graphics 2014-17Turtle Graphics 2014-17
Turtle Graphics 2014-17
 
Visual systems
Visual systemsVisual systems
Visual systems
 
20 1981 2014
20 1981 201420 1981 2014
20 1981 2014
 
eleven examples of professional work
eleven examples of professional workeleven examples of professional work
eleven examples of professional work
 
twenty examples of student work
twenty examples of student worktwenty examples of student work
twenty examples of student work
 
Presidential Election Campaign 2012
Presidential Election Campaign 2012Presidential Election Campaign 2012
Presidential Election Campaign 2012
 
An introduction to concrete poetry
An introduction to concrete poetryAn introduction to concrete poetry
An introduction to concrete poetry
 
Contemporary classical music
Contemporary classical music Contemporary classical music
Contemporary classical music
 
Brainmaps: we are 20
Brainmaps: we are 20Brainmaps: we are 20
Brainmaps: we are 20
 
Brainmaps: pump up the volume
Brainmaps:  pump up the volumeBrainmaps:  pump up the volume
Brainmaps: pump up the volume
 

Kürzlich hochgeladen

💫✅jodhpur 24×7 BEST GENUINE PERSON LOW PRICE CALL GIRL SERVICE FULL SATISFACT...
💫✅jodhpur 24×7 BEST GENUINE PERSON LOW PRICE CALL GIRL SERVICE FULL SATISFACT...💫✅jodhpur 24×7 BEST GENUINE PERSON LOW PRICE CALL GIRL SERVICE FULL SATISFACT...
💫✅jodhpur 24×7 BEST GENUINE PERSON LOW PRICE CALL GIRL SERVICE FULL SATISFACT...sonalitrivedi431
 
AMBER GRAIN EMBROIDERY | Growing folklore elements | Root-based materials, w...
AMBER GRAIN EMBROIDERY | Growing folklore elements |  Root-based materials, w...AMBER GRAIN EMBROIDERY | Growing folklore elements |  Root-based materials, w...
AMBER GRAIN EMBROIDERY | Growing folklore elements | Root-based materials, w...BarusRa
 
Pastel Portfolio _ by Slidesgo.pptx. Xxx
Pastel Portfolio _ by Slidesgo.pptx. XxxPastel Portfolio _ by Slidesgo.pptx. Xxx
Pastel Portfolio _ by Slidesgo.pptx. XxxSegundoManuelFaichin1
 
2-tool presenthdbdbdbdbddhdhddation.pptx
2-tool presenthdbdbdbdbddhdhddation.pptx2-tool presenthdbdbdbdbddhdhddation.pptx
2-tool presenthdbdbdbdbddhdhddation.pptxsuhanimunjal27
 
Call Girls in Kalkaji Delhi 8264348440 call girls ❤️
Call Girls in Kalkaji Delhi 8264348440 call girls ❤️Call Girls in Kalkaji Delhi 8264348440 call girls ❤️
Call Girls in Kalkaji Delhi 8264348440 call girls ❤️soniya singh
 
Best VIP Call Girls Noida Sector 44 Call Me: 8448380779
Best VIP Call Girls Noida Sector 44 Call Me: 8448380779Best VIP Call Girls Noida Sector 44 Call Me: 8448380779
Best VIP Call Girls Noida Sector 44 Call Me: 8448380779Delhi Call girls
 
The history of music videos a level presentation
The history of music videos a level presentationThe history of music videos a level presentation
The history of music videos a level presentationamedia6
 
CALL ON ➥8923113531 🔝Call Girls Kalyanpur Lucknow best Female service 🧵
CALL ON ➥8923113531 🔝Call Girls Kalyanpur Lucknow best Female service  🧵CALL ON ➥8923113531 🔝Call Girls Kalyanpur Lucknow best Female service  🧵
CALL ON ➥8923113531 🔝Call Girls Kalyanpur Lucknow best Female service 🧵anilsa9823
 
Recommendable # 971589162217 # philippine Young Call Girls in Dubai By Marina...
Recommendable # 971589162217 # philippine Young Call Girls in Dubai By Marina...Recommendable # 971589162217 # philippine Young Call Girls in Dubai By Marina...
Recommendable # 971589162217 # philippine Young Call Girls in Dubai By Marina...home
 
Government polytechnic college-1.pptxabcd
Government polytechnic college-1.pptxabcdGovernment polytechnic college-1.pptxabcd
Government polytechnic college-1.pptxabcdshivubhavv
 
Case Study of Hotel Taj Vivanta, Pune
Case Study of Hotel Taj Vivanta, PuneCase Study of Hotel Taj Vivanta, Pune
Case Study of Hotel Taj Vivanta, PuneLukeKholes
 
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...ranjana rawat
 
infant assessment fdbbdbdddinal ppt.pptx
infant assessment fdbbdbdddinal ppt.pptxinfant assessment fdbbdbdddinal ppt.pptx
infant assessment fdbbdbdddinal ppt.pptxsuhanimunjal27
 
DragonBall PowerPoint Template for demo.pptx
DragonBall PowerPoint Template for demo.pptxDragonBall PowerPoint Template for demo.pptx
DragonBall PowerPoint Template for demo.pptxmirandajeremy200221
 
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)amitlee9823
 
Jigani Call Girls Service: 🍓 7737669865 🍓 High Profile Model Escorts | Bangal...
Jigani Call Girls Service: 🍓 7737669865 🍓 High Profile Model Escorts | Bangal...Jigani Call Girls Service: 🍓 7737669865 🍓 High Profile Model Escorts | Bangal...
Jigani Call Girls Service: 🍓 7737669865 🍓 High Profile Model Escorts | Bangal...amitlee9823
 
Editorial design Magazine design project.pdf
Editorial design Magazine design project.pdfEditorial design Magazine design project.pdf
Editorial design Magazine design project.pdftbatkhuu1
 
call girls in Dakshinpuri (DELHI) 🔝 >༒9953056974 🔝 genuine Escort Service 🔝✔️✔️
call girls in Dakshinpuri  (DELHI) 🔝 >༒9953056974 🔝 genuine Escort Service 🔝✔️✔️call girls in Dakshinpuri  (DELHI) 🔝 >༒9953056974 🔝 genuine Escort Service 🔝✔️✔️
call girls in Dakshinpuri (DELHI) 🔝 >༒9953056974 🔝 genuine Escort Service 🔝✔️✔️9953056974 Low Rate Call Girls In Saket, Delhi NCR
 
Top Rated Pune Call Girls Koregaon Park ⟟ 6297143586 ⟟ Call Me For Genuine S...
Top Rated  Pune Call Girls Koregaon Park ⟟ 6297143586 ⟟ Call Me For Genuine S...Top Rated  Pune Call Girls Koregaon Park ⟟ 6297143586 ⟟ Call Me For Genuine S...
Top Rated Pune Call Girls Koregaon Park ⟟ 6297143586 ⟟ Call Me For Genuine S...Call Girls in Nagpur High Profile
 

Kürzlich hochgeladen (20)

💫✅jodhpur 24×7 BEST GENUINE PERSON LOW PRICE CALL GIRL SERVICE FULL SATISFACT...
💫✅jodhpur 24×7 BEST GENUINE PERSON LOW PRICE CALL GIRL SERVICE FULL SATISFACT...💫✅jodhpur 24×7 BEST GENUINE PERSON LOW PRICE CALL GIRL SERVICE FULL SATISFACT...
💫✅jodhpur 24×7 BEST GENUINE PERSON LOW PRICE CALL GIRL SERVICE FULL SATISFACT...
 
AMBER GRAIN EMBROIDERY | Growing folklore elements | Root-based materials, w...
AMBER GRAIN EMBROIDERY | Growing folklore elements |  Root-based materials, w...AMBER GRAIN EMBROIDERY | Growing folklore elements |  Root-based materials, w...
AMBER GRAIN EMBROIDERY | Growing folklore elements | Root-based materials, w...
 
Pastel Portfolio _ by Slidesgo.pptx. Xxx
Pastel Portfolio _ by Slidesgo.pptx. XxxPastel Portfolio _ by Slidesgo.pptx. Xxx
Pastel Portfolio _ by Slidesgo.pptx. Xxx
 
2-tool presenthdbdbdbdbddhdhddation.pptx
2-tool presenthdbdbdbdbddhdhddation.pptx2-tool presenthdbdbdbdbddhdhddation.pptx
2-tool presenthdbdbdbdbddhdhddation.pptx
 
Call Girls in Kalkaji Delhi 8264348440 call girls ❤️
Call Girls in Kalkaji Delhi 8264348440 call girls ❤️Call Girls in Kalkaji Delhi 8264348440 call girls ❤️
Call Girls in Kalkaji Delhi 8264348440 call girls ❤️
 
Best VIP Call Girls Noida Sector 44 Call Me: 8448380779
Best VIP Call Girls Noida Sector 44 Call Me: 8448380779Best VIP Call Girls Noida Sector 44 Call Me: 8448380779
Best VIP Call Girls Noida Sector 44 Call Me: 8448380779
 
young call girls in Vivek Vihar🔝 9953056974 🔝 Delhi escort Service
young call girls in Vivek Vihar🔝 9953056974 🔝 Delhi escort Serviceyoung call girls in Vivek Vihar🔝 9953056974 🔝 Delhi escort Service
young call girls in Vivek Vihar🔝 9953056974 🔝 Delhi escort Service
 
The history of music videos a level presentation
The history of music videos a level presentationThe history of music videos a level presentation
The history of music videos a level presentation
 
CALL ON ➥8923113531 🔝Call Girls Kalyanpur Lucknow best Female service 🧵
CALL ON ➥8923113531 🔝Call Girls Kalyanpur Lucknow best Female service  🧵CALL ON ➥8923113531 🔝Call Girls Kalyanpur Lucknow best Female service  🧵
CALL ON ➥8923113531 🔝Call Girls Kalyanpur Lucknow best Female service 🧵
 
Recommendable # 971589162217 # philippine Young Call Girls in Dubai By Marina...
Recommendable # 971589162217 # philippine Young Call Girls in Dubai By Marina...Recommendable # 971589162217 # philippine Young Call Girls in Dubai By Marina...
Recommendable # 971589162217 # philippine Young Call Girls in Dubai By Marina...
 
Government polytechnic college-1.pptxabcd
Government polytechnic college-1.pptxabcdGovernment polytechnic college-1.pptxabcd
Government polytechnic college-1.pptxabcd
 
Case Study of Hotel Taj Vivanta, Pune
Case Study of Hotel Taj Vivanta, PuneCase Study of Hotel Taj Vivanta, Pune
Case Study of Hotel Taj Vivanta, Pune
 
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...
(AISHA) Ambegaon Khurd Call Girls Just Call 7001035870 [ Cash on Delivery ] P...
 
infant assessment fdbbdbdddinal ppt.pptx
infant assessment fdbbdbdddinal ppt.pptxinfant assessment fdbbdbdddinal ppt.pptx
infant assessment fdbbdbdddinal ppt.pptx
 
DragonBall PowerPoint Template for demo.pptx
DragonBall PowerPoint Template for demo.pptxDragonBall PowerPoint Template for demo.pptx
DragonBall PowerPoint Template for demo.pptx
 
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)
Escorts Service Nagavara ☎ 7737669865☎ Book Your One night Stand (Bangalore)
 
Jigani Call Girls Service: 🍓 7737669865 🍓 High Profile Model Escorts | Bangal...
Jigani Call Girls Service: 🍓 7737669865 🍓 High Profile Model Escorts | Bangal...Jigani Call Girls Service: 🍓 7737669865 🍓 High Profile Model Escorts | Bangal...
Jigani Call Girls Service: 🍓 7737669865 🍓 High Profile Model Escorts | Bangal...
 
Editorial design Magazine design project.pdf
Editorial design Magazine design project.pdfEditorial design Magazine design project.pdf
Editorial design Magazine design project.pdf
 
call girls in Dakshinpuri (DELHI) 🔝 >༒9953056974 🔝 genuine Escort Service 🔝✔️✔️
call girls in Dakshinpuri  (DELHI) 🔝 >༒9953056974 🔝 genuine Escort Service 🔝✔️✔️call girls in Dakshinpuri  (DELHI) 🔝 >༒9953056974 🔝 genuine Escort Service 🔝✔️✔️
call girls in Dakshinpuri (DELHI) 🔝 >༒9953056974 🔝 genuine Escort Service 🔝✔️✔️
 
Top Rated Pune Call Girls Koregaon Park ⟟ 6297143586 ⟟ Call Me For Genuine S...
Top Rated  Pune Call Girls Koregaon Park ⟟ 6297143586 ⟟ Call Me For Genuine S...Top Rated  Pune Call Girls Koregaon Park ⟟ 6297143586 ⟟ Call Me For Genuine S...
Top Rated Pune Call Girls Koregaon Park ⟟ 6297143586 ⟟ Call Me For Genuine S...
 

Communicating tiger

  • 4. like any design graphic design
  • 5. like any design graphic design
  • 6. like any design graphic design is
  • 7. like any design graphic design is in
  • 8. like any design graphic design is in fact
  • 9. like any design graphic design is in fact about
  • 10. like any design graphic design is in fact about communication.
  • 11. if you need to explain something, for instance the concept ‘tiger’ . . .
  • 12.
  • 13. . . . you probably will do this differ- ently to a child then to a grown up. not only your tone of voice, but presumably also the content of your message will differ.
  • 14. this now is the same with your guide- lines booklet.
  • 15. this now is the same with your guide- lines booklet. sure, the item is going to be used by an agency, an individual designer, or ‘the boy from upstairs’ . . .
  • 16. this now is the same with your guide- lines booklet. sure, the item is going to be used by an agency, an individual designer, or ‘the boy from upstairs’ . . . . . . but to explain the concept,
  • 17. this now is the same with your guide- lines booklet. sure, the item is going to be used by an agency, an individual designer, or ‘the boy from upstairs’ . . . . . . but to explain the concept, to
  • 18. this now is the same with your guide- lines booklet. sure, the item is going to be used by an agency, an individual designer, or ‘the boy from upstairs’ . . . . . . but to explain the concept, to communicate
  • 19. this now is the same with your guide- lines booklet. sure, the item is going to be used by an agency, an individual designer, or ‘the boy from upstairs’ . . . . . . but to explain the concept, to communicate the booklet to a board,
  • 20. this now is the same with your guide- lines booklet. sure, the item is going to be used by an agency, an individual designer, or ‘the boy from upstairs’ . . . . . . but to explain the concept, to communicate the booklet to a board, is something completely different.
  • 21. i suppose you all will agree . . ? if you don’t, we have a principle difference of opinion, and we should discuss the issue some time.
  • 22. . . .
  • 23. . . . but not now
  • 24. . . . but not now . . .
  • 25. anyway, this is what i am trying to explain you over and over. i am afraid it is rather BASIC. there is no ONE solution. You should not be repetitive.
  • 38. mmunication depends on CONTEXT. . .
  • 39. munication depends on CONTEXT. . . .
  • 40. unication depends on CONTEXT. . . . .
  • 41. nication depends on CONTEXT. . . . . . .
  • 42. ication depends on CONTEXT. . . . . . . .
  • 43. ation depends on CONTEXT. . . . . . . . .
  • 44. tion depends on CONTEXT. . . . . . . . . .
  • 45. on depends on CONTEXT. . . . . . . . . . . .
  • 46. ion depends on CONTEXT. . . . . . . . . . .
  • 47. n depends on CONTEXT. . . . . . . . . . . .
  • 48. depends on CONTEXT. . . . . . . . . . . . .
  • 49. epends on CONTEXT. . . . . . . . . . . . . .
  • 50. pends on CONTEXT. . . . . . . . . . . . . . .
  • 51. ends on CONTEXT. . . . . . . . . . . . . . . .
  • 52. nds on CONTEXT. . . . . . . . . . . . . . . . .
  • 53. ds on CONTEXT. . . . . . . . . . . . . . . . . .
  • 54. s on CONTEXT. . . . . . . . . . . . . . . . . . .
  • 55. on CONTEXT. . . . . . . . . . . . . . . . . . . .
  • 56. n CONTEXT. . . . . . . . . . . . . . . . . . . . .
  • 57. CONTEXT. . . . . . . . . . . . . . . . . . . . . .
  • 58. CONTEXT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
  • 59. CONTEXT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
  • 60. CONTEXT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
  • 61. CONTEXT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
  • 62. CONTEXT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
  • 63. CONTEXT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
  • 64. CONTEXT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
  • 65. CONTEXT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
  • 66. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
  • 67. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .