2. INTRODUCTION
AFRICAIS THE WORLD'S SECOND-LARGEST AND SECOND-MOST-
POPULOUS CONTINENT. AT ABOUT 30.2 MILLION KM² INCLUDING ADJACENT
ISLANDS. WITH 1.0 BILLION PEOPLE, IT ACCOUNTS FOR ABOUT 15% OF THE
WORLD'S HUMAN POPULATION.
3. AFRICAIS CONSIDERED BY MOST PALEOANTHROPOLOGISTS TO
BE THE OLDEST INHABITED TERRITORY ON EARTH, WITH
THE HUMAN SPECIES ORIGINATING FROM THE CONTINENT.
DURING THE MIDDLE OF THE 20TH CENTURY,
ANTHROPOLOGISTS DISCOVERED MANY FOSSILS AND EVIDENCE OF
HUMAN OCCUPATION PERHAPS AS EARLY AS 7 MILLION YEARS AGO.
4. AFRICA IS CONSIDERED AS THE “DARK
CONTINENT” BECAUSE OF ITS
UNPREDICTABLE CLIMATE, UNTAMED
WILDERNESS AND SENSATIONALIZED
PRESS COVERAGE OF DISASTERS.
5. TODAY, MANY ENVIRONMENTAL
ISSUES ARE BEING FACED BY AFRICA.
IT IS N0W FACING ISSUES LIKE SOIL
EROSION, THREATS TO FRESHWATER
ECOSYSTEMS, AND WILDLIFE
CONSERVATION AND MANAGEMENT.
AFRICA IS NOW BEING DAMAGED BY
OUR FOOLISHNESS.
8. ORAL LITERATURE
ORAL LITERATURE MAY BE IN PROSE OR VERSE. THE PROSE IS OFTEN
MYTHOLOGICAL OR HISTORICAL AND CAN INCLUDE TALES OF THE
“TRICKSTER” CHARACTER. ORAL LITERATURE IS OFTEN DELIVERED BY
POETRY, SINGING, NARRATIVE EPIC, OCCUPATIONAL VERSE, RITUAL
VERSE, PRAISE POEMS TO RULERS AND PROMINENT PEOPLE.
9. PRECOLONIAL LITERATURE
ONE POPULAR FORM OF TRADITIONAL AFRICAN FOLKTALE IS THE
“TRICKSTER” STORY, WHERE A SMALL ANIMAL USES ITS WITS TO
SURVIVE ENCOUNTERS WITH LARGER CREATURES. ANIMAL
TRICKSTERS WERE POPULAR IN THESE TIMES.
10. COLONIAL LITERATURE
IN THIS PERIOD, AFRICAN WORKS BEST KNOWN IN THE WEST
FROM THE PERIOD OF COLONIZATION AND THE SLAVE TRADE ARE
PRIMARILY SLAVE NARRATIVES, SUCH AS OLAUDAH EQUIANO’S
“THE INTERESTING NARRATIVE OF THE LIFE OF OLAUDAH EQUIANO
(1789).”
11. POSTCOLONIAL LITERATURE
WITH LIBERATION AND INCREASED LITERACY SINCE MOST
AFRICAN NATIONS GAINED THEIR INDEPENDENCE IN THE 1950S
AND 1960S, AFRICAN LITERATURE HAS GROWN DRAMATICALLY IN
QUANTITY AND IN RECOGNITION AND SEVERAL OF THIS WORKS
APPEARED ON “BEST OF” LISTS COMPILED AT THE END OF 19TH
CENTURY
12.
13. AFRICAN CULTURE
AFRICA’S CULTURAL TRADITIONS
ARE EXTREMELY DIVERSE.
TRADITIONALLY, ART, MUSIC, AND
ORAL LITERATURE SERVED TO
REINFORCE EXISTING RELIGIOUS
OR SOCIAL PATTERNS.
21. HISTORY
IN THE EARLY TIMES, AFRICANS SPECIALIZED THEIR SKILLS IN
FINDING FOOD ACROSS THE REGIONS OF AFRICA THAT’S WHY THEY
ARE EXPERTS IN MIGRATING
27. FANG
ETHNIC GROUP AT ACOACAN, IN MAINLAND EQUATORIAL GUINEA.
THIS IS THE TRIBE OF THE FORMER PRESIDENT OF THE EQUATORIAL
GUINEA, TEODORO OBIANG NGUEMA MBASOGO.
28. EWE
INDIGENOUS PEOPLE INHABITING THE COASTS OF THE REPUBLICS
OF GHANA, TOGO, AND BENIN. THE NAME IS ALSO APPLIED TO THEIR
LANGUAGE.
29. ZULU
BANTU-SPEAKING PEOPLE OF SOUTHERN AFRICA. NUMBERING
BETWEEN 8 AND 10 MILLION, THEY LIVE MAINLY IN THE PROVINCE
OF KWAZULU-NATAL, SOUTH AFRICA
30. AFRIKANERS
FORMERLY KNOWN AS BOERS, SOUTH AFRICAN CULTURAL GROUP
DESCENDED FROM EUROPEANS. THEY SPEAK AFRIKAANS AS THEIR
NATIVE LANGUAGE.
31. FULANI
PEOPLE OF AFRICA NUMBERING ABOUT 13 MILLION AND
DISPERSED IN VARYING, OFTEN SIZABLE, CONCENTRATIONS
THROUGHOUT THE GRASSLANDS AREAS OF WEST AFRICA
32. FANTE
ALSO KNOWN AS FANTI. THEY’RE AFRICAN PEOPLE INHABITING THE
TERRITORY OF THE FORMER NATIVE AFRICAN KINGDOM OF FANTE
34. MUSIC (PAST)
BETWEEN 1950S AND 1970S, AFRICANS WERE INFLUENCED BY THE
STYLE OF MUSIC THAT VARIES OVERTIME. “AFROBEAT” AND
“HIGHLIFE” ARE EXAMPLES OF IT
35. MUSIC (PRESENT)
LATER, AFRICANS WERE INFLUENCED AGAIN AND ACCEPTED THE
SOME STYLE OF MUSIC SUCH AS SAMBA, BLUES, JAZZ, REGGAE,
HIP-HOP AND ROCK.
36. “
”
I KNOW NO NATIONAL BOUNDARY
WHERE THE NEGRO IS CONCERNED. THE
WHOLE WORLD IS MY PROVINCE UNTIL
AFRICA IS FREE.
MARCUS GARVEY (1887 – 1940), JAMAICAN-BORN
NATIONALIST LEADER AND PUBLISHER, 1923
37. “
”
WE BELIEVE IN THE FREEDOM OF AFRICA FOR THE
NEGRO PEOPLE OF THE WORLD, AND BY THE PRINCIPLE
OF EUROPE FOR THE EUROPEANS, AND ASIA FOR THE
ASIATICS, WE ALSO DEMAND AFRICA FOR THE
AFRICANS AT HOME AND ABROAD.
MARCUS GARVEY (1887 – 1940), JAMAICAN-BORN
NATIONALIST LEADER AND PUBLISHER, 1923