Etching is the process of using corrosive chemicals to cut into the unprotected parts of an object’s surface.
These slides explore the history of etching, intaglio printmaking, and the etching of circuit-boards.
2. ETCHING
The process of using corrosive chemicals to cut into the
unprotected parts of an object’s surface.
The process has been around for hundreds of years and
has both artistic and industrial uses.
4. THE ISHANGO BONE
A 20,000 year old baboon fibula with a piece of quartz
affixed to one end. The bone is covered with the markings of
a tally stick. Was the quartz perhaps used for engraving?
http://en.wikipedia.org/wiki/Ishango_bone
5. ENGRAVING
The practice of incising a
design on to a hard,
usually flat surface, by
cutting grooves into it.
In ancient times coins
were manufactured using
hand-engraved dies.
European goldsmiths in
the Middle Ages used
engraving to decorate and
inscribe armour, weapons,
jewelery, and other metal
work.
6. To preserve and
catalogue their
designs, goldsmiths
would make “prints”
of their work by
taking impressions
using cloth or paper
with charcoal and
ink.
7. With the arrival of the
printing press in
Europe in the early
1400s, the engraving of
metal plates to produce
images on paper came
into its own.
Many early engravers
came from a goldsmithing
background.
Albrecht Dürer.
The Knight, Death and the Devil c. 1513
12. CHEMICAL ETCHING
Acids had been known
to man since the time of
the ancient Egyptians
and Greeks.
In the Middle Ages
corrosive chemicals were
being exploited by
alchemists to dissolve
precious metals.
Rembrandt. “Faust” c. 1652-53
13. Goldsmiths soon adopted the use of acids to etch their metalwork designs.
Daniel Hopfer (Germany 1470–1536) was a craftsman who decorated
armour in this way. He then applied the method to printmaking.
21. Applying a Resist – Part I
Printmaking Circuit Board
• Apply Acid Resistant Ground • Download or Create Circuit Layout
• Affix Contact Paper to Other Side • Laser Print on Glossy Paper
22. Applying a Resist – Part II
Printmaking Circuit Board
• Scratch Image into the Ground • Iron Circuit Onto Plate as a Resist
• Touch up with More Ground • Peel Away Paper
(Ground coating should be consistent for best results.) • Touch up With Needle / Resist
23. Etch the Copper – Part I
Printmaking Circuit Board
• Place Plate Face Down in Tub of • Place Board Copper-side Up in Tub
Ferric Chloride for 15-20 Minutes of Ferric Chloride
• Acid Will “Bite” Exposed Copper • Brush Board with Plastic Brush
24. Etch the Copper – Part II
Printmaking Circuit Board
Kyle Geske - 2007
• Remove Plate from Acid • Remove From Acid When Exposed
• Rinse with Water Copper has Dissolved
• Remove Ground Using a Solvent • Remove Ink Using Sandpaper
29. RESOURCES
The Intaglio Printmaking Process
http://www.youtube.com/watch?v=SNKn4PORGBI
How to Etch a Single-Side Circuit Board
http://hackaday.com/2008/07/28/how-to-etch-a-single-sided-pcb/
Two Interesting Circuit Board Etching Techniques
http://robot.homepageentry.com/pages/makepcb.php
http://www.pulsarprofx.com/pcbfx/main_site/pages/tech_support/tips_n_tricks/rolling_pin.html
Allan Geske & North Nassau Printmakers, Winnipeg
http://allangeske.ca
30. HE WHO PRESENTED
Kyle Geske
Hardware / Firmware Engineer
Turned Web Developer
Instructor at Red River College
(Ruby/Rails, PHP, HTML, CSS,
Javascript, Philosophy of Time Travel)
Artist w/ Studio @ Artspace
V-World Avatars
Twitter, Flickr, Pinboard,
Github, Gmail, Etc: stungeye
stungeye.com
codeglutton.tumblr.com