Presentation 2, Part 3 Film Lighting, Film Noir

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" Film noir is not a genre... It is not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood. It is a film 'noir', as opposed to the possible variants of film gray and off-white." writer and director Paul Schrader ,[object Object]

[object Object],Humphrey Bogart in The Maltese Falcon

[object Object],film noir is not a genre; rather, it indicates a certain mood, style, point-of-view, or tone. Bogie with Mary Astor

two silhouetted figures in The Big Combo (1955) ,[object Object],[object Object],[object Object]

[object Object],[object Object],[object Object],The Third Man

[object Object],Joan Bennett and Edward G Robinson in The Woman in the Window (1944) The Crimson Kimono

[object Object],The Fifth Horseman is Fear Double Indemnity

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[object Object],Gloria Grahame & Humphrey Bogart

[object Object],( noir icons Robert Mitchum and Jane Greer) ,[object Object],[object Object],[object Object],[object Object]

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[object Object],Fred McMurray, Edward G Robinson and Barbara Stanwyck

The Big Sleep (1946), Lauren Bacall and Humphrey Bogart

[object Object],[object Object],It ends with a climactic nine-minute shootout in the city's underground sewer. ,[object Object]

[object Object],[object Object],[object Object],A Touch of Evil (1958)

[object Object],Joan Blondell and Tyrone Power in Nightmare Alley

[object Object],[object Object],Dana Andrews and Gene Tierney in Laura Fallen Angel

[object Object],Private eye Jake Gittes (Jack Nicholson), in a publicity shot for Chinatown (1974).

[object Object],Laraine Day and Robert Mitchum in The Locket (1947)

[object Object],Detour (1946)

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[object Object],The Big Steal (1949) ,[object Object]

[object Object],[object Object],James Stewart and Kim Novak

[object Object],[object Object],Jack Nicholson and those blinds again

Sharon Stone ,[object Object],Blue Velvet (1992) ; Isabella Rossellini

[object Object],[object Object],Carrie-Ann Moss and Guy Pearce

[object Object],Gary Oldman Heath Ledger

[object Object],As John Nash (Russell Crowe) becomes more paranoid, the noir features intensify.

until he sees even his wife (Jennifer Connelly) in that way

Heavy shadows and low key light create an atmosphere of threat and foreboding in the noirish V for Vendetta (2005)

Natalie Portman as Evey; her nervousness is emphasised by the typically noir chiaroscuro

And, finally, another homage to the 1940s noir was Steven Soderbergh’s The Good German (2006), filmed in black and white.

"Don't be too sure I'm as crooked as I'm supposed to be."

Presentation 2, Part 3 Film Lighting, Film Noir

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