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GREEN SAMMELAN 2008 ARCHITECT PRAMOD CHAUGULE . AKHIL BHARATIYA MARATHI  SAHITYASAMMELAN AT SANGLI MAHARASHTRA, INDIA
EVENING SCENARIO The gatherings in evenings were enhanced by provisions of musical fountain and decorative lighting for evenings.
LOCATION – WILLINGDON COLLEGE CAMPUS GROUND
[object Object]
MAIN PENDOL PLAN All environmental aspects like light, ventilation, temperature control, humidity by use of materials and techniques were considered for design
MAIN PANDOL SECTION The area was covered by trusses with provision of vents at the top for extraction of hot air. Uniform and comfortable temperature was maintained by provision of white ceiling and shed net was used to cover that.
EXECUTION OF THE WORK
GREEN PATCHES   OF LAWN Nearly 1 acre of landscaping was done for the comfort and pleasure of the visitors.
VARIETY OF PLANTERS Area was decorated by removable patches of lawns, coloured flowers and plants all over which were provided by nurseries from surrounding areas.
ADVERTISING PANELS
OUTDOOR LANDSCAPING
DRY LANDSCAPING
LANDSCAPING
LANDSCAPING
LANDSCAPING
ERECTION OF THE ENTRANCE
ENTRANCE GATE
A  LEISURE NAP Only natural fabrics like cotton and jute were used to cover the sides and stage acting as insulation against heat.
GATHERING AREA All environmental aspects like light, ventilation, temperature control, humidity by use of materials and techniques were considered for design
CHILDRENS GATHERING Maximum use of natural light was made to reduce the electricity consumption which was nearly 50% of the required one
COTTON AND JUTE DRAPERIES The planning of pavilion was done considering bioclimatic chart of Sangli. Maximum of sun radiations and direct sunlight were avoided by covering side areas by cotton draperies
FLOWER ARRANGEMENT BELOW THE DIAS .  Several garlands, carnations and draperies added to the beauty of space.
FLOWER ARRANGEMENT  AT THE ENTRANCE
A SCULPTURE OF DEVHARA ( a place to keep statue of GOD ) Several fiber plastic sculptures depicting various aspects from Hindu temples like deepastambha, devdi, devhara were used at focal points which reflected the significance of religion in culture.  DEEPASTAMBHA
EMBLEM OF BOOK AT THE ENTRANCE
A SCULPTURE
A LIGHTING POLE OR A DEEPASTAMBHA
CULTURAL EVENTS
EVENING SCENARIO The gatherings in evenings were enhanced by provisions of musical fountain and decorative lighting for evenings.
AERIAL VIEW
[object Object],[object Object]

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Green Architecture-Design Of A Literary Gathering Space

  • 1. GREEN SAMMELAN 2008 ARCHITECT PRAMOD CHAUGULE . AKHIL BHARATIYA MARATHI SAHITYASAMMELAN AT SANGLI MAHARASHTRA, INDIA
  • 2. EVENING SCENARIO The gatherings in evenings were enhanced by provisions of musical fountain and decorative lighting for evenings.
  • 3. LOCATION – WILLINGDON COLLEGE CAMPUS GROUND
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  • 5. MAIN PENDOL PLAN All environmental aspects like light, ventilation, temperature control, humidity by use of materials and techniques were considered for design
  • 6. MAIN PANDOL SECTION The area was covered by trusses with provision of vents at the top for extraction of hot air. Uniform and comfortable temperature was maintained by provision of white ceiling and shed net was used to cover that.
  • 8. GREEN PATCHES OF LAWN Nearly 1 acre of landscaping was done for the comfort and pleasure of the visitors.
  • 9. VARIETY OF PLANTERS Area was decorated by removable patches of lawns, coloured flowers and plants all over which were provided by nurseries from surrounding areas.
  • 16. ERECTION OF THE ENTRANCE
  • 18. A LEISURE NAP Only natural fabrics like cotton and jute were used to cover the sides and stage acting as insulation against heat.
  • 19. GATHERING AREA All environmental aspects like light, ventilation, temperature control, humidity by use of materials and techniques were considered for design
  • 20. CHILDRENS GATHERING Maximum use of natural light was made to reduce the electricity consumption which was nearly 50% of the required one
  • 21. COTTON AND JUTE DRAPERIES The planning of pavilion was done considering bioclimatic chart of Sangli. Maximum of sun radiations and direct sunlight were avoided by covering side areas by cotton draperies
  • 22. FLOWER ARRANGEMENT BELOW THE DIAS . Several garlands, carnations and draperies added to the beauty of space.
  • 23. FLOWER ARRANGEMENT AT THE ENTRANCE
  • 24. A SCULPTURE OF DEVHARA ( a place to keep statue of GOD ) Several fiber plastic sculptures depicting various aspects from Hindu temples like deepastambha, devdi, devhara were used at focal points which reflected the significance of religion in culture. DEEPASTAMBHA
  • 25. EMBLEM OF BOOK AT THE ENTRANCE
  • 27. A LIGHTING POLE OR A DEEPASTAMBHA
  • 29. EVENING SCENARIO The gatherings in evenings were enhanced by provisions of musical fountain and decorative lighting for evenings.
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