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Writing Poetry   Blank
                 Verse
                 and
                 Quatrain
                 s
•   The Character by William Wordsworth

                                                •   I marvel how Nature could ever find space
                                                    For so many strange contrasts in one human face:
Quatrains:                                          There's thought and no thought, and there's paleness and
                                                    bloom
The poem to the right is a quatrain, in             And bustle and sluggishness, pleasure and gloom.
the form AA BB…quatrains can also be
in AAAA form, AABA form or ABAB                     There's weakness, and strength both redundant and vain;
form.
                                                    Such strength as, if ever affliction and pain
                                                    Could pierce through a temper that's soft to disease,
                                                    Would be rational peace--a philosopher's ease.
They are frequently in iambic
pentameter (like Shakespeare) which                 There's indifference, alike when he fails or succeeds,
                                                    And attention full ten times as much as there needs;
means it is said with a da dum beat                 Pride where there's no envy, there's so much of joy;
repeated 5 times.                                   And mildness, and spirit both forward and coy.
                                                    There's freedom, and sometimes a diffident stare
da DUM, da DUM, da DUM, da                          Of shame scarcely seeming to know that she's there,
DUM, da DUM.                                        There's virtue, the title it surely may claim,
                                                    Yet wants heaven knows what to be worthy the name.
Here is a stanza in AABA form…                      This picture from nature may seem to depart,
Come, fill the Cup, and in the fire of Spring       Yet the Man would at once run away with your heart;
Your Winter garment of Repentance fling:            And I for five centuries right gladly would be
The Bird of Time has but a little way               Such an odd such a kind happy creature as he.
To flutter--and the Bird is on the Wing.
Elegy Written in a Country Churchyard
                                         by
                                   Thomas Gray

The curfew tolls the knell of parting day,     Beneath those rugged elms, that yew-tree's
The lowing herd winds slowly o'er the lea,     shade,
The ploughman homeward plods his weary         Where heaves the turf in many a mouldering
way,                                           heap,
And leaves the world to darkness and to me.    Each in his narrow cell for ever laid,
                                               The rude Forefathers of the hamlet sleep.
Now fades the glimmering landscape on the
sight,                                         The breezy call of incense-breathing morn,
And all the air a solemn stillness holds,      The swallow twittering from the straw-built
Save where the beetle wheels his droning       shed,
flight,                                        The cock's shrill clarion, or the echoing horn,
And drowsy tinklings lull the distant folds:   No more shall rouse them from their lowly bed.
Save that from yonder ivy-mantled tower        For them no more the blazing hearth shall
The moping owl does to the moon complain       burn,
Of such as, wandering near her secret bower,   Or busy housewife ply her evening care:
Molest her ancient solitary reign.             No children run to lisp their sire's return,
                                               Or climb his knees the envied kiss to share,
Another Quatrain (in iambic
               Pentameter)
William Butler Yeats (1865-1939)
   When You Are Old
 WHEN you are old and gray and full of sleep,
 And nodding by the fire, take down this book,
 And slowly read, and dream of the soft look
 Your eyes had once, and of their shadows deep;
 How many loved your moments of glad grace,
 And loved your beauty with love false or true,
 But one man loved the pilgrim soul in you,
 And loved the sorrows of your changing face;
 And bending down beside the glowing bars,
 Murmur, a little sadly, how Love fled
 And paced upon the mountains overhead
 And hid his face among a crowd of stars.
Stopping by Woods on a Snowy Evening
                   By Robert Frost
Whose woods these are I think I       He gives his harness bells a shake
know.                                 To ask if there is some mistake.
His house is in the village though;   The only other sound’s the sweep
He will not see me stopping here      Of easy wind and downy flake.
To watch his woods fill up with
snow.
                                    The woods are lovely, dark and
My little horse must think it queer deep.
To stop without a farmhouse near But I have promises to keep,
Between the woods and frozen        And miles to go before I sleep,
lake                                And miles to go before I sleep.
The darkest evening of the year.
How to Write Your Poem in Quatrain
                 Form
1. Choose a subject for your poem. More abstract topics such as nature or emotion
are easiest to find rhyme for, however you can write about anything. It could even tell
a story as your poem can have more than one stanza.
2. Choose a rhyme scheme. It is best to choose the rhyme scheme before you start
writing however you may have to change it later if you can't find anything to fit.
Common rhyme schemes for a quatrain are: ABAB, ABCD. If you have more than one
verse you could consider: AABA BBCB CCDC etc. or similar.
     An example of ABAB rhyme scheme would be:
     A:Today there was some snow
     B: It's falling down a treat
     A:Then the wind began to blow
     B: And now it's turned to sleet.
     Notice how all the "A" lines rhyme and all the "B" lines rhyme.
     The first example in step one is AABB rhyme scheme. The second is ABAB.
     The first line is the base of your poem because they don't have to rhyme with anything yet. Start
     with this
Writing Quatrains
Last Step:
Brain storm a list of words that rhyme with the last
word of the line you've written, but try to find ones
that can be related to your topic.
The first line is always called "A" so check the rhyme
scheme you've chosen and see where the line that
rhymes with A (also called A) fits into your poem.
Build on the words you've brainstormed so they
become a line. For beginners, try and create lines all
of similar lengths and meter (10 syllables).
• William Shakespeare’s Macbeth
                                Tomorrow, and tomorrow, and
Blank Verse                     tomorrow,
Definition of Blank Verse
                                Creeps in this petty pace from day to
                                day,
Blank Verse is Poetry that is
written in unrhymed iambic
                                To the last syllable of recorded time;
pentameter. Blank verse is
                                And all our yesterdays have lighted
often unobtrusive and the       fools
iambic pentameter form          The way to dusty death.
often resembles the rhythms     Out, out, brief candle!
of ordinary speech. William     Life's but a walking shadow, a poor
Shakespeare wrote most of       player
his plays in blank verse.       That struts and frets his hour upon
                                the stage
                                And then is heard no more: it is a tale
                                Told by an idiot, full of sound and fury,
                                Signifying nothing.
A classic example of iambic pentameter is
                                          this line written by John Keats:
                                          To swell the gourd, and plump the hazel
How to Write Blank Verse                  shells.
To understand blank verse poetry, you     Sometimes a line written in iambic
need to understand iambic
pentameter, which is the typical          pentameter will have an extra, weakly
rhyming and stress scheme behind          stressed syllable at the end. This is called
most poetry. Iambic pentameter is a       iambic pentameter with a weak ending. An
line of 10 syllables, with the accent     example of this is the following
falling on the
second, fourth, sixth, eighth and tenth   line, written by William Shakespeare:
syllables. Whether you realize it or      To be, or not to be: that is the question.
not, you've heard iambic pentameter
many, many times. You probably just       Blank verse poetry makes use of iambic
didn't know what to call it               pentameter, but the lines are not required
                                          to rhyme. This frees up the poet to write
                                          more freely, focusing more on the stress or
                                          accenting of the lines. You'll want to make
                                          use of each stanza as a tool to separate out
                                          groups of thoughts.
Steps to Writing Your Poem in Blank
                Verse
• Master the rhythm of iambic
  pentameter…think of a horse’s canter
• da DUM, da DUM, da DUM, da DUM, da DUM
• Think of what you would like to write about
  and begin writing…don’t worry about having
  the exact 10 syllables per line at first…
• Write the idea and eliminate or trade words
  for iambic pentameter
Steps to Writing Your Poem in Blank
                 Verse
• When I see the sun rising over the meadow
This line has 11 syllables and we need 10…We
need to eliminate or trade words to make it 10.
When I see the sun rise over the meadow
When I see the sun rising over meadows
When I see the sun rising over the field.

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Quatrain and blank verse poetry

  • 1. Writing Poetry Blank Verse and Quatrain s
  • 2. The Character by William Wordsworth • I marvel how Nature could ever find space For so many strange contrasts in one human face: Quatrains: There's thought and no thought, and there's paleness and bloom The poem to the right is a quatrain, in And bustle and sluggishness, pleasure and gloom. the form AA BB…quatrains can also be in AAAA form, AABA form or ABAB There's weakness, and strength both redundant and vain; form. Such strength as, if ever affliction and pain Could pierce through a temper that's soft to disease, Would be rational peace--a philosopher's ease. They are frequently in iambic pentameter (like Shakespeare) which There's indifference, alike when he fails or succeeds, And attention full ten times as much as there needs; means it is said with a da dum beat Pride where there's no envy, there's so much of joy; repeated 5 times. And mildness, and spirit both forward and coy. There's freedom, and sometimes a diffident stare da DUM, da DUM, da DUM, da Of shame scarcely seeming to know that she's there, DUM, da DUM. There's virtue, the title it surely may claim, Yet wants heaven knows what to be worthy the name. Here is a stanza in AABA form… This picture from nature may seem to depart, Come, fill the Cup, and in the fire of Spring Yet the Man would at once run away with your heart; Your Winter garment of Repentance fling: And I for five centuries right gladly would be The Bird of Time has but a little way Such an odd such a kind happy creature as he. To flutter--and the Bird is on the Wing.
  • 3. Elegy Written in a Country Churchyard by Thomas Gray The curfew tolls the knell of parting day, Beneath those rugged elms, that yew-tree's The lowing herd winds slowly o'er the lea, shade, The ploughman homeward plods his weary Where heaves the turf in many a mouldering way, heap, And leaves the world to darkness and to me. Each in his narrow cell for ever laid, The rude Forefathers of the hamlet sleep. Now fades the glimmering landscape on the sight, The breezy call of incense-breathing morn, And all the air a solemn stillness holds, The swallow twittering from the straw-built Save where the beetle wheels his droning shed, flight, The cock's shrill clarion, or the echoing horn, And drowsy tinklings lull the distant folds: No more shall rouse them from their lowly bed. Save that from yonder ivy-mantled tower For them no more the blazing hearth shall The moping owl does to the moon complain burn, Of such as, wandering near her secret bower, Or busy housewife ply her evening care: Molest her ancient solitary reign. No children run to lisp their sire's return, Or climb his knees the envied kiss to share,
  • 4. Another Quatrain (in iambic Pentameter) William Butler Yeats (1865-1939) When You Are Old WHEN you are old and gray and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face; And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face among a crowd of stars.
  • 5. Stopping by Woods on a Snowy Evening By Robert Frost Whose woods these are I think I He gives his harness bells a shake know. To ask if there is some mistake. His house is in the village though; The only other sound’s the sweep He will not see me stopping here Of easy wind and downy flake. To watch his woods fill up with snow. The woods are lovely, dark and My little horse must think it queer deep. To stop without a farmhouse near But I have promises to keep, Between the woods and frozen And miles to go before I sleep, lake And miles to go before I sleep. The darkest evening of the year.
  • 6. How to Write Your Poem in Quatrain Form 1. Choose a subject for your poem. More abstract topics such as nature or emotion are easiest to find rhyme for, however you can write about anything. It could even tell a story as your poem can have more than one stanza. 2. Choose a rhyme scheme. It is best to choose the rhyme scheme before you start writing however you may have to change it later if you can't find anything to fit. Common rhyme schemes for a quatrain are: ABAB, ABCD. If you have more than one verse you could consider: AABA BBCB CCDC etc. or similar. An example of ABAB rhyme scheme would be: A:Today there was some snow B: It's falling down a treat A:Then the wind began to blow B: And now it's turned to sleet. Notice how all the "A" lines rhyme and all the "B" lines rhyme. The first example in step one is AABB rhyme scheme. The second is ABAB. The first line is the base of your poem because they don't have to rhyme with anything yet. Start with this
  • 7. Writing Quatrains Last Step: Brain storm a list of words that rhyme with the last word of the line you've written, but try to find ones that can be related to your topic. The first line is always called "A" so check the rhyme scheme you've chosen and see where the line that rhymes with A (also called A) fits into your poem. Build on the words you've brainstormed so they become a line. For beginners, try and create lines all of similar lengths and meter (10 syllables).
  • 8. • William Shakespeare’s Macbeth Tomorrow, and tomorrow, and Blank Verse tomorrow, Definition of Blank Verse Creeps in this petty pace from day to day, Blank Verse is Poetry that is written in unrhymed iambic To the last syllable of recorded time; pentameter. Blank verse is And all our yesterdays have lighted often unobtrusive and the fools iambic pentameter form The way to dusty death. often resembles the rhythms Out, out, brief candle! of ordinary speech. William Life's but a walking shadow, a poor Shakespeare wrote most of player his plays in blank verse. That struts and frets his hour upon the stage And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing.
  • 9. A classic example of iambic pentameter is this line written by John Keats: To swell the gourd, and plump the hazel How to Write Blank Verse shells. To understand blank verse poetry, you Sometimes a line written in iambic need to understand iambic pentameter, which is the typical pentameter will have an extra, weakly rhyming and stress scheme behind stressed syllable at the end. This is called most poetry. Iambic pentameter is a iambic pentameter with a weak ending. An line of 10 syllables, with the accent example of this is the following falling on the second, fourth, sixth, eighth and tenth line, written by William Shakespeare: syllables. Whether you realize it or To be, or not to be: that is the question. not, you've heard iambic pentameter many, many times. You probably just Blank verse poetry makes use of iambic didn't know what to call it pentameter, but the lines are not required to rhyme. This frees up the poet to write more freely, focusing more on the stress or accenting of the lines. You'll want to make use of each stanza as a tool to separate out groups of thoughts.
  • 10. Steps to Writing Your Poem in Blank Verse • Master the rhythm of iambic pentameter…think of a horse’s canter • da DUM, da DUM, da DUM, da DUM, da DUM • Think of what you would like to write about and begin writing…don’t worry about having the exact 10 syllables per line at first… • Write the idea and eliminate or trade words for iambic pentameter
  • 11. Steps to Writing Your Poem in Blank Verse • When I see the sun rising over the meadow This line has 11 syllables and we need 10…We need to eliminate or trade words to make it 10. When I see the sun rise over the meadow When I see the sun rising over meadows When I see the sun rising over the field.