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Thesis paper on rap music.
Rap music has become one of the most distinctive and controversial music genres of the past few
decades. A major part of hip hop culture, rap, discusses the experiences and standards of living of
people in different situations ranging from racial stereotyping to struggle for survival in poor,
violent conditions. Rap music is a vocal protest for the people oppressed by these things. Most
people know that rap is not only music to dance and party to, but a significant form of expression. It
is a source of information that describes the rage of people facing growing oppression, declining
opportunities for advancement, changing moods on the streets, and everyday survival. Its distinct
sound, images, and attitude are notorious to people of all...show more content...
In the global popularity scene, hip hop now rules, and is a dominant cultural form in many parts of
the world. Rap gives voice to every culture that produces and circulates it, not just
African–Americans. As a new force, rap levels the playing field, opening doors to new cultural
players, and ripens for new corporate snakes to pounce on. Circulating ideas, images, sound, and
style, it is becoming central to the new multimedia global culture and is an expression of a
multicultural world with no borders and limits. A raw expression of urban hip hop culture, rap
quickly became the sound of African–American anger, rebellion, cultural style, and experience.
Anticipated by the ground–breaking work of the West Coast–based Watts Prophets and New York
area Gil Scott Heron (whom I worked for at my senior experience internship at TVT Records) and
the Last Poets in the early 1970s, the current configuration of rap emerged out of Sugar Hill
Gang's 1979 "Rapper's Delight" and Grandmaster Flash's 1982 hit "The Message." Hip hop culture
began developing its style and sound in New York party scenes in the Bronx, Brooklyn and other
ghetto areas in the late 1970s. By the 1980s, a whole cycle of New York–based hip hop and rap
artists emerged to public attention, including Grandmaster Flash, Afrika Bambaataa, Run DMC, Eric
B and Rakim, Big Daddy Kane, KRS–ONE, Tone Loc, Salt 'n'
Get more content on HelpWriting.net

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Thesis Paper On Rap Music.

  • 1. Thesis paper on rap music. Rap music has become one of the most distinctive and controversial music genres of the past few decades. A major part of hip hop culture, rap, discusses the experiences and standards of living of people in different situations ranging from racial stereotyping to struggle for survival in poor, violent conditions. Rap music is a vocal protest for the people oppressed by these things. Most people know that rap is not only music to dance and party to, but a significant form of expression. It is a source of information that describes the rage of people facing growing oppression, declining opportunities for advancement, changing moods on the streets, and everyday survival. Its distinct sound, images, and attitude are notorious to people of all...show more content... In the global popularity scene, hip hop now rules, and is a dominant cultural form in many parts of the world. Rap gives voice to every culture that produces and circulates it, not just African–Americans. As a new force, rap levels the playing field, opening doors to new cultural players, and ripens for new corporate snakes to pounce on. Circulating ideas, images, sound, and style, it is becoming central to the new multimedia global culture and is an expression of a multicultural world with no borders and limits. A raw expression of urban hip hop culture, rap quickly became the sound of African–American anger, rebellion, cultural style, and experience. Anticipated by the ground–breaking work of the West Coast–based Watts Prophets and New York area Gil Scott Heron (whom I worked for at my senior experience internship at TVT Records) and the Last Poets in the early 1970s, the current configuration of rap emerged out of Sugar Hill Gang's 1979 "Rapper's Delight" and Grandmaster Flash's 1982 hit "The Message." Hip hop culture began developing its style and sound in New York party scenes in the Bronx, Brooklyn and other ghetto areas in the late 1970s. By the 1980s, a whole cycle of New York–based hip hop and rap artists emerged to public attention, including Grandmaster Flash, Afrika Bambaataa, Run DMC, Eric B and Rakim, Big Daddy Kane, KRS–ONE, Tone Loc, Salt 'n' Get more content on HelpWriting.net