Storyboard
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Production concepts
This document provides examples of different comedy film genres and concepts for comedy trailers. It lists common romance comedy, sitcom, animation, cringe comedy, spoof, and sketch film titles. It then discusses props, costumes, character types, and common comedy settings that could be depicted. Finally, it proposes two potential comedy storyline ideas - one about young men maturing from school bullies and the other about friends who time travel and alter history.
Genre research 1
The document discusses conventions for making a comedy film trailer. It notes that trailers typically include short clips from the film with fades to black, a variety of shots to show emotions and settings, titles with production details and ratings. Voiceovers are used to provide context and sharp noises add emphasis. There are two main theories around how trailers work - the hypodermic needle theory where the trailer manipulates viewers, and the audience reception theory where viewers interpret the trailer differently. Conventions for comedy trailers include voiceovers introducing the storyline, introducing main characters early, aiming for a multi-sex audience, having a journey-based plot often around friends or family, and ending happily.
Risk assessment
The document outlines the risks associated with various scenes in a film production and the measures being taken to prevent issues. It discusses potential risks like electrocution, physical injury to actors from pushing or falling, and accidents in a driving scene at night. Low, medium, and high risk levels are provided. Preventative methods include keeping liquids away from electronics, using body doubles and stunt performers for risky scenes, thoroughly cleaning areas, and having supervisors monitor each scene. Designated personnel will oversee different safety aspects.
Production concepts
This document outlines various concepts for comedy film trailers, including common comedy genres like romantic comedies, sitcoms, and animation. It discusses typical props, characters, and settings used in comedy films, such as normal clothing, groups of friends, and cities. Finally, it provides two potential storyline ideas - one about a group of young men maturing and reconciling their past actions, and another about friends who discover time travel and cause trouble changing history.
Fonts audience research
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Q6
The document discusses the various technologies used to produce a magazine, including Publisher, Microsoft Word, PowerPoint, the Internet, a camera, and Photoshop. Publisher was the most useful tool for laying out pages, adding photos, and creating double page spreads. Word was primarily used for writing texts. PowerPoint helped with market research and data presentation. The Internet and camera provided photos and research materials. Photoshop allowed editing of photos, such as changing backgrounds. Overall, these tools helped the author format, design, and produce the magazine.
Q2
The document discusses how age, gender, and social class are represented in a magazine. Age is represented through informal yet clean language appropriate for the target middle-class audience. Gender is represented through "masculine" colors like black, blue, and red rather than stereotypical "feminine" colors. Social class is represented through these depictions of age and gender, using some informal language but not profanity, and mid-shot images rather than close-ups that could portray a more chaotic vibe. The front cover, contents page, and double page spread are analyzed as appropriately representing the middle class through fonts, colors, photo styles, and consistency across the magazine.
Q7
The document discusses the progression and improvements made between the author's induction task and final magazine cover. In the induction task, the cover lacked conventions for the chosen genre and had an unconventional photo, layout, fonts, and colors. For the final cover, the author focused more on conventions, using a bold masthead, barcode, appealing photo with conventional editing, route-of-the-eye layout, varied fonts appealing to the target audience, contrasting colors conventional to the genre, and a mode of address that stands out and connotes the genre's tone. The final cover is now completely different and more conventional and appealing for the target audience.
Empfohlen
Production concepts
This document provides examples of different comedy film genres and concepts for comedy trailers. It lists common romance comedy, sitcom, animation, cringe comedy, spoof, and sketch film titles. It then discusses props, costumes, character types, and common comedy settings that could be depicted. Finally, it proposes two potential comedy storyline ideas - one about young men maturing from school bullies and the other about friends who time travel and alter history.
Genre research 1
The document discusses conventions for making a comedy film trailer. It notes that trailers typically include short clips from the film with fades to black, a variety of shots to show emotions and settings, titles with production details and ratings. Voiceovers are used to provide context and sharp noises add emphasis. There are two main theories around how trailers work - the hypodermic needle theory where the trailer manipulates viewers, and the audience reception theory where viewers interpret the trailer differently. Conventions for comedy trailers include voiceovers introducing the storyline, introducing main characters early, aiming for a multi-sex audience, having a journey-based plot often around friends or family, and ending happily.
Risk assessment
The document outlines the risks associated with various scenes in a film production and the measures being taken to prevent issues. It discusses potential risks like electrocution, physical injury to actors from pushing or falling, and accidents in a driving scene at night. Low, medium, and high risk levels are provided. Preventative methods include keeping liquids away from electronics, using body doubles and stunt performers for risky scenes, thoroughly cleaning areas, and having supervisors monitor each scene. Designated personnel will oversee different safety aspects.
Production concepts
This document outlines various concepts for comedy film trailers, including common comedy genres like romantic comedies, sitcoms, and animation. It discusses typical props, characters, and settings used in comedy films, such as normal clothing, groups of friends, and cities. Finally, it provides two potential storyline ideas - one about a group of young men maturing and reconciling their past actions, and another about friends who discover time travel and cause trouble changing history.
Fonts audience research
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Q6
The document discusses the various technologies used to produce a magazine, including Publisher, Microsoft Word, PowerPoint, the Internet, a camera, and Photoshop. Publisher was the most useful tool for laying out pages, adding photos, and creating double page spreads. Word was primarily used for writing texts. PowerPoint helped with market research and data presentation. The Internet and camera provided photos and research materials. Photoshop allowed editing of photos, such as changing backgrounds. Overall, these tools helped the author format, design, and produce the magazine.
Q2
The document discusses how age, gender, and social class are represented in a magazine. Age is represented through informal yet clean language appropriate for the target middle-class audience. Gender is represented through "masculine" colors like black, blue, and red rather than stereotypical "feminine" colors. Social class is represented through these depictions of age and gender, using some informal language but not profanity, and mid-shot images rather than close-ups that could portray a more chaotic vibe. The front cover, contents page, and double page spread are analyzed as appropriately representing the middle class through fonts, colors, photo styles, and consistency across the magazine.
Q7
The document discusses the progression and improvements made between the author's induction task and final magazine cover. In the induction task, the cover lacked conventions for the chosen genre and had an unconventional photo, layout, fonts, and colors. For the final cover, the author focused more on conventions, using a bold masthead, barcode, appealing photo with conventional editing, route-of-the-eye layout, varied fonts appealing to the target audience, contrasting colors conventional to the genre, and a mode of address that stands out and connotes the genre's tone. The final cover is now completely different and more conventional and appealing for the target audience.
Conventions comedy trailer
The document discusses conventions that will be used in the film trailer, such as depicting bullying for comedy through the protagonist's journey. Shots will show social differences between popular and bullied characters. Close-ups will react to uncomfortable situations, and locations like pubs will portray familiar settings to different audiences. The narrative will provide context for scenes and be used for both information and comedy, like in the film Ted. A montage with background music and narrative will introduce characters while maintaining the trailer's flow.
Fonts audience research
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How does my media product use, develop and challenge real media products?
This document outlines the typical design elements found on an indie magazine's front cover, contents page, and double page spread. The front cover usually features a large masthead, main coverline in the center, pull quotes, band index, and small barcode. The contents page has a smaller masthead, photo and coverline, and lists the magazine contents. A double page spread commonly includes a large headline, photo spanning both pages, pull quotes, and narrow columns of text.
Storyboard
The document appears to be a storyboard, which is a visual representation of the sequence of events in a story or film. Storyboards are used in filmmaking and video production to help plan scenes and shots and visualize how they will be arranged and flow together. They provide an outline of the key plot points, scenes, characters, and visual elements before going into production.
Technology
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Shot type
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Production pitch
The production pitch proposes a comedy film trailer that will showcase the transformation of an unpopular teenage boy. The trailer will start with voiceover describing the boy's stereotypical home life while showing his morning routine. Scenes will then depict him being bullied and struggling to get the attention of a girl he likes. His journey will include befriending three classmates who help him become more popular by the end, though he faces a setback when the girl ignores him mid-transformation. The overall plan is to transform the boy into a confident, fashionable teen who gains social acceptance.
Comedy trailer audience research
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Poster and magazine
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Promotional package
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Poster and magazine
The document analyzes the typography, image, color, layout, language, and conventions used in a film poster and magazine cover for a comedy film. The sans serif font and basic colors are described as conveying the film's comedic genre. Both the poster and magazine cover follow conventional layouts, with the main title and image centered, and use exaggerated costumes and facial expressions typical of comedy. The analysis suggests the design elements create a masculine feel and provide visual clues that the story is a basic comedy focused on humor rather than complex plots.
Reflection on details of a comedy trailer
The document summarizes responses from a questionnaire about expectations for elements in a comedy trailer. For props, everyday household items like books, cars, and houses were suggested as they allow audiences to relate to the comedy and find escapism in familiar objects. In terms of editing, respondents recommended using a normal pace to depict unfolding events but also slow motion for emphasis and comedy. Sound-wise, the consensus was to use exaggerated sound effects to enhance the humor.
Reflection of conventions research
This document summarizes the results of a survey about comedy movies and trailers. The survey helped the author understand which age groups watch comedy the most in order to target their trailer audience effectively. Younger audiences aged 11-20 were found to view the most comedy trailers and content online. Respondents emphasized that comedy is essential in a trailer and that trailers should feature humor, common comedy scenarios like school bullying, and establish the setting. The survey reinforced for the author that comedy should be heavily incorporated throughout the trailer rather than just in a few moments.
Reflection on details of a comedy trailer
The document summarizes responses from a questionnaire about expectations for elements in a comedy trailer. For props, everyday household items like books, cars, and houses were suggested as they allow audiences to relate to the comedy and find escapism in familiar objects. In terms of editing, respondents recommended using a normal pace to depict unfolding events or a slow pace to emphasize comedic scenes, along with cut shots and shot reverse shot to introduce conversations and different scenes. Common sound recommendations were the use of upbeat music and exaggerated sound effects to create humor.
Comparison of my trailer to a real one
The document compares scenes from the author's student trailer to scenes from the movie trailer for The Hangover. It finds similarities in three areas:
1) Both trailers use an establishing shot to introduce the main character(s) waking up, showing professionalism.
2) The trailers show the main characters in silly outfits or shirts to create comedy.
3) Dangerous predicaments like a smashed car or a character being bullied create comedy through jeopardy.
The document argues these similarities demonstrate the author's trailer has reached a professional level of comedy comparable to a proven successful movie trailer like The Hangover.
Production schedule
This production schedule outlines the dates, locations, cast, props, costumes, and equipment needed for various scenes of a film production. Scenes will take place at Gibby's house, a school hallway, The Griffin bar, on Knights End road for a car scene, a football club, another football location, and Peterborough Queensgate. The cast includes Joshua, Anita, Ross, James, Joe, Ben, Ash, Josh, and extras. Props include an alarm clock, bedding, toy ships, a chess set, posters, lighting equipment, food, a football, and shops. Costumes range from pajamas, normal clothes, and fashionable versus unfashionable outfits for different characters.
Audience research of planning
Four people attended a focus group to review a planning page: Ross Glover, Joe Clark, Jamie Vietch, and Jack Dickson. They identified several faults and strengths. Faults included a lack of clarity and depth in the work, and no direction on fonts, colors, or draft for the poster. Strengths were clear and precise layouts for ancillary documents and a detailed casting list and production schedule. When asked about the page layout, faults were it not being clear for building up to the production. Suggested changes were to order the page chronologically, reduce cluttering text, and add more font details to ancillary pages.
Fonts audience research
The document discusses font choices for promotional materials for a comedy film called "Gibby" about an unpopular boy's journey to becoming popular in school. It is aimed at 15-24 year olds. The client must choose fonts for the film title "Gibby" on the magazine cover and poster, the cover story description, and additional inside cover stories. The assistant provides several font options to pick from for each text element.
Casting list
Gibby is the main character who is bullied by his peers for not fitting in. His best friend James tries to include Gibby but drifts apart as they get older due to Gibby's lack of social skills. Ross and Joe are also friends of Gibby and James who initially tolerate but later accept Gibby as the film progresses. The courtyard, main corridor, and hallway of the school are potential filming locations to show scenes of Gibby being bullied alone as well as the transformation of his relationship with his friends.
Risk assessment
This document outlines the risks associated with various scenes from a film shoot and the preventative measures put in place. Scenes involving liquids near electricity, physical contact between actors, a toilet scene, night driving, and a collapse in a pub pose low to high risks. To address these, liquids will be sealed, physical contact monitored, toilets closed, driving done on a private road by a well-rested actor, and the pub area cleaned, cordoned off, and with a stunt double. Three individuals - Lewis, Joe and Ross - will oversee safety and monitor different risks during shooting.
Production pitch
The document outlines plans for a comedy film trailer that will tell the story of an unpopular teenage boy named Gibby and his transformation into a popular kid at school. The trailer will start with an establishing shot of Gibby's house and a voiceover introducing him. It will then cut to a close-up of Gibby waking up, showing his stereotypical home life. Scenes will show Gibby being bullied and rejected by the girl he likes, before three friends intervene to help change his life, such as bringing him to his first house party. The trailer will also depict Gibby's journey of overcoming obstacles, like being ignored by the girl mid-transformation before regaining his new confidence.
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Conventions comedy trailer
The document discusses conventions that will be used in the film trailer, such as depicting bullying for comedy through the protagonist's journey. Shots will show social differences between popular and bullied characters. Close-ups will react to uncomfortable situations, and locations like pubs will portray familiar settings to different audiences. The narrative will provide context for scenes and be used for both information and comedy, like in the film Ted. A montage with background music and narrative will introduce characters while maintaining the trailer's flow.
Fonts audience research
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How does my media product use, develop and challenge real media products?
This document outlines the typical design elements found on an indie magazine's front cover, contents page, and double page spread. The front cover usually features a large masthead, main coverline in the center, pull quotes, band index, and small barcode. The contents page has a smaller masthead, photo and coverline, and lists the magazine contents. A double page spread commonly includes a large headline, photo spanning both pages, pull quotes, and narrow columns of text.
Storyboard
The document appears to be a storyboard, which is a visual representation of the sequence of events in a story or film. Storyboards are used in filmmaking and video production to help plan scenes and shots and visualize how they will be arranged and flow together. They provide an outline of the key plot points, scenes, characters, and visual elements before going into production.
Technology
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Shot type
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Production pitch
The production pitch proposes a comedy film trailer that will showcase the transformation of an unpopular teenage boy. The trailer will start with voiceover describing the boy's stereotypical home life while showing his morning routine. Scenes will then depict him being bullied and struggling to get the attention of a girl he likes. His journey will include befriending three classmates who help him become more popular by the end, though he faces a setback when the girl ignores him mid-transformation. The overall plan is to transform the boy into a confident, fashionable teen who gains social acceptance.
Comedy trailer audience research
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Poster and magazine
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Promotional package
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Poster and magazine
The document analyzes the typography, image, color, layout, language, and conventions used in a film poster and magazine cover for a comedy film. The sans serif font and basic colors are described as conveying the film's comedic genre. Both the poster and magazine cover follow conventional layouts, with the main title and image centered, and use exaggerated costumes and facial expressions typical of comedy. The analysis suggests the design elements create a masculine feel and provide visual clues that the story is a basic comedy focused on humor rather than complex plots.
Andere mochten auch (11)
How does my media product use, develop and challenge real media products?
How does my media product use, develop and challenge real media products?
Mehr von welche8692
Reflection on details of a comedy trailer
The document summarizes responses from a questionnaire about expectations for elements in a comedy trailer. For props, everyday household items like books, cars, and houses were suggested as they allow audiences to relate to the comedy and find escapism in familiar objects. In terms of editing, respondents recommended using a normal pace to depict unfolding events but also slow motion for emphasis and comedy. Sound-wise, the consensus was to use exaggerated sound effects to enhance the humor.
Reflection of conventions research
This document summarizes the results of a survey about comedy movies and trailers. The survey helped the author understand which age groups watch comedy the most in order to target their trailer audience effectively. Younger audiences aged 11-20 were found to view the most comedy trailers and content online. Respondents emphasized that comedy is essential in a trailer and that trailers should feature humor, common comedy scenarios like school bullying, and establish the setting. The survey reinforced for the author that comedy should be heavily incorporated throughout the trailer rather than just in a few moments.
Reflection on details of a comedy trailer
The document summarizes responses from a questionnaire about expectations for elements in a comedy trailer. For props, everyday household items like books, cars, and houses were suggested as they allow audiences to relate to the comedy and find escapism in familiar objects. In terms of editing, respondents recommended using a normal pace to depict unfolding events or a slow pace to emphasize comedic scenes, along with cut shots and shot reverse shot to introduce conversations and different scenes. Common sound recommendations were the use of upbeat music and exaggerated sound effects to create humor.
Comparison of my trailer to a real one
The document compares scenes from the author's student trailer to scenes from the movie trailer for The Hangover. It finds similarities in three areas:
1) Both trailers use an establishing shot to introduce the main character(s) waking up, showing professionalism.
2) The trailers show the main characters in silly outfits or shirts to create comedy.
3) Dangerous predicaments like a smashed car or a character being bullied create comedy through jeopardy.
The document argues these similarities demonstrate the author's trailer has reached a professional level of comedy comparable to a proven successful movie trailer like The Hangover.
Production schedule
This production schedule outlines the dates, locations, cast, props, costumes, and equipment needed for various scenes of a film production. Scenes will take place at Gibby's house, a school hallway, The Griffin bar, on Knights End road for a car scene, a football club, another football location, and Peterborough Queensgate. The cast includes Joshua, Anita, Ross, James, Joe, Ben, Ash, Josh, and extras. Props include an alarm clock, bedding, toy ships, a chess set, posters, lighting equipment, food, a football, and shops. Costumes range from pajamas, normal clothes, and fashionable versus unfashionable outfits for different characters.
Audience research of planning
Four people attended a focus group to review a planning page: Ross Glover, Joe Clark, Jamie Vietch, and Jack Dickson. They identified several faults and strengths. Faults included a lack of clarity and depth in the work, and no direction on fonts, colors, or draft for the poster. Strengths were clear and precise layouts for ancillary documents and a detailed casting list and production schedule. When asked about the page layout, faults were it not being clear for building up to the production. Suggested changes were to order the page chronologically, reduce cluttering text, and add more font details to ancillary pages.
Fonts audience research
The document discusses font choices for promotional materials for a comedy film called "Gibby" about an unpopular boy's journey to becoming popular in school. It is aimed at 15-24 year olds. The client must choose fonts for the film title "Gibby" on the magazine cover and poster, the cover story description, and additional inside cover stories. The assistant provides several font options to pick from for each text element.
Casting list
Gibby is the main character who is bullied by his peers for not fitting in. His best friend James tries to include Gibby but drifts apart as they get older due to Gibby's lack of social skills. Ross and Joe are also friends of Gibby and James who initially tolerate but later accept Gibby as the film progresses. The courtyard, main corridor, and hallway of the school are potential filming locations to show scenes of Gibby being bullied alone as well as the transformation of his relationship with his friends.
Risk assessment
This document outlines the risks associated with various scenes from a film shoot and the preventative measures put in place. Scenes involving liquids near electricity, physical contact between actors, a toilet scene, night driving, and a collapse in a pub pose low to high risks. To address these, liquids will be sealed, physical contact monitored, toilets closed, driving done on a private road by a well-rested actor, and the pub area cleaned, cordoned off, and with a stunt double. Three individuals - Lewis, Joe and Ross - will oversee safety and monitor different risks during shooting.
Production pitch
The document outlines plans for a comedy film trailer that will tell the story of an unpopular teenage boy named Gibby and his transformation into a popular kid at school. The trailer will start with an establishing shot of Gibby's house and a voiceover introducing him. It will then cut to a close-up of Gibby waking up, showing his stereotypical home life. Scenes will show Gibby being bullied and rejected by the girl he likes, before three friends intervene to help change his life, such as bringing him to his first house party. The trailer will also depict Gibby's journey of overcoming obstacles, like being ignored by the girl mid-transformation before regaining his new confidence.
Shot list
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Script
Gibby is an unpopular boy who struggles at school and with his friends. His friends Lynn, Joe, and Zach are more popular and athletic. Gibby's friends want to help improve his confidence by encouraging him to talk to a girl at the pub, but Gibby collapses from nerves before reaching her. A film about Gibby is announced that will show his journey to gain acceptance and save his struggling self-esteem.
Institutions research
Warner Bros is a subsidiary of media conglomerate Time Warner that has produced highly successful film franchises like Harry Potter and individual films such as The Dark Knight, The Matrix, and Inception. Time Warner owns other popular media brands like HBO, CNN, Time Magazine, and Cartoon Network, making it a diverse entertainment and news company.
Ps analysis of hangover and inbtweeners
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Genre research 1
The document discusses conventions for film trailers and comedy films. For trailers, it notes they include clips from the film with fades, different shot types to show emotion and setting, titles with credits and ratings, and voiceovers. There are two theories on how trailers work - the hypodermic needle theory where they manipulate viewers, and audience reception theory where viewers interpret trailers differently. For comedies, conventions include voiceovers introducing the storyline, introducing main characters early, aiming for a multi-sex audience, having a journey or family/friend focus, a happy ending, and varied characters. Music, dialogue, mise-en-scene, and magazine posters are also discussed.
Analysis of hangover 3
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Font research summary
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Production schedule
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Promotional package
The promotional packages for a film show consistency through using the same fonts, colors, and characters in both the movie trailer and poster. This continuity establishes a clear brand identity and connection between the different marketing materials to effectively and simply portray that the trailer and poster are for the same film.
Mehr von welche8692 (20)
Storyboard
- 1. Storyboard