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WRITING PROCESS
WRITING PROCESS
Creative Nonfiction | 2
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
Creative Nonfiction | 3
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
Prewriting
Creative Nonfiction | 4
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
All prewriting or planning begins with thinking about
four key elements:
1. Topic
2. Author's Purpose
3. Audience
4. Special Considerations
DRAFTING
Creative Nonfiction | 5
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
Drafting is creating a first written version or draft
(beginning, middle, and ending). During this step, you
work steadily to connect your ideas to form a first version
of your writing.
DRAFTING
Creative Nonfiction | 6
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
Beginning- The beginning does a number of important jobs.
1. Grabs the reader's attention with an interesting fact,
question, or anecdote
2. Provides necessary background
3. Enables a voice appropriate for the purpose of the writing
4. States the thesis of the piece
DRAFTING
Creative Nonfiction | 7
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
Middle- The middle supports and develops the thesis, providing a variety
of details and information:
1. Facts and statistics explain ideas.
2. Definitions and examples clarify ideas.
3. Anecdotes and observations connect the topic to real life..
4. Quotations and citations offer expert information.
5. Experiments supply scientific evidence.
6. Logic and argumentation persuade the reader
DRAFTING
Creative Nonfiction | 8
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
basic patterns of organization:
1. Time: Organizing details chronologically
2. Location: Organizing details spatially
3. Logic: Presenting statements according to correct reasoning.
4. Conversion: Taking a position, then arguing toward an opposite opinion
5. Least to most: Presenting details from least to most important
6. Most to least: Presenting details from most to least
7. Subject by subject: Describing one subject completely; then the other
8. Point by point: treating one point at a time
9. Causes and effects: Covering causes and then effects
10. Similarities and differences: covering comparisons and then contrasts
11. Pros and cons: covering benefits and then drawbacks
ENDING
Creative Nonfiction | 9
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
The ending leaves an impression in one or more ways.
1. Sumps up the thesis
2. Emphasizes a key point
3. Connects with the reader's life
4. Calls the reader to act
5. Provides a strong final thought
6. Asks a provocative question
ENDING
Creative Nonfiction | 10
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
The ending leaves an impression in one or more ways.
1. Sumps up the thesis
2. Emphasizes a key point
3. Connects with the reader's life
4. Calls the reader to act
5. Provides a strong final thought
6. Asks a provocative question
REVISING
Creative Nonfiction | 11
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
• After completing a solid first draft, take a break. The length of
the break can vary depending upon the complexity of the
writing, but it should be long enough for you to return to your
work refreshed and ready to revise your draft.
• When you revise, you change what you need to better satisfy
your purpose and audience. Revising is the essence of writing.
Most professional writers rewrite their sentences, rewrite their
sentences, and then rewrite them again. Even great writers revise
their own work.
REVISING
Creative Nonfiction | 12
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
Revising Checklist
a. Ideas:
1. The writing focuses on one part of an interesting topic.
2. The thesis is clear, concise, and compelling.
3. A variety of details develops the thesis.
4. Each paragraph focuses on a main point
REVISING
Creative Nonfiction | 13
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
b. Organization
5. The writing achieves its purpose (inform, persuade,
entertain)
6. The beginning captures the reader's attention and provides
the thesis.
7. The middle develops the thesis.
8. Details are arranged effectively (time, location, importance)
and paragraphs appear in the best order.
REVISING
Creative Nonfiction | 14
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
c. Voice
9. The ending sums up the thesis and provides a final thought.
10. The voice is appropriate to the topic and purpose of the
writing.
11. The voice connects to the reader.
12. The level of language is appropriate to the writing form.
REVISING
Creative Nonfiction | 15
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
When you revise, you make four basic improvements:
(1) add necessary information, (2) remove unnecessary
details, (3) reorder disorganized material, and(4) rework
unclear ideas.
REVISING
Creative Nonfiction | 16
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
Follow these five steps when you revise:
1. Let your writing "cool off" for at least a day before you touch it.
2. Look at your writing from a critical standpoint.
3. Read your first draft once all the way through.
4. Decide whether you want to revise this draft or start again.
5. If you revise, go step by step. Concentrate on one issue at a time. For
example, first read for organization, then for tone or voice, and finally for
mechanics like spelling, etc.
EDITING
Creative Nonfiction | 17
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
Editing Checklist
Words
1. Nouns are specific and verbs are active.
2. Modifiers are used sparingly and only to improve clarity.
3. Words show respect for gender, ethnicity. Age, and ability.
Sentences
4. Sentences vary in length and begin in different ways.
5. Sentences flow smoothly.
6. Most sentences use active voice.
7. All sentences include a subject and a predicate and express a complete thought.
EDITING
Creative Nonfiction | 18
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
Correctness
8. All sentences end with correct punctuation.
9. Commas are used correctly.
10. Subjects and verbs agree.
11. Pronouns and antecedents agree.
12. Spelling and capitalization are correct.
Design
13. The document follows the requirements of the assignment or form.
14. The typeface is easy to read.
15. White space (margins, blank lines) creates accessible blocks of text.
16. The overall design enhances the clarity of the piece.
PUBLISING
Creative Nonfiction | 19
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
Publishing brings your work to the public so that others
can learn from it, respond to it, and build upon it. In
addition to traditional publications, online options allow
you to share your ideas across the globe.
Creative Nonfiction | 20
Strategies of Creative Nonfiction
© 2024 FRANCIS S.CALUBAYAN
END OF PRESENTATION

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10. 2S_CREATIVE NONFICTION_WRITING PROCESS.pptx

  • 2. WRITING PROCESS Creative Nonfiction | 2 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN
  • 3. Creative Nonfiction | 3 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN
  • 4. Prewriting Creative Nonfiction | 4 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN All prewriting or planning begins with thinking about four key elements: 1. Topic 2. Author's Purpose 3. Audience 4. Special Considerations
  • 5. DRAFTING Creative Nonfiction | 5 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN Drafting is creating a first written version or draft (beginning, middle, and ending). During this step, you work steadily to connect your ideas to form a first version of your writing.
  • 6. DRAFTING Creative Nonfiction | 6 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN Beginning- The beginning does a number of important jobs. 1. Grabs the reader's attention with an interesting fact, question, or anecdote 2. Provides necessary background 3. Enables a voice appropriate for the purpose of the writing 4. States the thesis of the piece
  • 7. DRAFTING Creative Nonfiction | 7 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN Middle- The middle supports and develops the thesis, providing a variety of details and information: 1. Facts and statistics explain ideas. 2. Definitions and examples clarify ideas. 3. Anecdotes and observations connect the topic to real life.. 4. Quotations and citations offer expert information. 5. Experiments supply scientific evidence. 6. Logic and argumentation persuade the reader
  • 8. DRAFTING Creative Nonfiction | 8 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN basic patterns of organization: 1. Time: Organizing details chronologically 2. Location: Organizing details spatially 3. Logic: Presenting statements according to correct reasoning. 4. Conversion: Taking a position, then arguing toward an opposite opinion 5. Least to most: Presenting details from least to most important 6. Most to least: Presenting details from most to least 7. Subject by subject: Describing one subject completely; then the other 8. Point by point: treating one point at a time 9. Causes and effects: Covering causes and then effects 10. Similarities and differences: covering comparisons and then contrasts 11. Pros and cons: covering benefits and then drawbacks
  • 9. ENDING Creative Nonfiction | 9 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN The ending leaves an impression in one or more ways. 1. Sumps up the thesis 2. Emphasizes a key point 3. Connects with the reader's life 4. Calls the reader to act 5. Provides a strong final thought 6. Asks a provocative question
  • 10. ENDING Creative Nonfiction | 10 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN The ending leaves an impression in one or more ways. 1. Sumps up the thesis 2. Emphasizes a key point 3. Connects with the reader's life 4. Calls the reader to act 5. Provides a strong final thought 6. Asks a provocative question
  • 11. REVISING Creative Nonfiction | 11 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN • After completing a solid first draft, take a break. The length of the break can vary depending upon the complexity of the writing, but it should be long enough for you to return to your work refreshed and ready to revise your draft. • When you revise, you change what you need to better satisfy your purpose and audience. Revising is the essence of writing. Most professional writers rewrite their sentences, rewrite their sentences, and then rewrite them again. Even great writers revise their own work.
  • 12. REVISING Creative Nonfiction | 12 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN Revising Checklist a. Ideas: 1. The writing focuses on one part of an interesting topic. 2. The thesis is clear, concise, and compelling. 3. A variety of details develops the thesis. 4. Each paragraph focuses on a main point
  • 13. REVISING Creative Nonfiction | 13 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN b. Organization 5. The writing achieves its purpose (inform, persuade, entertain) 6. The beginning captures the reader's attention and provides the thesis. 7. The middle develops the thesis. 8. Details are arranged effectively (time, location, importance) and paragraphs appear in the best order.
  • 14. REVISING Creative Nonfiction | 14 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN c. Voice 9. The ending sums up the thesis and provides a final thought. 10. The voice is appropriate to the topic and purpose of the writing. 11. The voice connects to the reader. 12. The level of language is appropriate to the writing form.
  • 15. REVISING Creative Nonfiction | 15 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN When you revise, you make four basic improvements: (1) add necessary information, (2) remove unnecessary details, (3) reorder disorganized material, and(4) rework unclear ideas.
  • 16. REVISING Creative Nonfiction | 16 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN Follow these five steps when you revise: 1. Let your writing "cool off" for at least a day before you touch it. 2. Look at your writing from a critical standpoint. 3. Read your first draft once all the way through. 4. Decide whether you want to revise this draft or start again. 5. If you revise, go step by step. Concentrate on one issue at a time. For example, first read for organization, then for tone or voice, and finally for mechanics like spelling, etc.
  • 17. EDITING Creative Nonfiction | 17 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN Editing Checklist Words 1. Nouns are specific and verbs are active. 2. Modifiers are used sparingly and only to improve clarity. 3. Words show respect for gender, ethnicity. Age, and ability. Sentences 4. Sentences vary in length and begin in different ways. 5. Sentences flow smoothly. 6. Most sentences use active voice. 7. All sentences include a subject and a predicate and express a complete thought.
  • 18. EDITING Creative Nonfiction | 18 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN Correctness 8. All sentences end with correct punctuation. 9. Commas are used correctly. 10. Subjects and verbs agree. 11. Pronouns and antecedents agree. 12. Spelling and capitalization are correct. Design 13. The document follows the requirements of the assignment or form. 14. The typeface is easy to read. 15. White space (margins, blank lines) creates accessible blocks of text. 16. The overall design enhances the clarity of the piece.
  • 19. PUBLISING Creative Nonfiction | 19 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN Publishing brings your work to the public so that others can learn from it, respond to it, and build upon it. In addition to traditional publications, online options allow you to share your ideas across the globe.
  • 20. Creative Nonfiction | 20 Strategies of Creative Nonfiction © 2024 FRANCIS S.CALUBAYAN END OF PRESENTATION