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Sid Lee Collective
WHO IS IT ABOUT?                                     WHAT IS IT ABOUT?

My name is Christopher Dormoy. You probably          My concept is therefore based on industrial de-
know me best as a designer and art director in       sign. It involves coming up with an innovative
the online world and in print, but perhaps also      and original design for a loudspeaker that is un-
as a 3D designer. My first steps in the art world    derpinned by nature, organic shapes, and a desire
were in industrial design in France, where I stu-    to experiment.
died fine arts.                                      The project is called Liquisound. Liquid is behind
                                                     the idea and the very essence of the concepts I
                                                     am presenting.
                                                     My aim is to enter into a partnership with Sid
                                                     Lee for the artistic side of things and with a well-
                                                     known Quebec audio company for the technical
                                                     side of things.


                                                     WHY?

                                                     I have been fascinated by all things audio for as
                                                     long as I can remember and have always dreamed
                                                     of having the chance to design bold, original, and
                                                     powerful speakers.
                                                     For years, I have sought to integrate organic shapes
                                                     into my designs. Liquid is a natural, simple, and
                                                     pure element. It is an outstanding starting point
                                                     for all kinds of 2D, 3D, and cinematic designs. In
                                                     my eyes, using liquid to design speakers is highly
                                                     innovative and represents a step forward in the
                                                     design of acoustic sources.




                                               LIQUISOUND
                                                  - 7 -
WHAT IS IT?

                   Imagine liquid chrome being poured over two sus-
                   pended spheres—then letting gravity do the rest.
                   The liquid forms the base of the speaker, a con-
                   cept that could spawn models of varying shapes
                   and sizes.




LIQUISOUND   LIQUISOUND
   - 8 -        - 9 -
LIQUISOUND   LIQUISOUND
  - 10 -       - 11 -
WHAT IS IT?

                   Gravity creates a world of beautiful shapes in
                   nature. The speaker design is inspired by the
                   most basic representation of water as it feels the
                   pull of gravity.
                   With its base on top, this speaker goes against
                   the concept of the object always resting on the
                   ground.
                   The speaker has a number of diaphragms for
                   maximum sound.




LIQUISOUND   LIQUISOUND
  - 14 -       - 15 -
LIQUISOUND   LIQUISOUND
  - 16 -       - 17 -
WHAT IS IT?

                   This concept is based on the optical illusion of a
                   spherical speaker turning a wall to liquid as it is
                   propelled through it. The splash can be painted
                   to match the wall for greater optical effect.
                   The size of the speaker may vary from the small-
                   est satellite style to the largest frontal style.




LIQUISOUND   LIQUISOUND
  - 18 -       - 19 -
WHAT’S ALREADY
OUT THERE?



      LIQUISOUND   LIQUISOUND
        - 20 -       - 21 -
IN CONCLUSION

These various speaker designs are only a hand-
ful of examples summoned from my imagina-
tion. The aim is to create something that reflects
how I look at this everyday object, while giving
Sid Lee a chance to provide input. I am familiar
with the artistic avenues Sid Lee seeks to explore,
and would be delighted to add my ideas to the
creative mix.

 CONTACT INfORmATION

 Ateliers:	        Montreal
                   75 Queen Street, Suite 1400
                   Montreal, Quebec
                   H3C 2N6
                   Canada
                   Phone: +1 514-282-2200
                   Amsterdam
                   Gerard Doustraat 72
                   1072 VV Amsterdam
                   The Netherlands
                   Phone: +31 (0) 206 623030
                   Paris
                   12 rue du Sentier
                   75 002 Paris
                   France
                   Phone: +33 (1) 44 88 83 90
                   Toronto
                   55 Mill Street
                   Building 5 , Suite 500
                   Toronto, Ontario
                   M5A 3C4
                   Canada
                   Phone: +1 416 - 421-4200
                   Austin
                   Suite D-102
                   3601 South Congress
                   Austin, Texas 78704
                   United States
                   Phone: +1 512 - 444-3533
 Websites:         sidlee.com
                   sidleearchitecture.com
                   jimmylee.tv
Un autre fanzine




                   LIQUISOUND
                     - 24 -

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SID LEE COLLECTIVE | Liquid Sound

  • 2.
  • 3.
  • 4. WHO IS IT ABOUT? WHAT IS IT ABOUT? My name is Christopher Dormoy. You probably My concept is therefore based on industrial de- know me best as a designer and art director in sign. It involves coming up with an innovative the online world and in print, but perhaps also and original design for a loudspeaker that is un- as a 3D designer. My first steps in the art world derpinned by nature, organic shapes, and a desire were in industrial design in France, where I stu- to experiment. died fine arts. The project is called Liquisound. Liquid is behind the idea and the very essence of the concepts I am presenting. My aim is to enter into a partnership with Sid Lee for the artistic side of things and with a well- known Quebec audio company for the technical side of things. WHY? I have been fascinated by all things audio for as long as I can remember and have always dreamed of having the chance to design bold, original, and powerful speakers. For years, I have sought to integrate organic shapes into my designs. Liquid is a natural, simple, and pure element. It is an outstanding starting point for all kinds of 2D, 3D, and cinematic designs. In my eyes, using liquid to design speakers is highly innovative and represents a step forward in the design of acoustic sources. LIQUISOUND - 7 -
  • 5. WHAT IS IT? Imagine liquid chrome being poured over two sus- pended spheres—then letting gravity do the rest. The liquid forms the base of the speaker, a con- cept that could spawn models of varying shapes and sizes. LIQUISOUND LIQUISOUND - 8 - - 9 -
  • 6. LIQUISOUND LIQUISOUND - 10 - - 11 -
  • 7.
  • 8. WHAT IS IT? Gravity creates a world of beautiful shapes in nature. The speaker design is inspired by the most basic representation of water as it feels the pull of gravity. With its base on top, this speaker goes against the concept of the object always resting on the ground. The speaker has a number of diaphragms for maximum sound. LIQUISOUND LIQUISOUND - 14 - - 15 -
  • 9. LIQUISOUND LIQUISOUND - 16 - - 17 -
  • 10. WHAT IS IT? This concept is based on the optical illusion of a spherical speaker turning a wall to liquid as it is propelled through it. The splash can be painted to match the wall for greater optical effect. The size of the speaker may vary from the small- est satellite style to the largest frontal style. LIQUISOUND LIQUISOUND - 18 - - 19 -
  • 11. WHAT’S ALREADY OUT THERE? LIQUISOUND LIQUISOUND - 20 - - 21 -
  • 12. IN CONCLUSION These various speaker designs are only a hand- ful of examples summoned from my imagina- tion. The aim is to create something that reflects how I look at this everyday object, while giving Sid Lee a chance to provide input. I am familiar with the artistic avenues Sid Lee seeks to explore, and would be delighted to add my ideas to the creative mix. CONTACT INfORmATION Ateliers: Montreal 75 Queen Street, Suite 1400 Montreal, Quebec H3C 2N6 Canada Phone: +1 514-282-2200 Amsterdam Gerard Doustraat 72 1072 VV Amsterdam The Netherlands Phone: +31 (0) 206 623030 Paris 12 rue du Sentier 75 002 Paris France Phone: +33 (1) 44 88 83 90 Toronto 55 Mill Street Building 5 , Suite 500 Toronto, Ontario M5A 3C4 Canada Phone: +1 416 - 421-4200 Austin Suite D-102 3601 South Congress Austin, Texas 78704 United States Phone: +1 512 - 444-3533 Websites: sidlee.com sidleearchitecture.com jimmylee.tv
  • 13. Un autre fanzine LIQUISOUND - 24 -