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Music of Lowlands Luzon:Music of Lowlands Luzon:
Devotional and Liturgical MusicDevotional and Liturgical Music
Kyrie
Sanctus
Gloria
Credo
Agnus
Dei
The MassThe Mass (liturgy)--often refers to the
entire church service in general, but is
specifically the sacrament of
the Eucharist. Other names for the
"Eucharist" are the "Lord's Supper", the
"Breaking of Bread", the "Holy
Sacrifice", the "Holy and Divine Liturgy"
and "Holy Communion".
ADONAY
MARCELO ADONAY, ALSO
KNOWN AS “PALESTRINA” OF
THE PHILIPPINES,” IS REGARDED
AS AN ICON OF THE GOLDEN
AGE OF CHURCH MUSIC IN THE
COUNTRY AND THE TOP
REPRESENTATIVE OF CHURCH-
TRAINED MUSICIANS OF THE
He was born in Pakil, Laguna on February
6, 1848 to parents Mariano Adonay and
Prudencia Quiteria, a peasant couple. Because
of poverty, he was entrusted to the priests of
San Agustin Church in Manila in 1856. It was
there that his innate musical talent was
discovered and developed and, at the early age
of 8 years old, he started learning music.
Contributions:Contributions:
 Libe ram e , 1869
 Be ne dictus, 1895
 Ho sana, 1899
 Te De um
 AAGrand Mass
Contributions:Contributions:
 Co nducto r o fCo nducto r o f Missa So le m nis in D
Majo r
in 1887
 TIPLES – Young Boys’ Choir
(Serves as the choir of the Catholic
Church during the mass)
• Cantico rum Jubilo Da Pace m
Contributions:Contributions:
CanticorumJubilo DaPacemDomine.mp4
Synthesis
The devotional and liturgical music of the
Lowlands of Luzon reflects the impact of the Spanish
colonization which lasted for almost more than three
centuries on their lives, most especially on the faith
aspect. A lot of these are at the verge of disappearing
due to modernization and diversity of religion.
However, efforts from the youth and education
sector are joining forces in reviving long lost
traditions, if not in the most traditional way, at least,
the remnants of the Hispanic-influenced music
survive as they transform into its modern versions.
Thank you!
Andy T.
Macasinag
Andy T.
Macasinag

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G7 1st Quarter: Music of the lowlands of Luzon

  • 1. Music of Lowlands Luzon:Music of Lowlands Luzon: Devotional and Liturgical MusicDevotional and Liturgical Music
  • 3.
  • 4. The MassThe Mass (liturgy)--often refers to the entire church service in general, but is specifically the sacrament of the Eucharist. Other names for the "Eucharist" are the "Lord's Supper", the "Breaking of Bread", the "Holy Sacrifice", the "Holy and Divine Liturgy" and "Holy Communion".
  • 5. ADONAY MARCELO ADONAY, ALSO KNOWN AS “PALESTRINA” OF THE PHILIPPINES,” IS REGARDED AS AN ICON OF THE GOLDEN AGE OF CHURCH MUSIC IN THE COUNTRY AND THE TOP REPRESENTATIVE OF CHURCH- TRAINED MUSICIANS OF THE
  • 6. He was born in Pakil, Laguna on February 6, 1848 to parents Mariano Adonay and Prudencia Quiteria, a peasant couple. Because of poverty, he was entrusted to the priests of San Agustin Church in Manila in 1856. It was there that his innate musical talent was discovered and developed and, at the early age of 8 years old, he started learning music.
  • 7. Contributions:Contributions:  Libe ram e , 1869  Be ne dictus, 1895  Ho sana, 1899  Te De um  AAGrand Mass
  • 8. Contributions:Contributions:  Co nducto r o fCo nducto r o f Missa So le m nis in D Majo r in 1887  TIPLES – Young Boys’ Choir (Serves as the choir of the Catholic Church during the mass) • Cantico rum Jubilo Da Pace m
  • 10. Synthesis The devotional and liturgical music of the Lowlands of Luzon reflects the impact of the Spanish colonization which lasted for almost more than three centuries on their lives, most especially on the faith aspect. A lot of these are at the verge of disappearing due to modernization and diversity of religion. However, efforts from the youth and education sector are joining forces in reviving long lost traditions, if not in the most traditional way, at least, the remnants of the Hispanic-influenced music survive as they transform into its modern versions.