Final Cut Pro X Weynand Certification Lesson 4

1. Lesson 4: Building
The Rough Cut
Apple Pro Training Series
2nd Edition, Final Cut Pro
X
Instructor: Sam Edsall

2. Building & Crafting
Your Story
• Start with a primary story line
• Takes the viewer from start to finish
Start with a foundation
• Rearrange some clips and trim others
• Add complementary B-roll visuals
• Add music or narration
Refine it

3. Creating a Project
• Every story you tell using Final Cut Pro is
contained within a project
• Story is stitched together into a Timeline
• Project needs the Event(s) that make up the
project
• If you delete an Event used in a project, you will
have missing (offline) clips in your Timeline
The Project
• Where projects are created, cataloged and stored
The Event

4. Create a New Project
Make sure your external
drive is booted and on your
desktop.
Choose File > Open Library
> Lesson 4
If you don‟t see LESSON 4
choose Other and then
select LESSON 4

5. Create a New Project
In the Library, select the
Zero to Hero Event under
LESSON 4.
In the Timeline area on the
bottom click on „Create New
Project
-- or Right click on the Zero
to Hero Event and choose
„New Project‟

6. Creating a Project
• Asks you to:
• Name the new Project
• Default Event - Where the media will come
from
The Dialogue Box

7. Customizing a Project
• Format of your project will
match the format of the
media you shot with
• Based on your first clip in
the timeline
Automatic settings
• Your can edit in any
format needed
• Like making a SD
version of a production
shot in HD
Custom settings

8. Create a New Project
In the Name field, enter Zero to Hero
From the Default Event pop-up menu, choose the Zero to
Hero Event listed.
Do not choose „Use Custom Settings‟
Click OK

9. Screening &
Marking Clips
• Select a Start and End
point and edit straight to the
timeline
• Select a Start and End
point and mark the clip,
then edit it to the timeline
later
Selecting content

10. Screening &
Marking Clips
In the Event Library, click the disclosure triangle
next to the Zero to Hero Event.
Select the Interviews Keyword Collection.
Click the Filmstrip View button.

11. Set-up for Screening
In the Action pop-up menu,
choose
Group clips by > None
Arrange clips by > Name
> Ascending.
Drag the Duration slider to
All

12. Set-up for Screening
In the Clip Appearance pop-
up menu, deselect Show
Waveforms, and make the
thumbnails as large as
possible.
In the Timeline, make sure
Skimming, Audio
Skimming, and Snapping
are on.

13. Screening
Select the first clip, Antron
Brown, by clicking on it.
Move your pointer through
the clip to skim it.
-- White playhead stays where you
clicked on clip
-- Pink skimmer moves with your
pointer

14. Screening
Skim away from the
playhead, then press the
space key to play the clip.
-- Playhead plays from your
skimmer location (not where you
left it) – kind of handy
Use some of your other
shortcuts to move around
your clip like J,K,L and  
keys.

15. Marking your Clip
Press Shift I to move the
playhead and skimmer to the
beginning of the clip.
Play the clip and stop just
after Antron says, “… didn‟t
qualify for a race.”
Press O to set an End Point
-- (O for Out point)

16. Marking your Clip
• Once you have a range
selected in a clip, it‟s a
good idea to check your
in‟s and out‟s
• Press the / key to play
your selection from
start to finish
Check your Mark

17. Marking your Clip
Press the forward slash
key / to play your range
from start to finish.

18. Marking your Clip
• If you find your Start or End
point isn‟t just where you
want it, then tweak it
• Use   keys to nudge
the playhead
• Press I for a new Start
point
• Press O for a new End
point
• Drag the range handle
Tweaking your Marks

19. Marking your Clip
In the Antron Brown clip,
rate this portion as a
Favorite by clicking the
Favorite button, or pressing
F.
-- Green Favorite line appears in
the clip over the selected range.
-- Now you can always see or
return to the portion of the clip you
liked.

20. Mark ‘Em Up
In the John Force clip set a
range between “There‟s
nothing like....greatest
feeling in the world.”
Press F to save that portion
as a Favorite.

21. Mark ‘Em Up
In the Tony Pedregon clip
select a range between “The
breed of the drag racer...has
no fear.”
Press F to save this portion
as a Favorite.

22. Mark ‘Em Up
In the Tony Schumacher
clip mark the range between
“Nobody wakes up and
thinks...average my whole
life.”
Press F to mark as a
Favorite

23. Mark ‘Em Up
Skim past the first sound
byte and set new in and out
points around “People
dream of that massive...big
monster moment.”
Press F to make this a
Favorite, too.

24. Appending Clips
on a Timeline
• Adds or appends a clip
to the end of the
storyline.
• Always added at the
end. Doesn‟t matter
where the play head is
located.
• Appending clips is often
the simplest approach
to creating your primary
storyline
Appending

25. Prep for an Edit
To view just the Favorite
selections of the four racers,
in the Event Browser click
the Filters pop-up, and
choose Favorites.
-- 4 media clips, but 5 displayed in
Favorites.
-- Two portions of Tony
Schumacher were marked as a
Favorite.

26. In the Event Browser, select the Antron Brown clip.
In the toolbar, click the Append button.
-- The Antron Brown clip is edited into the dark gray area in the middle
of the Timeline (the primary storyline).
Perform an Append Edit

27. What Are You
Looking At (in the Viewer)?
• Event Browser
• Command 1
• Window > Go To >
Event Browser
• Timeline
• Command 2
• Window > Go To >
Timeline
Choosing the
active window

28. What Are You
Looking At?
• Command 1
• Clip selection outline is
yellow
• Clip appears in the
Viewer
• Rating buttons are
active.
• Browser background
lighter gray
Event Browser active

29. What Are You
Looking At?
• Command 2
• Selected clip in browser
has a white line
• Rating buttons are
dimmed
• The Timeline time code is
displayed in the
Dashboard
Timeline active

30. The Append Edit
• It doesn‟t matter where
the playhead is on your
timeline when Append
editing
• The newly edited clip
will ALWAYS be added
after the last clip on the
storyline
Append no
matter what

31. Press the Home key (fn 
for laptops) to move the
playhead in the timeline to
the beginning.
Play the Antron clip until he
says, “take the Wally home”
and stop.
Put Append to the Test

32. In the Event Browser, select
the John Force clip.
Press E or select the
Append button to append
this clip to the timeline.
-Notice that the clip went to the
end of the Antron clip without
cutting into it.
Show Some Force

33. In the Event Browser, select
the Tony Pedregon clip.
To review it, press the /
(slash) key.
To append the clip to your
project, press E.
Perform another
Append Edit

34. Appending More Than
One Clip at a Time
• Command Click the
clips in the Event
Browser in the order
you want them in
your project
Picking clips

35. Change the size of the clips
so you can see both of the
Tony clips together.
In the Event Browser, drag
a selection rectangle
around the two Tony
Schumacher clips to select
them.
To append these two clips
to the storyline, press E.
Group Append Clips to
the Timeline

36. Skim Control
• Skimmer aligns or
snaps to the edit
point and
• Skimmer turns
yellow as a visual
cue
Snapping

37. Making Things Fit
• Will make
whichever window
you select, fit its
contents to the
window size
Shift Z

38. Select your Timeline or press Command 2 to make it
active.
Press Shift Z to make the clips within the timeline fit to its
space.
Make Things Fit

39. With Snapping turned on,
notice how your skimmer
snaps to edit points.
Press N to turn snapping
off, then skim around edit
points.
-- no more snapping
When done, press N to turn
Snapping back on.
Skim Control

40. Skim Control
• When you skim the timeline
you can also skim the audio
Skimming the timeline
• When you drag the playhead
across the timeline, you do not
hear audio
• Play to hear audio – Space bar,
J,K,L
Dragging the playhead

41. Make sure Skimming &
Audio Skimming is turned
on, then skim across your
timeline.
-- sound!!
Click the top of the
playhead and drag across
the timeline
-- no sound!!
Press the space bar or
J,K,L
Skim Control

42. Click the Clip Appearance
button.
Click through the six buttons,
and then click the fifth button
from the left to create larger
thumbnails.
Drag the Clip Height slider to a
middle position.
Prep the Timeline

43. Timeline Index
• Master list of clips and
tags (such as
keywords) in the
current project are
listed in their order of
appearance.
• Provides a textual way
to navigate your
project.
Timeline Index

44. Timeline Index
• Bluish highlight bar
indicates the clip that is
currently selected in the
Timeline.
• Position is where the
clip is located in time
code in your Timeline
Timeline Index

45. In the lower-left corner
of the Timeline, next to
the Project Library
button, click the
Timeline Index button.
-- Shortcut Command-Shift-
2.
Check out the Index

46. At the top of the pane, click
Clips, if it‟s not already
selected.
Beneath the list of clips,
select All.
Then select the Antron
Brown clip at the top of the
list.
-- notice that the Antron clip in
your project is now selected
The Index & the
Timeline

47. In the Index, select the
John Force clip.
-- notice that this clip is now
highlighted in the Timeline.
In the Timeline, select the
Tony Pedregon clip.
-- notice that this clip is now
highlighted in the Index.
The Index & the
Timeline

48. In the Timeline, drag
the playhead through
multiple clips, and
watch what happens in
the Index.
-- Index playhead moves up
and down following your
actions in the Timeline.
The Index & the
Timeline

49. Close the Timeline
Index by clicking on the
Index button
-- shortcut Command Shift
2
The Index & the
Timeline

50. Zooming In & Out
on your Timeline
• Below the Timeline
• Drag left and right
Zoom control
• Command – to zoom out
• Command = (+) to zoom in
• Shift Z – fit all the timeline
in the window
Use Shortcuts

51. Zooming In & Out
on your Timeline
• When skimming is
activated, you zoom in
and out where your
skimmer is located
• If skimming is
deactivated, you zoom
in an your where your
playhead is located
Playhead or
Skimmer?

52. Move the skimmer to the middle of the Timeline.
Press Command - (minus) a few times to zoom out
Press Command = (equals) several times to zoom in to the
clips.
Drag the Zoom slider to @1/3 so there‟s space for more clips.
Practice Zooming
In & Out

53. Viewing/Arranging Clips
on the Magnetic
Timeline
• Changing the order of
your clips in the
timeline is simple
• Drag a clip to a
different location and
Final Cut Pro
automatically creates
a space for the clip by
shifting the other clips.
Magnetic what?

54. In the Timeline, play the
first Tony Schumacher
clip, “Nobody wakes
up...”
-- Nice bite to start this
project.
-- Let‟s move it to the
beginning of the sequence
of clips.
Arrange Clips in the
Magnetic Timeline

55. Drag the first Tony
Schumacher clip left to the
head of the project.
-- notice the blue insertion line
where you will place the clip.
When you see the
remaining clips reposition
themselves, release the
mouse button to place the
clip at this location.
-- Play your new arrangement.
Arrange Clips in the
Magnetic Timeline

56. Drag the Tony Pedregon
clip to follow the first clip.
When you see the blue
insertion line and the other
clips scoot aside, release
the mouse button.
Play the first two clips.
Arrange Clips in the
Magnetic Timeline

57. Viewing/Arranging Clips
on the Magnetic
Timeline
• When you drag a clip
in the Timeline, a
numerical value
appears
• Indicates the length of
time and in which
direction you are
repositioning the clip.
The readout
The Tony clip is being
moved backwards
@16 seconds.

58. Close the Timeline Index.
Make all your clips fit your Timeline by pressing Shift Z.
Reduce the size of your clips in the Timeline so there is
room for B-roll clips on top of the main storyline.
Prep for Some B-Roll

59. Insert Clips into the
Timeline
• Insert them between
existing clips in the
primary storyline.
• When inserting, a
space for the new clip
opens up in the
storyline
• Like repositioning
them using the
Magnetic Timeline
In-between edits

60. In the Event Library, select
the B-Roll Keyword
Collection.
In the Event Browser, from
the Filter pop-up menu,
choose All Clips.
Change the thumbnail view
so all clips are visible in the
Event Browser.
Find Some B-Roll

61. In the search field, click the Filter
(magnifying glass) button to open
the Filter window.
-- shortcut Command F
Click the Add Rule (+) pop-up
menu, choose Media Type.
From the Type pop-up menu,
choose Video With Audio.
Close the Filter window.
-- no need to make a smart
collection.
Hide the Audio

62. Active Searches
• Filters allow you to fine-
tune what you see in
your Browser
• An icon in the Search
field let‟s you know
filtering is active
Filtering your
content

63. Close the Filter window.
In the Event Browser, skim the
wall low angle clip.
Drag a selection from the head of
the clip to the point where both
cars are out of frame.
Mark it as a Favorite - F
Mark a Clip

64. Skim through the crowd ots clip.
Press I to set the Start point when
the red racing lights come on, just
before the man with a camera
turns.
Press F to rate this selection as a
Favorite.
Mark a Clip

65. Skim the crowd wide clip.
Mark a Start point before the
heads turn, and press F to rate
the selection from here to the end
as a Favorite.
Mark a Clip

66. To view the Favorites you
just created, from the
Filters pop-up menu,
choose Favorites.
Press Command 2 to
switch to the Timeline.
Press the Home key (fn )
to move the playhead to
the beginning of the
project.
Prep for an Insert Edit

67. In the Event Browser,
select the wall low angle
clip.
In the toolbar, click the
Insert button.
Then play the first few
clips.
-- wall low angle clip now
appears before the Tony
Schumacher clip.
Perform an Insert Edit

68. In the Timeline, snap the
playhead between the 1st
two clips
In the Event Browser,
select the crowd ots clip,
and click the Insert button.
-- Shortcut W
Perform an Insert Edit

69. In the Timeline, make sure
the playhead is between
crowd ots & Tony.
In the Event Browser,
select the crowd wide clip,
and click the Insert button.
-- Shortcut - W
Perform an Insert Edit

70. Drag & Drop
• First, select the clip or
range from the Event
Browser
• Drag it straight to the
Timeline
• Drag it to the end for
an Append edit
• Drag it between clips
for an Insert edit
No line, no
waiting

71. In the timeline press
Shift Z to see all your
clips.
In the Event Browser,
from the Filter pop-up
menu, choose All.
Drag & Drop

72. Select the smokey
banner clip.
Drag the clip to the end
of the Tony
Schumacher clip.
-- Look for the blue
insertion line before
releasing the mouse
button.
Drag & Drop

73. Changing Edited Clips
• Sometimes you
have have a clip in
your Timeline that
needs TLC
• Colors are off
• Audio is too soft
or too loud
• Use the Inspector to
tweak your clip
Something need
fixing?

74. In the Timeline, click
the Clip Appearance
button and click the
third thumbnail button.
Drag the Clip Height
control to make the
clips taller.
Changing Edited Clips

75. Play the first three clips in
the project and watch the
waveforms as they play.
The waveforms of the
second and third clips are
too loud.
-- Yellow indicates audio levels
approaching peak levels
-- Red indicates peaked audio
Changing Edited Clips

76. In the Timeline, move your
pointer into the crowd ots
clip and position it over the
volume line.
When it turns into a vertical
resize pointer, drag down
until the waveform is at a
similar level to the first clip.
Changing Edited Clips
The „flat-top‟ of this audio
means it was clipped
when it was recorded

77. In the crowd wide clip,
drag the volume line
down to match the first
two clips.
Play these clips in the
Timeline.
Changing Edited Clips

78. Select the fourth clip, Tony
Schumacher, and play it.
-- Background sounds are
too loud
-- Video has a yellow tint
Leave the playhead over
the clip so you can see it in
the Viewer.
Changing Edited Clips

79. The Balance Button
• White balancing finds a
balance between the reds
and blues in your shot
• Inside shots tend to look
yellowish-red
• Outside shots tend to look
bluish
Red vs. Blue
• FCP automatically balances
the shot for you
Balance button

80. In the toolbar, click the
Inspector button, and then
click the Video tab at the
top of the window.
In the Color section, select
the checkbox next to
Balance, and notice how
the clip changes in the
Viewer.
Balance the Color

81. If it‟s not already selected,
select the first Tony
Schumacher clip.
In the Inspector, click the
Audio tab.
Make sure the Channel
Configuration area displays
four mono channels.
-- Click the disclosure triangle if it
doesn‟t.
Fix the Audio

82. - 2 channels of lav mike
- 2 channels of nat sound
In the Timeline, select Tony
Schumacher clip and press /
to play the clip.
As it plays, deselect the third
and fourth mono audio
channels in the Inspector
window.
Fix the Audio

83. -Adjust the overall
volume of the clip so
the no red shows in the
waveform.
Fix the Audio

84. Duplicating a Project
• Editing is all about
making changes
• Save a backup of the
current version of the
project from time to
time.
• If you don‟t like the new
changes, you can go
back to the previous
version and start again.
Backing up

85. In the Library, select the Zero to Hero Event
In the Event Browser, right click the Zero to Hero
Project and choose Duplicate Project (or select the
press Command D)
Duplicate a Project

86. Select the new project and
retitle it, ZTH Backup and
press Return.
Duplicate a Project

87. The Connect Edit
• Any clip that is attached
to the primary storyline
in the Timeline.
• Connected clips remain
attached where you edit
them until you move or
remove them.
Added outside
the primary
storyline

88. In the Event Browser, from the Filter pop-up menu, choose
All if you need to.
Press Command-F or click on the filter icon to open the
Filter window
Filter for Audio Only

89. Change the Media Type
category to Audio Only.
Close the Filter window.
Filter for Audio Only

90. Take a better look:
In the Event Browser, click
the List View button.
Then play the first part of
the Battle Lines music
clip.
-- Viewing this clip in list view
provides an expanded view of
the waveform.
Filter for Audio Only

91. To edit the first half of
this clip, mark a Start
point just before the
music begins.
Set an End point after
the first series of
waveform peaks.
Set a Range

92. Make the Timeline window
active by pressing
Command-2.
Press the Up or Down
Arrow key to move the
playhead to the beginning
of the crowd ots clip
Prep for the Connect
Edit

93. In the toolbar, click the
Connect button.
-- Shortcut Q
In the Timeline, play the
first few clips, and then
look at the thin vertical line
connecting the Battle
Lines music to the crowd
ots clip.
Make a Connect Edit

94. The Connect Edit
• When connected, if
you move the clip in
the primary storyline,
the connected clip will
move with it
• If you move the
connected clip, the
primary clip stays put
We belong
together

95. Drag the crowd ots clip to
the right and reposition it
after the crowd wide clip.
Play this arrangement, and
then drag the clip back to
its original position.
Give the Connected
Clip a Ride
Audio clip not moving? Undo the edit,
cue the play head to the beginning of the
clip, then nudge 1 frame forward and try
again.

96. Drag the Battle Lines
clip to the right and
snap it to the head of
the first Tony
Schumacher clip.
-- Make sure Snap is on
-- Notice the playhead turns
thick and yellow = re-
linking with a new clip.
Give the Connected
Clip a Ride

97. Nudging Clips on the
Timeline
• Rather than connect
clips at edit points, you
can nudge them left
and right on the
timeline
Go here, go there
• , and . (or <>)
• 1 frame left or right
• Shift , and Shift .
• 10 frames left or
right
Shortcuts
It may be easier to remember the
nudge keys by the < and >
symbols.

98. With the Battle Lines clip
selected, press the ,
(comma) and . (period) key
several times to move the
clip left & right 1 frame at
time.
Try it with the Shift key to
move 10 frames at a time.
Give the Connected
Clip a Ride

99. Nudging Clips on the
Timeline
• If you need to nudge
the clip more then a
few frames, then just
type in a value
• + values nudge the
clip forward
• - Values nudge the clip
backwards
• H:M:S:F
Type in a value
-200 = back up 2 seconds

100. With the Battle Lines
clip still selected, enter
– 2 0 0
-- Dashboard number entry
has replaced the time code
location.
Press Return.
Give the Connected
Clip a Ride

101. Shortcuts
• Turns snapping off and onN
• Create a new projectCommand N
• Open the Filter windowCommand F
• Nudge selection back and forth 1 frame, and .
• Nudge selection back and forth 10
frames
Shift , and .

102. Shortcuts
• Open the Project LibraryCommand 0
• Go to the Event BrowserCommand 1
• Go to the TimelineCommand 2
• Zoom out and in on the Timeline, Event
Browser or Viewer
Command – and +
• Zoom the contents to fit the size of the
Event Browser, the Viewer, or Timeline
Shift Z

103. Shortcuts
• Go to previous item in the Event
Browser or previous edit point in the
Timeline
Up arrow
• Go to next item in the Event Browser or
next edit point in the Timeline
Down arrow
• Connect editQ
• Insert editW
• Append editE
• Play selection/

104. Trim off the beginning of Battle Lines where there is no music. Move
Battle Lines to the beginning of your project.
Adjust the audio levels of all the clips in the primary storyline and the
connected music clip so you have a good audio balance.
Trim the end of the music clip so its duration matches the video of your
project.
Homework

105. Click the Show/Share
Destinations button and
choose Apple Devices 720P
Homework

106. On the Info tab change the name of your clip from Zero to
Hero to „(your name) Week 4‟
-- this is very important. If you don‟t change the title of this project, the
original name will revert when you post on iTunes U
Homework

107. On the Settings tab change the Resolution pop-up menu to
the smallest resolution 854 X 480
Change When done: pop-up menu to Do Nothing
Press Next
Homework

108. Save your project to the desktop and wait for the render to
complete.
Homework

109. Open your browser to the
WIU iTunes U page:
http://www.wiu.edu/iTunesU
Log in with your ecom name
and password.
Navigate to the BC 142
folder.
Select the Homework folder
and upload your homework.
Homework

110. Lesson 4: Building
The Rough Cut
Apple Pro Training Series
2nd Edition, Final Cut Pro
X
Instructor: Sam Edsall