1. Kaya
Characters N
Costume and props
£3.19 £1.99
- White Maid dress

2. Kaya
Characters N
Mise –en-scene
Name – Cilia Elizabeth Carter
Gender – Female
Age – 73
Costume – White dress
Props – None
Make-up – Pale black eyes
Stereotype – Little girl
Facial expression – face doesn't move much, giggling
Body language – Very, very, fast body movement, straight face
Representation – A dead woman from the 1800’s

3. Kaya
Characters N
Actor 3: Character 3:
Mary Elizabeth Carter
Rahel Fasil
Age: Age:
16 52

4. Kaya
Characters N
Inspirational pictures
Maids dress Pale white face with
black circles around
eyes

5. Kaya
Characters N
Costume and props
Maids dress
£3.19 £1.99
- White

6. Kaya
Characters N
Mise –en-scene
Name – Mary Elizabeth Carter
Gender – Female
Age – 52
Costume – White dress
Props – None
Make-up – Pale black eyes
Stereotype – Little girl
Facial expression – face doesn't move much, giggling
Body language – Very, very, fast body movement, straight face
Representation – A dead woman from the 1800’s

7. Kaya
Location O

8. Kaya
O
What is this location?
This is where the whole opening sequence will be filmed
Is it always accessible?
This location is always accessible as its one of the group members
home and will always be open for filming
Health and safely.
• Getting to bus to the house
• Road safety when crossing roads
• Walking to the house
• Getting run over
• Bus crash

9. Kaya
Narrative P
Our film is open narrative, Why?
• Our film goes through a story of Laura finding out about the ghosts and the
reasons for why they’re there, however at the end, we have a false ending.
Laura will think she solved the problem and free the sprits, however, they will
live on in the house and the problem will carry on, just not for Laura
• It leaves the audience asking questions at the end
How has it developed since Draft 1?
• Since draft 1, we have had a closed narrative, however, because we have
changed to the thriller genre we want to suit the conventions of how they
generally end their films and they usually have false ending so we have
developed it into a open narrative

10. Kaya
Narrative P
Our film is non-linear narrative, Why?
• Our film is a story that goes from start, middle, to end, however, in order to
show what happened in the house years before we will show cuts from way in
the past to the modern day
START MIDDLE END
How has this developed since draft 1?
• From draft 1 we weren't going to show the past time of what happened
before, however now we are showing important moments from the past in
order for the audience to understand

11. Kaya
Film Theory Q
Tzvetan Todorov – Narrative Film Theorist
On the three stages of theme or concept throughout a
film,
How we will be using his theory…
Equilibrium – Laura has just moved in and her life is normal
Disequilibrium – She realises she's being haunted and they disrupt her life
New Equilibrium – She thinks she let the sprits go and moves house and her life is
equal again

12. Kaya
Film Theory Q
Vladimir Propp – Film Theorist
on characters contained in a film,
Why we wont be using his theory…
The villain – The two ghost are the villain type as they try to hurt Laura and disturb
her life.
The dispatcher – This doesn't apply to our film at all, there is no hero to send off
The (magical) helper – Laura’s best friend Dawn helps her to take the dolls away
The princess or prize – There is no prize and its based on real life
Her father – She doesn't have a father, it’s a broken family
The donor – The film is based on real life therefore no magical objects
The hero or victim/seeker hero – Laura acts as a hero in helping the sprits pass on
False hero – There is no hero therefore no false hero

13. Kaya
Film Theory Q
Claude Lévi-Strauss - Narrative Film Theorist
On Binary opposition
How we will be using this theory
Normal life : Haunted life Past : Present
Laura moves into We see the past
a house expecting happenings of the
a normal life house
She gets haunted
and disturbed We see the present
until she moves occurrences in that
house
out of the house

14. Momentum Pictures..
• Is one of the leading independent motion
picture distributors in the UK and Ireland.
• The company is also owned by Paramount
Pictures.

15. Distributor Film Budget Locations
Momentum Pictures Law Abiding Citizen $53,000,000 Pennsylvania, USA
Momentum Pictures The Woman In Black $15,000,000 Essex
Northamptonshire
Buckinghamshire
(UK)
Momentum Pictures Insidious $1,500,000 Los Angeles,
California, USA

16. We chose Momentum Pictures
because..
• They have distributed a lot of very successful and multi-
award winning British films, like The King’s Speech.
• Their budgets are flexible
• They have also distributed a lot of very good thriller films
as well like The Girl with the Dragon Tattoo and Law
Abiding Citizen.
• We believe they will do well in producing a British thriller
film.
• They distributed films similar to ours about haunted
houses (Insidious and The Woman In Black)

17. Distributor Film Budget Locations
Paramount Paranormal $15,000 San Diego,
Pictures Activity California, USA
Paramount Paranormal $3,000,000 Los Angeles,
Pictures Activity 2 California, USA
Paramount Paranormal $5,000,000 California, USA
Pictures Activity 3

18. Paramount Pictures..
• Are a long established distributing company
• Have distributed a wide range of thriller films
• Work with mostly high budget films
• Mainly distribute films that were filmed solely
in America

19. Warner Bros...
• Have distributed a variety of thriller films
• Is a long established film distribution company
• Work on films with high budgets ranging from
$10 million o £15 million

20. Distributor Film Budget Locations
Warner Bros House on $32 million Los Angeles,
Haunted Hill California, USA
Warner Bros The Shining $19 million Colorado, USA
California, USA
Montana, USA
Hertfordshire,
UK
Warner Bros The Others $17 million Kent, UK
Long Island, USA
Cantabria, Spain
Madrid, Spain
Jersey, Channel
Islands