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By: Susan M. PojerBy: Susan M. Pojer
Horace Greeley HS Chappaqua, NYHorace Greeley HS Chappaqua, NY
Art and PatronageArt and Patronage
 Italians were willing to spend a lot of
money on art.
/ Art communicated social, political, and spiritual
values.
/ Italian banking & international trade interests
had the money.
 Public art in Florence was organized and
supported by guilds.
Therefore, the consumption of art was used as a
form of competition for social & political status!
1. Realism &1. Realism &
ExpressionExpression
 Expulsion fromExpulsion from
the Gardenthe Garden
 MasaccioMasaccio
 14271427
 First nudes sinceFirst nudes since
classical timesclassical times..
2. Perspective2. Perspective
Perspective!Perspective!
Perspective!Perspective!
Perspective!Perspective!
Perspective!Perspective!
Perspective!Perspective!
First useFirst use
of linearof linear
perspective!perspective!
Perspective!Perspective!
Perspective!Perspective!
 The TrinityThe Trinity
 MasaccioMasaccio
 14271427
What you are,What you are,
I once was;I once was;
what I am,what I am,
you willyou will
become.become.
3. Classicism3. Classicism
 Greco-Roman
influence.
 Secularism.
 Humanism.
 Individualism  free
standing figures.
 Symmetry/Balance
TheThe “Classical Pose”“Classical Pose”
Medici “Venus” (1c)Medici “Venus” (1c)
4. Emphasis on Individualism4. Emphasis on Individualism
 Batista Sforza & Federico de Montefeltre: TheBatista Sforza & Federico de Montefeltre: The
Duke & Dutchess of UrbinoDuke & Dutchess of Urbino
 Piero della Francesca, 1465-1466.Piero della Francesca, 1465-1466.
 1474-1539
 “First Lady of
the Italian
Renaissance.”
 Great patroness
of the arts in
Mantua.
 Known during her
time as “First
Lady of the
World!”
Isabella dIsabella d’Este –’Este – da Vinci, 1499da Vinci, 1499
5. Geometrical Arrangement of5. Geometrical Arrangement of
FiguresFigures
 The DreyfusThe Dreyfus
MadonnaMadonna
with thewith the
PomegranatePomegranate
 Leonardo daLeonardo da
VinciVinci
 14691469
 The figure asThe figure as
architecture!architecture!
6. Light & Shadowing/Softening Edges6. Light & Shadowing/Softening Edges
ChiaroscuroChiaroscuro
SfumatoSfumato
7. Artists as Personalities/Celebrities7. Artists as Personalities/Celebrities
 Lives of the MostLives of the Most
ExcellentExcellent
Painters,Painters,
Sculptors, andSculptors, and
ArchitectsArchitects
 Giorgio VasariGiorgio Vasari
 15501550
Renaissance FlorenceRenaissance Florence
The Wool FactoryThe Wool Factory
by Mirabello Cavalori, 1570by Mirabello Cavalori, 15701252 – first gold1252 – first gold
florinsflorins mintedminted
Florentine lion:Florentine lion:
symbol of St.symbol of St.
MarkMark
LorenzoLorenzo
the Magnificentthe Magnificent
1478 - 15211478 - 1521
Cosimo de MediciCosimo de Medici
1517 - 15741517 - 1574
Florence Under theFlorence Under the
MediciMedici
Medici ChapelMedici Chapel
The Medici PalaceThe Medici Palace
 Filippo BrunelleschiFilippo Brunelleschi
1377 - 14361377 - 1436
 ArchitectArchitect
 Cuppolo of St. MariaCuppolo of St. Maria
del Fioredel Fiore
Filippo BrunelleschiFilippo Brunelleschi
 Commissioned to
build the cathedral
dome.
/ Used unique
architectural
concepts.
 He studied the
ancient
Pantheon in
Rome.
 Used ribs for
support.
Brunelleschi’sBrunelleschi’s “Secret”“Secret”
BrunelleschiBrunelleschi ’s’s
DomeDome
DomeDome
ComparisonsComparisons
Il Duomo St. Peter’s St. Paul’s US capital
(Florence) (Rome) (London) (Washington)
The Ideal CityThe Ideal City
Piero della Francesca,Piero della Francesca,
14701470
A Contest to Decorate theA Contest to Decorate the
Cathedral:Cathedral: Sacrifice of IsaacSacrifice of Isaac
PanelsPanelsBrunelleschi Ghiberti
Ghiberti –Ghiberti – Gates of ParadiseGates of Paradise
Baptistry Door, Florence – 1425 -Baptistry Door, Florence – 1425 -
14521452
The Winner!The Winner!
 David byDavid by DonatelloDonatello
 14301430
 First free-form bronzeFirst free-form bronze
since Roman times!since Roman times!
The Liberation ofThe Liberation of
SculptureSculpture
DavidDavid
VerrocchioVerrocchio
1473 - 14751473 - 1475
The Baptism of ChristThe Baptism of Christ
Verrocchio, 1472 - 1475Verrocchio, 1472 - 1475
LeonardoLeonardo
da Vincida Vinci
The RenaissanceThe Renaissance “Man”“Man”
 Broad knowledge about many things in
different fields.
 Deep knowledge/skill in one area.
 Able to link information from different
areas/disciplines and create new
knowledge.
 The Greek ideal of the “well-rounded
man” was at the heart of Renaissance
education.
 Vitruvian ManVitruvian Man
 Leonardo daLeonardo da
VinciVinci
 14921492
TheThe
LL’uomo’uomo
universaleuniversale
1.1. Self-PortraitSelf-Portrait -- da Vinci, 1512-- da Vinci, 1512
1452 - 15191452 - 1519
 Artist
 Sculptor
 Architect
 Scientist
 Engineer
 Inventor
Leonardo, theLeonardo, the
ArtistArtist
 The Virgin ofThe Virgin of
the Rocksthe Rocks
 Leonardo daLeonardo da
VinciVinci
 1483-14861483-1486
Leonardo, the Artist:Leonardo, the Artist:
From hisFrom hisNotebooks of overNotebooks of over 5000 pages5000 pages
(1508-1519)(1508-1519)
Mona LisaMona Lisa – da Vinci, 1503-– da Vinci, 1503-
44
Mona LisaMona Lisa OROR dada
Vinci??Vinci??
The Last SupperThe Last Supper - da Vinci,- da Vinci,
14981498
& Geometry& Geometry
RefractoryRefractory
Convent ofConvent of
SantaSanta
Maria delleMaria delle
GrazieGrazie
MilanMilan
horizontal
vertical
Perspective!Perspective!
The Last SupperThe Last Supper - da Vinci,- da Vinci,
14981498
 Detail ofDetail of
JesusJesus
 The LastThe Last
SupperSupper
 Leonardo daLeonardo da
VinciVinci
 14981498
DeterioratioDeterioratio
nn
A Da VinciA Da Vinci “Code”:“Code”:
St. JohnSt. John oror Mary Magdalene?Mary Magdalene?
Leonardo, the SculptorLeonardo, the Sculptor
 AnAn
EquestrianEquestrian
StatueStatue
 1516-15181516-1518
Leonardo, the Architect:Leonardo, the Architect:
Pages from hisPages from his NotebookNotebook
 Study of aStudy of a
central church.central church.
 14881488
Leonardo, the Architect:Leonardo, the Architect:
Pages from hisPages from his NotebookNotebook
 Plan of the city of Imola, 1502.Plan of the city of Imola, 1502.
Leonardo, the ScientistLeonardo, the Scientist
(Biology):(Biology):
Pages from hisPages from his NotebookNotebook
 An example ofAn example of
the humanistthe humanist
desire to unlockdesire to unlock
the secrets ofthe secrets of
nature.nature.
Leonardo, the Scientist (Anatomy):Leonardo, the Scientist (Anatomy):
Pages from hisPages from his NotebookNotebook
Leonardo, the Inventor:Leonardo, the Inventor:
PagesPages
from hisfrom his NotebookNotebook
Man Can Fly?Man Can Fly?
A study of siege defenses.A study of siege defenses.
Studies of water-liftingStudies of water-lifting
devices.devices.
Leonardo, the Engineer:Leonardo, the Engineer:
Pages from hisPages from his NotebookNotebook
Leonardo da Vinci….Leonardo da Vinci….
O investigator, do not flatterO investigator, do not flatter
yourself that you know theyourself that you know the
things nature performs forthings nature performs for
herself, but rejoice in knowingherself, but rejoice in knowing
that purpose of those thingsthat purpose of those things
designed by your own mind.designed by your own mind.
Comparing DomesComparing Domes
2.2. Michelangelo BuonorratiMichelangelo Buonorrati
 1475 – 15641475 – 1564
 He representedHe represented
the body inthe body in
threethree
dimensions ofdimensions of
sculpture.sculpture.
 DavidDavid
 MichelangeloMichelangelo
BuonarottiBuonarotti
 15041504
 MarbleMarble
15c15c
16c16c
WhatWhat
aa
differencedifference
aa
centurycentury
makes!makes!
 The PietaThe Pieta
 MichelangeloMichelangelo
BuonarrotiBuonarroti
 14991499
 marblemarble
The Popes as Patrons of theThe Popes as Patrons of the
ArtsArts
The SistineThe Sistine
ChapelChapel
MichelangeloMichelangelo
BuonarrotiBuonarroti
1508 - 15121508 - 1512
The Sistine ChapelThe Sistine Chapel’s Ceiling’s Ceiling
Michelangelo BuonarrotiMichelangelo Buonarroti
1508 - 15121508 - 1512
The Sistine ChapelThe Sistine Chapel
DetailsDetails
TheThe
CreationCreation
of theof the
HeavensHeavens
The Sistine ChapelThe Sistine Chapel
DetailsDetails
Creation of ManCreation of Man
The Sistine ChapelThe Sistine Chapel
DetailsDetails
The FallThe Fall
fromfrom
GraceGrace
The Sistine ChapelThe Sistine Chapel
DetailsDetails
The Last JudgmentThe Last Judgment
3.3. Raffaello Sanzio (1483-1520)Raffaello Sanzio (1483-1520)
Self-PortraitSelf-Portrait, 1506, 1506
Portrait of the Artist withPortrait of the Artist with
a Frienda Friend, 1518, 1518
Baldassare CastiglioneBaldassare Castiglione byby
Raphael,Raphael,
1514-15151514-1515
 CastiglioneCastiglione
represented therepresented the
humanisthumanist
“gentleman” as“gentleman” as
a man ofa man of
refinement andrefinement and
self-control.self-control.
Perspective!Perspective!
BetrothalBetrothal
of theof the
VirginVirgin
RaphaelRaphael
15041504
RaphaelRaphael’s’s Canagiani Madonna,Canagiani Madonna,
15071507
RaphaelRaphael’s’s MadonnasMadonnas (1)(1)
Sistine MadonnaSistine Madonna Cowpepper MadonnaCowpepper Madonna
Madonna della SediaMadonna della Sedia Alba MadonnaAlba Madonna
RaphaelRaphael’s’s MadonnasMadonnas (2)(2)
The School of AthensThe School of Athens – Raphael, 1510 -11– Raphael, 1510 -11
 One point perspective.
 All of the important Greek philosophers
and thinkers are included  all of the
great personalities of the Seven Liberal
Arts!
 A great variety of poses.
 Located in the papal apartments library.
 Raphael worked on this commission
simultaneously as Michelangelo was doing
the Sistine Chapel.
 No Christian themes here.
The School of AthensThe School of Athens – Raphael, 1510 -11– Raphael, 1510 -11
Raphael
Da Vinci
Michelangelo
AristotleAristotle::
looks to thislooks to this
earth [theearth [the
here andhere and
now].now].
PlatoPlato::
looks to thelooks to the
heavens [orheavens [or
the IDEALthe IDEAL
realm].realm].
The School of AthensThe School of Athens – Raphael, details– Raphael, details
Averroes
Hypatia
Pythagoras
ZoroasterZoroaster
Ptolemy
Euclid
The Liberation of St. PeterThe Liberation of St. Peter byby
Raphael, 1514Raphael, 1514
Portrait of Pope Julius IIPortrait of Pope Julius II
by Raphael, 1511-1512by Raphael, 1511-1512
 More concerned withMore concerned with
politics than withpolitics than with
theology.theology.
 TheThe “Warrior Pope.”“Warrior Pope.”
 Great patron ofGreat patron of
Renaissance artists,Renaissance artists,
especially Raphael &especially Raphael &
Michelangelo.Michelangelo.
 Died in 1513Died in 1513
Pope Leo X with Cardinal Giulio deMediciPope Leo X with Cardinal Giulio deMedici
and Luigi De Rossiand Luigi De Rossi by Raphael, 1518-by Raphael, 1518-
15191519
 A Medici Pope.A Medici Pope.
 He went through theHe went through the
Vatican treasury in aVatican treasury in a
year!year!
 His extravagancesHis extravagances
offended even someoffended even some
cardinals [cardinals [as well asas well as
Martin LutherMartin Luther!].!].
 Started sellingStarted selling
indulgencesindulgences..
Birth of VenusBirth of Venus – Botticelli, 1485– Botticelli, 1485
An attempt to depict perfect beauty.An attempt to depict perfect beauty.
BotticelliBotticelli’s Venus Motif.’s Venus Motif.
10¢ Italian Euro coin.10¢ Italian Euro coin.
2002 Euro Coin2002 Euro Coin
PrimaveraPrimavera – Botticelli, 1482– Botticelli, 1482
Depicted classical gods as almostDepicted classical gods as almost
naked and life-size.naked and life-size.
A Portrait of SavonarolaA Portrait of Savonarola
 By Fra Bartolomeo, 1498.By Fra Bartolomeo, 1498.
 Dominican friar who decriedDominican friar who decried
money and power.money and power.
 Anti-humanistAnti-humanist  he sawhe saw
humanism as too secular,humanism as too secular,
hedonistic, and corrupting.hedonistic, and corrupting.
 TheThe “Bonfire of the“Bonfire of the
Vanities,”Vanities,” 1497.1497.
/ Burned books, artwork,Burned books, artwork,
jewelry, and other luxuryjewelry, and other luxury
goods in public.goods in public.
/ Even Botticelli put some ofEven Botticelli put some of
his paintings on the fire!!his paintings on the fire!!
The Execution of Savonarola,The Execution of Savonarola,
14521452
The Doge, Leonardo LoredonThe Doge, Leonardo Loredon
Berlini, 1501Berlini, 1501
Venus of UrbinoVenus of Urbino – Titian, 1558– Titian, 1558
The Penitent Mary MagdaleneThe Penitent Mary Magdalene
by Titian, 1533by Titian, 1533
 By the mid-16c,By the mid-16c,
High RenaissanceHigh Renaissance
art was declining.art was declining.
 MannerismMannerism
became morebecame more
popular.popular.
 This painting is aThis painting is a
good example ofgood example of
this new artisticthis new artistic
style.style.

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Renaissance art

  • 1. By: Susan M. PojerBy: Susan M. Pojer Horace Greeley HS Chappaqua, NYHorace Greeley HS Chappaqua, NY
  • 2. Art and PatronageArt and Patronage  Italians were willing to spend a lot of money on art. / Art communicated social, political, and spiritual values. / Italian banking & international trade interests had the money.  Public art in Florence was organized and supported by guilds. Therefore, the consumption of art was used as a form of competition for social & political status!
  • 3.
  • 4. 1. Realism &1. Realism & ExpressionExpression  Expulsion fromExpulsion from the Gardenthe Garden  MasaccioMasaccio  14271427  First nudes sinceFirst nudes since classical timesclassical times..
  • 5. 2. Perspective2. Perspective Perspective!Perspective! Perspective!Perspective! Perspective!Perspective! Perspective!Perspective! Perspective!Perspective! First useFirst use of linearof linear perspective!perspective! Perspective!Perspective! Perspective!Perspective!  The TrinityThe Trinity  MasaccioMasaccio  14271427 What you are,What you are, I once was;I once was; what I am,what I am, you willyou will become.become.
  • 6. 3. Classicism3. Classicism  Greco-Roman influence.  Secularism.  Humanism.  Individualism  free standing figures.  Symmetry/Balance TheThe “Classical Pose”“Classical Pose” Medici “Venus” (1c)Medici “Venus” (1c)
  • 7. 4. Emphasis on Individualism4. Emphasis on Individualism  Batista Sforza & Federico de Montefeltre: TheBatista Sforza & Federico de Montefeltre: The Duke & Dutchess of UrbinoDuke & Dutchess of Urbino  Piero della Francesca, 1465-1466.Piero della Francesca, 1465-1466.
  • 8.  1474-1539  “First Lady of the Italian Renaissance.”  Great patroness of the arts in Mantua.  Known during her time as “First Lady of the World!” Isabella dIsabella d’Este –’Este – da Vinci, 1499da Vinci, 1499
  • 9. 5. Geometrical Arrangement of5. Geometrical Arrangement of FiguresFigures  The DreyfusThe Dreyfus MadonnaMadonna with thewith the PomegranatePomegranate  Leonardo daLeonardo da VinciVinci  14691469  The figure asThe figure as architecture!architecture!
  • 10. 6. Light & Shadowing/Softening Edges6. Light & Shadowing/Softening Edges ChiaroscuroChiaroscuro SfumatoSfumato
  • 11. 7. Artists as Personalities/Celebrities7. Artists as Personalities/Celebrities  Lives of the MostLives of the Most ExcellentExcellent Painters,Painters, Sculptors, andSculptors, and ArchitectsArchitects  Giorgio VasariGiorgio Vasari  15501550
  • 12.
  • 13. Renaissance FlorenceRenaissance Florence The Wool FactoryThe Wool Factory by Mirabello Cavalori, 1570by Mirabello Cavalori, 15701252 – first gold1252 – first gold florinsflorins mintedminted Florentine lion:Florentine lion: symbol of St.symbol of St. MarkMark
  • 14. LorenzoLorenzo the Magnificentthe Magnificent 1478 - 15211478 - 1521 Cosimo de MediciCosimo de Medici 1517 - 15741517 - 1574
  • 15. Florence Under theFlorence Under the MediciMedici Medici ChapelMedici Chapel The Medici PalaceThe Medici Palace
  • 16.  Filippo BrunelleschiFilippo Brunelleschi 1377 - 14361377 - 1436  ArchitectArchitect  Cuppolo of St. MariaCuppolo of St. Maria del Fioredel Fiore
  • 17. Filippo BrunelleschiFilippo Brunelleschi  Commissioned to build the cathedral dome. / Used unique architectural concepts.  He studied the ancient Pantheon in Rome.  Used ribs for support.
  • 20. DomeDome ComparisonsComparisons Il Duomo St. Peter’s St. Paul’s US capital (Florence) (Rome) (London) (Washington)
  • 21. The Ideal CityThe Ideal City Piero della Francesca,Piero della Francesca, 14701470
  • 22. A Contest to Decorate theA Contest to Decorate the Cathedral:Cathedral: Sacrifice of IsaacSacrifice of Isaac PanelsPanelsBrunelleschi Ghiberti
  • 23. Ghiberti –Ghiberti – Gates of ParadiseGates of Paradise Baptistry Door, Florence – 1425 -Baptistry Door, Florence – 1425 - 14521452 The Winner!The Winner!
  • 24.  David byDavid by DonatelloDonatello  14301430  First free-form bronzeFirst free-form bronze since Roman times!since Roman times! The Liberation ofThe Liberation of SculptureSculpture
  • 26. The Baptism of ChristThe Baptism of Christ Verrocchio, 1472 - 1475Verrocchio, 1472 - 1475 LeonardoLeonardo da Vincida Vinci
  • 27.
  • 28. The RenaissanceThe Renaissance “Man”“Man”  Broad knowledge about many things in different fields.  Deep knowledge/skill in one area.  Able to link information from different areas/disciplines and create new knowledge.  The Greek ideal of the “well-rounded man” was at the heart of Renaissance education.
  • 29.  Vitruvian ManVitruvian Man  Leonardo daLeonardo da VinciVinci  14921492 TheThe LL’uomo’uomo universaleuniversale
  • 30. 1.1. Self-PortraitSelf-Portrait -- da Vinci, 1512-- da Vinci, 1512 1452 - 15191452 - 1519  Artist  Sculptor  Architect  Scientist  Engineer  Inventor
  • 31. Leonardo, theLeonardo, the ArtistArtist  The Virgin ofThe Virgin of the Rocksthe Rocks  Leonardo daLeonardo da VinciVinci  1483-14861483-1486
  • 32. Leonardo, the Artist:Leonardo, the Artist: From hisFrom hisNotebooks of overNotebooks of over 5000 pages5000 pages (1508-1519)(1508-1519)
  • 33. Mona LisaMona Lisa – da Vinci, 1503-– da Vinci, 1503- 44
  • 34. Mona LisaMona Lisa OROR dada Vinci??Vinci??
  • 35. The Last SupperThe Last Supper - da Vinci,- da Vinci, 14981498 & Geometry& Geometry
  • 36. RefractoryRefractory Convent ofConvent of SantaSanta Maria delleMaria delle GrazieGrazie MilanMilan
  • 37. horizontal vertical Perspective!Perspective! The Last SupperThe Last Supper - da Vinci,- da Vinci, 14981498
  • 38.  Detail ofDetail of JesusJesus  The LastThe Last SupperSupper  Leonardo daLeonardo da VinciVinci  14981498 DeterioratioDeterioratio nn
  • 39. A Da VinciA Da Vinci “Code”:“Code”: St. JohnSt. John oror Mary Magdalene?Mary Magdalene?
  • 40. Leonardo, the SculptorLeonardo, the Sculptor  AnAn EquestrianEquestrian StatueStatue  1516-15181516-1518
  • 41. Leonardo, the Architect:Leonardo, the Architect: Pages from hisPages from his NotebookNotebook  Study of aStudy of a central church.central church.  14881488
  • 42. Leonardo, the Architect:Leonardo, the Architect: Pages from hisPages from his NotebookNotebook  Plan of the city of Imola, 1502.Plan of the city of Imola, 1502.
  • 43. Leonardo, the ScientistLeonardo, the Scientist (Biology):(Biology): Pages from hisPages from his NotebookNotebook  An example ofAn example of the humanistthe humanist desire to unlockdesire to unlock the secrets ofthe secrets of nature.nature.
  • 44. Leonardo, the Scientist (Anatomy):Leonardo, the Scientist (Anatomy): Pages from hisPages from his NotebookNotebook
  • 45. Leonardo, the Inventor:Leonardo, the Inventor: PagesPages from hisfrom his NotebookNotebook
  • 46. Man Can Fly?Man Can Fly?
  • 47. A study of siege defenses.A study of siege defenses. Studies of water-liftingStudies of water-lifting devices.devices. Leonardo, the Engineer:Leonardo, the Engineer: Pages from hisPages from his NotebookNotebook
  • 48. Leonardo da Vinci….Leonardo da Vinci…. O investigator, do not flatterO investigator, do not flatter yourself that you know theyourself that you know the things nature performs forthings nature performs for herself, but rejoice in knowingherself, but rejoice in knowing that purpose of those thingsthat purpose of those things designed by your own mind.designed by your own mind.
  • 49.
  • 51. 2.2. Michelangelo BuonorratiMichelangelo Buonorrati  1475 – 15641475 – 1564  He representedHe represented the body inthe body in threethree dimensions ofdimensions of sculpture.sculpture.
  • 54.  The PietaThe Pieta  MichelangeloMichelangelo BuonarrotiBuonarroti  14991499  marblemarble The Popes as Patrons of theThe Popes as Patrons of the ArtsArts
  • 56. The Sistine ChapelThe Sistine Chapel’s Ceiling’s Ceiling Michelangelo BuonarrotiMichelangelo Buonarroti 1508 - 15121508 - 1512
  • 57. The Sistine ChapelThe Sistine Chapel DetailsDetails TheThe CreationCreation of theof the HeavensHeavens
  • 58. The Sistine ChapelThe Sistine Chapel DetailsDetails Creation of ManCreation of Man
  • 59. The Sistine ChapelThe Sistine Chapel DetailsDetails The FallThe Fall fromfrom GraceGrace
  • 60. The Sistine ChapelThe Sistine Chapel DetailsDetails The Last JudgmentThe Last Judgment
  • 61. 3.3. Raffaello Sanzio (1483-1520)Raffaello Sanzio (1483-1520) Self-PortraitSelf-Portrait, 1506, 1506 Portrait of the Artist withPortrait of the Artist with a Frienda Friend, 1518, 1518
  • 62. Baldassare CastiglioneBaldassare Castiglione byby Raphael,Raphael, 1514-15151514-1515  CastiglioneCastiglione represented therepresented the humanisthumanist “gentleman” as“gentleman” as a man ofa man of refinement andrefinement and self-control.self-control.
  • 65. RaphaelRaphael’s’s MadonnasMadonnas (1)(1) Sistine MadonnaSistine Madonna Cowpepper MadonnaCowpepper Madonna
  • 66. Madonna della SediaMadonna della Sedia Alba MadonnaAlba Madonna RaphaelRaphael’s’s MadonnasMadonnas (2)(2)
  • 67. The School of AthensThe School of Athens – Raphael, 1510 -11– Raphael, 1510 -11  One point perspective.  All of the important Greek philosophers and thinkers are included  all of the great personalities of the Seven Liberal Arts!  A great variety of poses.  Located in the papal apartments library.  Raphael worked on this commission simultaneously as Michelangelo was doing the Sistine Chapel.  No Christian themes here.
  • 68. The School of AthensThe School of Athens – Raphael, 1510 -11– Raphael, 1510 -11 Raphael Da Vinci Michelangelo
  • 69. AristotleAristotle:: looks to thislooks to this earth [theearth [the here andhere and now].now]. PlatoPlato:: looks to thelooks to the heavens [orheavens [or the IDEALthe IDEAL realm].realm]. The School of AthensThe School of Athens – Raphael, details– Raphael, details
  • 72. The Liberation of St. PeterThe Liberation of St. Peter byby Raphael, 1514Raphael, 1514
  • 73. Portrait of Pope Julius IIPortrait of Pope Julius II by Raphael, 1511-1512by Raphael, 1511-1512  More concerned withMore concerned with politics than withpolitics than with theology.theology.  TheThe “Warrior Pope.”“Warrior Pope.”  Great patron ofGreat patron of Renaissance artists,Renaissance artists, especially Raphael &especially Raphael & Michelangelo.Michelangelo.  Died in 1513Died in 1513
  • 74. Pope Leo X with Cardinal Giulio deMediciPope Leo X with Cardinal Giulio deMedici and Luigi De Rossiand Luigi De Rossi by Raphael, 1518-by Raphael, 1518- 15191519  A Medici Pope.A Medici Pope.  He went through theHe went through the Vatican treasury in aVatican treasury in a year!year!  His extravagancesHis extravagances offended even someoffended even some cardinals [cardinals [as well asas well as Martin LutherMartin Luther!].!].  Started sellingStarted selling indulgencesindulgences..
  • 75. Birth of VenusBirth of Venus – Botticelli, 1485– Botticelli, 1485 An attempt to depict perfect beauty.An attempt to depict perfect beauty.
  • 76. BotticelliBotticelli’s Venus Motif.’s Venus Motif. 10¢ Italian Euro coin.10¢ Italian Euro coin. 2002 Euro Coin2002 Euro Coin
  • 77. PrimaveraPrimavera – Botticelli, 1482– Botticelli, 1482 Depicted classical gods as almostDepicted classical gods as almost naked and life-size.naked and life-size.
  • 78. A Portrait of SavonarolaA Portrait of Savonarola  By Fra Bartolomeo, 1498.By Fra Bartolomeo, 1498.  Dominican friar who decriedDominican friar who decried money and power.money and power.  Anti-humanistAnti-humanist  he sawhe saw humanism as too secular,humanism as too secular, hedonistic, and corrupting.hedonistic, and corrupting.  TheThe “Bonfire of the“Bonfire of the Vanities,”Vanities,” 1497.1497. / Burned books, artwork,Burned books, artwork, jewelry, and other luxuryjewelry, and other luxury goods in public.goods in public. / Even Botticelli put some ofEven Botticelli put some of his paintings on the fire!!his paintings on the fire!!
  • 79. The Execution of Savonarola,The Execution of Savonarola, 14521452
  • 80.
  • 81. The Doge, Leonardo LoredonThe Doge, Leonardo Loredon Berlini, 1501Berlini, 1501
  • 82. Venus of UrbinoVenus of Urbino – Titian, 1558– Titian, 1558
  • 83. The Penitent Mary MagdaleneThe Penitent Mary Magdalene by Titian, 1533by Titian, 1533  By the mid-16c,By the mid-16c, High RenaissanceHigh Renaissance art was declining.art was declining.  MannerismMannerism became morebecame more popular.popular.  This painting is aThis painting is a good example ofgood example of this new artisticthis new artistic style.style.

Hinweis der Redaktion

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