An overall introduction about Art and Architecture and relation in between the two.

1. INTRODUCTION TO ART AND ARCHITECTURE
ART HISTORY
Ar. RAVINDRA PATNAYAKA

2. ART
• THE CONSCIENCE USE OF SKILL,CRAFT
AND CREATIVE IMAGINATION, IN THE
PRODUCTION OF WHAT IS BEAUTIFUL,
APPEALING OR OF MORE THAN ORDINARY
SIGNIFICANCE.
A VISUAL DICTIONARY OF ARCHITECTURE –
D.K.CHING
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3. EARLY ART – CAVE PAINTINGS
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4. Egyptian Mural
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5. WALL PAINTING IN INTERIOR
EGYPT
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6. RELIEFS
RELIEF: SCULPTING/CAURVING 3D OVER A 2D FRAME
Low Relief
High Relief
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7. Sculpture as Structural Member
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8. PEDIMENTAL RELIEFS
ENTABULATURE
PARTHENON - GREECE
HIGH RELIEFS AS DECORATIVE ELEMENTS IN THE ENTABULATURE
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9. COLOURED BRICK MURAL
BABYLONIA
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10. ART _ ISMS
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11. MICHELANGELO
1475 – 1564
Italy
Movement : High Renaissance
Expertise: sculpture, painting, architecture, and
poetry
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12. •
Michelangelo's Pietà, a depiction of the body of Jesus on
the lap of his mother Mary after the Crucifixion, was
carved in 1499
The Statue of David, completed by Michelangelo
in 1504, is one of the most renowned works of the
Renaissance.
Ar.RAVINDRA PATNAYAKA

13. Michelangelo painted the ceiling of the Sistine Chapel;
the work took approximately four years to complete (1508–1512).
Among the most famous paintings on the ceiling are the Creation of Adam, Adam
and Eve in the Garden of Eden, the Great Flood
Sistine Chapel ceiling
Sistine Chapel ceiling
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14. Michelangelo designed the dome of St. Peter's Basilica, although it was unfinished when he died.
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15. LEONARDO DA VINCI
1452 – 1519
Italy
Movement: High Renaissance
Expertise: Many and diverse fields of arts and
sciences
anatomy, civil engineering, optics,
and hydrodynamics
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16. Da Vinci Paintings
Virgin of the Rocks for the
Confraternity
of
the
Immaculate Conception
The Last Supper for the
monastery of Santa Maria
delle Grazie
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17. Da vinci - Monalisa
• Atmospheric Perspective
• Still Life / Realism
• Impressionism
Mona Lisa or La Gioconda(1503–1505/1507)—Louvre, Paris, France
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18. Da Vinci’s Analytical Works
study of a foetus in the womb (c. 1510)
Leonardo's theorising and hypothesising ,integrated the arts and particularly painting; these,
and his unique integrated - holistic views of science make him a forerunner of modern
systems theory and complexity schools of thought.
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19. Vitruvian Man 1847
Canon of Proportions / Proportions of Man
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20. The Anthropometry
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21. Engineering Concepts
• Helicopter,
• A tank,
•
Concentrated solar power,
• A calculator,
• Outlined a rudimentary theory of plate tectonics.
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22. REALISM
• Realism represents figures and objects exactly as they act or
appear in life.
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23. IMPRESSIONISM
Impressionism. They found many of their subjects in life around them
rather than in history, which was the accepted source of subject matter.
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24. IMPRESSIONISM
Hard brush strokes
 Attaining required color by laying of the respective hues independently
 Predominant use of primary colors
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25. CLAUDE MONET
•
1840 – 1928
•
France
•
Movement: Impressionism
•
Working Fields: Painting, Printmaking,
(Litho)
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26. Monet Art Works
Impression, Sunrise
Water Lillies
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27. ÉDOUARD MANET
•
1832 – 1883
•
France
•
Movements:Realism,
Impressonism
•
Working Fields: Painting, Print
Making
•
MasterPiece: The Luncheon on the
Grass (Le déjeuner sur l'herbe),
1863
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28. Monet’s masterpieces
The Luncheon on the Grass (Le déjeuner sur
l'herbe), 1863
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The Barricade (Civil War),

29. ROMANTICISM
DRAMATIC REPRESENTIATION OF SOCIOLOGICAL ASPECTS AND
ISSUES
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30. VINCENT VAN GOGH
•
1853 – 1890
•
France
•
Movements: Post – Impressionism
•
Working Fields: Painter, woodcuts, Litho
•
Masterpieces:
– Sunflowers
– The Starry night
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31. Van Gogh’s Paintings
Sunflowers
The Starry Night
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32. ALBRECHT DURER
1471 – 1528
Italy
Working Fields: Engraving - painting - woodcuts
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33. ART TECHNIQUE
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34. Masterpieces
Rabbit
Painting
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Melancholia
Engraving

35. Masterpieces
Christopher
Engraving
Prayer
Engraving
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36. PABLO PICASSO
•
1881 – 1973
•
•
Spain
Movements: Impressionism –
Expressionism – Cubism – Surrealism
- Collage – Abstract/Post Modernism
•
Expertize:
Painting, Drawing, Sculpture,
Printmaking, Ceramics
“Art is a lie that makes us realize the truth”
Ar.RAVINDRA PATNAYAKA

37. CUBISM
• Cubism is an art form derived from modernism and said to be
invented by Pablo Picasso who invented a new style of
painting, focusing mainly on line rather than color.
• Picasso does violence to the human form by means of radical
simplifications, arbitrary and harsh color combinations, and
extreme distortions of human anatomy and proportions. The
paintings space, moreover, does not conform to the logic of
perspective, the traditional system for portraying depth in a
picture, and is so fragmented that it is difficult to read clearly.
Ar.RAVINDRA PATNAYAKA

38. Picasso - Paintings
Dora Maar au Chat,
1941
Cubism
Massacre in Korea, 1951
Expressionism
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39. Picasso – Working Styles
Three Musicians (1921)
Analytical Cubism
Oil on Canvas
Baboon and Young (1951)
Expressionism/Cubism
Sculpture
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40. Picasso – “GUERNICA”
Guernica, (1937)
Expressionism –Cubism - Post-Moderrnism – Surrealistic Abstract
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41. Violin and Palette
George Braque
CUBISM
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42. EXPRESSIONISM
Chief Function of Art was to
express their intense feelings
to the World,
The Scream, 1893
Edvard Munch
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43. SALVADOR DALÍ
Surrealism, which is inspired by writings of Freud, seeks ways of accessing
the unconscious mind.
•
1904 – 1989
•
Spain
•
Movements: Cubism – Dada –
Surrealism
Ar.RAVINDRA PATNAYAKA

44. Dali - Masterpiece
 The
Persistence
of
Memory which introduced
a surrealistic image of soft,
melting pocket watches.
 The general interpretation
of the work is that the soft
watches are a rejection of
the assumption that time
is rigid or deterministic.
The Persistence of Memory, 1931
Surrealism
 This idea is supported by
other images in the work,
such
as
the
wide
expanding landscape, and
the other limp watches,
shown being devoured by
ants
Ar.RAVINDRA PATNAYAKA

45. FRIDA KAHLO
•
1907 -1954
•
Mexico
•
Movements: Surrealism
•
Expertise: Painter
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46. Frida - Masterpiece
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47. HENRY MOORE
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48. POP ART
Art as a Communication Medium by best making use of the contemporary
popular characters/celebrities etc.,
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49. ART n ARCHITECTURE
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50. BOROQUE Style
BAROQUE STYLE = {ART+ARCHITECTURE+SCULPTURE}
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51. ISLAMIC ART
Calligraphy
 ARCHES
GARDENS
 SCREENS & JALIES
Miniature Paintings
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52. ISLAMIC CONTRIBUTIONS
MARBLE STONE SCREEN AS
WINDOW
CAURVED CALLIGRAPHY ON A
RELIGIOUS BUILDING
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53. [(SCULPTURE)ARCHITECTURE]
AN EMPHISIZED NODE WITH A
SCULPTURE AS A PART OF
PUBLIC / CIVIC ARCHITECTURE
SCULPTURE AS A FOCAL POINT
WITHIN A COURTYARD OF A BUILDING
HAVING INTRICATELY CAURVED
WOODEN JALEE FAÇADE.
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54. CONTEMPORARY ART &
ARCHITECTURE
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55. A THING OF BEAUTY IS JOY FOREVER ……
- JOHN KEATS
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