Groundhogs in the Source Code (v3 UXAU)
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The updated Groundhogs in the Source Code talk I gave at UX Australia, August 2013.
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Groundhogs in the Source Code (v3 UXAU)
- 1. GROUNDHOGS navigation as cross-channel sense-making ANDREA @RESMINI UX AUSTRALIA 2013 in the SOURCE CODE
- 2. QUESTS, MAPS, WEAVING STORIES AND THE ROLE OF ARCHITECTURE
- 3. INFORMATION
- 6. COMPUTING WAS A SPECIFIC ACTIVITY STILL CONFINED TO CLEARLY IDENTIFIED BOUNDED AREAS IN SPACE AND TIME
- 7. WIKIMEDIA – HTTP://IS.GD/KOVMXY
- 9. SMEARED ACROSS MULTIPLE SITES AND MOMENTS IN COMPLEX AND OFTEN INDETERMINATE WAYS W.J.MITCHELL
- 10. WHAT WAS UNIFIED HAS BECOME DISCONNECTED AND UNEVENLY DISTRIBUTED
- 11. ARCHITECTURE
- 13. ARCHITECTURE IS ABOUT INTENT AND MEANING, NOT GEOMETRY
- 14. M. CHALMERS, INFORMATION, ARCHITECTURE AND LANGUAGE(1999)
- 18. MNSU.EDU
- 19. MNSU.EDU
- 20. MNSU.EDU
- 21. DISTINCTIONS WERE MADE AMONG THE DIFFERENT PARTS OF THE CITY
- 22. THESE PARTS WERE THEN REORGANIZED IN A PERSONALLY MEANINGFUL MESH
- 26. PEOPLE WERE RECONNECTING PERCEIVED FRAGMENTS IN MEANINGFUL PATTERNS
- 28. M. CHALMERS, INFORMATION, ARCHITECTURE AND LANGUAGE(1999)
- 41. QUESTS CONNECT MAPS WITH PLACE AND SENSE- MAKING
- 43. QUESTS ARE A MIDDLE GROUND BETWEEN NARRATIVE AND ACTIONABILITY
- 44. PRAGMATIC SPACE PERCEPTUAL SPACE EXISTENTIAL SPACE COGNITIVE SPACE ABSTRACT GEOMETRICAL SPACE INTERFACES ARCHITECTURES IN-CHANNELCROSS-CHANNEL
- 46. KHOONI DRACULA, 1992
- 47. JAPANESE SPIDERMAN, 1978
- 49. TURKISH BEDMEN, 1973
- 50. ITALIANBATHMAN, 1982
- 51. BRITANNICA.COM
- 55. SHORTHAND
- 56. SHIPS' LOGS
- 57. DIARYENTRIES
- 58. GRUNGERABBIT.COM
- 62. DRACULA3d ACT #3
- 63. ACT #4
- 64. 1 2 3 4
- 68. NOT A REAL PLACE, RIGHT?
- 70. THE HOBBIT
- 71. THE HOBBIT NOT A REAL PLACE EITHER
- 72. “PLACE IS A WAY TO UNDERSTAND THE WORLD” YI FU TUAN
- 73. ONLY THIS UNDERSTANDING IS A DYNAMIC, EVOLVING PROCESS
- 74. GROUNDHOG DAY, 1993
- 78. “HE'S TRAPPED IN SOME KIND OF TIME WARP” “A SUPERNATURAL FORCE IS SHOWING HIM HIS WEAKNESSES”
- 79. SOURCE CODE, 2011
- 83. “IT'S A FRIGGING VIDEOGAME!”
- 87. NAVIGATION AND IMMERSION ARE THE TWO SPECIFIC LANGUAGES WE USE TO ENGAGE WITH NEW MEDIA
- 89. aph.org
- 90. NEW MEDIA SPACES ARE SPACES OF NAVIGATION LEVMANOVICH
- 93. Tablet – http://is.gd/7n4pl
- 96. WE ARE RECONNECTING PERCEIVED FRAGMENTS IN MEANINGFUL PATTERNS
- 97. WE ARE RECONNECTING ACTION TO REPRESENTATION IMMERSION TO NAVIGATION AND MAKING OUR OWN MAPS
- 98. AND WE SAY NAVIGATE BUT WE REALLY MEAN UNDERSTAND
- 99. BUT THIS IS NOT ABOUT A SKEUMORPHIC REPRESENTATION OF SPACE
- 102. WE ARE LEARNING HOW TO MAKE THE DATABASE ACTIONABLE
- 103. ACTION AND REPRESENTATION ARE CHANGING AND MERGING
- 104. IN A POSTDIGITAL WORLD THE WEB IS A MAP THAT LEADS SOMEWHERE REAL
- 106. NAVIGATION IS NOT JUST ABOUT MENUS AND LINKS BETWEEN “PAGES”
- 107. NAVIGATION CHOREOGRAPHS THE BALLET OF CROSS- CHANNEL USER EXPERIENCE
- 108. DAN WILLIS, INTENT PATHS (http://www.flickr.com/photos/uxcrank/5730905682/in/photostream/)
- 111. NAVIGATION WEAVES PLACES INTO A COHESIVE AND MEANINGFUL NARRATIVE
- 112. THE LANGUAGE WE USE FOR THIS PLACE-MAKING PROCESS IS THAT OF SPATIAL SENSE-MAKING
- 113. THIS IS WHAT INFORMATION ARCHITECTURE IS ALL ABOUT
- 114. THANK YOU @resmini
Hinweis der Redaktion
- Things were different in the world of fiction, though.
- They are everywhere.
- information is seeping out of computers and the Web and blending into the physical world