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What the Research Says Renee Hobbs Professor, Temple University Philadelphia PA USA HOME Inc Conference Cambridge, MA  October 27, 2007
Overview ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Media Literacy Education ,[object Object],[object Object],[object Object],[object Object],[object Object],Media Studies Education, Learning  & Literacy
 
Media  Literacy  Education ,[object Object],[object Object]
Why it Matters ,[object Object],[object Object],[object Object]
Diverse Theoretical Frameworks ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Core Instructional Practices ,[object Object],[object Object],[object Object]
Continuing Progress in MLE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Overview ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
What research findings are emerging? ,[object Object],Kist,  New Literacies in Action , 2005
What research findings are emerging? ,[object Object],Michie,  Holler if You Hear Me , 1999
What research findings are emerging? ,[object Object],Hobbs,  Reading the Media , 2007
What research findings are emerging? ,[object Object],Bruce, “Multimedia production as composition,” Research on  Teaching Literacy Through the Visual and Communicative Arts , (in press).
What research findings are emerging? ,[object Object],Goodman,  Teaching Youth Media , 2003
What research findings are emerging? ,[object Object],Austin, Pinkleton, Hust & Cohen, Health Communication , 2004
What research findings are emerging? ,[object Object],Irving, DuPen & Berel, 1998; Neumark-Sztainer et al, 2000
Outline ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The  Process Up Close High school English teachers Concord High School, Concord New Hampshire MY GOALS:  1.) Describe the development of the innovative curriculum that incorporates popular media, television, journalism, film, and new media into the required English curriculum  2.) Gather empirical evidence of the impact of media literacy on the academic achievement of adolescents
Research Methods QUALITATIVE: 21 hours of transcribed interviews with teachers and students; student writing samples, curriculum materials QUANTITATVE: quasi-experimental pre-post design with  matched control group  with measures of reading, listening, viewing and media analysis skills
The Curriculum BOOKS: Orwell, 1984 Shelley, Frankenstein Stark, Glued to the Set Kesey, One Flew Over the Cuckoo’s Nest Junger, The Perfect Storm Hamill, News is a Verb Anderson, Feed Faulkner, As I Lay Dying FILMS:  Tough Guise, All the President’s Men High Fidelity, Bamboozled
Multimodal Texts  MAGAZINES:  Adbusters, Brill’s Content The New Yorker, Time, US News & World Report NEWSPAPERS:  Concord Monitor, Boston Globe, New York Times TV:  Burden of Proof, 60 Minutes 20/20
Instructional Methods ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Measuring Program Impact ,[object Object],[object Object],[object Object],[object Object]
A Performance-Based Measure of  Media Text Analysis (MTA) Skills ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Measuring Program Impact ,[object Object],[object Object],[object Object]
Increased Understanding of the Complex Purposes of Advertising $$$ = purpose is a business reason per = purpose is a persuasive reason psych = purpose strategically links product to emotion
Recognition of an Unstated Subtext Message in Advertising 1 = “be cool” 2 = “change your lifestyle by consumption” 3 = “be responsible”
Measuring Program Impact ,[object Object],[object Object],[object Object],[object Object],[object Object]
Critical Viewing of Television News POV = number of multiple points of view identified tech = creative construction techniques identified omit = omitted information supplied comp = points of comparison/contrast
Increased Numbers of Students Choosing News & Current Events Percent who watch or read news and current events every day
Measuring Program Impact ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Increased Reading Comprehension Skills Main Idea = number of key points identified in summary Info Detail = number of specific details recalled
Increased Non-Fiction  Reading Analysis Skills tech = number of creative construction techniques identified POV = multiple points of view identified omit = omitted information supplied
Writing Skills Quality = holistic score (1 – 5) evaluating clarity, coherence, and sentence structure
Student Voices  “ Creators of books and movies have to make critical decisions about how to construct a story just like newspaper editors and TV news directors.” “ I found myself wondering about the intentions of things that in the past I would have ignored or absorbed at face value.”
Student Voices  “ Though I considered myself a critical thinker prior to the course, I don’t think that label fit my reading style at the time… I had been trained to passively read a book with a ridiculously obvious theme, come up with the thesis statement, and  crank out a paper. This course made  that impossible.”
Why so Effective? The Learning Environment Curriculum reform initiated by faculty Block scheduling, heterogeneous grouping  & common planning time Vibrant school library media center Support from school administration High quality local newspaper
Why so Effective? The Learning Process High levels of student engagement result from perceived relevance of curriculum to life  outside of school Critical questioning supports reading comprehension by creating active learners Instruction activates metacognitive  scaffolding of analysis skills  from familiar texts (films/TV) to literature
Challenges for the Future RELEVANCE: Continuing to be responsive to students’ lived experience with media and popular culture INTERNET ANALYSIS: Critical thinking about online media  and technology AUTHORSHIP: Providing multimodal  production opportunities for all students OUTREACH: Implications for education policy  statewide
Overview ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
What Works in Teacher Education? ,[object Object],[object Object],[object Object],[object Object],[object Object]
What issues face current and future researchers? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Overview ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
What Works?  Areas of Emphasis 1.  A LIFE PRACTICE.   Focus on the processes involved in accessing and using media and technology in daily life. 2.  A LEARNED SKILL.   Focus on critically analyzing and evaluating the content, form and contexts of media messages and media systems and institutions. 3.  A FORM OF COMPOSITION.  The ability to compose or create messages using digital, visual and electronic tools for purposes of self-expression, communication and advocacy.
Three Challenges ,[object Object],[object Object],[object Object]
Overview ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
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What The Research Says, 2007

  • 1. What the Research Says Renee Hobbs Professor, Temple University Philadelphia PA USA HOME Inc Conference Cambridge, MA October 27, 2007
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  • 19. The Process Up Close High school English teachers Concord High School, Concord New Hampshire MY GOALS: 1.) Describe the development of the innovative curriculum that incorporates popular media, television, journalism, film, and new media into the required English curriculum 2.) Gather empirical evidence of the impact of media literacy on the academic achievement of adolescents
  • 20. Research Methods QUALITATIVE: 21 hours of transcribed interviews with teachers and students; student writing samples, curriculum materials QUANTITATVE: quasi-experimental pre-post design with matched control group with measures of reading, listening, viewing and media analysis skills
  • 21. The Curriculum BOOKS: Orwell, 1984 Shelley, Frankenstein Stark, Glued to the Set Kesey, One Flew Over the Cuckoo’s Nest Junger, The Perfect Storm Hamill, News is a Verb Anderson, Feed Faulkner, As I Lay Dying FILMS: Tough Guise, All the President’s Men High Fidelity, Bamboozled
  • 22. Multimodal Texts MAGAZINES: Adbusters, Brill’s Content The New Yorker, Time, US News & World Report NEWSPAPERS: Concord Monitor, Boston Globe, New York Times TV: Burden of Proof, 60 Minutes 20/20
  • 23.
  • 24.
  • 25.
  • 26.
  • 27. Increased Understanding of the Complex Purposes of Advertising $$$ = purpose is a business reason per = purpose is a persuasive reason psych = purpose strategically links product to emotion
  • 28. Recognition of an Unstated Subtext Message in Advertising 1 = “be cool” 2 = “change your lifestyle by consumption” 3 = “be responsible”
  • 29.
  • 30. Critical Viewing of Television News POV = number of multiple points of view identified tech = creative construction techniques identified omit = omitted information supplied comp = points of comparison/contrast
  • 31. Increased Numbers of Students Choosing News & Current Events Percent who watch or read news and current events every day
  • 32.
  • 33. Increased Reading Comprehension Skills Main Idea = number of key points identified in summary Info Detail = number of specific details recalled
  • 34. Increased Non-Fiction Reading Analysis Skills tech = number of creative construction techniques identified POV = multiple points of view identified omit = omitted information supplied
  • 35. Writing Skills Quality = holistic score (1 – 5) evaluating clarity, coherence, and sentence structure
  • 36. Student Voices “ Creators of books and movies have to make critical decisions about how to construct a story just like newspaper editors and TV news directors.” “ I found myself wondering about the intentions of things that in the past I would have ignored or absorbed at face value.”
  • 37. Student Voices “ Though I considered myself a critical thinker prior to the course, I don’t think that label fit my reading style at the time… I had been trained to passively read a book with a ridiculously obvious theme, come up with the thesis statement, and crank out a paper. This course made that impossible.”
  • 38. Why so Effective? The Learning Environment Curriculum reform initiated by faculty Block scheduling, heterogeneous grouping & common planning time Vibrant school library media center Support from school administration High quality local newspaper
  • 39. Why so Effective? The Learning Process High levels of student engagement result from perceived relevance of curriculum to life outside of school Critical questioning supports reading comprehension by creating active learners Instruction activates metacognitive scaffolding of analysis skills from familiar texts (films/TV) to literature
  • 40. Challenges for the Future RELEVANCE: Continuing to be responsive to students’ lived experience with media and popular culture INTERNET ANALYSIS: Critical thinking about online media and technology AUTHORSHIP: Providing multimodal production opportunities for all students OUTREACH: Implications for education policy statewide
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  • 44.
  • 45. What Works? Areas of Emphasis 1. A LIFE PRACTICE. Focus on the processes involved in accessing and using media and technology in daily life. 2. A LEARNED SKILL. Focus on critically analyzing and evaluating the content, form and contexts of media messages and media systems and institutions. 3. A FORM OF COMPOSITION. The ability to compose or create messages using digital, visual and electronic tools for purposes of self-expression, communication and advocacy.
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  • 48.