Power Josef Albers

JOSEF ALBERS 19 de marzo de 1888 - 26 de marzo de 1976 Historia del Di seño II Escuela de diseño industrial UBB

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[object Object],PRIMEROS PASOS EN LA EDUCACION...

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HOMENAJE AL CUADRADO ,[object Object]

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[object Object],[object Object],Poems and Drawings, third edition with new introduction by Nicholas Fox Weber. London: Tate Publishing, New Haven and London, Yale University Press, 2006. “ A Note on the Arts in Education” American Magazine of Art 29 (April 1936) “ Art and General Education.” Yale Alumni Magazine, April 1958 “ Art As Experience.” Progressive Education 12 (October 1935) “ Abstract-Presentational.” In American Abstract Artists, 63-64. New York: Ram Press, 1946 “ Black Mountain College.” Junior Bazaar, May 1946 “ Concerning Art Instruction.” Black Mountain College Bulletin, no.2 (June 1934) “ Dimensions of Design.” In Dimensions of Design, New York: American Craftsmen's Council, 1958 “ The Educational Value of Manual Work and Handicraft in Relation to Architecture.” New York: Philosophical Library, 1944 "Fugue." The Structurist (Saskatoon, Canada), no.4 (November 1964) “ Historisch oder jetzig?” Junge Menschen (Hamburg), no. 8, (November 1924):, 171. Special Bauhaus issue “ In Behalf of Structured Sculpture.” Art in America 49 (March 1961) “ The Interaction of Color.” Art News 62 (March 1963) “ Op Art and/or Perceptual Effects.” Yale Scientific Magazine 40, no.2 (November 1965) Interaction of Color. Boxed set with 80 color folios and commentary. New Haven and London: Yale University Press, 1963 Interaction of Color. Small ed. New Haven and London: Yale University Press, 1971, rev. 1974. Interaction of Color, revised and expanded paperback edition. New Haven and London, Yale University Press, 2006. “ Kombinationsschrift 3.” Bauhaus Zeitschrift fhr Gestaltung (Dessau), no. I (January 1931) “ Modular Brick Wall Partition.” In Art in Modern Architecture , by Eleanor Bitterman, 148-49. New York: Rheinhold, 1952. “ My Courses at the Hochschule für Gestaltung at Ulm.” 1954, Form , Cambridge, England, no. 4 (April 1967) “ On Art and Expression,” “On Articulation,” “On Enunciation,” “Seeing Art.” Yale Literary Magazine 129 (May 1960) “ The Origin of Art.” Réalités Nouvelles , no. 6 (August 1952) “ Present and/or Past.” Design , (Columbus, Ohio)47 (April 1946) Poems and Drawings . New Haven: Readymade Press, 1958. Second ed., New York: George Wiitenborn, 1961 Poems and Drawings . Third ed. with Introduction by Nicholas Fox Weber. London, Tate Publishing, 2006 “ Produktive Erziehung zur Werkform,” Deutsche Goldschmiede Zeitung (Leipzig), no. 25 (1929) Search versus Re-Search: Three Lectures by Josef Albers at Trinity College , April 1965. “ The Teaching of Art.” Carteret Digest 2 (April 1957) “ Werklicher Formunterricht.” Bauhaus (Dessau), no. 2/3 (1928) “ When I Paint and Construct.” Daedalus , 89 (Winter 1960) “ Zu meinen Glas-wandbildern.” A bis Z: Organ der Gruppe progressiver Kunstler (Cologne), no.3 (February 1933) “ Zur Okonomie der Schriftform.” Offset-Buch und Werbekunst (Leipzig), no. 7 (1926)

[object Object],JORGE PADILLA ROBINSON REYES MARCELO VALENZUELA MAURICIO CARDENAS VICTOR CARTES JORGE ESTRADA POR SU ATENCION GRACIAS! DESIGN By Todos menos el COKE

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