SlideShare ist ein Scribd-Unternehmen logo
1 von 19
Conventions of Slasher
Music
‱ A major convention in slasher films is the
music used. Non-diagetic music is frequently
used when the killer is hunting its victims. The
horrific music connotes that something bad is
about to happen which is usually reflected on
screen with the victim running. The music
builds up over time which creates tension.
Mise en scene
‱ The props in the film usually include weapons, in
slasher films a knife is iconic. This is because knifes
make deaths look more gory and painful. This is to add
shock value to the film. Also the killer itself has to
come right up to a victim to kill them which mirrors
hunting animals. This also allows more close ups of the
killer and tension to be built as the killer makes his/her
way to the victim. The clothing usually used by victims
is casual college clothing to reflect the fact that they
are students. The antagonist usually wears dark
clothing to add terror and they usually cover their face.
This connotes that they are an unstoppable force or
monster without human morals or values.
Setting
‱ The setting is usually a school. This is to
appeal to the target audience of teenagers.
Having a familiar location means that the film
becomes more appealing and similar to their
lifestyle which makes the film more scary.
Lighting
‱ The lighting used in slasher films is dark. This
connotes a sense of mystery or danger as the
protagonists do not know what is lurking in
the shadows. Lighting could also be used to
create lightning which is a common
occurrence in horror films which adds a sense
of danger and shock to a scene. This is
especially evident if a flash of lightning
happens and the antagonist suddenly appears.
Cinematography
‱ The cinematography is carefully used in
slasher films to add tension and terror. An
example of this is close ups of the victims
faces to capture their terror and add to the
terrifying atmosphere. Other types of
cinematography include foreground and
background shots. This is used to keep
background elements out of focus that fade
in. This connotes that an unknown object in
the background is actually the killer hiding.
Editing
‱ A lot of razor cuts are used during the
suspense scenes usually when the killer is
chasing the victim. This signifies
1. Character:
The 1st Victim is
a streetwise
woman.

To add to the
“Innocent” style, the
light in the
background seems to
create a halo above
the character to
imply she is an angel

Hair cut “Bob”
with a young
and innocent
style. This
makes the
character look
defenceless to
the audience

Clothes
covering
up, Understate
d clothing.

Smiling even
though she is
talking to a
stranger. She is
willing to talk
“Naive”. She also is
willing to help
which adds to her
“innocent”
representation.
2. Camera
Angle/Lighting

A Dutch tilt is
used to convey
her uneasy
feeling, talking
to a stranger.

The TV is off/Blue
screen. This
connotes that the
outside world has
been cut off as there
is no signal.

The lamp has been placed in
the corner to create a contrast
between the light on one side
of the screen against the dark.
The character moves from the
light side of the room toward
the window as if she is going
somewhere bad or something
bad is going to happen to her
“Going into the Unknown”.

As the camera pans, the
character is kept in to the
right. This is to emphasise
the dark outside the
window which takes up a lot
of this shot.
3. Sound/Shot

Wind is heard
whistling
through the
trees, this
diegetic sound
adds tension to
the scene and
gives the
audience the
idea that a
big, unknown
entity is lurking
outside.

This is an establishing shot
that sets up the scene and
where the following events
take place. It also shows the
audience the “Plan” of the
house, possible entrances
and exits that could show
escape routes and places
the killer could enter.

The squeaky swing
adds a spooky
atmosphere to the
night as it makes the
audience believe that
there is something
lurking around in the
night.

The house itself
connotes that
the family is
wealthy and it
is also secluded
which makes
chances of
escape or help
low.
4. Character

The door in the
background is
left open with a
dark shadow
which further
adds to the fact
that something
could be lurking
in the
background.
The fact that she is
holding a knife
adds a sudden hint
of danger to the
situation and could
be a foretelling of
later events.

She is still smiling
despite this
stranger calling her
for the 3rd time.
This continues the
representation of
naivety of the
character.

She is talking on the
phone about
“Halloween” a film
where the killer
uses a knife to kill
his victims. This is
referenced by her
pulling the knife out
of the block.
5.Tension

The gradual increase in size of the
popcorn adds tension to the scene as
it looks like it will burst soon. This
kind of becomes a countdown timer
until something bad happens or the
woman gets harmed.
The Popcorn is left to continually be
cooked and grows too big. This connotes
that she is too busy to notice that her
popcorn is about to overcook. This could
be a result the killer taunting her over
the phone (out of shot but heard in
these screenshots) and scaring her to the
point of forgetting about the popcorn.
6.

She is kept in the left side of the
frame. This is to give the audience
the expectation that something
behind in the hallway may kill her.
This is to build up the growing
tension that the killer is near the
house.

The fact that most of her
face is hidden behind the
door shows that she is
trying to protect herself
and is in genuine
fear, peering through the
window instead of look
straight through the glass
or even opening the door.

The blue screen is
again shown to remind
the audience that she
is cut off from society
in this desperate time.
7.

The woman is kept to the
right of the shot to give the
audience the impression that
the killer will burst through
the double doors behind her.
Lots of shots like these have
been utilised to suggest ways
that the killer could enter to
build up tension before the
scare.
8.

His directed groans
toward the woman
suggest that he
doesn't want to be
left in the dark after
she was asked by the
killer to turn the lights
out. This shows he
has a connection to
her (Boyfriend).
The killer obviously had the
whole scenario planned. This
is due to the fact that he
knew he would reveal the
boyfriend to the woman at a
specific time. This is due to
the fact that the killer used
tape to keep the boyfriend
quiet until he wanted the
woman to see him.

The cuts and bruising connote that he has been
beaten. This means that he has specifically been
placed their as a resource for the killer. This is
further backed up by his unbuttoned shirt which
suggest that he was in a struggle or fight when he
was captured. He could be seen as a threat to the
killer, especially as the girlfriend said he will protect
her, which is why the killer chose to tie him up.
9.

To escape the
killer she has
gone to the
naturally lightest
part of the room.
In a way you
could say that the
light represents
an icon of “Hope”
in slasher films,
usually where
populated areas
are.

The fact that she is now
crouched behind her own TV
shows that she is not just
scared but terrified that not
even her own home is safe to
hide her.

She is now clutching the
phone a lot more than she
originally was which
signifies that she is no
longer flirting with the
killer but actually taking
him more seriously.
10.

The woman is also walking away
from the lamp. This connotes that
she is walking into danger as she is
going from the light and
descending into darkness. Which
just so happens to be towards a
glass door which could be an entry
point for the killer, another tension
building scene.

The smoke from the burning
popcorn has been utilised to
limit the view of the
audience and character. This
makes it even more difficult
to see the killer and adds
tension to the overall scene.
11.

After being stabbed (Note the
blood and wound), the wounded
woman sees her parents arrive
just mere metres away. She even
manages to stand but cant call out
their names due to her wound.
This adds hope for the audience
that she might get away but after
her parents leave and she gets
stabbed again, the audience are
left in a bigger state of shock.
The Canted angle is deliberately
used show her lying on the ground
in disorientation and her inability to
contact her parents.
12. Realisation

The shock on the mothers
face connotes that she has
finally seen what has
happened to her daughter.
You can see that it is her
mother as her hands are kept
close to her chest to signify a
close and personal
relationship. It also prepares
the audience. This is because
they expect that she has seen
something really bad that the
audience will want to see. This
is why the tension in the
scene is built up with a slow
zoom of the mother and
farther as they look on in
horror.

Weitere Àhnliche Inhalte

Was ist angesagt?

Cape fear powerpoint
Cape fear powerpointCape fear powerpoint
Cape fear powerpointkreeve98
 
Propp's Character Roles and Narrative Functions
Propp's Character Roles and Narrative FunctionsPropp's Character Roles and Narrative Functions
Propp's Character Roles and Narrative Functionsclaireolney
 
THRILLER PLANNING
THRILLER PLANNINGTHRILLER PLANNING
THRILLER PLANNINGAnna Soukal
 
Halloween (1978) whole film case study
Halloween (1978) whole film case studyHalloween (1978) whole film case study
Halloween (1978) whole film case studyuzzthekid
 
Narrative structures and "The Shining"
Narrative structures and "The Shining"Narrative structures and "The Shining"
Narrative structures and "The Shining"nykelly
 
Friday the 13th opening sequence analysis
Friday the 13th opening sequence analysisFriday the 13th opening sequence analysis
Friday the 13th opening sequence analysisleila doyle
 
Film research
Film researchFilm research
Film researchDom Boorman
 
Nightmare on elm street opening sequence analysis
Nightmare on elm street opening sequence analysisNightmare on elm street opening sequence analysis
Nightmare on elm street opening sequence analysisleila doyle
 
'The Conjuring' Film analysis
'The Conjuring' Film analysis'The Conjuring' Film analysis
'The Conjuring' Film analysiscreesey
 
Codes and Conventions of typical horror films
Codes and Conventions of typical horror filmsCodes and Conventions of typical horror films
Codes and Conventions of typical horror filmsAhmed Mohamed
 
Codes and Conventions of typical horror films
Codes and Conventions of typical horror filmsCodes and Conventions of typical horror films
Codes and Conventions of typical horror filmsAhmed Mohamed
 
A2 Media Presentation
A2 Media PresentationA2 Media Presentation
A2 Media Presentationterencelarge113
 
How does your media product represent particular social groups?
How does your media product represent particular social groups?How does your media product represent particular social groups?
How does your media product represent particular social groups?Malinatac
 
Film trailer analysis – ‘Sinister’
Film trailer analysis – ‘Sinister’Film trailer analysis – ‘Sinister’
Film trailer analysis – ‘Sinister’creesey
 
'Halloween' Film Analysis
'Halloween' Film Analysis'Halloween' Film Analysis
'Halloween' Film Analysisca11umh
 
Textual Analysis - The Hole
Textual Analysis - The HoleTextual Analysis - The Hole
Textual Analysis - The Holecreesey
 
Narrative theory in halloween (1978)
Narrative theory in halloween (1978)Narrative theory in halloween (1978)
Narrative theory in halloween (1978)Emma Rose
 
Session 2:
Session 2:Session 2:
Session 2:twinklez
 

Was ist angesagt? (20)

Cape fear powerpoint
Cape fear powerpointCape fear powerpoint
Cape fear powerpoint
 
Propp's Character Roles and Narrative Functions
Propp's Character Roles and Narrative FunctionsPropp's Character Roles and Narrative Functions
Propp's Character Roles and Narrative Functions
 
The Conjuring
The ConjuringThe Conjuring
The Conjuring
 
THRILLER PLANNING
THRILLER PLANNINGTHRILLER PLANNING
THRILLER PLANNING
 
Halloween (1978) whole film case study
Halloween (1978) whole film case studyHalloween (1978) whole film case study
Halloween (1978) whole film case study
 
Narrative structures and "The Shining"
Narrative structures and "The Shining"Narrative structures and "The Shining"
Narrative structures and "The Shining"
 
Friday the 13th opening sequence analysis
Friday the 13th opening sequence analysisFriday the 13th opening sequence analysis
Friday the 13th opening sequence analysis
 
Film research
Film researchFilm research
Film research
 
Nightmare on elm street opening sequence analysis
Nightmare on elm street opening sequence analysisNightmare on elm street opening sequence analysis
Nightmare on elm street opening sequence analysis
 
'The Conjuring' Film analysis
'The Conjuring' Film analysis'The Conjuring' Film analysis
'The Conjuring' Film analysis
 
Codes and Conventions of typical horror films
Codes and Conventions of typical horror filmsCodes and Conventions of typical horror films
Codes and Conventions of typical horror films
 
Codes and Conventions of typical horror films
Codes and Conventions of typical horror filmsCodes and Conventions of typical horror films
Codes and Conventions of typical horror films
 
A2 Media Presentation
A2 Media PresentationA2 Media Presentation
A2 Media Presentation
 
The Shining Analysis
The Shining AnalysisThe Shining Analysis
The Shining Analysis
 
How does your media product represent particular social groups?
How does your media product represent particular social groups?How does your media product represent particular social groups?
How does your media product represent particular social groups?
 
Film trailer analysis – ‘Sinister’
Film trailer analysis – ‘Sinister’Film trailer analysis – ‘Sinister’
Film trailer analysis – ‘Sinister’
 
'Halloween' Film Analysis
'Halloween' Film Analysis'Halloween' Film Analysis
'Halloween' Film Analysis
 
Textual Analysis - The Hole
Textual Analysis - The HoleTextual Analysis - The Hole
Textual Analysis - The Hole
 
Narrative theory in halloween (1978)
Narrative theory in halloween (1978)Narrative theory in halloween (1978)
Narrative theory in halloween (1978)
 
Session 2:
Session 2:Session 2:
Session 2:
 

Ähnlich wie Conventions of slasher

Opening Scenes Of Slasher Films
Opening Scenes Of Slasher FilmsOpening Scenes Of Slasher Films
Opening Scenes Of Slasher FilmsArion Thomas
 
Fictional film codes and conventions
 Fictional film codes and conventions Fictional film codes and conventions
Fictional film codes and conventionsJamesPotts21
 
Halloween film case study
Halloween film case studyHalloween film case study
Halloween film case studyliyya123
 
Halloween whole film analysis
Halloween whole film analysisHalloween whole film analysis
Halloween whole film analysisGayatriBhudia
 
The Shining Analysis
The Shining AnalysisThe Shining Analysis
The Shining Analysismarrd005
 
The woman in black trailer analysis
The woman in black trailer analysisThe woman in black trailer analysis
The woman in black trailer analysislottee16
 
The purge
The purgeThe purge
The purgeJoeChapo97
 
HALLOWEEN FILM CASE STUDY ANALYSIS
HALLOWEEN FILM CASE STUDY ANALYSISHALLOWEEN FILM CASE STUDY ANALYSIS
HALLOWEEN FILM CASE STUDY ANALYSISJaaaaaaay_
 
Film trailer analysis
Film trailer analysisFilm trailer analysis
Film trailer analysisSMUGGYY1298
 
Production concepts
Production conceptsProduction concepts
Production conceptsEmma Collins
 
Conventions of slasher films and scream
Conventions of slasher films and screamConventions of slasher films and scream
Conventions of slasher films and screamHARDING421
 
Production concept
Production conceptProduction concept
Production conceptEmma Collins
 
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...Alicepalace11
 
Production concepts
Production conceptsProduction concepts
Production conceptsEmma Collins
 
Halloween film case study analysis
Halloween film case study analysisHalloween film case study analysis
Halloween film case study analysisJaaaaaaay_
 
Conventions of the slasher genre
Conventions of the slasher genreConventions of the slasher genre
Conventions of the slasher genrejamiedawsonvyners
 
Conventions of the Slasher genre
Conventions of the Slasher genreConventions of the Slasher genre
Conventions of the Slasher genrejamiedawsonvyners
 
Scream 1
Scream 1Scream 1
Scream 1simsimma
 
Question 1 media
Question 1 mediaQuestion 1 media
Question 1 mediagaara4lyf09
 
Scream opening
Scream openingScream opening
Scream openinghma1
 

Ähnlich wie Conventions of slasher (20)

Opening Scenes Of Slasher Films
Opening Scenes Of Slasher FilmsOpening Scenes Of Slasher Films
Opening Scenes Of Slasher Films
 
Fictional film codes and conventions
 Fictional film codes and conventions Fictional film codes and conventions
Fictional film codes and conventions
 
Halloween film case study
Halloween film case studyHalloween film case study
Halloween film case study
 
Halloween whole film analysis
Halloween whole film analysisHalloween whole film analysis
Halloween whole film analysis
 
The Shining Analysis
The Shining AnalysisThe Shining Analysis
The Shining Analysis
 
The woman in black trailer analysis
The woman in black trailer analysisThe woman in black trailer analysis
The woman in black trailer analysis
 
The purge
The purgeThe purge
The purge
 
HALLOWEEN FILM CASE STUDY ANALYSIS
HALLOWEEN FILM CASE STUDY ANALYSISHALLOWEEN FILM CASE STUDY ANALYSIS
HALLOWEEN FILM CASE STUDY ANALYSIS
 
Film trailer analysis
Film trailer analysisFilm trailer analysis
Film trailer analysis
 
Production concepts
Production conceptsProduction concepts
Production concepts
 
Conventions of slasher films and scream
Conventions of slasher films and screamConventions of slasher films and scream
Conventions of slasher films and scream
 
Production concept
Production conceptProduction concept
Production concept
 
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
 
Production concepts
Production conceptsProduction concepts
Production concepts
 
Halloween film case study analysis
Halloween film case study analysisHalloween film case study analysis
Halloween film case study analysis
 
Conventions of the slasher genre
Conventions of the slasher genreConventions of the slasher genre
Conventions of the slasher genre
 
Conventions of the Slasher genre
Conventions of the Slasher genreConventions of the Slasher genre
Conventions of the Slasher genre
 
Scream 1
Scream 1Scream 1
Scream 1
 
Question 1 media
Question 1 mediaQuestion 1 media
Question 1 media
 
Scream opening
Scream openingScream opening
Scream opening
 

Mehr von rayJMA

Representation of noir characters
Representation of noir charactersRepresentation of noir characters
Representation of noir charactersrayJMA
 
Costume
CostumeCostume
CostumerayJMA
 
London riots hmwk
London riots hmwkLondon riots hmwk
London riots hmwkrayJMA
 
Storyboard a2
Storyboard a2Storyboard a2
Storyboard a2rayJMA
 
Animatic storyboard a2
Animatic storyboard a2Animatic storyboard a2
Animatic storyboard a2rayJMA
 
Moral panic examples
Moral panic examplesMoral panic examples
Moral panic examplesrayJMA
 
Exam intro
Exam introExam intro
Exam introrayJMA
 
Suspense
SuspenseSuspense
SuspenserayJMA
 
Soap
SoapSoap
SoaprayJMA
 
Shameless representations
Shameless representationsShameless representations
Shameless representationsrayJMA
 
Media presentation
Media presentationMedia presentation
Media presentationrayJMA
 
As technical
As technicalAs technical
As technicalrayJMA
 
Representation in the news
Representation in the newsRepresentation in the news
Representation in the newsrayJMA
 
Representations and stereotypes
Representations and stereotypesRepresentations and stereotypes
Representations and stereotypesrayJMA
 
Tie notes
Tie notesTie notes
Tie notesrayJMA
 
Neo Noir Animatic Storyboard
Neo Noir Animatic StoryboardNeo Noir Animatic Storyboard
Neo Noir Animatic StoryboardrayJMA
 
Basingstoke recce shots
Basingstoke recce shotsBasingstoke recce shots
Basingstoke recce shotsrayJMA
 
Analysis of the camera
Analysis of the cameraAnalysis of the camera
Analysis of the camerarayJMA
 
Analysis of 3 fantasy opening titles
Analysis of 3 fantasy opening titlesAnalysis of 3 fantasy opening titles
Analysis of 3 fantasy opening titlesrayJMA
 
Inception Analysis
Inception AnalysisInception Analysis
Inception AnalysisrayJMA
 

Mehr von rayJMA (20)

Representation of noir characters
Representation of noir charactersRepresentation of noir characters
Representation of noir characters
 
Costume
CostumeCostume
Costume
 
London riots hmwk
London riots hmwkLondon riots hmwk
London riots hmwk
 
Storyboard a2
Storyboard a2Storyboard a2
Storyboard a2
 
Animatic storyboard a2
Animatic storyboard a2Animatic storyboard a2
Animatic storyboard a2
 
Moral panic examples
Moral panic examplesMoral panic examples
Moral panic examples
 
Exam intro
Exam introExam intro
Exam intro
 
Suspense
SuspenseSuspense
Suspense
 
Soap
SoapSoap
Soap
 
Shameless representations
Shameless representationsShameless representations
Shameless representations
 
Media presentation
Media presentationMedia presentation
Media presentation
 
As technical
As technicalAs technical
As technical
 
Representation in the news
Representation in the newsRepresentation in the news
Representation in the news
 
Representations and stereotypes
Representations and stereotypesRepresentations and stereotypes
Representations and stereotypes
 
Tie notes
Tie notesTie notes
Tie notes
 
Neo Noir Animatic Storyboard
Neo Noir Animatic StoryboardNeo Noir Animatic Storyboard
Neo Noir Animatic Storyboard
 
Basingstoke recce shots
Basingstoke recce shotsBasingstoke recce shots
Basingstoke recce shots
 
Analysis of the camera
Analysis of the cameraAnalysis of the camera
Analysis of the camera
 
Analysis of 3 fantasy opening titles
Analysis of 3 fantasy opening titlesAnalysis of 3 fantasy opening titles
Analysis of 3 fantasy opening titles
 
Inception Analysis
Inception AnalysisInception Analysis
Inception Analysis
 

KĂŒrzlich hochgeladen

👙 Kolkata Call Girls Sonagachi đŸ’«đŸ’«7001035870 Model escorts Service
👙  Kolkata Call Girls Sonagachi đŸ’«đŸ’«7001035870 Model escorts Service👙  Kolkata Call Girls Sonagachi đŸ’«đŸ’«7001035870 Model escorts Service
👙 Kolkata Call Girls Sonagachi đŸ’«đŸ’«7001035870 Model escorts Serviceanamikaraghav4
 
2k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 92055419142k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 9205541914Delhi Call girls
 
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...noor ahmed
 
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...aamir
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girls in Nagpur High Profile
 
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...Riya Pathan
 
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...noor ahmed
 
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...noor ahmed
 
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service NashikCall Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service NashikCall Girls in Nagpur High Profile
 
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance BookingCall Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Bookingroncy bisnoi
 
5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...
5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...
5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...Apsara Of India
 
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...ranjana rawat
 
Contact:- 8860008073 Call Girls in Karnal Escort Service Available at Afforda...
Contact:- 8860008073 Call Girls in Karnal Escort Service Available at Afforda...Contact:- 8860008073 Call Girls in Karnal Escort Service Available at Afforda...
Contact:- 8860008073 Call Girls in Karnal Escort Service Available at Afforda...Apsara Of India
 
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...rahim quresi
 
Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448ont65320
 
Call Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service NashikCall Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service NashikCall Girls in Nagpur High Profile
 
Call Girls Agency In Goa 💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
Call Girls  Agency In Goa  💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...Call Girls  Agency In Goa  💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
Call Girls Agency In Goa 💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...russian goa call girl and escorts service
 

KĂŒrzlich hochgeladen (20)

Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171
Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171
Call Girls New Ashok Nagar Delhi WhatsApp Number 9711199171
 
👙 Kolkata Call Girls Sonagachi đŸ’«đŸ’«7001035870 Model escorts Service
👙  Kolkata Call Girls Sonagachi đŸ’«đŸ’«7001035870 Model escorts Service👙  Kolkata Call Girls Sonagachi đŸ’«đŸ’«7001035870 Model escorts Service
👙 Kolkata Call Girls Sonagachi đŸ’«đŸ’«7001035870 Model escorts Service
 
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goaGoa Call Girls 9316020077 Call Girls  In Goa By Russian Call Girl in goa
Goa Call Girls 9316020077 Call Girls In Goa By Russian Call Girl in goa
 
2k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 92055419142k Shot Call girls Laxmi Nagar Delhi 9205541914
2k Shot Call girls Laxmi Nagar Delhi 9205541914
 
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
 
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
Dakshineswar Call Girls ✔ 8005736733 ✔ Hot Model With Sexy Bhabi Ready For Se...
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
 
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...
Independent Hatiara Escorts ✔ 8250192130 ✔ Full Night With Room Online Bookin...
 
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Rajpur ⟟ 8250192130 ⟟ High Class Call Girl In...
 
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Howrah ⟟ 8250192130 ⟟ High Class Call Girl In...
 
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service NashikCall Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
 
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance BookingCall Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
Call Girls Manjri Call Me 7737669865 Budget Friendly No Advance Booking
 
5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...
5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...
5* Hotels Call Girls In Goa {{07028418221}} Call Girls In North Goa Escort Se...
 
Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171Call Girls South Avenue Delhi WhatsApp Number 9711199171
Call Girls South Avenue Delhi WhatsApp Number 9711199171
 
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...
(KRITI) Pimpri Chinchwad Call Girls Just Call 7001035870 [ Cash on Delivery ]...
 
Contact:- 8860008073 Call Girls in Karnal Escort Service Available at Afforda...
Contact:- 8860008073 Call Girls in Karnal Escort Service Available at Afforda...Contact:- 8860008073 Call Girls in Karnal Escort Service Available at Afforda...
Contact:- 8860008073 Call Girls in Karnal Escort Service Available at Afforda...
 
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
Science City Kolkata ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sex...
 
Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448
 
Call Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service NashikCall Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
Call Girl Nashik Saloni 7001305949 Independent Escort Service Nashik
 
Call Girls Agency In Goa 💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
Call Girls  Agency In Goa  💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...Call Girls  Agency In Goa  💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
Call Girls Agency In Goa 💚 9316020077 💚 Call Girl Goa By Russian Call Girl ...
 

Conventions of slasher

  • 2. Music ‱ A major convention in slasher films is the music used. Non-diagetic music is frequently used when the killer is hunting its victims. The horrific music connotes that something bad is about to happen which is usually reflected on screen with the victim running. The music builds up over time which creates tension.
  • 3. Mise en scene ‱ The props in the film usually include weapons, in slasher films a knife is iconic. This is because knifes make deaths look more gory and painful. This is to add shock value to the film. Also the killer itself has to come right up to a victim to kill them which mirrors hunting animals. This also allows more close ups of the killer and tension to be built as the killer makes his/her way to the victim. The clothing usually used by victims is casual college clothing to reflect the fact that they are students. The antagonist usually wears dark clothing to add terror and they usually cover their face. This connotes that they are an unstoppable force or monster without human morals or values.
  • 4. Setting ‱ The setting is usually a school. This is to appeal to the target audience of teenagers. Having a familiar location means that the film becomes more appealing and similar to their lifestyle which makes the film more scary.
  • 5. Lighting ‱ The lighting used in slasher films is dark. This connotes a sense of mystery or danger as the protagonists do not know what is lurking in the shadows. Lighting could also be used to create lightning which is a common occurrence in horror films which adds a sense of danger and shock to a scene. This is especially evident if a flash of lightning happens and the antagonist suddenly appears.
  • 6. Cinematography ‱ The cinematography is carefully used in slasher films to add tension and terror. An example of this is close ups of the victims faces to capture their terror and add to the terrifying atmosphere. Other types of cinematography include foreground and background shots. This is used to keep background elements out of focus that fade in. This connotes that an unknown object in the background is actually the killer hiding.
  • 7. Editing ‱ A lot of razor cuts are used during the suspense scenes usually when the killer is chasing the victim. This signifies
  • 8. 1. Character: The 1st Victim is a streetwise woman. To add to the “Innocent” style, the light in the background seems to create a halo above the character to imply she is an angel Hair cut “Bob” with a young and innocent style. This makes the character look defenceless to the audience Clothes covering up, Understate d clothing. Smiling even though she is talking to a stranger. She is willing to talk “Naive”. She also is willing to help which adds to her “innocent” representation.
  • 9. 2. Camera Angle/Lighting A Dutch tilt is used to convey her uneasy feeling, talking to a stranger. The TV is off/Blue screen. This connotes that the outside world has been cut off as there is no signal. The lamp has been placed in the corner to create a contrast between the light on one side of the screen against the dark. The character moves from the light side of the room toward the window as if she is going somewhere bad or something bad is going to happen to her “Going into the Unknown”. As the camera pans, the character is kept in to the right. This is to emphasise the dark outside the window which takes up a lot of this shot.
  • 10. 3. Sound/Shot Wind is heard whistling through the trees, this diegetic sound adds tension to the scene and gives the audience the idea that a big, unknown entity is lurking outside. This is an establishing shot that sets up the scene and where the following events take place. It also shows the audience the “Plan” of the house, possible entrances and exits that could show escape routes and places the killer could enter. The squeaky swing adds a spooky atmosphere to the night as it makes the audience believe that there is something lurking around in the night. The house itself connotes that the family is wealthy and it is also secluded which makes chances of escape or help low.
  • 11. 4. Character The door in the background is left open with a dark shadow which further adds to the fact that something could be lurking in the background. The fact that she is holding a knife adds a sudden hint of danger to the situation and could be a foretelling of later events. She is still smiling despite this stranger calling her for the 3rd time. This continues the representation of naivety of the character. She is talking on the phone about “Halloween” a film where the killer uses a knife to kill his victims. This is referenced by her pulling the knife out of the block.
  • 12. 5.Tension The gradual increase in size of the popcorn adds tension to the scene as it looks like it will burst soon. This kind of becomes a countdown timer until something bad happens or the woman gets harmed. The Popcorn is left to continually be cooked and grows too big. This connotes that she is too busy to notice that her popcorn is about to overcook. This could be a result the killer taunting her over the phone (out of shot but heard in these screenshots) and scaring her to the point of forgetting about the popcorn.
  • 13. 6. She is kept in the left side of the frame. This is to give the audience the expectation that something behind in the hallway may kill her. This is to build up the growing tension that the killer is near the house. The fact that most of her face is hidden behind the door shows that she is trying to protect herself and is in genuine fear, peering through the window instead of look straight through the glass or even opening the door. The blue screen is again shown to remind the audience that she is cut off from society in this desperate time.
  • 14. 7. The woman is kept to the right of the shot to give the audience the impression that the killer will burst through the double doors behind her. Lots of shots like these have been utilised to suggest ways that the killer could enter to build up tension before the scare.
  • 15. 8. His directed groans toward the woman suggest that he doesn't want to be left in the dark after she was asked by the killer to turn the lights out. This shows he has a connection to her (Boyfriend). The killer obviously had the whole scenario planned. This is due to the fact that he knew he would reveal the boyfriend to the woman at a specific time. This is due to the fact that the killer used tape to keep the boyfriend quiet until he wanted the woman to see him. The cuts and bruising connote that he has been beaten. This means that he has specifically been placed their as a resource for the killer. This is further backed up by his unbuttoned shirt which suggest that he was in a struggle or fight when he was captured. He could be seen as a threat to the killer, especially as the girlfriend said he will protect her, which is why the killer chose to tie him up.
  • 16. 9. To escape the killer she has gone to the naturally lightest part of the room. In a way you could say that the light represents an icon of “Hope” in slasher films, usually where populated areas are. The fact that she is now crouched behind her own TV shows that she is not just scared but terrified that not even her own home is safe to hide her. She is now clutching the phone a lot more than she originally was which signifies that she is no longer flirting with the killer but actually taking him more seriously.
  • 17. 10. The woman is also walking away from the lamp. This connotes that she is walking into danger as she is going from the light and descending into darkness. Which just so happens to be towards a glass door which could be an entry point for the killer, another tension building scene. The smoke from the burning popcorn has been utilised to limit the view of the audience and character. This makes it even more difficult to see the killer and adds tension to the overall scene.
  • 18. 11. After being stabbed (Note the blood and wound), the wounded woman sees her parents arrive just mere metres away. She even manages to stand but cant call out their names due to her wound. This adds hope for the audience that she might get away but after her parents leave and she gets stabbed again, the audience are left in a bigger state of shock. The Canted angle is deliberately used show her lying on the ground in disorientation and her inability to contact her parents.
  • 19. 12. Realisation The shock on the mothers face connotes that she has finally seen what has happened to her daughter. You can see that it is her mother as her hands are kept close to her chest to signify a close and personal relationship. It also prepares the audience. This is because they expect that she has seen something really bad that the audience will want to see. This is why the tension in the scene is built up with a slow zoom of the mother and farther as they look on in horror.