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EQUIPOISE
KYLE BELL, RACHEL MEREDITH, WILL CHANDLER, GEORGE GREGORY, RACHEL RAPER
OUR CAUSE
 Our reason driving this project is a belief in equality:
 Equal treatment
 Equal representation
 Equal opportunity
"We’re viewed as equals — but we’re still not
there yet. [...] The challenge for our girls, I think,
is dealing with that resistance. How can we lift
and defuse it, how do we make it so our equality
is not so threatening? Our girls are going to have
to contend with that. I contend with it right now
in every realm I operate in.“ – Meryl Streep
“To every woman who gave birth, to every
taxpayer and citizen of this nation, we have
fought for everybody else’s equal rights. It’s
our time to have wage equality once and for
all and equal rights for women […]”– Patricia
Arquette
3 STEP PLAN
i. To Engage
ii. To Educate/Collaborate
iii. To Exhibit/Celebrate
Fuel The Debate
Encourage Talent
Promote Existing Work
WORKSHOPS
 It is very important to engage minds as early as possible and get them enthusiastic about
our cause
 Encouraging girls to participate in the project will make them more likely to want to carry
on with film into their careers, and help to make the balance more equal
INSTITUTIONS
 Leeds City college
 Bradford College
 Leeds College of Art
 Leeds Trinity
 University of Bradford
 University of Leeds
WHY?
 These people are the next generation of filmmakers
 16-21 for the workshops
 Everyone for the Festival
 Each of us will take a workshop with one of the groups
 We will encourage them to be female led with female centric stories
 3 to 4 minute films with our help to edit
 We are hoping for around 5 students per group
WHAT?
THE OUTCOME
 The outcome for the students will be having their films screened at a festival
 They will also be getting professional experience
 They hopefully be able to talk with professional filmmakers who are also passionate about
getting women more involved in the film industry
CONTRIBUTORS
 Motivational talks/speeches
 Sexism
 Overcoming obstacles
 Difficulties
 Positives
 Outcomes of working in the industry
 4 women in the film industry
 Linda Ruth Williams
 Ilana Garrard
 Jeanie Finlay
 Marysia Trembecka
LINDA RUTH WILLIAMS
 Linda Ruth Williams
 Professor of Film Studies in the School of
Humanities at the University of Southampton
 Special interests include sexuality and censorship
in cinema and literature, women in
film, psychoanalytic theory and D. H. Lawrence.
ILANA GARRARD
 Ilana Garrard
 Camera/Steadicam Operator working in London
 Works mainly on Documentaries in the UK
JEANIE FINLAY
 Jeanie Finlay
 Documentary Filmmaker based UK midlands
 Won 2 awards
 Nominated for 3
 Member of WFTV
MARYSIA TREMBECKA
 Marysia Trembecka
 Actor/Musician/Singer trained in London, Los
Angeles and New York, main instrument is the
jazz bass guitar
 Member of WFTV
BUDGET
 Expenditures:
 Venues
 Distribution
 Guest Speakers
 Transport
 Revenue:
 Tickets
 Download Sales
 DVD Sales
 Sponsorship
 Indiegogo
EXPENDITURES
 Everyman Cinema- £10337
 West Yorkshire Playhouse- £7200
 Guest Speakers- £560
 Transport- £240
 DVD Distribution- £15 Per 100 DVDs
 Total- £18337
REVENUE
 BFI- £5000
 Tickets- £20 Per Person- 200 People= £4000
 Downloads- £5 Per Download- Estimate 200 People= £1000
 DVDs- £7 Per DVD- Estimate 200 People= £1400
 Kickstarter- £5000 Target
 Sponsorships- £5000, From:
 Leeds City Council
 Yorkshire Post
 EE
 Visit Leeds
 Leeds BID
WHY CROWDFUNDING IS IMPORTANT
Money from out crowdfunding campaign will help towards:
 Locations
 Guest speakers
 Transport
PERKS
 £1 – Thank You!
 £5 – Social Media Shoutout
 £10 – Badges/Wristbands
 £15 – Digital Download
 £25 –Credited
 £30 – Picture Credit
 £40 – DVD
 £50 – Tickets
 £75 – Tote bag of goodies
 £100 – VIP
 £150 – In the documentary
 £200 – Executive Producer
Keep it central, keep it focussed. “Create a list of interesting people to
follow, say interesting things yourself and watch your account grow and
grow” (Grove, 2015)
Q and A's, Promotion videos for crowdfunding campaigns, Trailers,
Production Stories, Vlogging
Grove, E. (2015) Social Media for Filmmakers: Start with the Basics. [Internet] Available from http://www.raindance.org/social-media-for-filmmakers-
start-with-the-basics/ [Accessed 3rd December 2015]
A contender for a strong central hub, but due to it’s ever-growing
complicated sections, it’s potentially falling out of favour for
marketing/word spread
ANY QUESTIONS?

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Promoting Gender Equality in Film

  • 1. EQUIPOISE KYLE BELL, RACHEL MEREDITH, WILL CHANDLER, GEORGE GREGORY, RACHEL RAPER
  • 2. OUR CAUSE  Our reason driving this project is a belief in equality:  Equal treatment  Equal representation  Equal opportunity
  • 3. "We’re viewed as equals — but we’re still not there yet. [...] The challenge for our girls, I think, is dealing with that resistance. How can we lift and defuse it, how do we make it so our equality is not so threatening? Our girls are going to have to contend with that. I contend with it right now in every realm I operate in.“ – Meryl Streep “To every woman who gave birth, to every taxpayer and citizen of this nation, we have fought for everybody else’s equal rights. It’s our time to have wage equality once and for all and equal rights for women […]”– Patricia Arquette
  • 4.
  • 5. 3 STEP PLAN i. To Engage ii. To Educate/Collaborate iii. To Exhibit/Celebrate Fuel The Debate Encourage Talent Promote Existing Work
  • 6. WORKSHOPS  It is very important to engage minds as early as possible and get them enthusiastic about our cause  Encouraging girls to participate in the project will make them more likely to want to carry on with film into their careers, and help to make the balance more equal
  • 7. INSTITUTIONS  Leeds City college  Bradford College  Leeds College of Art  Leeds Trinity  University of Bradford  University of Leeds
  • 8. WHY?  These people are the next generation of filmmakers  16-21 for the workshops  Everyone for the Festival
  • 9.  Each of us will take a workshop with one of the groups  We will encourage them to be female led with female centric stories  3 to 4 minute films with our help to edit  We are hoping for around 5 students per group WHAT?
  • 10. THE OUTCOME  The outcome for the students will be having their films screened at a festival  They will also be getting professional experience  They hopefully be able to talk with professional filmmakers who are also passionate about getting women more involved in the film industry
  • 11. CONTRIBUTORS  Motivational talks/speeches  Sexism  Overcoming obstacles  Difficulties  Positives  Outcomes of working in the industry  4 women in the film industry  Linda Ruth Williams  Ilana Garrard  Jeanie Finlay  Marysia Trembecka
  • 12. LINDA RUTH WILLIAMS  Linda Ruth Williams  Professor of Film Studies in the School of Humanities at the University of Southampton  Special interests include sexuality and censorship in cinema and literature, women in film, psychoanalytic theory and D. H. Lawrence.
  • 13. ILANA GARRARD  Ilana Garrard  Camera/Steadicam Operator working in London  Works mainly on Documentaries in the UK
  • 14. JEANIE FINLAY  Jeanie Finlay  Documentary Filmmaker based UK midlands  Won 2 awards  Nominated for 3  Member of WFTV
  • 15. MARYSIA TREMBECKA  Marysia Trembecka  Actor/Musician/Singer trained in London, Los Angeles and New York, main instrument is the jazz bass guitar  Member of WFTV
  • 16. BUDGET  Expenditures:  Venues  Distribution  Guest Speakers  Transport  Revenue:  Tickets  Download Sales  DVD Sales  Sponsorship  Indiegogo
  • 17. EXPENDITURES  Everyman Cinema- £10337  West Yorkshire Playhouse- £7200  Guest Speakers- £560  Transport- £240  DVD Distribution- £15 Per 100 DVDs  Total- £18337
  • 18. REVENUE  BFI- £5000  Tickets- £20 Per Person- 200 People= £4000  Downloads- £5 Per Download- Estimate 200 People= £1000  DVDs- £7 Per DVD- Estimate 200 People= £1400  Kickstarter- £5000 Target  Sponsorships- £5000, From:  Leeds City Council  Yorkshire Post  EE  Visit Leeds  Leeds BID
  • 19. WHY CROWDFUNDING IS IMPORTANT Money from out crowdfunding campaign will help towards:  Locations  Guest speakers  Transport
  • 20. PERKS  £1 – Thank You!  £5 – Social Media Shoutout  £10 – Badges/Wristbands  £15 – Digital Download  £25 –Credited  £30 – Picture Credit  £40 – DVD  £50 – Tickets  £75 – Tote bag of goodies  £100 – VIP  £150 – In the documentary  £200 – Executive Producer
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  • 22. Keep it central, keep it focussed. “Create a list of interesting people to follow, say interesting things yourself and watch your account grow and grow” (Grove, 2015) Q and A's, Promotion videos for crowdfunding campaigns, Trailers, Production Stories, Vlogging Grove, E. (2015) Social Media for Filmmakers: Start with the Basics. [Internet] Available from http://www.raindance.org/social-media-for-filmmakers- start-with-the-basics/ [Accessed 3rd December 2015] A contender for a strong central hub, but due to it’s ever-growing complicated sections, it’s potentially falling out of favour for marketing/word spread
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