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Line
THE FORMAL ELEMENTS
  →line and value
  →light
  →color and pattern
  →textureand volume
  →shape
  →space motion
  →time and
  Some works also contain :
  →chance
  →improvisation
  →spontaneity
  →engaging senses sight
         other than
Line




A line is a moving point, having length and no width.

Actual lines physically exist and can be broad, thin, straight, jagged…

Implied lines do not physically exist, but appear to be real.
A line’s direction describes spatial relationships.

  Horizontal - imply inactivity.

  Vertical - the potential of action.

  Diagonal - suggest movement, like falling trees.

  Curving - suggest flowing movement.
Lines have direction:

   →horizontal
   →vertical
   →diagonal
   →curved
   →meandering
Line quality expresses a range of emotions,
  fragility, roughness, anger, whimsy, vigor...
Compare - Utagawa Kunisada. Shoki the Demon Queller,
c.1849–1853. Woodblock print, 14" × 9 1/2". Burrell Collection, Glasgow.

With Paul Klee, They’re Biting, 1920.
Drawing and oil on paper, 121/4" × 91/4". Tate Gallery, London.
Gesture lines - rapid,
  sketchy marks mimicking
  the movement of human
  eyes when examining a
  subject.
Outline - follows the edges
  of a silhouette of a 3-d
  form with uniform line
  thickness.
Contour lines mark the edges
  of a 3-d object with varying
  line thickness and with
  some internal detail.
Cross-contours - repeated
  lines around an object and
  express its 3-dimensionality.
Lines can produce tones, or
   values, as in parallel lines of
   hatching.

Parallel lines in layers is
   crosshatching.



  Crosshatching
            Many thin, parallel lines create
  the illusion of a gray tone, parallel lines
  layered on top of each other create
  darker gray tones
Expressive vs. analytical line
Line and other Art Elements
• Line and shape: contour and cross
  contour
• Line and value: hatching and cross
  hatching
• Line and texture
• Line and color
Contour Line
Cross contour
Line as Representation and
             Expression
•   Gesture
•   Gestural
•   Calligraphic
•   Implied line
Gesture
In the Style of Giacometti
Line

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Line

  • 2. THE FORMAL ELEMENTS →line and value →light →color and pattern →textureand volume →shape →space motion →time and Some works also contain : →chance →improvisation →spontaneity →engaging senses sight other than
  • 3.
  • 4. Line A line is a moving point, having length and no width. Actual lines physically exist and can be broad, thin, straight, jagged… Implied lines do not physically exist, but appear to be real.
  • 5. A line’s direction describes spatial relationships. Horizontal - imply inactivity. Vertical - the potential of action. Diagonal - suggest movement, like falling trees. Curving - suggest flowing movement.
  • 6. Lines have direction: →horizontal →vertical →diagonal →curved →meandering
  • 7. Line quality expresses a range of emotions, fragility, roughness, anger, whimsy, vigor...
  • 8. Compare - Utagawa Kunisada. Shoki the Demon Queller, c.1849–1853. Woodblock print, 14" × 9 1/2". Burrell Collection, Glasgow. With Paul Klee, They’re Biting, 1920. Drawing and oil on paper, 121/4" × 91/4". Tate Gallery, London.
  • 9. Gesture lines - rapid, sketchy marks mimicking the movement of human eyes when examining a subject.
  • 10. Outline - follows the edges of a silhouette of a 3-d form with uniform line thickness.
  • 11. Contour lines mark the edges of a 3-d object with varying line thickness and with some internal detail.
  • 12. Cross-contours - repeated lines around an object and express its 3-dimensionality.
  • 13. Lines can produce tones, or values, as in parallel lines of hatching. Parallel lines in layers is crosshatching. Crosshatching Many thin, parallel lines create the illusion of a gray tone, parallel lines layered on top of each other create darker gray tones
  • 15. Line and other Art Elements • Line and shape: contour and cross contour • Line and value: hatching and cross hatching • Line and texture • Line and color
  • 17.
  • 18.
  • 20.
  • 21. Line as Representation and Expression • Gesture • Gestural • Calligraphic • Implied line
  • 23.
  • 24.
  • 25. In the Style of Giacometti