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Akvatinta 22.09.2011 Mari Prekup ja Jaanika Okk Graafikatehnikad 2011
Definitsioon ja vahendid Akvatinta on sügavtrükitehnika, mille abil on võimalik saavutada toonivarjundeid, mis tekivad metallplaadi eri osade eri kestusega söövitamisel ja mille puhul plaadi karestamine toimub keemiliselt. Poleeritud tsink- või vask-plaati tolmutatakse kampolipulbrit sisaldavas kastis. Aineterakesed sadestuvad plaadi pinnale ja plaadi soojendamisel sulavad need plaadi külge kinni.
Sõna päritolu Sõna “akvatinta” tuleneb ladinakeelsest “aqua” (vesi) ja “tinta” (värvitud)
Kuidas teha akvatintat  kunstnik Nathan Oliveira teose näitel  (režervaazi ja akvatinta segu): http://www.magical-secrets.com/studio/video/aquatint
Näidis erinevatest söövitusastmetest
Näidis erinevatest söövitusastmetest
Ajalugu Esimene kampoliga katsetaja oli  Jan van de Velde IV  (1650ndatel, Madalmaad), kuid populaarsus laiemaks kasutuseks puudus. Tehnika leiutati taas Prantsusmaal 18 saj keskel, kus tekkis nõudlus joonistuste reprodutseerimise järgi.
Ajalugu Mitmed kunstnikud  katsetasid samal ajal ka pinnasöövitust: Paul Sandby ,  Inglismaal   ( 1750 )   François ,   Prantsusmaal ( 1758 ) Esimesed “puhtatõulised” akvatinta  söövitused  tegi prantsuse kunstnik  François-Philippe Charpentier  (1761)
Ajalugu Inglismaa on üks tugevamaid akvatinta traditsioonide alalhoidjaid, sest see tehnika võimaldab reprodutseerida 18. saj Briti akvarelle.  Francisco José de Goya  (1746-1828), Hispaania
“ They are Hot ”, 1799 Sarjast: “Disasters of War”   Francisco Goya
Plate 39 from The Disasters of War  ( 1810-1820 ) Francisco Goya
“ A Turk Saddling His Horse ”, 1824 Eugene Delacroix
  “ The Blacksmith”, 1833 Eugene Delacroix
Ajalugu 19saj lõpu poole hakkasid akvatintat rohkesti kasutama impressionistid ja sübolistid: Edouard Manet  (1832-1883) Edgar Degas  (1834-1917) Camille Pissarro  (1830-1903) Max Klinger  (1857-1920) Mary Cassatt  (1844-1926)
  “ Odalisque”, 1862 Édouard Manet
  “ Dead Toreador”, 1867-68 Édouard Manet
  “ Mary Cassatt at the Louvre: The Etruscan Gallery ” ( 1879-1880 ) Edgar Degas
“ Effet de pluie ”, 1879 Camille Pissarro  (Etching, aquatint, and drypoint)
  “ VEGETABLE MARKET AT POINTOISE ”, 1891 Camille Pissarro  (etching and aquatint)
“ The Diploma of Leuckart ”, 1895 Max Klinger  (Etching, aquatint)
“ Die Fakultäten ”, 1914 Max Klinger  (Etching, aquatint)
“ A Portrait of the Artist's Mother ”, u.1889-90 Mary Cassatt
“ Woman Bathing”, u.1890-91 Mary Cassatt  (drypoint, aquatint)
“ Stormtroops Advancing Under Gas”, 1924 Otto Dix
Ajalugu Alates 20. sajandist kasutatavad kunstnikud akvatintat ainult segatehnikana. Üldiselt kasutatakse akvatintat koos ofordi, kuivnõela, mõne muu sügavtrüki tehnikaga või kõrgtrükitehnikaga segamini.  Akvatintat üksinda näeb kunstiteostes harva.  Pablo Picasso  (1881-1973)
“ Faune dévoilant une dormeuse”, 1936-39 Pablo Picasso
“ L'Araignée”, 1942 Pablo Picasso
“ Faceted Scent Bottle”, 1978 Joseph Goldyne
“ Le Bureau de Maxime”, 2010 Erik Desmazières
“ Sphère captive”, 2010 Erik Desmazières
“ Shining Through” Jo Barry
“ Octopus” Judy Attwood
Edasist lugemist Ajalugu: http://arts.jrank.org/pages/9468/Aquatint.html

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Akvatinta1

  • 1. Akvatinta 22.09.2011 Mari Prekup ja Jaanika Okk Graafikatehnikad 2011
  • 2. Definitsioon ja vahendid Akvatinta on sügavtrükitehnika, mille abil on võimalik saavutada toonivarjundeid, mis tekivad metallplaadi eri osade eri kestusega söövitamisel ja mille puhul plaadi karestamine toimub keemiliselt. Poleeritud tsink- või vask-plaati tolmutatakse kampolipulbrit sisaldavas kastis. Aineterakesed sadestuvad plaadi pinnale ja plaadi soojendamisel sulavad need plaadi külge kinni.
  • 3. Sõna päritolu Sõna “akvatinta” tuleneb ladinakeelsest “aqua” (vesi) ja “tinta” (värvitud)
  • 4. Kuidas teha akvatintat kunstnik Nathan Oliveira teose näitel (režervaazi ja akvatinta segu): http://www.magical-secrets.com/studio/video/aquatint
  • 7. Ajalugu Esimene kampoliga katsetaja oli Jan van de Velde IV (1650ndatel, Madalmaad), kuid populaarsus laiemaks kasutuseks puudus. Tehnika leiutati taas Prantsusmaal 18 saj keskel, kus tekkis nõudlus joonistuste reprodutseerimise järgi.
  • 8. Ajalugu Mitmed kunstnikud katsetasid samal ajal ka pinnasöövitust: Paul Sandby , Inglismaal   ( 1750 )   François , Prantsusmaal ( 1758 ) Esimesed “puhtatõulised” akvatinta söövitused tegi prantsuse kunstnik François-Philippe Charpentier (1761)
  • 9. Ajalugu Inglismaa on üks tugevamaid akvatinta traditsioonide alalhoidjaid, sest see tehnika võimaldab reprodutseerida 18. saj Briti akvarelle. Francisco José de Goya (1746-1828), Hispaania
  • 10. “ They are Hot ”, 1799 Sarjast: “Disasters of War” Francisco Goya
  • 11. Plate 39 from The Disasters of War  ( 1810-1820 ) Francisco Goya
  • 12. “ A Turk Saddling His Horse ”, 1824 Eugene Delacroix
  • 13. The Blacksmith”, 1833 Eugene Delacroix
  • 14. Ajalugu 19saj lõpu poole hakkasid akvatintat rohkesti kasutama impressionistid ja sübolistid: Edouard Manet (1832-1883) Edgar Degas (1834-1917) Camille Pissarro (1830-1903) Max Klinger (1857-1920) Mary Cassatt (1844-1926)
  • 15. Odalisque”, 1862 Édouard Manet
  • 16. Dead Toreador”, 1867-68 Édouard Manet
  • 17. Mary Cassatt at the Louvre: The Etruscan Gallery ” ( 1879-1880 ) Edgar Degas
  • 18. “ Effet de pluie ”, 1879 Camille Pissarro  (Etching, aquatint, and drypoint)
  • 19. VEGETABLE MARKET AT POINTOISE ”, 1891 Camille Pissarro  (etching and aquatint)
  • 20. “ The Diploma of Leuckart ”, 1895 Max Klinger (Etching, aquatint)
  • 21. “ Die Fakultäten ”, 1914 Max Klinger (Etching, aquatint)
  • 22. “ A Portrait of the Artist's Mother ”, u.1889-90 Mary Cassatt
  • 23. “ Woman Bathing”, u.1890-91 Mary Cassatt (drypoint, aquatint)
  • 24. “ Stormtroops Advancing Under Gas”, 1924 Otto Dix
  • 25. Ajalugu Alates 20. sajandist kasutatavad kunstnikud akvatintat ainult segatehnikana. Üldiselt kasutatakse akvatintat koos ofordi, kuivnõela, mõne muu sügavtrüki tehnikaga või kõrgtrükitehnikaga segamini. Akvatintat üksinda näeb kunstiteostes harva. Pablo Picasso (1881-1973)
  • 26. “ Faune dévoilant une dormeuse”, 1936-39 Pablo Picasso
  • 27. “ L'Araignée”, 1942 Pablo Picasso
  • 28. “ Faceted Scent Bottle”, 1978 Joseph Goldyne
  • 29. “ Le Bureau de Maxime”, 2010 Erik Desmazières
  • 30. “ Sphère captive”, 2010 Erik Desmazières
  • 33. Edasist lugemist Ajalugu: http://arts.jrank.org/pages/9468/Aquatint.html