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➲   McLuhan's Artist in the 21st century




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➲   Peter Blank, Indiana University, 2011
➲   Www.blankmediation.com
➲   “There are no more artists because everyone is an artist.
    The work of art of the future will be the construction of a
➲   passionate life."

➲   Raoul Vaneigem, The Revolution of Everyday Life, 1967
➲   “Social media may perhaps affect the content of
    the artworks itself, it may become the subject of
    artwork itself too, however its most important
    factor is its function – its community aspect.”
➲   Leo Kogan, 2011
➲   “True art is introspective irrespective
➲   of what the platform is. The fact the
➲   media is social doesn’t automatically
➲   make the art social and
➲   un-introspective”
➲   Leo Kogan, 2011
Army Intends on Implanting fake dreams




                                         The God of the Northern Forest
I-sociality:

WE ARE USING A MEDIA SERVICE, PROVIDED TO US BY the new
     sociality, perhaps WITHOUT really KNOWING about it
      OBSOLESCENCE                       EXTENSION




        RETRIEVAL                    REVERSAL
“WE MAY TORTURE
MCLUHAN, JUST
LIKE HE TORTURED
US.” – DERRICK DE
KERCKHOVE
conclusion



–   McLuhan loved the old literary stance of
    cliché-probe

–   He tried to accept the new tribal archetype-
    cliché

–   To identify his artist we needed a vantage
    point

–   McLuhan's artist is someone who tries to
    reverse artifacts into their opposites by
    being ironic

–   Who uses artifacts/services to their
    maximum capacity until they break

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Mcluhan's Artist

  • 1. McLuhan's Artist in the 21st century 12 10 8 6 4 2 0 ➲ Peter Blank, Indiana University, 2011 ➲ Www.blankmediation.com
  • 2. “There are no more artists because everyone is an artist. The work of art of the future will be the construction of a ➲ passionate life." ➲ Raoul Vaneigem, The Revolution of Everyday Life, 1967
  • 3. “Social media may perhaps affect the content of the artworks itself, it may become the subject of artwork itself too, however its most important factor is its function – its community aspect.” ➲ Leo Kogan, 2011
  • 4. “True art is introspective irrespective ➲ of what the platform is. The fact the ➲ media is social doesn’t automatically ➲ make the art social and ➲ un-introspective” ➲ Leo Kogan, 2011
  • 5. Army Intends on Implanting fake dreams The God of the Northern Forest
  • 6. I-sociality: WE ARE USING A MEDIA SERVICE, PROVIDED TO US BY the new sociality, perhaps WITHOUT really KNOWING about it OBSOLESCENCE EXTENSION RETRIEVAL REVERSAL
  • 7. “WE MAY TORTURE MCLUHAN, JUST LIKE HE TORTURED US.” – DERRICK DE KERCKHOVE
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13. conclusion – McLuhan loved the old literary stance of cliché-probe – He tried to accept the new tribal archetype- cliché – To identify his artist we needed a vantage point – McLuhan's artist is someone who tries to reverse artifacts into their opposites by being ironic – Who uses artifacts/services to their maximum capacity until they break