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What

No




            Lens
Inspiration
Shomei Tomatsu:
  • Born on 16 January 1930 and who died 7 January
    2013
  • Everything was moving: Photography for the 60’s
    and 70’s at the Barbican
  • ‘...was perhaps the most influential Japanese
    photographer of the postwar era. His raw, grainy
    and impressionistic style signalled a dramatic
    break with the quiet formalism that defined
    earlier Japanese photography
• ‘The intentional blur and high contrast heighten
  the sense of energy...’
Others factors
• Time

• Boundaries

• What I enjoy

• Risk
Challenges




Composition

   Light
‘Shutter’ speeds at ISO 100 (I used
               400)
       • 2-3 seconds



       • 3-4 seconds



       • 10 minutes
Project 1
Aim
• To create raw and grainy impressionistic
  images
• Atmosphere

Opportunity (seizing the moment)
• Snow helped me mask time
• Hand held
• Improvised to take steadier shots
Project 2
Aim

• Clearer images (tripod)

• Local period architecture

• Impression taken in another time
Cropped to remove signs of 20 /
                            th

     21st Century influence
Unaltered
Spontaneous experimentation
creas
Cost
First film ‘Metro Imaging’ in Clerkenwell:
  • Better quality scan but...
     Process film £13.80
     Scanning £18.00
     Will do both for £20 but required separate processed
      first time to ensure film could be scanned
Films 2 & 3 ‘Peak Imaging’
  • Images lighter but...
     Processed and scanned £6.65(excludes P&P)

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What no lens!

  • 1. What No Lens
  • 2. Inspiration Shomei Tomatsu: • Born on 16 January 1930 and who died 7 January 2013 • Everything was moving: Photography for the 60’s and 70’s at the Barbican • ‘...was perhaps the most influential Japanese photographer of the postwar era. His raw, grainy and impressionistic style signalled a dramatic break with the quiet formalism that defined earlier Japanese photography
  • 3.
  • 4.
  • 5. • ‘The intentional blur and high contrast heighten the sense of energy...’
  • 6. Others factors • Time • Boundaries • What I enjoy • Risk
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 13.
  • 14. ‘Shutter’ speeds at ISO 100 (I used 400) • 2-3 seconds • 3-4 seconds • 10 minutes
  • 15.
  • 16. Project 1 Aim • To create raw and grainy impressionistic images • Atmosphere Opportunity (seizing the moment) • Snow helped me mask time • Hand held • Improvised to take steadier shots
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23. Project 2 Aim • Clearer images (tripod) • Local period architecture • Impression taken in another time
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32. Cropped to remove signs of 20 / th 21st Century influence
  • 33.
  • 34.
  • 35.
  • 36.
  • 38.
  • 39.
  • 41. creas
  • 42.
  • 43.
  • 44.
  • 45. Cost First film ‘Metro Imaging’ in Clerkenwell: • Better quality scan but... Process film £13.80 Scanning £18.00 Will do both for £20 but required separate processed first time to ensure film could be scanned Films 2 & 3 ‘Peak Imaging’ • Images lighter but... Processed and scanned £6.65(excludes P&P)

Hinweis der Redaktion

  1. Rested on the snow
  2. Rested on Island Bollard
  3. Felt easier to take secret photos, silent...
  4. How many modern signs can you see in this image? Prizes: Lamp post Double yellow lines Car Parking sign
  5. Favourite Image
  6. Increased contrast in photoshop
  7. Double exposure