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Osvaldo Lacerda (19741
SUITE pra Xilofone e Piano
L Arrasla-Pé bezeichnet ganz allgemein einen improvisierten Volkstanz
oder auch eine zwanglose Zusammenkunft, bei der lnÍormationen ausge-
tauscht werden und getanzt wird.
Spezieller ausgedrückt ist es ein schneller Tanz-Marsch, der paarweise in
Süd-Central Brasilien getanzt wird.
ll. Ponto. ln einigen Ritualen der afrikanischen, AÍro-lndianischen oder
Af ro-lndianisch-Brasilianischen Religionen sind "pontos" Gesânge, durch
die die Gottheiten (Orixas oder Masters) angeruÍen werden.
Jeder orixa hat eine oder mehrere eigene Melodien. ponto ist immer ein
vokales Lied, das von Percussion begleitet wird.
lll. Toccata ist keinevolkstümliche musikalische Form, sondern enthâlteinige
Rhythmen der religiosen AÍro-Brasilianischen Folklore.
N.B.: Der Autor venivendet in dieser Komposition keine bereits bekannten
Melodien.
Siegfried Fink
f . Arrasta-Fé. - Genericamente, significa: baile populâr,
ou uma reunião informaü onde se dansa.
Mais especificamente,é, no Centro-$ul do Brasil, urna
dansada, viva, €ffi cornpasso binario. :
baile improvisado,
especie de marcha
ll. Ponto.- Em certos cultos religiososaÍro, afro-indo, ou aÍro-indo-brasilei-
ros, dá-se o home de "Pontos" a melodias com que as divindades
(chamadas "orixás", ou "Mestres")se manifestarn ou são invocadas. cada
orixá tem qma ou mais melodias proprias. o ponto é sempre contado e
acompanhádo de instrumentos de percussão.'
lll. Toccata. - Nãg obedece a nenhum genero folcorico ou popular, mas apre-
senta a[guns ritmos encontrad i
ços no fo]clore rel igioso aÍro-b rasi lei ro.
l. Arrasta-Pe (Dance, Folk festival)
This term refers generally to improvised folk dancing or to a type oÍ informal
social gathering which includes dancing. More speciÍically it is a lively dan-
cing march, danced by couples in South-Central Brazil.
ll' Ponto. - tn som.e Af ro, AÍro-lnd ian, or Af ro- | nd ian:B razi lian rel i g ious rituals,
"Pontos" are the tunes bywhich the deities (called "orixás", oi "rrrr".t"rr'í
maniÍest themselves or are invocated.
Each Orixá has one or more melodies oÍ its own.
The "Ponto" is always sung to the accompaniment of percussion
instruments.
lll. Toccata.
- This music does not belong to any known category oÍ folk or
popular music, bot it does contain some of the same rhythms found in
Afro-Brazilian relígious Íolklore.
N.B.: The composer has not incorporated any known folk or popular me-
lodies into this work; it is an originat composition.
To Claudic Stephan
Xiloforee
Pieno
ï" Atrrâ$tâ-pd
^&,llegro con anima (J = 138) üsvaldo Lacerda tL974)
.5
í
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ffi 1977 by ïvfusikverlag Zimmermãnnn Frankfurt arn Fotokopieren ìrn$erer A.usgaben ist verbcten und wird rectrtlich verfolgt.
t s94
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O lacerda-suite-xilofone-piano-i-arrastape

  • 1.
  • 2. Osvaldo Lacerda (19741 SUITE pra Xilofone e Piano L Arrasla-Pé bezeichnet ganz allgemein einen improvisierten Volkstanz oder auch eine zwanglose Zusammenkunft, bei der lnÍormationen ausge- tauscht werden und getanzt wird. Spezieller ausgedrückt ist es ein schneller Tanz-Marsch, der paarweise in Süd-Central Brasilien getanzt wird. ll. Ponto. ln einigen Ritualen der afrikanischen, AÍro-lndianischen oder Af ro-lndianisch-Brasilianischen Religionen sind "pontos" Gesânge, durch die die Gottheiten (Orixas oder Masters) angeruÍen werden. Jeder orixa hat eine oder mehrere eigene Melodien. ponto ist immer ein vokales Lied, das von Percussion begleitet wird. lll. Toccata ist keinevolkstümliche musikalische Form, sondern enthâlteinige Rhythmen der religiosen AÍro-Brasilianischen Folklore. N.B.: Der Autor venivendet in dieser Komposition keine bereits bekannten Melodien. Siegfried Fink f . Arrasta-Fé. - Genericamente, significa: baile populâr, ou uma reunião informaü onde se dansa. Mais especificamente,é, no Centro-$ul do Brasil, urna dansada, viva, €ffi cornpasso binario. : baile improvisado, especie de marcha ll. Ponto.- Em certos cultos religiososaÍro, afro-indo, ou aÍro-indo-brasilei- ros, dá-se o home de "Pontos" a melodias com que as divindades (chamadas "orixás", ou "Mestres")se manifestarn ou são invocadas. cada orixá tem qma ou mais melodias proprias. o ponto é sempre contado e acompanhádo de instrumentos de percussão.' lll. Toccata. - Nãg obedece a nenhum genero folcorico ou popular, mas apre- senta a[guns ritmos encontrad i ços no fo]clore rel igioso aÍro-b rasi lei ro. l. Arrasta-Pe (Dance, Folk festival) This term refers generally to improvised folk dancing or to a type oÍ informal social gathering which includes dancing. More speciÍically it is a lively dan- cing march, danced by couples in South-Central Brazil. ll' Ponto. - tn som.e Af ro, AÍro-lnd ian, or Af ro- | nd ian:B razi lian rel i g ious rituals, "Pontos" are the tunes bywhich the deities (called "orixás", oi "rrrr".t"rr'í maniÍest themselves or are invocated. Each Orixá has one or more melodies oÍ its own. The "Ponto" is always sung to the accompaniment of percussion instruments. lll. Toccata. - This music does not belong to any known category oÍ folk or popular music, bot it does contain some of the same rhythms found in Afro-Brazilian relígious Íolklore. N.B.: The composer has not incorporated any known folk or popular me- lodies into this work; it is an originat composition.
  • 3. To Claudic Stephan Xiloforee Pieno ï" Atrrâ$tâ-pd ^&,llegro con anima (J = 138) üsvaldo Lacerda tL974) .5 í pwo f I c0rt 8s J# J tn t ,,1, gf,..%, rcp rryfr' -"ffi Fçqr.wq Ëhryü* pffiü f üçon 8d ffi 1977 by ïvfusikverlag Zimmermãnnn Frankfurt arn Fotokopieren ìrn$erer A.usgaben ist verbcten und wird rectrtlich verfolgt. t s94 Main / &r
  • 4. 2A 1. âEÈ ú4m%k * *-.* -'ãFIFï*-G p0ç0 f,' A,k /..Êe n {*S # tÂsr -/oto ;@ De ,; t t hi : ,Ì'--.. - k****l wüf*€ @l#ï ccpr Str 25 sgst€r8 b .Ëf ssr{l& rú| & L- -{flffi: "/T .-*.* ã *t .Í ,t #" f'í,. "de,lí ''".., .*li q íS* )ú ,r- Y w ttv '* bt'eFG .* # .+ -_q -------*-e I peeo f..n**-. k çÕ.'e sí2 - ,3# &- f o ," ,trÉ ,ii*.,'i'*ì { t'', ' .* "t* 4,h * *t *1 I --,'- %EE- f--= cfi'ã 8{r zh{ 19e4
  • 5. f:*t *&" f,@:. c#n $fr * 4ü -P ' -;: {-"--..-' 45 cops &fl p#cú radd" ü üsrnpo q Sd w p wayf "senaprs -. -- - --1--"::lrr- au l.? v t_ d,l I p bw#-' pcco rnll.Éz-'...s- Y stof ffi rcynpo @l .Fr..ry+q+ CCIN SO 5ú p' ,Á. 4 q_- con Ba- - Õ 4 il" zM $s94
  • 7. 7 frP /0 ü 4' btr€e pnea j' a ffif Y *rY .'bkÍhÈ_ *.-F ,âd L ##f i:> ïï --- tr.p rf ,*.ffiffi1 n #Ì,'." ì LIu í ffreffir,*- 84 bã { F*. 11 b l{*,, ïï.ro *fe.r il5L,r'["k -.du*Tf* . l rii Y qr qW í U ^oS l-ruM 8Ë hh HffiÚ 4+l É- wr._ffi Êffi r@ 7J A Ë3 #t 1 ',fi {b" ï ï a -_** .rr' e õo 8S ,--.lüd" ## p üY= w' p #co rsll. *t 't * r,rX e *r* ÀÌ1 ï' r l* ï"':#-* " ** H*e * üd ff"s,@- t*'d ptr-t' F %4--_ . __ïrl% ãF #f, F*d- p '$F mú 1e94
  • 8. 4*)J-* Ç:4"* !rì Ët'1 .Y <i' "ïL{? o -- -s-qfi*.*? *"*::nÌ:mre*p ,q dl' ] k ïÉ@ffiffi: % ,b *ã-rà '{li
  • 9. s Púçojf .çuüito 1Í4 Ie ggi ero b h W suôfro .{-"^ir' ,á. *- t ft ïrc l$ f,,' f *' I ryf Y Y UJr - ---"qff c o f e, 122 ---{.€:|É,3 FnrqËulxt p 'l d g ---- 'h-*r{ry-É* rÕ.. I -J zM tee4
  • 10. r0 126 130 -E PtttÍ nl ',it. - tbçc-F (uri'uet) f ltrere 4ì -bÍs8 íffiwvü tempa gr.ftr. 7 g.ffigrr poco aeeel. ,qf É er b's ryPh T '# ryf L^ ry fsuã" I ,)ô ha T 2'00 # uhd rs4