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Shot list
- 1. EleanorPenfold Shot list- further development of my story bored Shot Number Shot Type Camera Movement Description of the shot in which I am going to use and further detial An example of the shots I am going to use Location Sound 1 Black Scree. Still. Openingshot… Thisshot will be ablack screenwiththe firstof the openingcreditsappearingasfollows- 1. ProductionCompany 2. Producers 3. Actors staringwithinthe film Black Screen. None. Light intense music- typically usedwithin a horror film. 2 Low angled shot. Still. Low angled shot… Thiswill be of the car movingawaytowardsthe forest.Thisshotwill additionallycapture the car goingthrougha puddle inwhichthe ‘credits’will come through.The cameraangle will be slowlygettingfurtheraway- watching the car getsmallerandsmaller. The purpose of the shotissimilartothat of an establishingshot- Iwishtohelptosetthe scene. Thisis an example of the final shot afterthe lowangledshot. In the car nearthe forest. Background music- typical radio music.This will help allowthe msuci to flowand seem normal. 3 Extreme close up. Still. Extreme close up… An extreme close upof Jo’shandswill be displayed.Ihope tocapture heractionswhich reflectthe situation. In the car. Radio music.
- 2. EleanorPenfold 4 Medium close up. Still. Mediumclose up… Of Joglancingat Theo,lookingemotional and perhapsdesperate. In the car. Radio music. 5 Close up. Still. Close up of Theo… Mainlyon hiseyes,capturinghimglance atJo too. In the car. Radio music. 6 Perspective shot. Still. Perspective shot… Capturingthe car movingforward.The two actors facingforwardlookingsombre. In the car. Radio music. 7 Medium close up. Still. Mediumclose up… Thiswill be a shotof Theocapturingall of his movementsandbodylanguage.Theowill be lookingforwardlisteningasJospeaksto him. Dialogue- Jo- ‘I’msorryok…I don’tknowhow manymore time a can tell you.’ In the car. Radio music.
- 3. EleanorPenfold 8 Close up. Movinggetting closerto Theo. Close up… Thisshot will capture Theo’smouthandhands on the steeringwheel whenhe says…‘That’s justit,isn’tit?’ In the car. Radio music. 9 Close up. Still. Close up… Thisshot will be of the steeringwheel emphasisingTheo’sstressandannoyance. In the car. Radio music. 10 Establishing shot The shot will become bigger as the shot runs. Establishingshot… Thiswill be an image of the car movingfurther downthe lane gettingclosertothe forest.This againwill hopefullyensure thatthe audience understandthe directioninthisopeningis going. On the road near the forest of the car moving away. Radio music.
- 4. EleanorPenfold 11 Two shot Still. Two shot… Thisis a shotwhere the conversationwillbe capturedfromboth perspectives. Dialogue isasfollows… Jo- What are youtalkingabout? Theo- I can’t dothisanymore. (Jostarts to cry, perhapsonthe verge of tears.) In the car. Radio music. 12 Extreme- close up Still. Extreme-close up… Thisshot will followJoasshe wipeshereyes and flingsthe dooropen. Dialogue- ‘Stopthe car!’ In the car. Slowly getting more intense and concerning. 13 Over the shoulder Slow movement. Over the shoulder… Thisshot will be of Theolookingoutintothe forestandtalkingto himself underhisbreath. Dialogue- ‘Jo…Pleasedon’tdothis.’ Theowill be hanging out the car near the forest. Becoming more intense. Allowing the audience to knowthisis a buildup to something major withinthe film.
- 5. EleanorPenfold 14 Perspective shot Shaky- looksas if the audience is in the car. Perspective shot… Thiswill be of Theoexitingthe car(concentrate on match onaction) and followingJooutof the car. Exiting the car near theforest. Becoming more intensence. 15 Close up Still. Close up… Thisshot will be of Jolookingbacklooking distraught. Dialogue- ‘Leave me alone!’ Just outside of the forest. Becoming darker. 16 Long shot Shaky- looksas if the audience is in the film with the actors. Long shot… Thisshot will followJorunningintothe forest withJo movingaroundtreese.c.t.Thiswill be done througha hand heldcameraangle,thus allowingthe shottobe more ‘shaky’and help to create more of a horror atmosphere.Sound mustbe addedhere toemphasisa‘snap’ lettingthe audience knowthatJoisnotalone inthe forest. In the forest. Intense music.
- 6. EleanorPenfold 17 Extreme- close up Shaky- looksas if the audience is in the film with the actors. This will additionally create tension and atmosphere. Extreme- close up… Thiswill be of Jo face,slowlyzoomingintoher eyesbefore she screams. In the forest. JustJo’s breath- creatingan immense amountof tension.