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IMPRESSIONISM
NEO-IMPRESSIONISM AND
POST-IMPRESSIONISM
The invention of photography strongly
hit painting and reflecting reality was
not a priority any more.
Many artists started experiencing with
colours, atmosphere, sensations and
representing their subjective point of
view in their works. This marked the
beginning of the avant-garde styles of
the 20th
century.
Boulevard du Temple (1838),
one of the firts daguerrotypes
ÉDOUARD MANET
- He admired Velázquez and Goya.
- Transition painter between realism and impressionism
- Some of his works are considered watershed paintings, which mark the beginning of modern
art.
- Impressionist painters admired him
Music in the Tuileries
The Luncheon on the Grass
Olympia
The fifer
The balcony
The races at Longchamp
The Masked Ball at the Opera
A Bar at the Folies- Bergère
Impression, sunrise
CLAUDE MONET
-The name comes from “impression”. A
critic gave name to the new style from
Claude Monet’ s painting Impression,
Sunrise
- Impressionist artists tried to capture the
moment in their paintings, reflect reality
not as it was, but as they watched it at a
specific moment.
-Painters used loose brush-strokes, fast
colour stains, colour dominated over
drawing and painted mainly in the open air,
not in the studio
IMPRESSIONISM
CLAUDE MONET
Woman with a parasol
Argenteuil
He was really interested on how light could change a landscape and he made different
series of the same theme
Poppies blooming
The Saint-Lazare Station
Rouen Cathedral
The Houses of Parliament of London
The Grand Canal, Venice
Poplars
Water lillies
The Dance Class
He focused on human figure
and movement. He painted
scenes of dancers and horse
races
EDGAR DEGAS
Ballet rehearsal
Dancer with a bouquet of flowers
Green Dancer
Woman in the bath
The tub
The Absinthe Drinker
Horse races
He represented scenes in the open air and was also interested on feminine beauty and sensuality.
PIERRE-AUGUSTE RENOIR
The Grenouillère
Dance at the Moulin de la Galette
Luncheon on the boating party
The first outing
The Swing
Bathers
Flood at Pont Marly
ALFRED SISLEY
Among the vines
Canal Saint Martin
The frost
CAMILLE PISSARRO
Boulevard Montmartre at night
JOAQUÍN SOROLLA
Children on the seashore
Sad inheritance
Walk on the beach
Afternoon sun
SCULPTURE
AUGUSTE RODIN
He used multiple grounds to get light effects.
The thinker The burghers of Calais
Balzac The three shades
The Gates of Hell
Reflection on human condtion.
The thinker, the Three Shades and
The Kiss were an important part of this
work
The Kiss
NEO-IMPRESSIONISM
Some painters experienced with compositions made with dots of pure colour
GEORGES SEURAT
A Sunday afternoon on the Island of La Grande Jatte
Bathers at Asnières
Circus sideshow
The Eiffel Tower
The Circus
The Seine and la Grande Jatte - Springtime
PAUL SIGNAC
The Papal Palace, AvignonGrand Canal, Venice
Portrait of Félix Féneon
POST-IMPRESSIONISM
Post-Impressionist artists recovered the importance of drawing and they were not only
worried about light and colour, but about expression as well.
GAUGUIN VAN GOGH
TOULOUSE-
LAUTREC
CÉZANNE
PAUL GAUGUIN
He was one of the representatives of Cloisonnism (painting with flat forms separated by
dark contours). He spent most of his life in Tahiti (French Polynesia)
The yellow Christ
Vision after the sermon
Arearea
Tahitian women on the beach
Where do we come from? What we are? Where are we going?
The potato eaters
VICENT VAN GOGH
He was a genius with a troubled life. His paintings reflected his tortured personality:
twisted brush- strokes, use of colour… He only sold one painting in his whole life
The sower
Doctor Gachet’s portrait
Self- portraits
The starry night
Starry night over the Rhône
The night café
The red vineyard
Bedroom in Arlés
The Church at Auvers-sur- Oise
Cypresses
Wheatfield with crows
La Toilette
He was a painter and
lithographer. His favourite themes
were cabaret dancers and
prostitutes.
HENRI DE TOULOUSE-LAUTREC
Posters
Dance at the Moulin Rouge
At the Moulin Rouge
The medical inspection at the Rue
des Moulins
Salon at the Rue des Moulins
The card players
He was the precursor of Cubism. He used colour to give volume to objects and his
paintings became geometrical coloured shapes
PAUL CÉZANNE
Boy in a red waistcoat
Still-life paintings
The bathers
Sainte-Victoire Mountain

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Impressionism, Neo-Impressionism and Post-Impressionism